Original Creation and Appreciation of Queqiao Fairy Tanabata

Original Creation and Appreciation of Queqiaoxian Tanabata (7 pieces)

Original Creation and Appreciation of Queqiaoxian Tanabata 1 Queqiaoxian Tanabata

Fan Chengda [Song Dynasty]

Tonight is a good time for the cowherd and the weaver girl, and the couples who meet are too lazy to be busy. Lonely immortals should be jealous: beautiful moon sister frowning bright eyebrows, aunt wind blowing abnormal wind and rain.

Meeting in a hurry, getting together for a short time is too good, and the sorrow of parting is burnt. The joy of meeting each other is not worth the long sadness, but it adds new sadness to taste.

translate

Tonight is a good time for the Cowherd and the Weaver Girl to meet, and the couple who meet are too lazy to be busy with farm work and weaving. Lonely fairy should be jealous: sister Meiyue is tight-browed, and her period is extremely stormy. It is better to meet in a hurry than not to meet for a short time and stir up the sadness of parting again. The joy of reunion is always less than the sadness of long separation, but it adds new sadness to bring back to taste.

To annotate ...

Tanabata: On the night of the seventh day of the seventh lunar month, it is said that the Cowherd and the Weaver Girl crossed the Milky Way on this night. Double star: refers to morning glory and weaver girl. Yūng: lazy. Juanjuan (juān juān): It's beautiful. Sister Yue (zǐ): The fairy in the Moon Palace. Pín: frown. On the seventh day of the seventh lunar month, the moon will reach a semicircle because it is full of eyebrows. Aunt Feng: The legendary Fengshen. It turned out to be, and then Yan became aunt Feng. Cao Cao: It means in a hurry. Like how? That means it's not as good as it is. Not enough: not as good as it is.

Make an appreciative comment

For more than two thousand years, the story of the Cowherd and the Weaver Girl has touched the hearts of many people in China. Among the masterpieces of the Cowherd and the Weaver Girl, Fan Chengda's The Que Qiao Xian is a masterpiece with special significance.

"On the night of the double star, ploughing is unintentional and lazy, which should be the envy of the gods. Don't write three distinct seven joys, use a pen to render. " The weaver girl crossed the river on Tanabata, which made the magpie meet the cowherd at the farewell bridge (Ji Hua Li, Volume III, Tanabata does not lead to "popular legend"), so it is also called the Double Star Festival. At this time, on both sides of the Milky Way, the cowherd has no intention of farming, and the weaver girl has no intention of spinning. Even the fairies in the sky are jealous. Through the description of the mood of the protagonist and supporting role, the annual Qixi atmosphere is set off, which is exciting. The next three rhymes were written by Xianxian, and the pen and ink were opened from Niu Girl, which was meaningful. "Juanjuan sister frown, more helpless, aunt wind and rain. Although handsome, Chang 'e puckered the moth's eyebrows, and Aunt Feng was so excited that the storm was coming. These fairies are jealous of the Weaver Girl. The weaver girl only takes a little a year. Why should she be jealous? Then Chang 'e regretted stealing the elixir, the blue sea and clear sky at night, the romantic jealousy of aunt Feng, the loneliness of women in the fairy world, and the preciousness of love between cowherd and weaver girl. Not only that. There is a comedy plot envied by fairies, although it leads to their tragic love. The creation of words and feelings is ingenious.

"Meet each other in a hurry, such as Hugh see, body stir separation. Don't shoot the next film, not to mention the meeting scene of "tenderness like water, ceremony like a dream", not to mention the tearful farewell scene of "returning from the bridge", but to focus on depicting the mentality of the cowherd and the weaver girl in one step. Meet on Tanabata, just in a hurry, how can such a side be wrong! Just a new body and a thousand sorrows. The poet's brushwork is extraordinary everywhere, but what he writes is to further humanize the mythical nature. Obviously, only by deeply appreciating the long-term sadness in the world can we have such a sympathetic understanding of the mentality of the Cowherd and the Weaver Girl. " The new love is not worth the old sorrow, and the new sorrow is gone. Don't write three sentences, stick to the meaning of the sentence, and then go deeper into the characterization. 365 days and nights apart, we only met at the moment of Tanabata. How deep is the old hatred, how deep is the new love, and how limited is the new love. Not only that. If you don't sell old worries, you can't bear new worries. Year after year, Tanabata seems to be the same. But who knows, year after year, the situation is actually different. In people's impression, the Cowherd and the Weaver Girl always seem to be "full of water, and the pulse cannot be said."

However, judging from the poet's spiritual experience, the grief and indignation of the Cowherd and the Weaver Girl are growing infinitely, and the tragedy of the Cowherd and the Weaver Girl is an eternal tragedy. This profound degree and terrible nature of the Cowherd and Weaver Girl tragedy finally tells people in the text. Obviously, the tragedy of Cowherd and Weaver Girl in Ci has its realistic life foundation, that is, loving couples are forced to live apart for a long time. This can be asserted. "Also, you somehow He Gui? Oh, my God, you are wrong! Alas, only two tears fell. Farewell (Dou E's Yuan Qu Ci)

This word is very distinctive in artistic attainments. The love tragedies of the Cowherd and the Weaver Girl are endless, which is incredible. It is ingenious to set off, highlight and deepen the love tragedy of Cowherd and Weaver Girl with the jealous plot of Chang 'e Phoenix. (Modern black humor is almost the same.) The whole word is flowerless, and the language is not surprising and endless. As for the so-called gorgeous, it is dull. Fan Chengda's poems, such as his famous pastoral poems, are quite rustic, which can be proved from here. Finally, briefly talk about the special significance of this word in the development of Song Ci with the same theme. Song ci describes the story of cowherd and weaver girl. The ancient meaning of "The Poems of Tang Dynasty with Multi-edges" (Selected Poems of Hua 'an) is not lost by using the tablets of Queqiao Fairy. Ouyang Xiu was the first, Qin Fanyou was the second, and Fan Chengda was the last. The theme of European Ci is "It's more important for God not to teach parents to say goodbye", and the theme of Qin Ci is "If two feelings last for a long time, don't say goodbye in the morning and evening". The second word aims at "New love is not worth the old sorrow, but new sorrow is added. "It can be seen that Ou Ci wrote about human nature. What Qin Ci wrote was an "unconventional talk about parting" (Yu Juan in Caotang Poetry), which was a renovation and alienation of European Ci, and also pointed out the upward path. The word Chengda is the return and deepening of European words. The love of the Cowherd and the Weaver Girl, even if it is not in the morning and evening, will always be in people's hearts. Infinite separation and lifeless tragedy are by no means unbearable for the people, and they are also more expensive than noble causes. Therefore, the word Chengda is also a supplement and development of Qin Ci. In terms of revealing the aesthetic significance of deep tragedy, it is still one of the calculations of Qin Ci. Ou, Qin and Fan's Queqiao Fairy Poems show a negative orientation, which shows the deep understanding of tradition and life of the poets in the Song Dynasty, and also reflects the primitive spirit of the poets in the Song Dynasty in their artistic creation. Known as one of the inspirational stories in the history of Ci in Song Dynasty.

Chengda Fan

Fan Chengda (1126-1193), whose real name is Intelligent, is called Shi Hu lay man. Han nationality, born in Wuxian County, Pingjiang (now Suzhou, Jiangsu). Poets in Southern Song Dynasty. Shi Wenmu. Starting from the Jiangxi School, he studied the poems in the middle and late Tang Dynasty, inherited the realistic spirit of poets such as Bai Juyi, Wang Jian and Zhang Ji, and finally became his own family. Simple style, fresh and charming. Poetry has a wide range of themes, and the works that reflect the content of rural social life have the highest achievements. Together with Yang Wanli, Lu You and You Mao, they are also known as the "Four Masters of Zhongxing" in the Southern Song Dynasty.

Original creation and appreciation of Queqiao Fairy Tanabata II;

Que Qiao Xian Fu Sha Qixi Fu Wei You

Song Dynasty: Zhao Yifu

Green sorrow, red banquet, no heat at night. The bamboo edge will still fly away when it meets the lotus outside.

The brocade is not dry, and the beads are not resting, which makes you sad. Thinking is not like a magpie bridge person, once a year.

Translation:

Green sorrow, red banquet, no heat at night. The bamboo edge will still fly away when it meets the lotus outside.

Who can know the heart of a beautiful woman? I first met him at a banquet in my own little red room. It was an unforgettable night, the weather was cool and the night was heavy. Bamboo and breeze, what a beautiful and quiet place, the reunion of two people after their first love. The brief meeting passed quickly, just like a cloud floating in the air, disappeared without a trace and never came back.

The brocade is not dry, and the beads are not resting, which makes you sad. Thinking is not like a magpie bridge person, once a year.

Tears dripping wet the delicate writing paper; The small building is still filled with the fragrance of beads. However, things have changed, and the old feelings are hard to continue. Thinking hard about the result of love only increases the trouble. Cowherd and Weaver Girl meet at Queqiao on Tanabata every year, but they never meet their sweetheart.

Precautions:

Cui Gan (xiāo) is worried, and there is no heat in the middle of the night. The bamboo edge will still fly away when it meets the lotus outside.

Queqiaoxian: epigraph name. Fusha: Place name, the county seat of ancient Jian 'ou, is where poets work. Cuifen: a light and soft turquoise silk scarf, which was often given to lovers by ancient women.

Jin Jian (jiān) is still wet, and the beads are not resting, which is worrying. Thinking is not like a magpie bridge person, once a year.

Brocade: exquisite and colorful writing paper. Beads: Jewelry inlaid with pearls is a gift when we meet again. Rest: dissipate.

Appreciate:

This word is written for a friend, expressing the author's deep sympathy for singers and musicians and the unfortunate women in the social class they represent. The first part of the poem is joy, the second part is hate, and the middle part is "return". It is a distinctive work with proper arrangement, compact structure, light pen and strong feelings.

"Green sorrow, red banquet, no heat in the middle of the night" means that in early autumn, the weather is cool, the summer heat recedes and the night is heavy. In her small building, at the Qixi banquet, she secretly gave him a blue silk scarf to express her inner feelings. According to the content order, three sentences should be read backwards, so that even if the sentence is frustrated and tasteful, the word "Cui Gan" can be highlighted. Cuigan is a light and soft blue silk scarf, which was often given to lovers by ancient women. Green tulle conveys love, so the banquet also adds joy and the weather is particularly refreshing. In short, he was immersed in joy and happiness that night, everything was intact and his heart was sweet. The word "wedding banquet" describes the scene and atmosphere at that time, which set off the joy and happiness of lovers at that time. The comparison between the sentences in The Wedding Banquet and Cuigan shows that she secretly sent gifts to convey her feelings in the public place of The Wedding Banquet, and she was so deeply and eagerly in love that she was a little carried away. These figures outline the beautiful scenery here: festivals, times, places, weather and people are all beautiful and unforgettable.

The phrase "meet again by the bamboo" means that this is a tryst after unrequited love, next to the bamboo forest by the lotus pond. When I meet the former for the first time, I can only express my feelings through things. This time, I can talk with each other to my heart's content. But the author's style of writing has changed, and the feelings conveyed have also changed. If the previous sentence is a kind of beautiful happiness, this sentence is a kind of beautiful melancholy, because the encounter after hard expectation is so hasty to leave, just like "blue clouds fly", which is helpless and sad. These two memories of the past naturally lead to countless worries and feelings in the next film.

"Brocade" two sentences, see things with people, endless sigh. Brocade, exquisite and colorful stationery, is a gift from her. Beads, jewelry inlaid with pearls, are gifts when we meet again. I can only face her affectionate letter and the gift of Yu Xiang's monk, and I am deeply depressed. One is "Shang" and the other is "Wei". The style of writing is vivid, the previous feelings are in sight, and the feelings are sorrowful. The ink on the brocade is still wet, and the bead embroidery still exudes her fragrance, but the past is like a cloud, and the old love is hard to continue. Ten thousand kinds of worries express "empty provocation" with the phrase "empty provocation", perhaps because the pledge is still there and it is difficult to get married; Perhaps it is because the old love has not disappeared and people have lost. In a word, this is a common love tragedy in feudal society. Tragedy has become, "brocade" and "pearl fragrance" don't help: "worrying too much is asking for trouble. However, it is not only her gift, but also the sensitive night of Qixi, and the myths and legends related to it.

Memories of Chinese New Year by Han and E, three quotations from Custom Pass: "The Weaver Girl will cross the river on Tanabata, and the Magpie Bridge will be held." China's ancient Tanabata Ci all mentioned the Cowherd and the Weaver Girl, feeling the deep-rooted lovesickness only once a year, but Qin Guan said that "the golden wind and the dew meet, winning countless people" is both novel and profound. Zhao Yifu wrote this word further, thinking that he and his lover were not as good as cowherd and weaver girl. They can meet once a year, but the farewell to their lover is endless.

In short, the first part is about joy, the second part is about parting hate, and the middle part is about "return", which is well arranged and closely structured. The top and bottom set each other off, and the center is very prominent. The whole poem is lively and affectionate, and it is a distinctive work.

Original Creation and Appreciation of Queqiao Fairy Tanabata 3

Gu Taiqing in Qing Dynasty

The new autumn is a leap, the magpie bridge is opened again, and the world is begging for ingenuity twice. The railing leans against the jade rope and asks the beggar and the cat how much it costs.

Women in boudoir, friends in the horizon, and many things to pray for. There is nothing in the immortal theory, that is, there is and should be old.

To annotate ...

Jade rope: star name. Often refers to stars.

Boudoir companion: refers to a lady who recites poetry in a painting.

Distinguish and appreciate

Ci was written by Ding You in the seventeenth year of Daoguang (1837), and Taiqing was thirty-nine years old.

This is an inscription, and it is a beautiful picture in Yunlin's "Leap Tanabata Couplet Poem". Tanabata couplets are the theme of painting, so the poet began to write on Tanabata. July 7th is a good time for the Cowherd and the Weaver Girl to meet, and the Galaxy Bridge has been built. Because it was painted in July, there were two good times, the bridge was "re-driven" once, and there were two begging activities on earth. Women want to beg for a lifetime of happiness and have two chances to find a husband. The poet asked how many secrets they had won in the night when the stars were moving and the stars were moving. The poet questioned this. Because there are seven festivals and begging activities every year, women are not always happy because there are always many things in the world. Fairy tales, originally "nothing" and "existence", the cowherd and the weaver girl should be old. The poet sympathizes with men and women's pursuit of marriage, love and happiness, but makes a confused conclusion, which is a reflection of real life. This beautiful picture shows the beauty of women, including their inner beauty in the picture. The poet abandoned the traditional praise of this kind of beauty, but creatively led to a philosophical proposition, that is, the desire for beauty, which is often difficult to achieve in the world. It inspires people to think, and at the same time deepens the ideological theme of ci.

Original and Appreciation of Queqiao Fairy Tanabata 4 Original:

Cui Gan had a lot on her mind, and a banquet was held in the Red Chamber. There was no heat in the middle of the night.

The bamboo edge will still fly away when it meets the lotus outside.

The brocade is not dry, and the beads are not resting, which makes you sad.

Thinking is not like a magpie bridge person, once a year.

translate

Who can know the beauty of the night? Meeting him at night was a one-night stand in his own little red chamber. It was an unforgettable night, the weather was cool and summer was over. Bamboo and wind, what a beautiful and quiet place, they met in the evening after their first love. The brief meeting passed quickly, just like the sunset glow floating in the air, disappeared without a trace and never came back.

Tears dripping wet the delicate evening stationery; The fragrance of beaded evening dress still permeates the small building. However, things have changed, and the old feelings are hard to continue. Thinking about the result at night only adds to the trouble. Cowherd and Weaver Girl meet at Queqiao on Tanabata every year, but they never meet their sweetheart.

To annotate ...

Queqiaoxian: epigraph name.

Fusha: Place name, the county seat of ancient Jian 'ou, is where poets work.

Cuigan: The silk scarf is light and soft, and it is bright green. In ancient times, women were mostly given to their lovers.

Brocade: exquisite evening stationery.

Pearl: pearls inlaid with evening jewelry are evening gifts when we meet again. Rest: dissipate.

Appreciate:

This poem, written to a friend, is not about words but about God, and it is about feelings rather than pen and ink.

"Green sorrow, red banquet, no summer heat in the middle of the night"-early autumn, the weather is cool, the summer heat recedes, and the night is heavy. In her small building, at the Qixi banquet, she secretly gave him a blue silk scarf to express her inner feelings. According to the content order, three sentences should be read backwards. This arrangement in words can not only make the sentence frustrated, but also highlight the word "Cui Gan". Cuigan is a light and soft blue silk scarf, which was often given to lovers by ancient women. Green tulle conveys love, so the banquet also adds joy and the weather is particularly refreshing. In short, he was immersed in joy and happiness that night, everything was intact and his heart was sweet. The word "wedding banquet" describes the scene and atmosphere at that time, which set off the joy and happiness of lovers at that time. The comparison between the sentences in The Wedding Banquet and Cuigan shows that she secretly sent gifts to convey her feelings in the public place of The Wedding Banquet, and she was so deeply and eagerly in love that she was a little carried away. These figures outline the beautiful scenery here: festivals, times, places, weather and people are all beautiful and unforgettable.

"Reunion by Bamboo"-this is a tryst after unrequited love, next to the bamboo forest near the lotus pond-a beautiful and quiet place. When I meet the former for the first time, I can only express my feelings through things. This time, I can talk with each other to my heart's content. But the author's style of writing has changed, and the feelings conveyed have also changed. If the previous sentence is a kind of beautiful happiness, this sentence is a kind of beautiful melancholy, because the encounter after hard expectation is so hasty to leave, just like "blue clouds fly", how can it not make people helpless and sad? These two memories of the past naturally lead to countless worries and feelings in the next film.

"Brocade" two sentences, see things with people, endless sigh. Brocade, exquisite and colorful stationery, is a gift from her. Beads, jewelry inlaid with pearls, are gifts when we meet again. I can only face her affectionate letter and the gift of Yu Xiang's monk, and I am deeply depressed.

One is "Shang" and the other is "Wei". The style of writing is vivid, the previous feelings are in sight, and the feelings are sorrowful. The ink on the brocade is still wet, and the bead embroidery still exudes her fragrance, but the past is like a cloud, and the old love is hard to continue. Ten thousand kinds of worries are expressed by the phrase "empty provocation". Why do you say "empty provocation"? Maybe the token is still alive, so it's hard to get married. Maybe the old love is still alive and people have lost their lives! In a word, this is a common love tragedy in feudal society. Tragedy has become, "brocade" and "pearl fragrance" are of no help; "Careless worry" is just asking for trouble.

However, it is not only her gift, but also the sensitive night of Qixi, and the myths and legends related to it. Memories of Chinese New Year by Han and E, three quotations from Custom Pass: "The Weaver Girl will cross the river on Tanabata, and the Magpie Bridge will be held." China's ancient Tanabata Ci all mentioned the Cowherd and the Weaver Girl, feeling the deep-rooted lovesickness only once a year, but Qin Guan said that "the golden wind and the dew meet, winning countless people" is both novel and profound. The word Zhao Yifu is also written further. I feel that I and my lover are not as good as cowherd and weaver girl. They can meet once a year, but they can't stop saying goodbye to my lover!

In short, the first part is about joy, the second part is about parting hate, and the middle part is about "return", which is well arranged and closely structured. The top and bottom set each other off, and the center is very prominent. The whole poem is lively and affectionate, and it is a distinctive work.

Original and Appreciation of Queqiao Fairy Tanabata 5 Original:

Fairy Goushan is a high-spirited girl who doesn't learn from stupid girls. When the bagpipes break in the moonlight, raise your hand to thank you, and people want to leave. It is said that the Yellow River bamboo raft can go directly to the Milky Way, and there is wind, sea and rain along the way. Meeting drunk is the leading edge, where the wind and rain are shaky.

Appreciate:

This is a farewell message entitled "Tanabata", which is about the parting with my good friend Chen Lingju on Tanabata night.

In the last part, I wrote Chen Lingju's demeanor first. He is so sentimental that he feels at home on the top of Gou Mountain, floating away from his family on the crescent night when bagpipes are ringing. When the poet leaves his friends on Tanabata night, he naturally thinks of the cowherd and the weaver girl, but Chen Lingju is not as infatuated with her children as they are.

In the next picture, imagine a friend coming to the Milky Way by boat. When he returned to this world, he took the wind and rain in the sky with him. Then he commented that it was predestination that two people's friendship could meet and get drunk. After a day of ups and downs, friends will also drift away with the wind.

When writing farewell, most people will feel sad, but the poet is heroic and imaginative, roaming in the galaxy of heaven. Just like Lu You said, "The song ended in a breakup, and the wind and rain were pressing." Generally speaking, writing about the Milky Way on Tanabata is always a scene of tenderness and sadness, such as "flowers are like water, and the storm of that day in the poet's pen shows his extraordinary boldness of vision and mind, which is a vivid interpretation of his bold and unconstrained ci style.

Creation background

In the seventh year of Xining (1074), the poet and Chen Lingju traveled by boat, drank and laughed, but always got together separately. In order to express his regret for Chen Lingju, the poet wrote this poem for him.

Appreciate II

"Gao Qingyun is an ethereal fairy in Goushan, and she is unlearned." She praised Wang Ziqiao for having an immortal heart. Without it, she would not learn from the Cowherd and the Weaver Girl and fall in love. "Phoenix flute breaks the moonlight, raise your hand to thank guests for leaving" continues the last article and depicts the image of Wang Ziqiao. When Wang Ziqiao blew his flute and waved goodbye, he left by crane, which was enviable. Wang Ziqiao's bohemian and otherworldly immortal image is in sharp contrast with the Weaver Girl who gave up her fairy position and fell in love. It shows the poet's longing for independence and immortality, and it is also the enlightenment language of Chen Lingju's parting feelings.

"If a guest commits a crime, the Milky Way waves with wind and rain", to borrow the fairy tale of Jin people meeting immortals, it is better to say that a few friends broke through the silver waves and went boating. "Seeing each other and getting drunk late is the leading edge, where is the wind and rain?" There are few places to write about happiness, and we will soon face parting. "Seeing each other and getting drunk late is the leading edge", write about your meeting with friends, "Where did the wind and rain come from?" , and write a friend's parting after parting. "Getting drunk is the leading edge" means comfortable, and "Where to float" means infinite emotion.

The whole poem not only gets rid of the cliche of children's eroticism to express farewell to friendship, but also closely follows Chinese Valentine's Day in matters, replacing the lingering wind with an elegant and ultra-wide style, which deeply touched the poet's extraordinary posture.

Original Creation and Appreciation of Queqiao Fairy Tanabata 6 Queqiao Fairy Tanabata

Song Dynasty: Fan Chengda

Tonight is a good time for the cowherd and the weaver girl, and the couples who meet are too lazy to be busy. Lonely immortals should be jealous: beautiful moon sister frowning bright eyebrows, aunt wind blowing abnormal wind and rain.

Meeting in a hurry, getting together for a short time is too good, and the sorrow of parting is burnt. The joy of meeting each other is not worth the long sadness, but it adds new sadness to taste.

translate

Tonight is a good time for the Cowherd and the Weaver Girl to meet, and the couple who meet are too lazy to be busy with farm work and weaving. Lonely fairy should be jealous: sister Meiyue is tight-browed, and her period is extremely stormy.

It is better to meet in a hurry than not to meet for a short time and stir up the sadness of parting again. The joy of reunion is always less than the sadness of long separation, but it adds new sadness to bring back to taste.

To annotate ...

1, Tanabata: On the night of the seventh day of the seventh lunar month, it is said that the Cowherd and the Weaver Girl crossed the Milky Way on this night.

2. Double star: refers to morning glory and weaver girl.

3.yūng: lazy.

4. Juanjuan: It's beautiful.

5. Sister Moon (zǐ): Moon Palace Fairy.

6.pín: Frown. On the seventh day of the seventh lunar month, the moon will reach a semicircle because it is full of eyebrows.

7. aunt feng: the legendary fengshen. It turned out to be, and then Yan became aunt Feng.

8. Cao Cao: It means in a hurry.

9, such as: how to compare. That means it's not as good as it is.

10, not worth it: not as good as it is.

Appreciation of Queqiao Fairy Tanabata

For more than two thousand years, the story of the Cowherd and the Weaver Girl has touched the hearts of many people in China. Among the masterpieces of the Cowherd and the Weaver Girl, Fan Chengda's The Que Qiao Xian is a masterpiece with special significance.

"One night, two stars, lazy farming and weaving, should be the envy of the gods." First mark Qixi with a three-point pen, and then render with a side pen. "Weaver crossing the river on Tanabata, Queqiao Club" ("China New Year's Eve" volume three quotes "Custom Pass"), meets Cowherd, so it is also called Double Star Festival. At this time, on both sides of the Milky Way, the cowherd has no intention of farming, and the weaver girl has no intention of spinning. Even the fairies in the sky are jealous. Through the description of the mood of the protagonist and supporting role, the annual Qixi atmosphere is set off, which is exciting. The next three rhymes were written by Xianxian, and the pen and ink were opened from Niunv, which was meaningful. "Juanjuanyue's sister's eyebrows are full, and she is helpless." Chang 'e, who looks good, locks the moth's eyebrows, but Xifeng is actually making waves (Xifeng is a young woman's fengshen, see Boyi). These fairies are jealous of the Weaver Girl. The weaver girl only takes a little a year. Why should she be jealous? Then Chang 'e regretted stealing the elixir, the blue sea and clear sky at night, the romantic jealousy of aunt Feng, the loneliness of women in the fairy world, and the preciousness of love between cowherd and weaver girl. Not only that. There is a comedy plot envied by fairies, although it leads to their tragic love. The creation of words and feelings is ingenious.

"Meet each other in a hurry, fight like a lifetime ago, and stir up feelings of separation." The next film follows the meeting scene of "tender feelings like water, like a dream in an instant", not to mention the tearful farewell scene of "forbearing to go home from the bridge", but to focus on depicting the mentality of the cowherd and the weaver girl in one step. Meet on Tanabata, just in a hurry, how can such a side be wrong! It's just to stir up countless sorrows and leave again. The poet's brushwork is extraordinary everywhere, but what he writes is to further humanize the mythical nature. Obviously, only by deeply appreciating the long-term sadness in the world can we have such a sympathetic understanding of the mentality of the Cowherd and the Weaver Girl. "The new love is not worth the old sorrow, but the new sorrow is gone." Summarize three sentences, closely follow the meaning of the previous sentence, and then go deeper into characterization. 365 days and nights apart, we only met at the moment of Tanabata. How deep is the old hatred, how deep is the new love, and how limited is the new love. Not only that. If you don't sell old worries, you can't bear new worries. Year after year, Tanabata seems to be the same. But who knows, year after year, the situation is actually different. In people's impression, the Cowherd and the Weaver Girl always seem to be "full of water, and the pulse cannot be said".

However, judging from the poet's spiritual experience, the grief and indignation of the Cowherd and the Weaver Girl are growing infinitely, and the tragedy of the Cowherd and the Weaver Girl is an eternal tragedy. This profound degree and terrible nature of the Cowherd and Weaver Girl tragedy finally tells people in the text. Obviously, the tragedy of Cowherd and Weaver Girl in Ci has its realistic life foundation, that is, loving couples are forced to live apart for a long time. This can be asserted. "Also, you no matter somehow? Oh, my God, you are wrong! Alas, only two tears fell. " (Lyrics of Dou Eyuan)

This word is very distinctive in artistic attainments. The love tragedies of the Cowherd and the Weaver Girl are endless, which is incredible. It is ingenious to use the jealousy plot of Chang 'e Feng Gu to set off, highlight and deepen the love tragedy of Cowherd and Weaver Girl. (Modern black humor is almost the same.) The whole word is flowerless, and the language is not surprising and endless. As for the so-called gorgeous, it is dull. Fan Chengda's poems, such as his famous pastoral poems, are quite rustic, which can be proved from here. Finally, briefly talk about the special significance of this word in the development of Song Ci with the same theme. Song ci describes the story of cowherd and weaver girl. Poetry of Queqiao Fairy (Selected Poems of Hua 'an) has not lost its ancient meaning. Ouyang Xiu was the first, Qin Shaoyou was the second, and Fan Chengda was the last. The theme of European Ci is "Do many things according to God's will, and don't teach your ancestors", the theme of Qin Ci is "If two feelings last for a long time, seize the day", and the theme of Chengda Ci is "New love does not cover the old worries, but adds new worries and returns". It can be seen that Ou Ci wrote about human nature. What Qin Ci wrote was "unconventional talk" ("Yu Juan, a Poet of Caotang"), which was a renovation and alienation of European Ci, and also pointed out the upward path. The word Chengda is the return and deepening of European words. The love of the Cowherd and the Weaver Girl, even if it is not in the morning and evening, will always be in people's hearts. Infinite separation and the tragedy of life and death are by no means unbearable to the people, and it is also broader than the lofty cause. Therefore, the word Chengda is also a supplement and development of Qin Ci. In terms of revealing the aesthetic significance of deep tragedy, it is still one of the calculations of Qin Ci. Ou, Qin and Fan's Queqiao Fairy Poems show a negative orientation, which shows the deep understanding of tradition and life of the poets in the Song Dynasty, and also reflects the primitive spirit of the poets in the Song Dynasty in their artistic creation. Known as one of the inspirational stories in the history of Ci in Song Dynasty.

Original creation and appreciation of Queqiao Fairy Tanabata 7 original:

Fairy Goushan is a high-spirited girl who doesn't learn from stupid girls. When the bagpipes break in the moonlight, raise your hand to thank you, and people want to leave. It is said that the Yellow River bamboo raft can go directly to the Milky Way, and there is wind, sea and rain along the way. Meeting drunk is the leading edge, where the wind and rain are shaky.

Precautions:

① Goushan: Goushan, 40 miles south of Yanshi County, Henan Province. The prince of Biography of Immortals met Liang Huan and said, "Tell my family to live in Goushan on July 7." If he rides a white crane to the top of the mountain, he can't see. He left when he raised his hand.

② Mad Cow Girl: refers to the variant of Cowherd and Weaver Girl, ignorant.

(3) Chuck: Chacha, a raft made of hawthorn and bamboo. According to the story of Zhang Hua's "Natural History" in Jin Dynasty, someone once took a floating fork from the sea to Tianhe to meet the cowherd and weaver girl. Later, I went to Shudu to ask, saying that one day the guest star had a cow, and this was the man who came to Tianhe. If that's what the guest means.

Appreciate:

This is a farewell message entitled "Tanabata", which is about the parting with my good friend Chen Lingju on Tanabata night.

In the last part, I wrote Chen Lingju's demeanor first. He is so sentimental that he feels at home on the top of Gou Mountain, floating away from his family on the crescent night when bagpipes are ringing. When the poet leaves his friends on Tanabata night, he naturally thinks of the cowherd and the weaver girl, but Chen Lingju is not as infatuated with her children as they are.

In the next picture, imagine a friend coming to the Milky Way by boat. When he returned to this world, he took the wind and rain in the sky with him. Then he commented that it was predestination that two people's friendship could meet and get drunk. After a day of ups and downs, friends will also drift away with the wind.

When writing farewell, most people will feel sad, but the poet is heroic and imaginative, roaming in the galaxy of heaven. Just like Lu You said, "The song ended in a breakup, and the wind and rain were pressing." Generally speaking, writing about the Milky Way on Tanabata is always a scene of tenderness and sadness, such as "flowers are like water, and the storm of that day in the poet's pen shows his extraordinary boldness of vision and mind, which is a vivid interpretation of his bold and unconstrained ci style.