I don’t know what the poetic meaning of a poem is. Please tell me about the poetic meaning.

[Translated poetry, poetic meaning]

You should cherish the moss and not let the teeth of your clogs trample it to pieces.

I knocked gently on the wood door for a long time. Not open either.

However, the garden full of spring flowers cannot be closed.

A pink apricot flower has poked out from the top of the wall.

Take advantage of the nice spring weather and go out to meet friends. Maybe the owner of the garden cherished the Cangtai and was afraid that we would step on the shoe prints. I knocked gently on the wood door and it didn't open for a long time. But it doesn't matter, the spring scenery in the garden cannot be shut down. The branches of red apricots exposed outside the wall have revealed the rich spring scenery.

[Appreciation]

(1)

There is moss growing in front of the door, which shows the secludedness of this garden, and the owner is not at home, so he knocks on the door for a long time , no one agreed, and it was even more deserted, but Hongxing came out and still revealed the beauty of the garden. Writing prosperity out of silence makes people feel an unexpected joy.

Lu You's "Making It Immediately" says: "The rain has just begun to collect on Xiaomo in the ordinary Ming Dynasty, and the light sun shines through the clouds with green mist. The willows are not covering the spring scenery, and a branch of red apricot comes out of the wall." The second half of this poem is quite meaningful. same. Lu You's poems were famous in the Southern Song Dynasty. Most of his descendants Ye Shaoweng read "Massive Work" and followed it. In creation, later generations often have similar or identical sentences to their predecessors. There are two situations: one is unintentional coincidence, and the other is intentional borrowing. The former is like Cai Kuanfu's poem: "Yuanzhi (Wang Yucheng) originally studied Bai Letian's poetry. He wrote a poem in "Spring Miscellany" in Shangzhou: "Two peach and apricot trees reflect the slanting fence and decorate the deputy envoy's house in Shangzhou. Why can't the spring breeze tolerate it?" His son Jiayou said, "It's like the spring breeze blowing off a few flowers." The words are quite similar. Ran said: "My poetry is exquisite, so I can coincide with Zi Meixie." The more poem said: "I am a latecomer to Lotte, I dare to think that Du Fu is the predecessor." The latter is like Wen Tianxiang's "Collection of Du Poems." "Self-preface" says: "Whatever I want to say, Zimei is the first to say it. I don't care about it every day, but I feel that it is my poem, and I forget that it is Zimei's poem. I know that Zimei cannot write poems by himself, and the poems It is human nature to speak Chinese words, and the beauty of the child is hundreds of years away from me, but his words are used by me, which is not the same as the emotion!" Wen Tianxiang's complete collection of poems expresses his feelings. This literary phenomenon is of course an exception. , but it is more common to follow certain realms, techniques and languages ??created by predecessors. If you can still outperform and outperform others in the process of inheritance, perhaps it should be appreciated. Because of this, readers have always ignored Yan Jidao's "Linjiang Immortal" and thought that "the fallen flower man is independent, and the weak and swift swallows fly together" is the poem that the poet usurped Weng Hong of the Five Dynasties; nor did they pursue and criticize Ye Shaoweng's poem. Why is it so similar to the second half of Lu You's poem? This tolerance of literature lovers is worthy of deep thought by professional workers. (Excerpted from "Selected Song Poems" published by Jiangsu Ancient Books Publishing House)

(2)

It is February in the south of the Yangtze River, the clouds are light, the wind is light, and the sun is bright. The poet took the opportunity to come to the door of a small garden and wanted to see the flowers and trees in the garden. He knocked lightly on the firewood door a few times, but there was no response; he knocked a few more times, but still no one answered. I kept knocking and knocking for a long time, but no one came to open the door to welcome guests. What's going on? Is the master really not here? Probably because they were afraid that the moss on the ground in the garden would be trampled by people's burps, they closed the door and thanked guests. If that's the case, that would be too stingy!

The poet was thinking and wandering outside the garden, feeling very disappointed. When he was helpless and about to leave, when he looked up, he suddenly saw a branch of red apricot flower in full bloom on the wall sticking its head out to say hello to people. The poet thought happily: Ah! The spring beauty of the garden has already overflowed outside the wall. No matter how tight your master closes the garden door, he can't close it! "The garden is full of spring scenery, and a branch of red apricot comes out of the wall." From a branch of blooming red apricot flower, the poet appreciated the lively spring scenery in the garden and felt the gorgeous spring light in the sky. Finally, his trip was worthwhile. However, later readers were not satisfied with this, but gave these two poems the philosophy of life according to their own wishes: new things will definitely break through all the difficulties, stand out, and develop vigorously. These two poets also gained new life and spread endlessly.

It doesn’t matter whether this expression is in line with the poet’s wishes. Because poetry appreciation is also a kind of artistic creation, readers may wish to use their own life experiences and artistic tastes to expand the artistic conception of the poem, enrich the meaning of the poem, or add metaphorical and symbolic colors to the poem. Regarding this phenomenon, poetry commentators say: "The author is not certain, so why should the reader be different?" The reader's understanding is sometimes better than the author's.

(3)

Many bureaucratic landlords and celebrities in the Tang and Song Dynasties had gardens, where they built ponds and planted flowers and trees. But unlike the parks of later generations, this is a private park for private enjoyment only. Friends and relatives who are not the owner are not allowed to enter. There are large and small gardens. What is written in this poem seems to be a small garden. Judging from the word "Chaifei", it is estimated that its owner is not a noble person. At this time, the master is not at home and the garden gate is closed. The poet is not allowed to enter when he comes to visit the garden. As a result, this interesting little poem was left to people.

The place where the garden is located is naturally relatively quiet, with dense trees and moist air. The land in front of the door became covered with moss after the spring rain, like a green velvet carpet.

The poet came to visit the garden, but it was "not worth it" because he didn't meet the owner. He knocked on the door but couldn't open it, but he couldn't bear to leave, so he wandered in front of the door, trampling his steps back and forth on the moss. Clogs are a type of shoe with teeth on the bottom. Ancient people often wore them to climb mountains and play in the water. As tourists lingered in front of the door, their footprints were imprinted on the moss, causing some damage to the flat green carpet. As a tourist in search of secluded places, I feel special pity not only for the flowers and trees in the garden, but also for the moss outside the door. The poet said in the first sentence: You should cherish the moss and don't let the teeth of clogs leave trampling marks on it!

Since it is a small garden, the garden gate is naturally simple and made of "chai gate" made of tree branches. Fei is the door leaf. "Little button" is a gentle knock on the door. People who seek secrets and wonders will naturally not act recklessly. And "not open for a long time" reflects the "not worth it" in the title. This visitor came to chat with the owner and enjoy the spring scenery in the garden. Now that I am returning sadly outside the door, then when I leave, I will inevitably feel that kind of reluctance to leave, so I look back many times. But a wall blocked it and nothing in the garden could be seen.

The poet is really good at taking pictures. Finally, he saw a bright red apricot blossom on the low wall. So I got a lot of comfort. Ah, the spring beauty cannot be contained after all. Even if the garden gate is closed, there are still red apricots breaking through the fence and stretching over the wall. Many of the flowers and trees in the garden are higher than the walls. Why only red apricots? Because the red apricot blossom is a symbol of spring, it attracts people's attention and gives people a vivid impression. From this branch of red apricot, we can infer that the garden must be full of flowers, with butterflies and orioles singing, so it is a "garden full of spring scenery". Comparing "one branch" and "full garden", after all, there are still many "spring colors" that have been shut down, so I can't help but feel regretful.

Some famous lines in classical poetry often give people endless associations and lead to off-topic hints, such as the three or four lines of this poem. Maybe it's the author's sustenance, maybe it's the reader's feelings, but we can understand that all living things cannot be imprisoned. Even if you want to shut down the spring scenery in the garden, the door is closed and the wall is surrounded, but it is in vain: a branch of red apricot still breaks through the blockade, reports the news of spring to people, and reveals full of vitality.