Draw people in simple strokes

How to draw a girl sketch

1. First of all, observe, first observe the character’s appearance and facial features, and then start after the observation is clear. Then frame the structure and determine where the character should be drawn on the paper and how big it should be. The character's face follows the rule of "three courts and five eyes", that is, the length from the left hairline to the right hairline is the length of five eyes, and the length from the chin to the forehead is the length of three noses.

2. After the facial outline is drawn, you can depict the eyes, ears, mouth and nose. When depicting, pay attention to the expression of the character. When the character makes this expression, his eyes, mouth, and eyebrows have What a change.

3. When drawing lips, pay attention to the light and shade between the upper and lower lips and the changes in the corners of the mouth.

4. The nose is the most prominent part of the face. Its quality directly affects the sense of space in the picture. Therefore, we should pay attention to the connection between the nose and the face, including the performance of cartilage.

5. The characterization of ears is relatively complicated. Generally, I draw a rough outline and then add it slowly.

6. Eyes are important in grasping the eyes. Whether your painting is expressive or not depends on his eyes. When drawing, pay attention to the expression of the upper and lower eyes and face, as well as the distribution of eye muscles.

7. Eyebrows have a certain direction. Don’t just go over them with one stroke. The eyebrows also need to be carefully carved.

How to draw simple figures

The method of drawing simple figures is as follows:

Extended information

Simple drawings are made through the purpose of drawing. Through activities such as reading, memorizing, and handwriting, we extract the most typical and outstanding main features of the objective image, and use a flat, stylized form and concise and concise writing techniques to show that it is both general, legible, and schematic. painting.

Simple drawing refers to the simplification of complex images. Physical structure is the most basic element of painting. Various objects have their own unique composition factors, structural patterns and proportional relationships. Flat simple drawings , it is relatively simple to express a 2-dimensional planar structure.

Reference: Sogou Encyclopedia - Simple Drawing

How to sketch people for children

Hello, this depends on the age of the child. If the child If the age is 5 to 10 years old, this stage is not suitable for children to sketch directly. It is more suitable to start with some simpler creative tools, such as oil pastels, watercolor pens, gouache paints, and colored chalks.

When drawing people, I suggest teaching children to use lines to describe the outline of people first, and then learn to draw some detailed things, such as facial features, clothing decoration, etc. If you want to practice coloring, you can use gouache paint to practice color block filling first.

If you are a child over 10 years old, you can try sketching. When children learn sketching, they can start with short lines and use the method of arranging short lines to construct outlines to create simple outlines. The principles are the same. , first train the outer contour to master the overall depiction, and then fill in the details. I hope it will be helpful to you. I am Hua Lala’s civet teacher ^_^ Hua Lala Children’s Art Class – the Internet art class that understands children best.

How to draw a human face in sketch

There is an average ratio between the various parts of the human body.

As long as you draw according to this proportion, you can basically draw a decent picture. Although everyone has individual differences.

But after understanding this average proportion, drawing or sketching a real model will appear more three-dimensional and realistic. The order of sketching a human face: 1. First draw a rectangle. First, draw a rectangle.

Then draw a line right in the middle. 2. After dividing the rectangle into three equal parts, put a pot lid on it. After dividing the rectangle into three equal parts, put a bowl on it. The basic face shape is completed.

3. Draw the basic organs of the human face from bottom to top 3/3: hairline from top to bottom 3/2: eyebrows and the upper half of ears from top to bottom 3/1: bottom of the nose Half, the lower half of the ear 4, add other organs and then add the remaining eyes, nose, mouth and ears. And do some characterization.

How about it? It looks interesting. I won’t explain too much about the proportions here, otherwise super simple will turn into super troublesome.

You can practice different faces according to the above steps. (As long as it looks natural, you don’t have to pursue too much else.) Finally, if you add some shadows, it will look more like that.

5. Add shadows. Finally, after adding shadows, the face will look more powerful. But this step still requires a model to observe the changes in light and shadow.

If you can find a model, that would be the best. If there is no model, you can also practice by looking in the mirror and drawing your own face.

How to draw a human face in sketch

1. The mouth is the part of the face with the largest range of movement and the most expressive changes.

The mouth is attached to a semi-cylinder formed by the upper and lower jaws and teeth, and its shape is arc-shaped. The shape of the mouth consists of the upper and lower lips, oral line, philtrum and philtrum. The upper and lower lips are two opposite W-shapes respectively. The upper lip is longer and has a clear lip line that protrudes from the lower lip. There is an upper lip in the center. The tuberosity lip line bisects the upper lip.

The philtrum is located above the tubercle line of the upper lip and is the groove between the nose and mouth. The structure of this part changes from concave to convex, making its contrast changes more prominent.

The changes in the lower lip are relatively smooth, with two micro-protrusions formed by the left and right labial tubercles. The mental labial groove is located at the lower center of the lower lip. It is an arc-shaped turning line formed by the protruding bottom of the lip and the front of the mandibular bone.

The dark part of this part is what makes the lips lift. 2. The oral line is the wavy line formed after the upper and lower lips are closed, and the two ends are the corners of the mouth where the lips terminate.

The changes in the mouth line are very complex and consist of several factors such as the lip gap, the projection formed by the upper lip, and the structural transition. The expressive muscles of the mouth are very well developed, which produce rich changes in the mouth line and corners of the mouth, and are the main parts of character expression.

The structure of the mouth is closely connected with the surrounding facial muscles, and the movement of the mouth will bring about a series of facial changes. The lips themselves are red and have a certain color difference from other parts. Pay attention to these changes in light and shade during training.

3. The eyes are the focus of the portrait sketch, not only because the eyes are the "windows to the soul", but more importantly, because of the different materials that make up the eyes and the complex structural changes of the eyes. 4. The eyes are located in the center of the face and are the most frequently moving organs among the facial features.

The structural directions of the eyes are exactly opposite, which makes it more difficult to express. Therefore, understanding the structure of the eye is very important.

5. The eye is composed of the eyeball, upper eyelid, lower eyelid, orbit and lacrimal caruncle. The eyeball is a spherical capsule embedded in the deep socket of the skull. Only through the eye fissure formed by the upper and lower eyelids can we see the exposed part of the eyeball, that is, part of the white of the eye, the iris, and the pupil.

When expressing the eyeball, special attention should be paid to its fine changes. Its upper part has the shadow cast by the upper eyelid, and its lower part has the dark part formed by the structure of the sphere itself.

The iris is a dark transparent body with complex changes. There are small and bright highlights on the black pupil. 6. The eyelids and eye fissures are curved and divided into upper and lower parts to wrap around the eyeball.

The upper eyelid is thicker and longer than the lower eyelid, and is located further forward, covering most of the eyeball. Eyelashes grow radially on the upper and lower eyelids.

The upper eyelashes are thicker, denser and longer, and can affect the light of the eyeball. In the performance, it is necessary to depict as many of these structural characteristics of the eyes as possible, paying special attention to the volume of the eyeballs and the thickness of the eyelids.

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What are the techniques for painting watercolors, especially people?

Basic techniques of watercolor painting 1. Dry painting and wet painting Dry painting is a multi-layer painting method.

Use layer coating to color the dry background without seeking a bleeding effect. You can color it over and over more calmly. It is easier to master and suitable for beginners to practice. Expressing positive and bright physical structure and rich color levels are the strengths of dry painting.

The dry painting method can be applied in layers, covering colors, connecting colors, dry brushing and other specific methods. Layer coating: that is, dry overlapping, painting after the coloring is dry, overlapping colors layer by layer to express the object.

The number of layers of color varies in the picture. Some places can be painted once, and some places need two or three times or more. However, it is not advisable to paint too many layers to avoid the color becoming gray and losing transparency. feel. The layers of paint are like colored overlapping, and the mixing effect of the base color is expected to be revealed in advance, which cannot be ignored.

Color masking: In fact, it is also a dry overlapping method. The color masking area is larger. For example, if the colors of several areas in the picture are not uniform enough, you have to use the color masking method to mask the color once to make it uniform. . If a certain color is too warm, cover it with a layer of cold color to change its warm and cold properties.

The color to be covered should be applied in a thin layer with a brighter color, and it should be spread over once. Generally, do not touch back, otherwise the background color will be brought up and the color will be stained. This method is often used during the coloring process and when adjusting the picture at the end.

Color joining: Dry color joining is to paint from the side of the adjacent color after it dries. The color blocks will not bleed. Each color block itself can also be painted wet to increase variation. This method is characterized by clear outlines of objects and bright colors.

Dry pen: The tip of the pen has less water and more color, and the brush is prone to whitening; using relatively full water to draw quickly on rough-grained paper will also cause whitening. The dry brush method is often used to express effects such as sparkle or softness but firmness.

The dry painting method cannot only focus on the word "dry". The picture must still make people feel full of moisture and water stains, so as to avoid the problem of dryness and dullness. Wet painting methods can be divided into two types: wet overlapping and wet color joining.

Wet Overlay: Soak or partially wet the drawing paper, shading when dry and overlapping colors when shading is dry. Moisture, timing, and results are natural and mellow.

Expressing the atmosphere of rain and mist and the interest of moisture and water are its specialties, which are beyond the reach of some types of painting. Wet color joining: When joining colors near the end of drying, the water color bleeds and the boundary is blurred. This method is often used to express the gradient of transitional soft colors.

When connecting colors, the moisture should be distributed evenly. Otherwise, water will flow to a few places and unnecessary water stains will easily occur. Most watercolor paintings are done with a combination of dry painting and wet painting. Parts of the pictures that are mainly wet paintings are dry paintings. Pictures that are mainly dry paintings also have parts of wet paintings. The combination of dry and wet gives full expression, rich and light, dry and moist, and full of fun.

2. Control of water. The use and control of water is one of the key points of watercolor techniques. Water has the characteristics of seeping, flowing, and evaporating on the painting. When painting watercolors, you must be familiar with the "water nature".

Giving full play to the role of water is an important factor in painting a good watercolor painting. To control the water content, you should pay attention to the time, dryness and humidity of the air and the degree of water absorption of the drawing paper.

Time issue: The time for wet painting must be grasped just right. If the color is stacked too early and too wet, it will lose its proper shape. If it is too late, the base color will dry, and the water color will not easily bleed, and the connection will be stiff. Generally, when overlapping colors, the tip of the pen should contain less water and more color, so that it is easier to grasp the shape and make it infiltrate.

If the overlapping color is lighter, wait until the background color dries slightly before painting. Dry humidity of the air: Painting a few watercolors will help you realize that moisture dries out more slowly indoors, and evaporates even more slowly when painting outdoors in humid rainy and foggy weather.

In this case, it is better to use less water for painting; in dry climates, water evaporates quickly, so more water must be used, and the speed of color mixing and painting must be accelerated. The degree of water absorption of drawing paper: The amount of water should be controlled according to the speed of water absorption of the paper. When the water absorption is slow, less water should be used. If the paper is soft and absorbs water quickly, more water should be used.

In addition, more water should be used to render halo colors in large areas. For example, the sky, ground, still life, and character backgrounds with large color blocks should be full of water; use less water to describe local parts and details. 3. The "leave blank" method Compared with the techniques of oil painting and gouache painting, the most prominent feature of watercolor technique is the "leave blank" method.

Some light and white parts need to be "blank" when painting darker colors. The transparent nature of watercolor paint determines this painting technique. Light colors cannot cover dark colors, unlike gouache and oil paintings, which rely on light colors and white powder to brighten.

Pay attention when appreciating watercolor works, and you will find that almost every painting uses the "blank" technique. Appropriate and accurate blank space or light and bright colors will enhance the vividness and expressiveness of the picture; on the contrary, inappropriate and random blank space can easily cause the picture to be trivial and cluttered.

Before coloring, lightly mark the areas to be left blank with a pencil. Key details, even small points and surfaces, must be left out skillfully during coloring. In addition, if the contrasting colors are adjacent, leave each other empty and color them separately to maintain their distinctness.

Some beginners empty out unnecessary empty shapes, and then paint along the outline. Others leave the empty areas along the outline to be very rigid, too rigid, and lost. A sense of vividness. Sora is both accurate and vivid, a reflection of skill and proficiency.

Practice makes perfect after repeated practice. 4. Brushwork: Brushwork is the method of using a pen.

The use of brushes, water and color are closely related. When painting, each stroke contains water and color. There may be more water and less color, more color and less water, or moderate water color. When the pen moves on the paper, pen marks will appear, which are what we usually call "brush strokes." From the brush strokes, we can see the brushwork during painting.

The thickness of the drawing paper, the hardness and softness of the brush, the speed of the brush strokes, according to the structure of the object, the brushwork is varied, a bit linear, hard, soft and moist, starting from the shape and color of the object, and using it appropriately The pen enhances the shaping and vividness of the picture. When painting with a larger area of ??watercolor, the penetration of water will hide the brushstrokes. Resetting the color when wet makes the brushstrokes feel subtle. Painting when it is dry makes the brushstrokes clearly visible.

The coloring process is inseparable from the use of brushes. The closer to completion, the more important it is to use the brush. The brushstrokes are no longer covered and are exposed to the viewer. The special techniques of watercolor painting require the use of special tools, materials and methods to create special effects.

Knife scraping method: Use a common pencil sharpener to scrape the coloring successively, which is a method to destroy the paper surface and create special effects. Before coloring, use a knife to shave lightly or heavily, broadly or narrowly, on the drawing paper to destroy part of the paper surface. After coloring, the image will appear heavier than the surrounding colors.

This is because the shaving area has a strong ability to absorb color, so it becomes heavier. it.