Spring Festival Poster Pattern-How to Make New Year Pictures

How to design Spring Festival poster pictures

How to design Spring Festival poster pictures. The Spring Festival is a traditional Chinese festival and an important festival. It can bring people more thoughts and hearts. When designing a holiday, a special element helps people accept the holiday. Therefore, for the design of Spring Festival posters, we need to creatively use colors and patterns to express the festive emotions of the festival, as well as creative designs and form deformations of text, and use festive colors to make the festival more creative. An excellent Spring Festival poster design should reflect such a feature: Creation of patterns. The patterns of Spring Festival poster design are mainly divided into the following categories: One type is line patterns, which are a series of abstract elements or color blocks to represent the festival. This kind of poster design mainly uses patterns to express information such as weather and temperature. It is better for some people to have a pattern, and some people may not, but they all know that having a lecture is also a very important festival in Osaka. How to make New Year pictures

The method of making New Year pictures is as follows:

1. Open the lightweight online graphic design tool "Picture Gangzhu" and click "New Year Blessings Picture Design".

2. Then select "New Year Blessing Template". After opening it, you can see various New Year Blessing templates. Choose a template style you like for DIY. You can freely change text, background color, pictures, etc.

3. Click "Spring Festival" in "Materials" on the left, there are a large number of picture materials full of New Year's flavor to choose from.

4. Click "Container" in "Materials", select a container you like, upload your photo to the computer, drag it into the container, and the customized exclusive avatar New Year greeting poster is ready.

Introduction to the Spring Festival:

The Spring Festival is a major folk festival that integrates getting rid of the old and bringing in the new, worshiping gods and ancestors, praying for blessings and warding off evil spirits, reuniting relatives and friends, celebrating entertainment and eating. The Spring Festival has a long history, originating from the primitive beliefs and nature worship of early humans. It evolved from the first year of the year prayers and sacrifices in ancient times. It carries a rich historical and cultural heritage in its inheritance and development.

The Spring Festival is the most solemn traditional festival of the Chinese nation. The New Year activities center around offering sacrifices and praying for a good year, and are carried out in the form of removing the old and bringing in the new, worshiping gods and ancestors, exorcising evil spirits and warding off disasters, and praying for a good harvest. The content is rich and colorful, lively and festive, and has a strong flavor of the new year, embodying the essence of the traditional culture of Chinese civilization.

During the Spring Festival, various New Year activities are held across the country. Due to different regional cultures, there are differences in customs or details. Spring Festival vector couplets dynamic pictures

Couple vector pictures__Spring Festival_Festival material Couplets are also called couplets. They are named after the couplets that were often hung on the pillars of the halls and houses in ancient times. There are even words, lici, The common names for couplets and door pairings were called "couples", which began in the Ming Dynasty. It is a kind of dual literature, which originated from peach symbols. It is a national literary style written using the characteristics of Chinese characters. Its wonderful combination with calligraphy has become a colorful artistic creation of the Chinese nation. [2] Spring couplets written by experts in folk calligraphy 4-Couplet recommendation video Couplets generally do not need to rhyme (only some couplets in rhymed poems need to rhyme). It can be roughly divided into poetry couplets and prose couplets, which are strictly divided into large and small parts of speech. Traditional couplets have similar forms, connected contents, coordinated tones, and rigorous contrasts. As a custom, couplets are an important part of the excellent traditional culture of the Chinese nation. In 2005, the State Council of China listed the custom of couplets in the first batch of national intangible cultural heritage lists. The custom of couplets is passed down and spread among the Chinese and even in regions around the world where Chinese is spoken and among ethnic groups that have cultural origins with Chinese characters. It is of great value to the promotion of Chinese national culture. [3] Video of creation of official script couplets by the famous calligrapher Mr. Li Xiao Historical origin The custom of couplets originated from the duality phenomenon in ancient Chinese. As early as before the Qin and Han Dynasties, Chinese folk had the custom of hanging peach charms during the New Year. The so-called peach charms are the names of the legendary ghost-conquering gods "Shencha" and "Yulei", written on two peach boards respectively and hung on the left and right doors to drive away ghosts and suppress evil spirits. This custom lasted for more than a thousand years. [4] Wedding couplet source file__PSD layered During the Western Jin Dynasty (around 290 AD), the appearance of legal and sophisticated couplets can be regarded as an important symbol of its formation. In the process of historical transmission of more than 1,700 years, couplets, parallel poems, rhymed poems and other traditional literary forms have influenced and learned from each other. Through the three important development periods of the Northern Song Dynasty, Ming Dynasty and Qing Dynasty, the forms have become increasingly diverse and the cultural accumulation has gradually become richer. It was not until the Five Dynasties that people began to inscribe couplets on peach boards. According to the "History of the Shu Family in the Song Dynasty", Meng Chang, the leader of Shu after the Five Dynasties, "every year, he ordered a scholar to compose a poem, write a peach charm, and place it near the door of his bed. In the last year of his life (AD 964), the scholar Xing Yinxun wrote a poem, and Chang used it as a poem. Fei Gong, self-mingbi inscription reads: New Year's greetings, Jiajie Changchun. "This is the earliest Spring Festival couplet in China. After the Song Dynasty, it has become quite common for folk to hang Spring Festival couplets during the New Year. The sentence in Wang Anshi's poem "Thousands of households always exchange new peaches for old charms" is a true portrayal of the grand occasion at that time. Since the appearance of Spring Festival couplets is closely related to Taofu, the ancients also called Spring Festival couplets "Taofu". It was not until the Ming Dynasty that people began to use red paper instead of peach boards, and the Spring Festival couplets seen in modern times appeared. According to the "Miscellaneous Stories of Hairpin Cloud Tower", after Emperor Taizu Zhu Yuanzhang of the Ming Dynasty established his capital in Jinling, before New Year's Eve, he ordered the houses of ministers, officials, and common people to add a Spring Festival couplet, and he personally went out incognito to visit and enjoy the couplets door to door. Since then, all literati have regarded the combination of title and couplets as an elegant thing.

After entering the Qing Dynasty, couplets were at their peak, and many famous and famous couplets appeared. [5] With the development of cultural exchanges between countries, couplets have also been introduced to Vietnam, North Korea, Japan, Singapore and other countries. At the beginning of the 21st century, these countries still retained the custom of posting couplets. Main classification and folding are divided according to purpose 1. Spring couplets: door couplets specially used for the New Year. For example: willows are green and green; peaches and apricots compete for spring and red in May. 2. Greeting couplets: used for birthdays, weddings, housewarming, childbirth, business opening and other festive occasions. For example: a pair of red hearts go to the four directions; two pairs of skillfully hand-painted new pictures. (Xi Lian), happiness is as good as the East Sea; longevity is as long as the Southern Mountains. (Shou couplet) [6] 3. Elegiac couplet: used to mourn the deceased. For example: His works lasted for a thousand years, but he left here to shock the world; his spirit lasted for a thousand generations, and he came back to benefit the world. 4. Gift couplet: used to praise or encourage others. For example: the sound of wind, rain, and reading are heard in the ears; family affairs, national affairs, and world affairs are all concerned. 5. Self-encouragement couplet: used for self-encouragement. For example: always read letters about your family and country; don’t do anything that is not beneficial to your body and mind. 6. Industry link: for different industries to be posted on the door or in the store. For example: If you want to know the events of the past, you must read the Five Chess Book. (Bookstore) Although there is no business at all, it is a top-notch effort. (Barbershop) welcomes guests from spring, summer, autumn and winter; entertains people from the east, west, north and south. (Hotel) 7. Yan Zhilian: Used to express ambitions. For example: I would rather be a ghost of the Zhao family than a minister of his state. According to the number of words, the folded couplets are divided into 1, short couplets (within a cross), 2, medium couplets (within a hundred words), 3, long couplets (more than a hundred words), etc. Folding is divided into techniques: 1. Dual forms: speech pairs, matter pairs, positive pairs, oppositions, work pairs, broad pairs, flowing pairs, palindrome pairs, tack pairs, etc. 2. Rhetorical techniques: metaphor, exaggeration, rhetoric, pun, question, homophony. 3. Word usage skills: embedded words, hidden words, compound words, repeated words, radicals, word analysis, word splitting, numbers, etc. 4. Logical structure: juxtaposition, turning, choice, cause and effect. Folding is divided according to position 1. Couplets: hung on the pillars, used in residences, institutions, temples, historic sites and other places. 2. Door couplet: affixed to the door. 3. Couplets in the central hall: hang in prominent places in the living room and bedroom with calligraphy and painting couplets. The folding is divided according to the source of the couplets: 1. Collection of sentence couplets: couplets composed entirely of ready-made sentences in ancient poems. 2. Collection of word couplets: couplets composed of words from ancient articles and calligraphy copybooks. 3. Excerpted couplets: couplets made by directly excerpting couplets from other people’s poems. 4. Creative couplets: couplets created independently by the author himself. Couplets are divided into overlapping word couplets according to their artistic characteristics: the same word appears continuously. Compound word couplet: The same word appears non-consecutively. Thimble couplet: The footer of the previous clause serves as the head of the following clause. Embedded couplets: include embedded ordinal numbers, directions, solar terms, year numbers, surnames, names of people, place names, names of things (such as medicine names), etc. Split-character couplet: Split a certain combined character in the couplet into several single-character characters; some people subdivide it into "splitting characters, combining characters, analyzing characters", etc. Phonological couplets: including homophones with different sounds, same characters with different sounds, and overlapping rhymes. Humorous couplet: Take the meaning of humor. Ruthless pairing: The meanings of the upper and lower couplets have nothing to do with each other, but each word contrasts neatly. Most loveless couples are very interesting and can be classified as humorous couples at the same time. Palindrome couplet: read forward or backward, the meaning is exactly the same. The longest couplet: The author is Zhong Yunfang, a scholar in Jiangjin in the late Qing Dynasty. He wrote it in the Chengdu prison in the 30th year of Guangxu's reign in the Qing Dynasty (1904 AD) to express his anger. Writing Format Couplet Source File_Spring Festival_Poster Design 1. The number of words should be equal and the sentences should be consistent. Unless the position of a certain word is intentionally left vacant to achieve a certain effect, the number of words in the upper and lower couplets must be the same, no more and no less. 2. The levels should be consistent and the tone should be harmonious. The traditional custom is "廄 rises and falls flat", that is, the last word of the first line is in the square tone, and the last word of the second line is in the flat tone. 3. The parts of speech should be relative and the positions should be the same. It is generally called "Void to Void, Real to Real", which means noun to noun, verb to verb, adjective to adjective, quantifier to quantifier, adverb to adverb, and the relative words must be in the same position. 4. The content should be relevant and connected from top to bottom. The meanings of the upper and lower lines must be connected to each other, but they cannot be repeated. 5. The traditional practice of hanging couplets must be written straight and vertically, from right to left, top to bottom, and cannot be reversed. 6. Hengpi, which is closely related to the couplet, can be said to be the title of the couplet and also the center of the couplet. Good horizontal batches can play a finishing touch and complement each other in the couplets. Basic characteristics 1. The unity of uniqueness and universality. It is generally believed that couplets are the most unique literary form in China. Its uniqueness is mainly reflected in its structure and language. Couplets can be called "dual structure" style. A standard couplet is always composed of two parts that oppose each other. The former part is called the "upper couplet", also called "chuju", "opponent" and "duigong"; the latter part is called the "lower couplet". Also called "couples", "duiwei" and "duimu". Two parts come in pairs. Only the upper couplet or only the lower couplet can only be regarded as half a couplet. Many couplets, especially the hanging couplets, have horizontal scrolls in addition to the upper and lower couplets. Horizontal comment is an organic part of this kind of couplet. It is often a summarizing and finishing touch to the whole couplet or a text that is consistent with the couplet. It is usually four characters, but there are also two, three, and five characters. word or seven words. From a linguistic point of view, the language of couplets is neither a verse language nor a prose language, but a special language that pursues confrontation and is rich in music. This special "language-structure" method of couplets completely depends on the special properties of the Chinese language and its characters. The uniqueness of this "language-structure" makes the creation of couplets very different from other literary forms in terms of conception, conception, layout and planning.

For the same objective object and content, Yingyuan always tries to observe and describe things from two aspects and two angles, and strives to "shape" the language into a binary symmetrical structure. 2. The unity of parasitism and inclusiveness. The so-called parasitism means that the couplet is derived from the parallel words and idioms of ancient Chinese poetry. To put it simply, it is a pair of parallel sentences, so it can be parasitic in various literary styles. There are neat couplets in poems, lyrics, songs, rhymes, parallel prose, and even prose, dramas, and novels. In turn, couplets are extremely inclusive. It can combine the characteristics of other literary styles and absorb the expression techniques of other literary styles, especially long couplets and super-long couplets. It can simply integrate the culmination of Chinese stylistic techniques. Such as the refinement and connotation of poetry, the exaggeration of the fu, the long and long melody in the words, the refreshing meaning of the music, the free and unrestrained prose, the short stanzas and long rhymes of the verses, etc., they are all eclectic and innovative. 3. The unity of practicality and artistry. Couplet is a form of Chinese classical literature, which is of course literary and artistic. It embodies the language and art style of Chinese characters with unprecedented flexibility and perfection in poetry, lyrics, and music. The beauty of couplets lies in symmetry, contrast and unity of opposites. Hu Zai of the Song Dynasty quoted "Fu Zhai Man Lu" from the second volume of "Tiaoxi Yuyincong Hua", which records that Yan Shu once invited Wang Qi to dinner and talked about him with a sentence: "There is no choice but the flowers fell away", and he hated the next sentence. Wang Qi responded and said: "It seems like déjà vu, Yan is coming back." Yan Shu was overjoyed, so he wrote this wonderful couplet into the word "Huanxisha". Yang Shen called this couplet "a beautiful second language, naturally odd and even". This is the artistic charm of couplets. The artistry of couplets can be summed up in a couplet by contemporary scholar Bai Qihuan: The couplets are true and sincere, can be satirical and sung, comparable to poems, poems and articles, just like pearls reflecting precious jade; the grand view of the couplet has a long history, is both solemn and interesting, Adding splendor to halls, mountains, rivers, and people is like an old tree blooming with new flowers. 4. The unity of popularity and elegance. Couplets are both refined and popular. There is no literary form like couplets. They are popular among scholars and literati at the top, and are loved by women and children at the bottom. They can walk into the tower of ivory and among the people of Longmu. They are enjoying the white snow in spring. Lower Riba people again. The reason for this wonderful unity is that couplets are an art that is both simple and complex, pure and rich. The rules of couplets are not complicated, especially the color and style of the language, as well as the subject matter and content. They are generally very short and widely used in social life. Unlike other literary forms, they don’t wear an elegant face. It is easy to learn, understand, remember, and not difficult to write. As long as they are done well, no matter the elegance of the language, the size of the subject matter, or the depth of the thoughts, they will all become couplets. The couplets are vulgar but elegant, and they are elegant. The rules of couplets are simple and the form is pure, but its application of Taoism and art is profound and endless. 5. The unity of seriousness and playfulness. Couplets have always been regarded as a game of pen and ink by many people. Although this is a prejudice, it also illustrates the playful nature of couplets. Since couplets pursue confrontation, the more stable and clever the pairings are, the better. This is not only literary creation, but also contains elements of thinking games and language games. If we simply develop towards getting things right and getting things right, it will simply become a battle of talents in Chinese and a battle of wits in thought. In fact, there are quite a few playful couplets that are purely for the purpose of amusing people and testing their wits. They often make use of the special circumstances of the pronunciation, shape, and meaning of Chinese characters, and use various rhetorical techniques and ingenious ideas to compose them. Become. The main metrical folded Tibetan character grid is also called "Queruge". Certain words are intentionally omitted in the couplet to express a certain meaning implicitly and skillfully. For example: the first line: two, three, four, five; the second line: six, seven, eighty-nine. Horizontal comment: The meaning of this couplet of north and south is: missing one (clothing), missing ten (food), nothing. Splitting characters into grids means splitting a combined character in the couplet into several single characters. For example: First couplet: Zhang Changgong, riding a strange horse, playing the harp, harp and pipa, with eight kings and kings on top, fighting alone. Second couplet: Pretending to be a human being, attacking in dragon robes, surrounded by monsters and monsters, four little ghosts and ghosts are approaching, so grab it as soon as you put your hands together. The folded and folded character grid is emerald green and red, and there are warblers and swallows everywhere, wind and rain, and every year and every year, every year and every year, one or a few characters are repeated many times according to a certain pattern. Kou Zhun went out with his friends and said to him: "The moon under the water is the moon in the sky." There is no comparison. Yang Danian arrived just in time and replied, "The person in your eyes is the person in front of you." Everyone cheered. Folding palindrome, fog locks the top of the mountain, locks the foggy sky, and connects the water and the tail water to the sky. It is said that there was a "Tianranju" restaurant in Beijing in the Qing Dynasty. Qianlong traveled incognito and went into a shop to drink. He suddenly thought of this palindrome and was very proud. The guest lives in nature, and he is actually a guest in heaven. Later, he used this couplet as the first couplet, but he couldn't think of the second couplet, so he asked Ji Xiaolan to answer it. Ji Xiaolan said: The guest in the natural world lives in heaven, and he is actually a guest in heaven. When people pass through a big Buddhist temple, the Buddha in the temple is bigger than people. The folded sentence pattern is a couplet composed of sentences from ancient Chinese and poetry. After reading thousands of volumes (Du Fu) and putting pen to paper (Li Bai), folding the thimble, the green mountains outside the lattice building, the white clouds outside the mountains, the clouds flying in the sky, the green trees beside the pool, the red rain beside the trees, and the rain falling beside the stream. Couplets and chapters are the method of chapter structure. If there is structure, the chapter will be complete, close, and harmonious, and the central meaning will be clear and prominent; if there is no structure, it will be messy, loose, incomplete, and incomplete, and the central meaning will be unclear or even incomprehensible. The basic composition of the folding couplet is "pair and couplet". Pair means two opposite things, or two aspects of one thing; Lian means that the two are related to each other, cooperate with each other, promote each other, and unify to express a theme. The basic composition of the couplet is completely in line with the law of the unity of opposites in philosophy. The composition of the couplets is similar to the words divided into upper and lower parts. The content of the upper and lower couplets should not be repeated and entangled back and forth. They should each have their own emphasis and work division of labor.

The division of labor between the upper and lower couplets varies depending on the object being written: 1. When writing about scenery, scenery has a spatial state and a time state. Space includes far and near, up and down, front and back, size, etc. Time includes morning and evening, day and night, winter and spring, past and present, etc. There are also different situations such as movement, sound and color, and constant changes. As for specific objects, there are heaven and earth, land and sea, mountains and rivers, cloud forests, springs and rocks, natural objects and buildings, etc. Among the buildings there are pavilions and temples, and among the plants there are peach, apricot, pine and fir, etc. By deducing this way, there are endless opposite sides of the scenery. The upper and lower couplets can be divided like this: one writes about space status, one writes about time status; one writes about distance, one writes about near; one writes about sound, one writes about color; one writes about spring, one writes about stone; one writes about building, one writes about pavilion; one writes about pavilion; The real scene in front of you, a description of imagination or the virtual scene of the past. This also expresses the characteristics of the scene. For example, the couplet of Qingshan Zen Temple in Kowloon: Ten miles of pines and cedars surround the ancient temple; hundreds of clouds and water surround the Qingshan. The first couplet describes close-up and quiet scenes, combining the natural landscape with the thousand-year-old Zen temple, making it appear peaceful and solemn. The second couplet describes distant and moving scenes, surrounded by clouds and mist, infinite space, and water surrounding the mountains, making the green mountains very imposing. The upper and lower couplets cooperate with each other and set off each other, making the Qingshan Zen Temple surrounded by clouds, water, pines and firs extraordinary and extraordinary. 2. Write the division of labor and respective emphasis in the upper and lower couplets of the narrative. One can talk about others and the other about yourself; one can write about things and the other can express feelings; one can be factual and the other can be imaginary. When talking about others, the upper and lower couplets can respectively write about character and achievements, or character and talents, achievements and life, public and private, words and deeds, literature and martial arts, likes and dislikes, existence and non-existence, gains and losses, today and Past, before life and after death, present and future, etc. They both write about human affairs. The upper and lower couplets can distinguish between poetry and prose, classics and history, poetry and poetry, calligraphy and painting, poetry and calligraphy and painting, piano and chess, teachers and friends, etc. For example, Tang Jingsong (some say Qiu Fengjia) wrote a couplet for the Zheng Chenggong Temple in Taiwan: The scholar made him the king, supported half of the old rivers and mountains, and brought color to the world's scholars; he drove the foreigners out of the country, opened up a new world for thousands of years, and encouraged those who have ambitions in China to continue to be great. The All-League extols the achievements of the national hero Zheng Chenggong, but there is still a division of labor between the Upper and Lower Leagues. The first couplet writes about his resistance to the Qing Dynasty in the first part, and the second part about his expulsion of the barbarians in the second part, that is, the expulsion of the Dutch colonists from Taiwan. One is to "support the old mountains and rivers", the other is to "open up the new world"; one is in the past, and the other is to influence the future; the first line praises his achievements, and the second line puts forward hopes for future generations: it fully affirms and praises Zheng Chenggong. The theme is the intersection and connection point of the upper and lower lines, and the link between the upper and lower lines. When writing couplets, if you can grasp the theme and fit the meaning of the question, and the upper and lower couplets have their own emphasis, and both express the same central idea, then you can achieve both couplets and couplets. Folding the Chengzhuan knot and the Yin Zhuan knot (he) is originally a composition of poetry and has reference value for couplets. Each quatrain poem has four lines, which are beginning, succession, transition and conclusion. The two-sentence couplets in the couplets and the four-sentences in the whole couplets can also be viewed this way. For example, Zhu Yuanzhang presented a couplet to Xu Dalian: he defeated the barbarians and brought down the barbarians, and he was the first in history and the present in his achievements; (Knot) A couplet of two sentences in a complete couplet cannot naturally have the beginning, succession, transition, and conclusion. The beginning and end are the only ones. When the upper link is connected, it takes on the dual tasks of "starting and carrying on"; when the lower link is connected, it takes on the dual tasks of "transferring and tying up". The upper link must be well started and the lower link must be well connected. The middle and long couplets and half couplets are relatively complete, with their own beginning, succession, transition and ending. For example, in the Qianshan Zuyue Temple couplet above, there are four half couplets. The first couplet is "water boundary Liaohe River" is the beginning, "mountains connected to Huabiao" is the inheritance, "Yuxiu Zhongling of the past generations" is the transfer, and "it is really the scenic spot of Dongdu" is the Knot. The following is analogous to the following. For long couplets, you must especially pay attention to the hierarchical structure of full and half couplets, and pay attention to the beginning, continuation, transition, and conclusion of full and half couplets; otherwise, you will not be able to grasp the essentials in reading, and your writing will be messy and messy. The Long Couplet of the Grand View Tower written by Sun Yan is rich in emotion and prose, and is worthy of the law in terms of composition. Fold and edit the creation rules of this paragraph. Fold and Confrontation Li Yuanming - Couplet - Taobao - Celebrity Calligraphy and Painting Couplet should be in "pair", that is, it consists of the upper couplet and the lower couplet. The number of words in the upper and lower couplets must be equal, and the content must be consistent, that is, the upper and lower couplets must be "connected" together. Two unrelated sentences cannot be randomly combined to form a couplet. Couplets are generally written vertically, with the last character (oblique tone) of the first couplet on the right (upper hand) and the last character (flat tone) of the second couplet on the left (lower hand). Although the antithesis of couplets has similarities with poetry, it is more demanding than poetry. There are broad and narrow couplets. A wide pair only requires that the contents of the upper and lower couplets are connected to form a couplet, while a narrow pair must be written strictly according to the standards of "Li Weng Duiyun". However, in practical couplets, wide pairs are more often used, while narrow pairs are often used because the requirements for antithesis are too strict, which restricts people's thinking and is suspected of harming the meaning of the text, so it is rarely used. The rules of folding the level and oblique couplets are basically the same as those in poetry. Yiyin applies the basic rule of poetry that one, three, five, and two, four, and six are clear. To determine the upper and lower couplets, in addition to judging from the content of the couplet, it is more important to judge from the oblique sounds at the end of the couplet. The couplets strictly stipulate that the last word of the first couplet should be in oblique tone, and the last word of the second couplet should be in flat tone. Later generations called this rule the ups and downs. Since ancient times, many language scholars have made a relatively detailed explanation of the four tones of ancient Chinese. In the book "Jade Key Song Jue", Ru Shivacu made the following analysis: 1. Ping - Ping tones and flat Tao are not low and high. When read, the pronunciation is gentle, the ending sound is long, and there is a lingering rhyme. 2. Go up - shout loudly and violently. The pronunciation is loud, the sound is short, and there is no ending. 3. Go - go to express my sorrow for the long journey. The pronunciation of the falling tone is round and round, and the ending sound is short and high-pitched. 4. Enter - the entering sound is short and urgent. The pronunciation of the entering tone is simple and urgent, and the closing tone is short, low, and has no ending. In addition to requiring rhyme and antithesis, folded structure couplets also have certain rules for phrases and structures.

For example: a single group, four-character structure: the first line: contentment and happiness; the second line: able to endure and be at ease. The phrases and structures of the upper and lower lines of the couplets should be consistent and unified. The upper couplet has a verb-object structure, and the second couplet must also have a verb-object structure, such as "shake red; clean green." The upper couplet is a positive phrase, and the second couplet is also a positive phrase. It must be contrasted with a correct phrase, such as "Tongxinknot" and "Bingdihua", which have the same phrase structure. When planning the layout of couplet phrases, we must pay attention to the fact that the phrase structure of the upper and lower couplets must be the same. This is also an important rule that the couplet author must follow.