Huzhou Escape Room Guide Huzhou Huo Xing Escape Room

1. Huzhou Spark Escape Room

A: Nanxun is still far away from Taihu Lake. It is about 40 kilometers from Nanxun to Taihu Lake, which is a bit far.

If you want to see Taihu Lake, you should visit the Moon Bay Hotel, the landmark building of Taihu Lake in Huzhou. During the day, standing in the hotel and looking around, there were sailing boats, leisure motor boats, and fishing boats passing by. The water is endless and sparkling. One summer night, looking at Taihu Lake, the stars on the river in the distance were twinkling. It was a moving ship. The wind on the river came in gusts. The weather was cool and pleasant, and sparks were flying on the shore.

2. Mars Escape Room Strategy

First complete all the drawings, complete the main tasks of the civil war, and get out the commander.

Secondly, take another volt, whether it is holy volt or regular volt.

Three. To equip Volt with a set of cards, the official WeChat account (OrdisOddis) has it. Upgrade the card, if you don’t want to swipe the card, I don’t have it. At least 4K cards must be in order.

Fourth, then upgrade the card. Upgrading requires beans (fusion units), and novices are especially short of beans in the early stage.

Overview of various methods of obtaining beans:

1. The statue must be run once a week (same form as the secret room in the void). After running, it is also convenient to swipe your card when entering the secret room. Once a week, go to the market in Mars Romai to get it. If you have a statue, remember to set it with gems (can be found in the cabin-ESC-Equipment-Amplitude Crystal-upper right corner), and then take it to the NPC in Romai to sell it for more than a thousand beans.

:3. Nanhu Escape Room

1. Fujian Earth Building:

Hakka Earth Building, also known as Fujian Round Building, is a pearl of Chinese civilization. The unique mythical village houses in the world are a wonder of ancient Chinese architecture. It is independent of the American residential architectural art with a long history, unique style, large scale and exquisite structure in the world.

The characteristics of houses built by caste-based groups and their architectural features are closely related to the history of the Hakka people. Wherever Hakka people go, their families always live together. In addition, most Hakka people live in remote mountainous areas or deep in the mountains. At that time, not only were building materials scarce, but jackals, tigers, leopards, and thieves were rampant. Additionally, the Hakkas were afraid of harassment from the locals, so they built defensive castle-like structures.

This formed the unique architectural form of Hakka residences - earth buildings. The buildings are mainly distributed in Longyan, Zhangzhou and other areas of Fujian Province.

Fujian Tulou was born in the Song and Yuan Dynasties, developed in the early and middle Ming Dynasty, gradually matured in the late Ming Dynasty, Qing Dynasty, and the Republic of China, and continues to this day.

Fujian Tulou is a unique large-scale rammed earth residential building in mountainous areas in the world and a creative masterpiece of earth architecture. With its reasonable layout, Fujian earth buildings absorb the Chinese concept of Feng Shui and traditional architectural planning (see Dong Bin's "Modern Feng Shui Essence"), adapt to the living and defense requirements of group living, and cleverly make use of the narrow flat land in the mountains and the local Raw soil, wood, cobblestone and other building materials. It is a self-contained, economical, solid and highly defensive type of high-rise building with great aesthetic appeal.

2. Kaiping Diaolou:

The Kaiping Diaolou in Guangdong are criss-crossed, forming a unique pastoral scenery in China. The watchtowers are a combination of Chinese and Western styles, integrating the essence of various architectural styles. There were more than 3,000 towers in Kaiping at its peak, and there are still more than 1,800 towers distributed in 15 towns and offices in Kaiping. These towers are the result of the combination of foreign architectural culture and local architectural culture by overseas Chinese and villagers in Kaiping in the last century. Its quantity, exquisite architecture and diverse styles make it the largest watchtower museum in the world.

In terms of building materials, there are early mud wall buildings (made of lime sand, sugar, salt, clam shells, oyster shells, etc.), and middle blue brick buildings (thickened with ordinary blue bricks) , and finally reinforced concrete buildings (built with reinforced concrete according to modern building materials).

In terms of type, it can be roughly divided into three categories: one is a watchtower or lantern tower, which is generally built at the beginning or end of the village, while others are built on the mountain for use by militia groups and watchmen. . There are searchlights and sirens inside, once the gangsters leave

A three-bedroom building built by overseas Chinese for long-term residence. Kaiping watchtowers are a combination of Chinese and Western styles with various shapes.

The biggest feature is the selection of different foreign architectural styles, which is self-contained according to his own wishes. There are not only ancient Greek and Roman styles here, but also Gothic, Islamic, Baroque, and Rococo architectural elements. It is difficult to classify Kaiping Diaolou as a certain architectural style of a certain period abroad. These architectural elements of different styles, schools, and religions coexist harmoniously in Kaiping Diaolou, showing unique artistic charm.

It fully embodies the defensive function of the building structure. Its common features are narrow doors and windows, steel windows and iron doors, thick walls, blastholes on all sides of the top floor, and watchtowers, searchlights and alarms on the roof. Devices etc. Made great contributions to protecting the lives and property of villagers in history.

3. Wang Family Courtyard:

Wang Family Courtyard is a masterpiece of residential architecture in the Qing Dynasty. It is a descendant of the Taiyuan Wang family, one of the four major families in Lingshi County in history. It was built during the Kangxi, Yongzheng, Qianlong and Jiaqing years of the Qing Dynasty. The building is grand in scale, with five lanes, five forts and five ancestral halls.

Among them, the courtyard layout of the five ancient castles is referred to as dragon, phoenix, turtle, forest and tiger, with a total area of ??more than 250,000 square meters. Currently there are Hongmen Fort (dragon), Gaojiaya (phoenix), Chongning Fort (tiger), Wangyou Museum of Chinese Folk Architecture and Art, China Wangmei Museum and Liqun Art Museum. There are 231 large and small courtyards and 2,078 houses, covering an area of ??80,000 square meters.

The Wang S Ancestral Hall is divided into upper and lower courtyards, with complete functions and elegant design. There is a carved Xiaoyi Square in front of the hall. Since 1998, this ancestral hall has become the place where royal ancestors have lived for generations. Thousands of overseas kings once worshiped their ancestors.

4. Qiao Family Courtyard:

Qiao Family Courtyard is located in Qiaojiabao Village, Qi County, Shanxi Province, 54 kilometers away from Taiyuan in the north and only 2 kilometers away from Dongguan Town in the south. Also known as Zhongtang, it is the residence of Qiao Zhiyong, a famous commercial and financial capitalist in China's Qing Dynasty. It was built during the Qianlong period of the Qing Dynasty and has been renovated twice and expanded once. After several generations of continuous efforts, a magnificent architectural complex was built in the early years of the Republic of China, embodying the unique style of northern China's residential buildings in the Qing Dynasty.

The compound is a fully enclosed castle-style building complex, covering an area of ??10,642 square meters (about 16 acres) and a construction area of ??4,175 square meters. It is divided into 6 large courtyards, 20 small courtyards and 313 houses. The compound faces the street on three sides and is not connected to the surrounding houses. The outer perimeter is a closed brick wall, more than 10 meters high. The upper floor is a parapet-style battlement with more floors, dotted with pavilions and pavilions, which is magnificent and magnificent.

The gate faces west to east, with a high top floor and a doorway in the middle. Opposite the gate is a brick sculpture of Bai Shou. Inside the gate, there is an east-west tunnel paved with stones. The tunnel is lined with walls and terraces. At the end of the tunnel is the ancestral hall, far opposite the gate. This is a temple-like building. There are three courtyards in the north, all of which have eaves doors, hidden columns, and three large bays with more than enough space for cars and chairs. Outside the door are door bolts and horses. Counting from east to west, they are the old courtyard, the northwest courtyard and the study courtyard.

All cloth courtyards have a front-side structure. The main courtyard is where the owner lives, and the side courtyard is where the guest room, servants’ living room and kitchen are. Architecturally, the partial courtyard is relatively low and the roof structure is also very different. The main courtyard is a tile-roofed house with eaves, and the side courtyard is a bungalow with a square brick roof, which not only reflects the ethical hierarchy, but also reflects the sense of architectural hierarchy. There are four main buildings, a gatehouse, a watchtower and six pavilions. All hospitals have walkways on their roofs to facilitate night patrols and nursing homes.

Look

Huangcheng Xiangfu (national AAAA-level scenic spot) Huangcheng Xiangfu (also known as Wutingshan Village), with a total area of ??36,000 square meters, is the Wenyuan Pavilion of the Qing Dynasty A 35-year banquet for a bachelor, a third-class official in the Ministry of Civil Affairs, the chief reader of the "Kangxi Dictionary" and the lecturer of Emperor Kangxi.

The buildings change with the shape, standing against the mountain, with official residences and residential buildings standing in rows. It is a unique set of castle-style official buildings in the Ming and Qing Dynasties. We look at the green trees surrounding your village and the light blue of the mountains in the distance. They are not only an ancient natural landscape painting, but also an oriental castle with a strong humanistic spirit.

There are 234 households in Huangcheng Village, more than 680 households, with 480 acres of cultivated land and a total area of ??1.7 square kilometers. There are rich and unique coal resources underground, and there are teachers from Emperor Kangxi of the Qing Dynasty above ground. "Kangxi Dictionary" is the hometown of Chen Tingjing, a great scholar of Wenyuan Pavilion and the official minister. Since the reform and opening up, a number of industries such as coal mining, light industry, agricultural and sideline products processing, and tourism services have been established. In 2001, Huangxiang Building was designated as one of the top ten new tourist attractions by the Shaanxi Provincial Government. At present, the Imperial City Xiangfu is full of tourists every day.

We looked at the green trees surrounding your village and the pale blue of the mountains in the distance. The towering castle is lined with pheasants; the ancient courtyards are well-proportioned and elegant. The beautiful natural scenery and simple cultural scenery complement each other and constitute the unique charm of the imperial capital.

6. Liu Dayi American Manor Museum:

Founded in October 1958, it was announced by the State Council as the ninth batch of national key cultural relics protection units in November 1966. It is one of the important historical relics and representative buildings in modern China. Over the past 40 years since its establishment, the museum has accumulated a rich collection with rich connotations.

There are more than 20,000 existing cultural relics. It is a large-scale, well-preserved manor building, as well as a large number of physical objects and documentary materials left by the manor, coupled with the unique manor display, forming an organic overall. It is an important place and real scene to understand and study China's semi-feudal and semi-colonial socio-economic and cultural architecture, the history of Chinese and Sichuan warlords, and folklore. It is a microcosm of the rural areas of old China and a section of the history of Chinese social development.

The Western Sichuan Folk Museum and the newly opened Architectural Miss are rich in content and unique in architectural style. They are important places to understand the national conditions and folk customs of old China.

There are more than 2,700 cultural relics in the museum, including 15 first-class items, including a set of tables and chairs inlaid with red sandalwood and marble from the Qing Dynasty. Among them, 8 chairs are 108 cm high, 99 cm wide and 60 cm deep. They are embedded with 27 colorful spheres and decorated with snail flowers and plants around them.

The old manor is an irregular polygon, surrounded by wind and fire brick walls more than 6 meters high. There are 7 gates with blast holes on both sides; there are 27 patios, more than 180 houses and 3 a garden.

Laogong Pavilion was built by Liu in 1932 and occupied the houses and fields of 23 farmers. Every time Liu drove away one or several farmers, he built a wall, opened a door, and built a house. Inside the manor, there are thick walls and alleys, heavy gates and iron locks, secret rooms and multiple roads. The layout is messy and weird, and the entire manor is like a dark maze building.

Laogong Pavilion is the main exhibition area. The exhibition basically consists of four interrelated parts: the preface pavilion, the rental house, the living ruins and the large clay sculpture "Rent Collection Courtyard". The new home is decorated with Western Sichuan folk customs.

7. Hongcun:

The location, layout, and beauty of Hongcun are all directly related to water. This is an ancient village with strict planning. The planning and design of the artificial water system inside and outside the village is quite exquisite and ingenious. Experts evaluate Hongcun as one of the few ancient villages in the world with detailed planning, and its cultural landscape and natural landscape complement each other. It is called a pearl of Chinese tradition and a living teaching material

It played an important role in the location selection of Shuihong Village. According to legend, the ancestors of Wanghong Village have lived in Tangmo, She County and Qishuhu Village, Yi County for generations, but they have all suffered from fires. Later, the Wang family moved to the foot of Leigang Mountain. It was originally built with 13 floors and named Hongcun, which means prosperity and development.

Water plays an important role in the scientific layout of the village. The entire village is laid out in the shape of a bionic cow, with Leigang Mountain as the cow's head, the two ancient trees at the entrance of the village as the cow's horns, the moon marsh as the cow's stomach, the South Lake as the cow's belly, and the winding waterways as the cow's intestines. The residential buildings are like the feet of the cow, and the four ancient bridges are like the feet of the cow. The mountain is called the cow-headed tree, and the bridge is the body of the four-hoof house. Its shape is lifelike, and the entire village is like a leisurely lying motionless buffalo.

8. It makes visitors feel like they are in a maze. There are three bluestone archways at the head of the village, with four pillars and five floors. They were built in the sixth year of Wanli in the Ming Dynasty (1578 AD). They are towering into the sky and have exquisite structures. They are a symbol of the Hu family's prominent status.

There is a Rufu Concert Hall in the village, which was built during the Kangxi period. It is elegantly furnished and full of scholarly atmosphere. The couplets in the hall, titled Reading "The Book of Songs", the story of filial piety and filial piety, study well, do business well, and be productive, starting a business is difficult, but not difficult, showing the penetration of Confucianism into architecture.

Another ancient house in the village is Dafudi, which was built in the 30th year of Emperor Kangxi of the Qing Dynasty (1691 AD). Dafudi is a pavilion-style building facing the street. It was originally used for viewing, with people from the Peach Blossom Spring hanging on its forehead. What most people in the Six Words neighborhood think of is that this building is where young ladies choose their husbands by hot throwing hydrangeas in a costume drama, and now it has become the place where Xidi Village hosts this folk event.

There is also the inscription "Step Back in Man's Building", which is insignificant but intriguing. In addition, there are gorgeous houses, exquisite gardens, black marble door frames, leaky windows, exotic flowers and plants, stone carvings of birds and animals, brick terraces, pavilions, operas with characters, exquisite wood carvings, colorful paintings and murals. , all embody the essence of ancient Chinese art.

Xidi is the most representative ancient residential tourist attraction in Huangshan City. It is located at the southern foot of Huangshan Mountain, 54 kilometers away from Tunxi, 40 kilometers away from Huangshan Scenic Area, and 8 kilometers away from Yixian County. The village is 700 meters long from east to west and 300 meters wide from north to south. It has more than 300 households and a population of more than 1,000 people. Because there is water flowing westward next to the village, and because there was a post station for delivering mail in ancient times, it was named Xidi, which is also known as the Peach Blossom Spring to the people.

9. Jiangs Manor:

Jiangs Manor is located in Qiaohecha Township, 16 kilometers southeast of Mizhi County. It was built during the Tongzhi period of the Qing Dynasty.

Jiang S Manor was designed by Jiang Yaozu, the richest man in the village, and experts were invited from Beijing and skilled craftsmen from the county were recruited to build it. It took thirteen years. Jiangs Manor is ingeniously designed, meticulously constructed, compact in layout, and integrated from top to bottom. It is a rare manor building in northern Shaanxi. It is strictly guarded from the outside and connected inside the courtyard.

The manor covers an area of ??more than 40 acres, and the main building is Wu Minghei's Siliuxiang kiln in Shaanxi. The three courtyards are connected by secret passages and surrounded by high-walled houses. They are interconnected internally to prevent external problems. The whole building has wonderful design, exquisite workmanship, reasonable layout and seamless integration. It is the largest castle cave estate in China and one of the architectural treasures of the Han Dynasty.

The entire manor is divided into three parts from the foot of the mountain to the top of the mountain

It was designated as a provincial cultural relic protection unit in 1963 and a national cultural relic protection unit in 2001. It is one of the three largest manors in China (Liu and Mou Erhei) and is 19 times larger than the Qiao Family Courtyard in Shanxi. In 2005, it was awarded the national AAAA scenic spot.

The so-called Kang millionaire is called a millionaire because Kang Yingkui, the owner of the manor at that time, bought one thousand hectares of fertile land twice. His land stores were spread across eight counties in three provinces, Shandong, Shaanxi, and Henan.

Later, when Cixi fled to Xi'an and then returned to Beijing, she passed by Kangdian. The Kang family financed and supervised the construction of Heishiguan, which served as the county government office and imperial palace. Dragon kiln. She spent more than one million taels of silver and donated one million taels of silver to Qingyan. Cixi said she didn't know there was a Kang millionaire here. Since then, the imperial seal Kang Wanwan has been widely circulated.

Kangwanwan Manor is built along the street, with caves built along the cliff, city walls surrounding the village, and docks along the river.

It integrates agricultural, political and business styles, with rigorous layout and large scale. The total construction area is 64,300 square meters, with 33 courtyards, 53 buildings, more than 1,300 houses, and 73 cave dwellings.

It is divided into more than ten parts including the main residential area on the village, the residential area in the village, the south courtyard, the ancestral hall area, the workshop area, the vegetable garden, Longwogou, Jingu Village, the garden, and the board house area. The courtyard building is basically a typical two-story courtyard house in western Henan, with some characteristics of gardens and government buildings. Various brick carvings, wood carvings and stone carvings are gorgeous, elegant and beautiful in shape. They are representatives of the feudal fortress architecture on the Loess Plateau in northern China.

Kangwanwan Manor provides us with historical materials to study the fortunes of the real estate class in feudal society, and also provides us with physical materials of ancient buildings. Its brick carving, wood carving and stone carving arts are favored by friends from all walks of life.

4. Escape from the secret room in Wuxing District, Huzhou

Cao Buxing (a native of Wudong during the Three Kingdoms period)

Cao Buxing, also known as Fuxing, whose year of birth and death is unknown, was born in Wuxing (now Zhejiang) . Painter Sun Wu. Draw dragons, tigers, horses and people. At this time, the paintings of the characters of Yan Wu Xiangqi, Emperor and Cao Buxing were called the Three Musts. In the State of Wu, it was called the Eight Musts, such as Emperor Wu of the Han Dynasty Xiangshan Shu and Wu Yanyishan.

At that time, the Monk Association of Kangju (i.e., the Monk Association of Kangju) brought Buddhist statues into Wu from the south, without the need for additional examples. Traces of it have long since disappeared. Xie _, a famous painter in the Southern Qi Dynasty, is listed in the "Ancient Paintings List" in a secret pavilion. He commented, "If you look at his character, is his name fictional?;

It is said that when he was painting a screen for Sun Quan, he accidentally dropped his pen and ink, so he made a fly with his hands. Sun Quan thought it was a fly flying into the painting, so he raised his hand and struck it. It can be imagined that Cao Buxing was very good at sketching.

Cao Buxing's animal paintings are especially lifelike. The dragon painted looked like it was walking in the clouds. In the winter of the first year of Sun Chiwu (228), Sun Quan was visiting Qingxi and saw a red dragon descending from the sky and flying around Lingbo. Therefore, he asked Cao Buxing to paint its shape. It is said that when I was Emperor Wen of the Song Dynasty, there was a long drought, and it didn't rain for several months. The fields were cracked and the crops were scorched, but people knelt on the ground and prayed to the sky every day. It didn't work. Later, I didn't know whose idea it was. I took the dragon painted by Cao Buxing and placed it by the water. After a while, there was a thunder and a heavy rain. But of course, this was a coincidence. It also shows that Cao Buxing's painting skills are superb.

Cao Buxing was best at figure painting. According to "Jiankang Shilu", he once painted the heads, hands, and heads of figures on a piece of silk 50 feet wide. The feet, shoulders, chest, etc. are all in proportion.

Xie: Cao Wubuxing, a painter from Jiangzuo, brought a portrait painted on 5,000 feet of silk. He had a sensitive heart and weak hands and needed to make it in an instant. ;

Cao Buxing is the earliest Buddhist painter known in the literature. Buddhism was introduced to China during the Eastern Han Dynasty, but it was mainly introduced in the Three Kingdoms period by monks Zhiqian and Kang Senghui. Jiangnan. Legend has it that when Kang Monk traveled to Wu, Sun Quan built a temple for him and ordered it to be erected like a sidewalk. When Cao Buxing saw the Western Buddha statues, he copied them. As a result, the statues became popular all over the world. It is the earliest Buddhist painting in China, and Cao Buxing also became the earliest Buddhist painter in China. The painting during the Three Kingdoms period did not achieve greater achievements due to political turmoil and social chaos. At this time, the content of painting also transitioned from etiquette propaganda to religious propaganda. Period. Painters also moved from the Yellow River in the Central Plains to the Yangtze River. After Cao Buxing, the number of painters in the middle and lower reaches of the Yangtze River gradually increased.

According to the records of "Shangshu Gushi", the official scroll "Zhenguan Public and Private" painted by Cao Buxing in the Sui Dynasty. There are still four volumes of "Painting History", two volumes of "Dragon Head Model", one volume of "Green Dragon Sitting on the Side", and one volume of "South China Sea Supervisor Entering Ten Species of Horses". These are reliable paintings by Cao Buxing.

5. Changzhou Xinghuo Escape Room Strategy

Changzhou Xinghuo Education is a domestic primary and secondary education tutoring institution, affiliated to Xiao Education Group, established in 2003. Xinghuo Education currently has faculty and staff. It has more than 6,000 students and tutors more than 100,000 students every year. It has core products such as VIP 1-to-1, 10-person classes and high school entrance examination elite classes to provide customized extracurricular tutoring services for primary and secondary school students.

From 2010 to 2016. In 1010, Empress Shen Zhenzhu of Zong Ruizhen of the Tang Dynasty disappeared after Shi Siming captured Luoyang and was never found again.

Extended knowledge:

Empress Shen of Zong Ruizhen of the Tang Dynasty was a native of Wuxing. Han nationality, born in the famous Wuxing Shen family. In the late Kaiyuan years of Xuanzong, she was elected to the palace as a lady of the family. When Su Heng was the crown prince of the East Palace, he gave it to Shen Shi (the eldest son of Heng Li, who later became Emperor Daizong of the Tang Dynasty).

In the first year of Tianbao (742), Shen gave birth to Li Yu, the grandson of Shi Li, the eldest son of the fifteen-year-old emperor. Her present and future mother, Shen, was revered as the empress dowager by Yao and Rui. Queen Zhen.

After Li Yu came to the throne, Zhao Xia began to look for Shen Zhenzhu. It was not until 805 AD, when Shen's great-grandson Tang Xianzong came to the throne, that the search stopped. He thought Shen was dead, so he mourned her, buried her in a crowned tomb, took the throne as the Imperial Ancestral Temple, made Shen the Queen Mother, and changed her posthumous title to Queen Ruizhen.