Traditional Culture Encyclopedia - Travel guide - What lens is used for Fuji medium format landscape?

What lens is used for Fuji medium format landscape?

As I like everything more and more, I sold Quan Huafu and all kinds of zoom lenses nine months ago and replaced them with Fuji GFX 50R+GF 63/2.8 medium format travel camera (this name was given to this suit by a foreign photographer, which I think is very appropriate). After using it for several months, I felt that the medium format was cool for a while, and it has always been cool.

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The medium format travel camera can be used at will like 135.

Thanks to the rapid development of sensor technology, Fuji GFX 50R not only has the image quality of medium format, but also has the speed of 135, and the weight of 1 180g after hanging 63/2.8 is within the tolerable range.

On GFX 50R, there are no limitations of the previous medium format camera, such as dead weight, inability to shoot jpg, turtle speed processing, ISO maximum 100, etc. And the playback and remake are smooth, so it can be used at will like a 135 camera.

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GFX 50R+GF63/2.8，F5.6， 1/4000，ISO 1600

No camera can cover everything, especially the medium format.

However, GFX 50R is still a medium format camera, and balance is the disadvantage of medium format. Compared with 135 system, its advantages and disadvantages are more extreme. Choosing GFX 50R means that the scope of use of the camera in your hand has narrowed. Although the picture quality of this Sony CMOS is impeccable, it is old after all, and there is no integrated phase focusing, so contrast focusing is stretched in continuous tracking. This deficiency has also been amplified by the non-silent motor of GF63/2.8, and it is almost impossible to shoot people with face recognition +AF-C like the camera of 135.

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GFX 50R+GF 63/2.8，F8 1/ 125s，ISO 100

Moreover, the refresh rate of this CMOS is not high, and both video and pure electronic shutter can only shoot static pictures, otherwise there will be jelly effect. In addition, GFX 50R has no body image stabilization, Fuji original lens is still the specification of traditional medium format lens, and the maximum aperture is only F2.8 These two factors also bring many restrictions to its use in low light environment. However, in view of the high-speed synchronous flasher of studio lights and outdoor lights, I really don't think there is any disadvantage in1125s flash synchronization-whose middle frame will flash on the top of the machine.

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GFX 50R+GF63/2.8，F2.8， 1/40s，ISO 1000

The picture quality can really cover everything!

So, why put up with a camera system with such a narrow use? Of course, it is for image quality! Anyway, I don't play continuous shooting, I don't play videos, and my daily records are completely changed to my mobile phone. For me, the camera just presses one by one to shoot what I want. You don't need all the functions, as long as it is easy to use and the picture quality is good enough. Except that you can't shoot people casually with face recognition +AF-C, GFX 50R meets my needs.

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GFX 50R+GF63/2.8，F2.8， 1/250s，ISO 6400

Although the CMOS of this GFX 50R is still 14bit analog-to-digital conversion+14bit processing, it has reached the top level of 135 Quan Huafu in terms of pixel number, latitude and high sensitivity, with an area of 0.7 times of the full width of the 65438+44x 33mm sensor. These three aspects can't be comprehensive in a product. You can point out that a certain index of a product can be comparable to 44x33mm, but you can't find one that can be completely comparable. This is the meaning of medium format image quality.

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GFX 50R+GF63/2.8，F2.8， 1/ 125s，ISO 320

The file size of GFX 50R is also quite friendly. Lossless compression can compress the original file from the early 100MB to about 50MB, even saving space than 135 Quan Huafu without lossless compression. Then, surprisingly, the jpg of GFX 50R is straight out. Fuji has always had a lot of experience in making jpg straight out, and with the blessing of medium format, the jpg straight out effect of GFX 50R is remarkable. Jpg can be used from ISO 100-5 1200, and there is no need to make a movie later, which is a great surprise.

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GFX 50R+GF63/2.8，F8 1/ 125s，ISO 100

The medium format lens has excellent resolution, but it is not suitable for the night king.

The significance of the middle frame is not only the larger base, but also its lens system. The biggest advantage of medium format lens is resolution, because the larger the frame, the lower the requirement for lens resolution, and the easier it is for the lens to achieve high resolution. However, compared with 135 lens, the aperture of the middle frame lens is very poor, and the maximum aperture is generally only F2.8 (the depth of field effect is equivalent to F2.2 of 135 lens). This is because in the past, the middle frame was basically used for business and scenery. For these subjects, the image quality is more important than the psychedelic of large aperture. Even if the middle frame is made of large aperture, its volume and weight will be very touching.

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GFX 50R+GF 63/2.8，F2.8， 1/ 125s，ISO 10000

In order to achieve high image quality, the image quality of medium format lenses is generally good. Not only are there few optical defects, but also the image field is flatter (the edge deterioration is lighter) than that of 135 lens with the same equivalent focal length. Now the Fuji GF lens is also in this way. Whether it is GF63/F2.8 or borrowed GF250/4, although the aperture is not large, the image quality is really not prickly, even 63. In other words, the value of GFX system lies in the high image quality under ideal illumination, which is not suitable for the night king who likes super-large aperture.

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GFX 50R+GF 250/4+ 1.4x rangefinder, F5.6, 1/4000s, ISO 400 (DR 400%).

Two domestic GF-port lenses realize large aperture and super wide angle.

Because I only have one camera, GFX 50R, I am also considering the solution of large aperture. However, I don't like the 135 lens. One is that there is no lens with an equivalent focal length of 50mm, and the other is that I think part of the lens of 135 is blocked by the frame, which is too bad that designers don't even want to show it to people.

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Zhong Yi 65/ 1.4 is the only large aperture solution. Officially, it is a lens specially designed for GF bayonet. The depth of field effect is equivalent to 50/ 1. 1.4 of 135, and it is the only lens with F 1.4 in GF mount at present. 65/ 1.4 is an underestimated lens, because it has a certain spherical aberration at the full aperture of the nearest focal length, and the test film is often a small object shot at the nearest focal length, so it has a very general reputation at the beginning of listing.

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Then I borrowed an old frog GF 17/4. 86mm can see its optical structure diagram. This lens is actually a combination of a 12/2.8 SLR lens and an MFC format rangefinder. Just buying these two products can combine a GF bayonet 17/4, but the value of the old frog GF 17/4 lies in that it can use 85438.

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GFX 50R+ old frog GF 17/4, F41125s, ISO 200 (DR 200%).

GF 17/4 inherits the characteristics of the old frog zero series with almost no distortion. Although its dark angle is a bit obvious due to its non-native design, it is the widest one among GF bayonet lenses at present, and the good tolerance of GFX 50R makes it easier to correct the dark angle.

Two practical gadgets

I also equipped two practical accessories, one is the camera base of Fangping Workshop, and the other is Uncle Tang's finger handle. These two fittings are aluminum alloy CNC, and the weight can be ignored. After mounting the base, GFX 50R can stand on the table with GF63/2.8 hanging, and the finger handle can make GF63/2.8 shoot with one hand without any pressure.

conclusion

Whether the camera is good or not depends on whether it meets your own needs.

In the second chapter of this paper, it is mentioned that balance is not the characteristic of medium format, and the advantages and disadvantages of GFX 50R are extreme. Its use is limited to non-low-light photography, or the kind of single focus. In this application, GFX 50R can provide the best picture quality at the same price, and as of this writing, there is still no one.

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Of course, I know that the high-pixel Quan Huafu micro-camera is more versatile, but my last camera A7R2 only took a video once when it was sold, and AF-C was only used for face recognition, and I rarely took pictures when the light was bad, so it was worthwhile to give up those uncommon functions in exchange for the improvement of image quality. For me, Chinese painting was cool for a while, and it has always been cool.

Fuji medium format GFX50R and GFX 100 have been used for several years. Fuji medium format has no auxiliary factory lens, and can only use the fixed focus and zoom of Fuji original factory. I bought two zoom lenses for landscape shooting, 32-64mm F4 100-200 f5.6. Of course, the fixed focus of 23mm is better. In actual use, the wide-angle end of 32-64 is deformed badly, so it should be corrected when it comes back. But the original fixed-focus lens of Fuji medium format is too expensive. 110mm F2120mm F4 23mm F4, etc. It's all over1.6w.

Why do you always see such a question, which is equivalent to asking, what kind of cup should you use to drink milk? Because there are so-called heads and portraits, it is natural to think that there are scenic heads. Photography is what you want to shoot, what you have, man, just combine your photography knowledge.