Traditional Culture Encyclopedia - Weather forecast - Why is the creation of "The Son of the Weather" like sailing against the current?
Why is the creation of "The Son of the Weather" like sailing against the current?
And your name. On the one hand, your name has helped this film achieve amazing box office results in Japan. ? It still retains the advantages of Makoto Shinkai, and each frame is beautiful enough to be used as wallpaper. On the other hand, Makoto Shinkai's overall narrative style has changed the style criticized in the past: simple plot, emotional priority and gloomy atmosphere. This is also based on your name. ? It's hard not to have higher expectations for Makoto Shinkai's new book. However, after watching The Son of Weather three years later, I can only say that Makoto Shinkai is not on your side at all. To some extent, there has been a considerable retrogression.
Of course, Cai Yang's ability is not without cost. The movie was also told by two old people? Harumi? The history of. Cai Yang's ability has existed for hundreds of years. ? Harumi? It plays an important role in regulating weather and solving abnormal weather. But harumi can only sacrifice herself for the real change of abnormal weather. The climax of this film is the disappearance of Cai Yang, which brought a real sunny day to Tokyo. This story background based on myth really gives Makoto Shinkai a lot of creative space, and the ever-changing weather has become a wonderful moment in the film. However, the love story between a boy and a girl is obviously not as natural and touching as your name.
In particular, the protagonist Van Gogh's personality is too thin, which leads to many twists and turns in the plot and can only be completed by low-level coincidence and screaming lines. Most typically, in order to make the host think that Yang cuisine? Difficult? Makoto Shinkai joined him from the beginning, and joined a police plot to hunt down illegal guns. However, this story line is too illogical for people to sing. Although Makoto Shinkai has repeatedly said that he can't compare with Miyazaki Hayao, outside Ghibli's studio, Makoto Shinkai has really let more people see the new hope of Japanese original animated films. Having a wider audience also means that a person needs more courage to innovate himself. Creation based on comfort zone is actually a retrogression. So I think the reason why The Son of the Weather is like sailing against the current is because Makoto Shinkai has his own routine, which is purely personal.
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