Poetry characteristics of poets writing on the road to Tang poetry in eastern Zhejiang

Writing Features

"The Road to Tang Poetry in Eastern Zhejiang" *** collects 41 scenic spots in eastern Zhejiang mentioned in the poems of Tang Dynasty poets, *** collects related 207 poems. Each place name and scenic spot is treated as a small sequence. Below is a detailed explanation of the specific place name, poems and corresponding poetry comments.

First of all, it is the local distinctiveness of the ideological content of this book. This characteristic is mainly displayed in the following aspects. The first aspect is the local nature of the material selection. This book collects a large number of landscape cultural landscapes in eastern Zhejiang, especially those in Yue, such as Yuezhong, Yuezhou Prefecture, Jinghu, Guishan, He Zhizhang's former residence, Lanting, Kuaiji Mountain, Ruoye River, Cao'e River, Xiaoshun Jiang, Yanxi, Jinting Mountain, Tianmu Mountain and other representative Yue landscapes. These landscapes provided a large number of poetry creation themes and inspirations for the poets who migrated to the Tang Dynasty, and played an important role in the birth and formation of Tang poetry. The second aspect is the local nature of the poetry selection. For example, in this book, Li Bai's poem "Send Wei Wan to Wangwu Mountain to Return to Wangwu": "I heard the beauty of Kuaiji in the distance, and I touched the stream. Thousands of valleys and thousands of rocks, in the majestic mirror lake... Laughing at Cao Cao E'e stele, chanting on yellow silk, Tiantai connects the four brights, and the sun sets towards the country..." Among them, "Kuiji", "Yexi", "Cao'e stele", "Tiantai Mountain" are mentioned in the poem. Isn’t “Siming Mountain” the representative of the regional landscape in eastern Zhejiang? The author selectively selects a large number of poems with typical local cultural significance as the theme of this book, which effectively illustrates the large number of Tang poems on the road of Tang poetry in eastern Zhejiang.

Secondly, it is the rationality of the arrangement of this book. The basic layout structure of this book is composed of three parts: preface, preface and main body. The catalog is based on the theme of a landscape or place name in eastern Zhejiang, and then consists of a number of Tang poems praising this scenery. The most distinctive thing is the layout of the text. First, the author will write some detailed explanations of the place name after each place name, followed by an introduction to the relevant poet, then annotations on the relevant lines of the poem, and finally a review of the entire poem. For example, when writing about Yanxi, I first introduce it: "Shanxi is the upper reaches of Cao'e River... Yanxi is a resort in Yuezhong, that is, Yanzhong. It is located in Shengxian County. It not only has water, but also mountains... "The following is a brief introduction to the poets who chanted Yanxi, such as "Ding Xianzhi, one of the poets, Ding Xianzhi, a native of Qu'a, Runzhou, was a Jinshi in the 13th year of Kaiyuan of Emperor Xuanzong..." Again, there is Ding's poem "Wearing the Flute in Yanxi Pavilion", and then Another comment on the poem: "Qiang flute: a kind of playing flute, originally from the ancient Qiang people." Finally, there is a comment on the poem. Therefore, this kind of layout and arrangement allows readers to have a good grasp of the poet's thoughts and feelings, and also understand some of the landscape culture of eastern Zhejiang.

Thirdly, this book is a reference for researchers of Tang poetry. The study of the path of Tang poetry in eastern Zhejiang should be based on specific works. This book collects a large number of Tang poems with strong local characteristics and comprehensive annotations, which can provide credible research materials for the vast number of researchers on Tang poetry and play a non-negligible role in promoting local local culture in the future. At the same time, this book contains poems by many famous poets who have been commonly studied by Tang poetry researchers, such as Du Fu, Li Bai, Meng Haoran, etc., as well as a large number of poets who are not very famous but are worthy of study, such as Wang Ya, Zhu Fang, etc. , undoubtedly broadened the research fields and channels for researchers of Tang poetry.

Mr. "The Road to Tang Poetry in Eastern Zhejiang" is another classic work after Mr. "Shan River is the Road to Tang Poetry". While lamenting his love for the countryside and the promotion of local and country literature, he also thought about the issues that contemporary college students, especially students in liberal arts colleges, have on how to base themselves on local culture and continue to inherit and carry forward local culture. As a study of local culture, the study of the Tang Poetry Road in Eastern Zhejiang should attract more attention from readers. In today's era of cultural diversity, traditional culture is facing unprecedented challenges. As small as the Korean Wave and Hollywood's impact on young people; as big as South Korea "stealing" the cultural heritage of the Dragon Boat Festival, should it be worthy of deep reflection? As the essence of ancient Chinese literature, Tang poetry should play a mainstay role in the process of the rejuvenation of Chinese culture. A journey of a thousand miles begins with a single step. If you don’t accumulate steps, you won’t reach a thousand miles. Then, "The Road of Tang Poetry in Eastern Zhejiang" has laid a solid foundation for the further development of the road of Tang poetry.