Cultural embodiment of flying in Dunhuang

Cultural embodiment of flying in Dunhuang;

From the excellent line drawings flying in Dunhuang murals, we can see that lines are used to outline clothes patterns, buns and so on. There are beautiful patterns in the painting.

On the surface, every line in the painting has been carefully tempered and scrutinized. On the whole, the lines all over the wall are intertwined, dense and coherent, which is spectacular like the harmony effect of a symphony.

In China's ancient philosophy, the psychological artistic conception "heart" refers to the spiritual world of people relative to the material world, including personality, temperament, will, morality, emotion and so on. Everyone's spiritual world is different, so calligraphy and painting have different schools, styles and styles. A successful Chinese painting is the materialization of the painter's noble morality, emotion, character and pen and ink skills.

From the development process of Dunhuang Tian Fei, as well as the gradual nationalization and formation of its aesthetic characteristics, it is enough to see that the modeling concept of Chinese painting plays a leading role. The modeling concept of Chinese painting is a complete system, which opposes "all details are detailed", attaches importance to the expression of meaning and rhyme, pursues the similarities and differences of art, and regards the "meaning" rather than "shape" of painting as the highest expression and spiritual enjoyment of painting art.

Characteristics of the times:

Flying in Dunhuang murals appeared at the same time as the creation of grottoes, starting from sixteen countries and going through ten dynasties, which lasted for more than a thousand years, and disappeared with the completion of Dunhuang grottoes until the end of Yuan Dynasty.

In this long history of more than 1000 years, Tian Fei's artistic image, posture, artistic conception, style and taste are constantly changing due to the historical situation such as the replacement of dynasties, the transfer of political power, the development and prosperity of economy and the frequent exchanges between Chinese and Western cultures. Different times and artists have left us Tian Fei with different styles and characteristics.

Over the past 1000 years, Dunhuang Tian Fei has formed a unique history of evolution and development. Its evolution history is roughly consistent with the whole history of Dunhuang art development, which is divided into four stages.