A brief introduction to Qu Chuanguo, a famous Chinese calligrapher and painter?

?Chinese famous calligrapher and painter-Qu Chuanguo

Chinese famous calligrapher and painter-Qu Chuanguo

Qu Chuanguo (1965~) was born in Dazhou City, Sichuan. Military calligraphers and painters studied under the famous calligraphers and painters Wei Yuping, Xu Bojian, Li Yan, and Guan Shanyue, and gained a lot from visiting famous teachers such as Zhang Ding, Liu Wenxi, Qi Gong, Shen Peng, Yang Zhiguang, Liu Chunhua, and Sun Qifeng. He is currently the Vice Chairman of the Tibet Autonomous Region Calligraphers Association, Vice President of the Tibet Yellow River Poetry, Calligraphy and Painting Academy, a member of the Tibet Autonomous Region Artists Association, Deputy Director and Visiting Professor of the Institute of Chinese Studies at Sichuan Normal University, Dean of the Sichuan Tibetan Chamber of Commerce Calligraphy and Painting Academy, Sichuan Province Executive Director of the Collectors Association, Vice President of the People's Art Calligraphy and Painting Institute, Deputy Director of the China Corporate Culture Promotion Association's Enterprise Belt and Road Cultural Working Committee and Deputy Director (Researcher) of the Belt and Road Cultural Expert Committee, Veterans Calligraphy and Painting Institute of Western Sichuan International Cultural Exchange Center President, President of China Veterans Calligraphy and Painting Academy (preparatory), etc. He is good at calligraphy, painting and calligraphy, and is good at cursive calligraphy, calligraphy and traditional Chinese paintings of flowers and birds, Gesang flowers and Tibetan antelopes.

The works have been collected by cultural and museum institutions such as the National Museum of China, the Potala Palace in Tibet, and well-known domestic and foreign enterprises and collectors. In recent years, it has planned and held more than ten national calligraphy and painting art exhibitions. At the same time, it participated in the planning and construction of urban characteristic blocks and old courtyards such as Chengdu Sansheng Painter Village, Shuangliu Dalin Cuihu Lixiang Scenic Area, Jiangyou Qinglian Taibai Art Stele Forest Scenic Area, etc., and received good social effects. He once served as the executive editor-in-chief of Tibet Tourism magazine and edited many books such as "Chongqing Market Guide", "Tibet Market Guide", "Chinese Hard-tipped Calligraphers' Dictionary" (cooperation). His works have won many national gold medals and first prizes. He loves charity and public welfare, and his works have participated in charity activities many times and been rated as a charity calligrapher and painter by relevant departments. The price of his works is NT$12,000 per square foot.

Personal experience

I studied under the famous calligraphers and painters Wei Yuping, Xu Bojian, Li Yan and Guan Shanyue, and visited famous teachers such as Zhang Ding, Liu Wenxi, Qi Gong, Shen Peng, Yang Zhiguang, Liu Chunhua and others have benefited greatly.

? He once served as the executive editor of "Tibet Tourism" magazine, and edited many books such as "Chongqing Market Guide, "Tibet Market Guide", "Dictionary of Chinese Hard-tipped Calligraphers" (cooperation).

?Currently, he is the Vice Chairman of the Tibet Autonomous Region Calligraphers Association, Vice President of the Tibet Yellow River Poetry, Calligraphy and Painting Academy, a member of the Tibet Autonomous Region Artists Association, Deputy Director and Visiting Professor of the Institute of Chinese Studies, Sichuan Normal University, Tibet, Sichuan Province President of the Chamber of Commerce's Calligraphy and Painting Institute, Executive Director of the Sichuan Collectors Association, Vice President of the People's Art Calligraphy and Painting Institute, Deputy Director of the Enterprise Belt and Road Cultural Working Committee of the China Enterprise Culture Promotion Association and Deputy Director (Researcher) of the Belt and Road Cultural Expert Committee, Western Sichuan Province Dean of the Veterans Calligraphy and Painting Academy of the International Cultural Exchange Center, Dean of the China Veterans Calligraphy and Painting Academy (preparatory), etc.

Personal works

? Since 1983, it has been published in "Liberation Army Daily" and " He has published more than 400 essays and calligraphy works in publications such as "Zhanqi", "Tibet Daily", "Communication Warrior", and "Calligraphy Magazine". He has edited and published "Dictionary of Chinese Hard-tipped Calligraphers", "Chengdu Market Guide", " "Tibet Tourism Guide" (cooperation), and edited the "Chongqing Market Guide".

Evaluation by famous writers

Is the calligraphy a reflection of the heart and the deep feelings of calligraphy and writing? ——Reflections after reading the works of calligrapher Qu Chuanguo

Text/Xu Wenlong (famous writer, calligrapher and painter)

Calligraphy is a very charming art. The calligrapher Qu Chuanguo was free and elegant. He has received strict calligraphy training and formal calligraphy education, which is systematic, complete and strict. He has also practiced and created calligraphy for a long time. His works have accumulated rich and solid artistic skills. He is deeply involved in all kinds of calligraphy creations, including seal script, official script, regular script, running script and cursive script. He is particularly good at running script and cursive script.

This middle-aged calligrapher, who was born in 1964, currently serves as the vice chairman of the Tibet Autonomous Region Calligraphers Association, a member of the Tibet Autonomous Region Artists Association, and the vice president of the People's Art Calligraphy and Painting Academy. His works He has participated in many national art exhibitions and won many awards.

Qu Chuanguo’s calligraphy is highly lyrical and has a strong flavor of life. His writing style is smooth and elegant, and his compositions are intricate and varied. The line spacing is sparse and dense, and there is no cramping in the dense areas, and no feeling of emptiness in the wide areas. The size, distance, level, and arrangement of the fonts are appropriate. It can be seen that he has put a lot of effort into the management position, which makes it appear that Leisurely and elegant.

In the entire creative process of calligraphy, Mr. Qu can achieve perfect unity of movement and stillness, hardness and softness, fast and slowness, transition between reality and reality, and the state of unity between man and nature.

I admire the lines of Mr. Qu Chuanguo’s works very much. His works are not only smooth and lively, but also powerful, elegant, bright and powerful, with a sense of formal beauty and melody. The brush and ink lines of his calligraphy works often reflect his own aesthetic taste in contradictions such as size, length, dryness, fatness, thinness, sharpness and dullness. It is full of uncertainty and contains many possibilities, so his works, no matter how big or small, imply the tension of the times.

Qu Chuanguo has made many years of arduous exploration in understanding the ups and downs, front and side, lifting and turning of brushwork. Just like his many years of military life, it was a harsh beating and tempering in a special environment. Brilliant unexpectedly.

Artists practice throughout their lives without end. Those who write books have little skills and can enjoy themselves by cultivating their moral character.

Qu Chuanguo’s calligraphy uses a brush that hides the natural appearance, so it is rich in changes, the pen is agile and the ink is precise, and it has a strong sense of rhythm and movement. There is composure in the flowing beauty and elegance, the ink gradually becomes lighter and thicker, vivid and peaceful, and one can see his inner peace and leisure when creating calligraphy. He has the demeanor of a literati scholar, and the best interpretation of "books are words from the heart" can be found in his works. "The pure magnolia in the world is the most pure, and the sage is open-minded and has the same bamboo and grass." Qu Chuanguo not only pays attention to the use of brushes, but also pays great attention to the structure of the characters. The connection method shows a strong bookish flavor. Any art has its own rules of beauty creation and objective aesthetic standards. In his opinion, good calligraphy works have a "harmonic" effect once they pass through, that is, multiple voices unfold simultaneously on the same picture, which means they have a strong artistic appeal, lingering sounds, and long aftertaste, giving people People enjoy beauty.

Liu Xizai's "Yi Gai. Shu Gai" said: "The book is like Ye, like his learning, like his talent, like his ambition. In short, it is just like the person." He also said: The writing style and ink taste are all due to his style. Human nature is the basis, the books of sages are warm and gentle, the books of heroes are Shen Yi, the books of eccentrics are elegant and elegant, and the books of talented people are beautiful.

Qu Chuanguo's works reflect his high level of generalization and "processing" ability in the art of calligraphy, as well as his peaceful and quiet mind. He has a high level of "enlightenment" of calligraphy.

People and affairs have their own metabolism, and the exchanges become the past and the present. Art relies first on understanding and secondly on cultivation. Cultivation is the accumulation of decades, and it is a process of "evolution". "The thread is used to weave the brocade from heaven, and the beauty of tailoring is not the knife or ruler." This is Mr. Qu Chuanguo's practice in calligraphy.

Art has no limits. Only by being indifferent and free from the interference of profit and desire can we express our high feelings. From expressiveness to smoothness is a further understanding and integration of art.

I firmly believe that Mr. Qu Chuanguo, through his diligence and understanding, has worked hard to achieve the truth and goodness, "create new ideas in the law, and send wonderful principles beyond the boundaries." With his diligence, By adhering to the integrity and unity of character and book quality, we believe that he will reach a higher artistic realm and goal in the near future.

Main Honors

His work won the first prize in the 1990 Tibetan Calligraphy Competition and the second prize in the 1988 "Laoshan Cup" Calligraphy Competition. His works won the first prize in the calligraphy and painting competition of the General Staff College, the silver medal in the Army's "Laoshan Cup" calligraphy exhibition, the gold medal in calligraphy at the Sixth Flower Expo, and won the first prize in 1995 from the Chinese Calligraphers Association and the People's Government of the Tibet Autonomous Region. **First prize in the first "Potala Palace Cup" Tibetan-Chinese International Calligraphy, Painting and Seal Exhibition co-sponsored, Silver Award in Calligraphy at the 11th Asian Wedding Culture Festival, "Eternal Gratitude" National Calligraphy and Painting Invitational Exhibition to commemorate the first anniversary of the Wenchuan Earthquake Gold Medal etc. His works have participated in charity activities many times and were rated as charity calligraphers and painters by relevant departments.