Trend of Tourism Performing Arts: Immersive Performance Combined with New Technology

China's tourism performing arts first appeared in the 198s. After more than 3 years of development, under the background of informationization and globalization, modern science and technology, represented by digital multimedia technology, has developed rapidly. With the integration of digital technology, China's tourism performing arts, especially the forms of performances, have been continuously enriched, and the relationship between viewing and performance has undergone tremendous changes.

judging from the changes in the form of the relationship between viewing and performance, China's tourism performing arts has gone through three stages:

(1) The traditional performance form is the stage of framed stage

For example, the Imitation of Tang Music and Dance, which was launched in Xi 'an in September 1982, made domestic and foreign tourists who visited Qin Terracotta Warriors and Horses in Xi 'an no longer "look at the temple during the day and sleep at night".

European Night released by Window of the World in December 1995 and romance of the song dynasty released by Song Cheng Scenic Area in March 1997.

(2) live performance stage

In 24, the large-scale landscape live performance Impression Sanjie was launched in Yangshuo, Guilin, which triggered a boom in the development of domestic large-scale live performance and tourism performing arts industry.

(3) immersive experience performance stage

Now and for a long time to come, immersive experience performance will become the main development trend of China's tourism performing arts.

in our general concept, the performance is performed on the traditional framed stage, and the audience faces the framed stage, and the audience keeps quiet and watches the performances on the stage separately. In the whole process of watching the drama, the audience has always been in a passive state to accept everything in the performance, and at the same time, it has made clear the boundary between real life and stage performance, which enables them to see everything happening on the stage, but can not exert any influence on it. The earliest tourism performance in China is the traditional performance form of this framed stage.

in recent years, due to the application of new technologies such as multimedia technology, virtual reality technology, augmented reality technology, three-dimensional reality technology, multi-channel interactive technology or mechanical numerical control device on the stage, the relationship between the performance of tourism performing arts has changed greatly, which directly affects the audience's performance behavior. And the performing arts and visual arts will create new tricks and create an immersive environment for the audience to experience. This change not only makes a breakthrough in the orthodox tourism performing arts in space, but also puts forward new aesthetic pursuits from the aspects of story text and viewing relationship. The high integration of high-tech elements and tourism performance makes this immersive experience tourism performance combined with new technology come into being.

This kind of immersive experience tourism performance first breaks the rules of the original traditional theater, breaks the traditional relationship between performers and audiences, and redefines the relationship between audiences and performers. Whether indoors or outdoors, there is no obvious boundary between the stage and the audience area, and the audience is no longer a passive bystander. Actors move and perform in it, and the audience can freely shuttle through the plot at their own pace, choose where they go and what they see, and get a unique experience of watching the drama.

Secondly, the immersive experience performance greatly stimulates the audience's senses. In addition to hearing and visual enjoyment, touch, smell and taste are also indispensable-this all-round and multi-dimensional interactive immersive experience performance will bring people a supernatural feeling of five in one. This all-round immersive experience of watching the drama is a cutting-edge art presentation form that completely combines technical means.

Third, experience the performance in an immersive way, paying attention to creativity (creativity of the story, creativity of the relationship between viewing and performance, creative application of new technologies, etc.), and using the design of situation, immersion, role, atmosphere, plot and rhythm to let the audience integrate into the story itself.

Fourth, immersive experience performance, paying attention to the exploration of story lines, putting the relationship between viewing and performance in a flowing time and space, starting with a story and slowly unfolding it, so that the audience can actively explore and discover, and different time and space choices produce different story lines. Story line, as a way of performance development, has many advantages, which makes the immersive experience performance more attractive and can arouse the enthusiasm of the audience.

The tourism performing arts under the new technology has crossed the creative bondage of physical space, and explored the laws and limits of the audience's perceived experience, which will also put forward higher requirements and challenges for the performing artists and dancers.

the integration of new technology and tourism performing arts, which are complementary and interdependent, will profoundly affect the audience's behavior, bring about changes in the relationship between viewing and performance, and provide unlimited creative imagination, interpretation possibility and viewing value for the stage performance art of tourism performing arts.

Moreover, this kind of intelligent, digital, scientific, complicated, experiential and immersive tourism performance will have an infinitely broad prospect in China, which is bound to lead the development direction of the tourism performing arts industry in China in the future.

In addition, this immersive experience tourism performance, which is highly integrated with new digital technology, will also greatly promote the development of domestic stage technology, especially the development of stage digital integrated system industry.

Stage digital integrated system enterprises should accept new and new technical concepts and actively research and develop the presentation of stage movement effect, auditory effect and visual effect; Develop technologies and systems such as stage supervision and scheduling; Research and development of interactive design and rehearsal technology and system; It is bound to promote the development of a broader and better prospect for China's tourism performance to develop a stage digital integrated control system and actively carry out integrated application demonstrations in immersive experience tourism performances.