Features of Inner Mongolia clothing

Mongolian: Mongolian clothing has a strong prairie style. Because the Mongolian people have lived in the Saibei grassland for a long time, both men and women of the Mongolian people like to wear robes. Winter clothes in pastoral areas are mostly made of bare leather, but there are also clothes made of satin or cotton. Summer clothes are mostly made of cloth. The robe has a fat body and long sleeves, and is mostly red, yellow or dark blue. There are no slits at the hem of men's or women's robes. Belt made of red and green satin. Men in Abaga Mongolian clothing often wear knives, fire sickles, snuff boxes and other accessories on their belts. Like to wear soft leather boots, knee-length. Farmers mostly wear common clothes, including slit robes, cotton coats, etc. In winter, they often wear felt boots, while high boots are rare, and the custom of tying the waist is retained. Men mostly wear blue or black-brown hats, and some wrap their heads with silk. Women usually wrap their heads with red or blue bandanas, and wear conical hats like men in winter. Unmarried women part their hair from the front in the middle and tie it into two roots with two large round beads on them. The hair hangs slightly downward and is decorated with agate, coral, jasper, etc. Another distinctive feature is the Mongolian wrestling uniform. Xilin Gol Mongolian costumes Mongolian wrestling costumes are Mongolian costume crafts. Wrestling clothing includes waistcoats, trousers, chaps and colored silk belts. The waistcoat exposes the chest. Trousers are roomy. There are many patterns on the trousers, usually cloud patterns, plant patterns, longevity patterns, etc. The pattern is bold and powerful, and the color contrast is strong. The underwear is large and made of 10 meters of cloth. It is conducive to heat dissipation and prevents sweat from sticking to the body surface; it also adapts to the characteristics of wrestling and makes it difficult for opponents to use leg wrapping movements. The trousers are sewn from tough cloth or flannel. The knees are stitched together with patterns of various colored cloths. The patterns are generous and solemn, indicating good luck and good luck. The various parts of the costume are properly matched and integrated, showing the brave national characteristics. Hui Nationality: The main symbol of Hui nationality clothing is on the head. Men like to wear round hats made of white. There are two types of round hats, one is flat-topped and the other is hexagonal. Those who are fastidious will also tattoo exquisite patterns on their round hats. Hui women often wear hijab. There are also specialties in hijab. Old women wear white ones to look pure and elegant; middle-aged women wear black ones to look solemn and elegant; unmarried women wear green ones to look fresh and beautiful. Many married women also wear white or black round hats with rims. There are two types of round hats, one is made of white bleached cloth, and the other is woven with white thread or black silk thread, often woven into beautiful geometric patterns. In terms of clothing, old Hui men like to wear white shirts and black waistcoats (called "horse clips" by fellow villagers). Elderly Hui women wear black or brown headscarves in winter and white gauze scarves in summer, and have the habit of wearing trousers and wearing them. Young women wear red, green or blue headscarves in winter and gauze scarves in red, green, yellow and other colors in summer. Hui women in mountainous areas like to wear embroidered shoes and have the habit of piercing their ears and wearing earrings. Miao: Miao clothes are also called Miao clothing. There are no less than 200 kinds of Miao costumes in southeastern Guizhou. It is the area with the largest variety and best preservation of Miao costumes in my country and the world. It is called the "Miao Costume Museum". Generally speaking, Miao costumes maintain the traditional Chinese folk craft techniques of weaving, embroidery, picking, and dyeing. They often use one main craft technique while interspersing other craft techniques, either with embroidery or with embroidery. Dyeing with embroidery, or combining weaving and embroidery, makes these costume patterns colorful and colorful, showing distinctive national artistic characteristics. From the content point of view, most of the clothing patterns are based on various living objects in daily life, which play an important role in expressing meaning and identifying ethnic groups, branches and languages. These image records are called "epics worn on the body" by experts and scholars. From the modeling point of view, the traditional Chinese line drawing or almost line drawing modeling technique is adopted, with a single line as the outline of the pattern. From the perspective of production techniques, the five forms in the history of clothing development, namely the braided type, the weaving type, the sewing type, the patchwork type and the tailoring type, all have examples in the Miao costumes in southeastern Guizhou. The historical hierarchical relationship is clear, and it can be called clothing production. History Exhibition Hall. From the perspective of color, they are good at choosing a variety of strong contrasting colors, striving to pursue the richness and richness of colors, generally red, black, white, yellow and blue. From the composition point of view, it does not emphasize highlighting the theme, but only focuses on adapting to the overall sense of the clothing. From a formal point of view, it is divided into dressy and casual wear. Full costumes are the costumes worn during festivals and weddings. They are complicated and gorgeous, embodying the artistic level of Miao costumes. Casual clothing is quieter and more concise than dress-up styles, uses less materials and requires less work, and is suitable for daily wear. In addition to the distinction between costumes and casual clothes, Miao costumes also vary by age and region. Dai Nationality: There is little difference in the clothing of Dai men in various places. They are generally relatively simple and elegant. They wear collarless or large-breasted Dai men's short-sleeved shirts, wide-waisted, pocketless trousers, solid-color trousers, and white or cyan cloth headbands. , some wear woolen hats, like to wear blankets when the weather is cold, and are often barefoot in all seasons. This kind of clothing is light and comfortable when working in farming, and makes the wearer look fit and healthy when dancing. It retains the ancient characteristics of "clothes facing each other", "cloth scarf wrapped around the head, hanging a backpack, and carrying a short knife", but the clothing material is rarely made of self-woven "homespun cloth". Mao suits and suits have become the fashionable clothes for young and strong Dai men. In recent years, small-sleeved shirts with double-breasted or wide-breasted collars have appeared. The headscarves have been changed to water red, green, or pink silk, and the trousers remain the same. Dai men generally do not wear jewelry, but occasionally they will be found with a shiny silver bracelet on their wrist. Gold and silver teeth are their preference. They usually removed the best front teeth and replaced them with dentures made of gold or silver. In the past, there was a custom of tattooing characters, symbols, or patterns such as ligers, unicorns, and peacocks on the chest, back, abdomen, limbs, etc., to show bravery or pray for good luck.

Dai women pay attention to clothing and pursue light, beautiful and elegant attire, and coordinated clothing colors are extremely outstanding. Young women tie their long hair on top of their heads, which is a distinctive feature of Dai costumes. Dai women wear various tight-fitting underwear, light-colored coats with large breasts or double-breasted narrow-sleeved shirts, and colorful skirts with various patterns woven on them. Dai women like to tie their long hair into a bun. A comb is inserted diagonally, and a hairpin or flowers are used for decoration. Dai women like to wear jewelry, which is usually made of gold and silver, mostly hollow, and engraved with exquisite patterns and patterns. Tie an exquisite silver belt around the little man's waist. It is said that this silver belt is very precious and has been passed down from generation to generation by his mother. In fact, it is a kind of token. If the girl gives the silver belt to a young man, it means that she has fallen in love with him. Such clothes make them look charming, exquisite and graceful.