Traditional Culture Encyclopedia - Weather forecast - What are the characteristics of Jia Baoyu reflected in the thirty-seventh chapter of A Dream of Red Mansions?
What are the characteristics of Jia Baoyu reflected in the thirty-seventh chapter of A Dream of Red Mansions?
Hello, I'm glad to answer the sentence that reflects Jia Baoyu's personality in the seventh chapter of A Dream of Red Mansions:
: "I used to make fun of you-compare me to a player?" "This section is still angry. Why are you blinking at the clouds again? What are you worried about? She will degrade herself only if I insist on her own opinions? He used to be a princess, and I used to be Shu Ren's maid. He is very stubborn to me. Won't he make himself look cheap if I talk back? Is that the idea? This is also your kindness, but this kind of partiality is generally annoying. You have sex with me again, but you say I'm a little girl and I want to be bothered. You are afraid that he has offended me, and I am very angry with him. What does this have to do with you? What does it matter to you that he has offended me? "Here, teacher Lin clarified the relationship between personality value and family value. It's forgivable to compare her to a player, but it's unbearable to regard Xiangyun as more noble than her. Although this is only her analysis, Baoyu didn't mean it. But let's not be fooled by Daiyu's sophistry. In fact, the most unforgivable thing is to compare him to a player. She felt that her identity was humiliated and her self-esteem was hurt, so she gave vent to her feelings.
If I am lucky at this time, I will die while you are all in sight. If you can cry my tears again, I will flow into a river, float my body, send it to that lonely place, and let it disappear with the wind. This is my death. " Limited by the times, Jia Baoyu could not find a way out of real life. He wants to get rid of the shackles of aristocratic society, but he has to be attached to the aristocratic class, which makes his ideological character tragic and serious contradictions. His ideal is undoubtedly a denial of feudal life, but it is very vague, and the existence with strong sadness and nihilism is itself a rebellion.
The twenty-eighth time, Jia Baoyu was written by a string of red musk deer caged on Xue Baochai's left wrist. Baochai won't fade away for a while because of her rich skin. Baoyu looked at the snow-white arm with envy and thought to himself, "This arm should grow on Sister Lin, or it should be touched, but it grows on him." This is a typical detail. It not only truly shows. The standard of choice is no longer a perfect match, but an inner spirit and thought. Although Xue Baochai was "more attractive than Lin Daiyu", Jia Baoyu finally gave her up resolutely, although she was not without regrets and chose Lin Daiyu's * * * Song to be with him. This seemingly ordinary and even trivial life reveals that Jia Baoyu contains deep feelings in the process of choosing love.
Hope to adopt ~ ~ ~ ~ ~ ~
Why did Jia Baoyu/Jia Baoyu become a monk in A Dream of Red Mansions? Jia Jia promised Jia Baoyu to marry Lin Daiyu, and finally put Xue Baochai in Jia Baoyu's sedan chair. Lin Daiyu died of depression and hemoptysis. Jia Baoyu left home the next day.
A Dream of Red Mansions: Jia Baoyu's Birthday A Dream of Red Mansions refers to Jia Baoyu's real birth year as 1706 (forty-five years of Kangxi in Xu Bing), which is also the birth year of Jia Baoyu and Cao Fu, the prototype figure of Zhen Baoyu and the real author of the novel. So when was Jia Baoyu born? Does this novel hide and imply the exact birthday of Cao Fu?
Readers familiar with A Dream of Red Mansions know that Jia Baoyu's birthday is still Zhen Baoyu's birthday, which is not clearly written in the novel, so that Jia Baoyu's birthday has become an unsolved case in the history of A Dream of Red Mansions. For other important characters in the novel, the author clearly wrote the month and date of birth, such as:
The second time: Yuan Chun's birthday is "the first day of the first month";
The 22nd time: Xue Baochai's birthday is "the 21st day of the first month";
The 26th time: Xue Pan's birthday is "the third day of May";
42nd time: Qiaojie's birthday is "the seventh day of July";
Chapter 43: Wang Xifeng's birthday is "the second day of September";
Sixty-second: Lin Daiyu and xiren's birthday is "February 12th", Mrs. Wang's birthday is "March 1st" and Jia Lian's birthday is "March 9th";
The seventieth time: Tanchun's birthday is "March 3";
7 1: Jia Mu's birthday is "August 3rd".
The author Cao Fu is very curious about Jia Baoyu's birthday. However, the novel reveals the month when Jia Baoyu was born.
Write back to the fifty-eighth time, some time before Baoyu's birthday, "This day is Qingming Day, and Jia Lian has prepared an annual sacrifice to lead Jia Huan, Jia Lan to Tiexi Temple to sacrifice and burn paper." The fifty-ninth time, shortly after Tomb-Sweeping Day, "Baochai woke up from her spring sleep, pulled up the curtain, and felt slightly cold. When she opened the door, she saw that the moss in the garden was wet, but it rained a little at five o'clock." After a while, it was the sixty-second time: "It's Baoyu's birthday. It turns out that Baoqin is on the same day, and they are the same. " Sixty-third time, on Baoyu's birthday, before the banquet in Hongyiyuan, Lin Zhixiao's family brought several women in charge to check the night. Lin zhixiao's family said to Baoyu, "The night is short today, so you should go to bed early." Now the sky is long and the night is short, which shows that Baoyu's birthday is after the long summer.
Back to the 63rd time, it was written that in the early morning of the second day of Baoyu's birthday, Jia Jing swallowed gold sand and "burned to death" to "keep Geng Shen". "Today is too hot to treat each other, so (You Shi) presided over it and ordered astronomers to choose a day for his funeral." "After three days, the funeral will be held and his filial piety will be broken." The sixty-fourth time wrote: "Please invite (Jia Jing) coffin into the city on the fourth day of the fourth year." Therefore, Baoyu's birthday should be at the end of a month in Xia Hou.
So what month is this "fourth day"? This can be analyzed according to the common sense of the 24 solar terms and the time clues provided by the novel.
Generally speaking, there are two solar terms in each month of December in the lunar calendar, such as beginning of spring and rain in the first month, sting and vernal equinox in February, Qingming and Grain Rain in March, long summer and full summer in April, Miscanthus in May and summer solstice. The distance between adjacent solar terms and Qi is about 15 days, and the distance between two solar terms is about 30 days.
In Chapter 58 of the novel, an "old lady princess" died in front of Tomb-Sweeping Day, and died in 2 1 day of Pian Palace, while the funeral of Jia Mu and others was before the long summer. The funeral procession walked on the road for ten days and stopped for a few days after arriving at Xiaoci County. Then the Jia family went home and came back for ten days. Novel written memorial service and funeral schedule:
Who knows that the old lady's concubine mentioned last time is dead, and everyone who is ordered to enter the DPRK must follow the rules. An imperial edict was issued to the world: "Anyone who has a noble family is not allowed to have a music banquet within one year, and no ordinary people are allowed to get married in March." Grandma, mother-in-law, daughter-in-law, grandparents, grandchildren go to North Korea with sacrifices every day, and they don't return to the rear until they are right. After twenty-one days in Dapan Palace, please enter Xianling, the place name is Xiaoci County. This mausoleum has been in contact with the capital for ten days. Now, please stay here for a few days before entering the underground palace, so it will take a month.
According to this timetable, when Jia Mu and others return to Jia Fu, it will be nearly a month after the long summer, that is, a few days before and after the "ear planting". Therefore, Jia Baoyu's birthday happens to be in April of the lunar calendar between "Long Summer" and "Mangzhong".
Back to the sixty-fourth, it was written that Jia Jing's coffin entered the city on the fourth day of the fourth lunar month, offered wine, and held a funeral. A few days later, the Lady Dowager and others came back. Just the day before Jia Jia returned to the mansion, Jia Baoyu heard Xueyan say that Lin Daiyu had set up a case of incense in her room. He thought:
Or the anniversary of menstruation's death? But I remember that every year on this day, the old lady would order another dish and send it to Sister Lin as a private sacrifice. At this time, it has passed. It must be July now. Because of the melon and fruit festival, everyone goes to the autumn grave. Sister Lin was deeply touched by this, so she drank a drink offering in her private room, which means "it should be eaten in spring and autumn" in the Book of Rites.
From the context, the month written in this text is not reasonable at all. Grandmother Jia went home around the pre-harvest festival, but not in June, let alone in July. This is obviously the author's deliberate confusion in time sequence and concealment of the truth.
At the end of sixty-four, at the beginning of sixty-five, it was written that Jia Lian stole Second Sister You in the second month after Jia Jing's death. Back to the sixty-eighth, sour Xifeng made a scene in Ningguo Mansion, and said that "my uncle's filial piety was only five or seven, and my nephew married." Back to the 65th time, You Sanjie "laughed" Jia Lian and Jia Zhen, and Second Sister You and Jia Lian were "husband and wife" for two months. Back to the sixty-sixth, Jia Lian went to Ping 'an House to meet Xue Pan and Xue Pan. Liu said that he would "go to Beijing in the middle of the month" and make an engagement with You Sanjie. "Who knew that Xiang Lian went to Beijing in August?". From this calculation, Jia Lian secretly married Second Sister You on the third day of June, and Jia Jing's coffin entered the city on the fourth day of May.
Because "mourning" can't be on the fourth day, at the latest on the third day; It is known that the "mourning" is "three days after Jia Jing's sudden death", and Jia Jing died on April 29th at the latest. So Jia Baoyu's birthday must be before April 29th.
Since Jia Baoyu was born at the end of April, was he born on April 26th? Judging from the narrative of the novel, Jia Baoyu can't have been born on April 26th. Back to 27 wrote:
The next day is April 26th. It was not the time to cross the ear and seed. In ancient times, people used to set up various gifts to worship the flower god on the day of ear planting. It is said that as soon as the ear seeds are over, it will be summer, all the flowers will be unloaded, and the flower god will abdicate and say goodbye.
On this day, "Baochai, Yingchun, Tanchun, Xichun, Li Wan and Xifeng, as well as the elder sister, Xiangling and other maids are playing in the garden", and Daiyu is burying flowers alone sadly. Write back to 28th, April 26th, after lunch, Feng Ziying invited Jia Baoyu, Xue Pan, "There are many pages singing" and Xiao Dan's Jiang Yuhan and Jin Xiangyuan's * * * Cloud to have tea and drink. When Baoyu came back, he quickly went to bed. "There was nothing to say all night."
The next day, on April 27th, Baoyu woke up and heard Aron say, "Yesterday, the imperial concubine sent eunuch Xia out and gave him one hundred and twenty pieces of silver, asking him to stay in Qingxu for three days from the first day to the third day, singing and offering sacrifices, and asking Uncle Zhen to lead the gentlemen to kneel down and worship Buddha. There is also the festival ceremony of the Dragon Boat Festival. " On the 29th, 27th, Feng came everywhere just to "say that he got married in Qingxuguan on the first day, so he invited Baochai, Baoyu, Daiyu and others to watch the play", and then described the plot of going to Qingxuguan to burn incense on the first day of May for a peaceful wedding.
As can be seen from the above three times, on April 26th and 27th, there was no sign of Jia Baoyu celebrating his birthday at all. So Baoyu's birthday can only be April 28th.
For Jia Baoyu's real date of birth, the opening of the novel provides an important time feature. I wrote for the first time that on a hot summer day, Zhen Yinshi dreamed that a monk was carrying "psychic Baoyu" and "descending to the world"; After waking up, Zhen Yinshi went to the street to "watch the fun" with a winning streak. When he came back, he just saw a monk having a meeting in the street. As we all know, at this time, the vast number of tuas and ethereal real people have "delivered the stupid things to the police fairy" and "the next life is over", that is to say, Jia Baoyu was born on this day.
The novel mentions a characteristic time here: "Later". What is "later"? "See you later" is an ancient folk custom. According to the Qing dynasty Fu Cha Deng chong wrote "yanjing age":
Attending the meeting were prodigal players in Beijing, dressed as pioneers, fans, barbecues, immortals, five tiger sticks, drums, cymbals, stilts, yangko, juggling jars and lions. In case the city god patrols the city and the temple fair and sings anywhere, the audience is blocked, which is the most likely to cause trouble.
This is the situation of the "meeting" in Beijing, but it is similar everywhere. Mr. Liu Zhongyu, director of the Chinese Religious Society and professor of philosophy department of East China Normal University, introduced the "meeting" like this:
In its own development, Taoism has formed many temples and famous mountains that have great influence both within its own religion and among the people, and some of them are holy places of a certain Sect, so they have great appeal both inside and outside the religion. The gods enshrined in these famous mountain temples can attract believers and pilgrims from nearby or even thousands of miles away to make pilgrimages, especially on important festivals such as their immortals' birthdays. Taking temples as the center and offering sacrifices to the immortals and ancestors of temples as the main content, large-scale sacrifice and celebration activities are formed. So these temple fairs often have different names. Sometimes in order to highlight the content of its fragrance, it is called the fragrance meeting; In order to highlight its characteristics of repaying the gods and taking large-scale folk art performances, it is called competition, meeting and meeting. ..... At the temple fair, people often hold various folk art activities to entertain gods and people, and sometimes invite professional troupes to perform plays to reward gods. For example, there is a custom in Beijing that during the temple fair, various folk arts and acrobatics will be performed.
In other words, "Hui" is a Taoist ceremony and celebration, in which there are various folk art performances. It is precisely because there are all kinds of cultural performances in the "meeting" that Zhen Cai took his three-year-old daughter to the streets to "watch the excitement". It can be seen that Jia Baoyu's birthday is related to a Taoist sacrifice or celebration at the end of April.
On April 28th, there was only one major Taoist celebration, namely, China Taoism, Volume III, Fairy Tales, Volume IV, Chapter VIII, Culture, Art and Taoist Festivals, and the Hong Kong Taoist culture database website (which published the Christmas date of the gods in the Jade Sagger of Christmas for the Gods).
Because the birthdays of the gods recorded in the jade sagger in "The Birthday of the Gods" ended in the Ming Dynasty and were actually added later, some birthdays of the gods could not be collected. Due to different times and regions, these Christmases have different influences on folk customs. For example, in Chapter 29 of the novel, Zhang Daoshi, who is in his eighties, said to Jia Mu, "On April 26th, the day before yesterday, I spent Christmas here." This "Christmas of the King of Heaven" is not recorded.
What is a "drug king"? "China Taoism Volume III" has a clear explanation: "The King of Medicine is the worship and deification of famous doctors and related legends with exquisite medical skills in ancient times, and then regarded it as the God of Medicine." There are mainly three: Bian Que, Sun Simiao and Wei Cizang. The way of writing:
In the Qing Dynasty, Gu Tieqing's Jia Qinglu (Volume 4) also recorded the birthday ceremony of Wu Jun (now Suzhou), saying: "On April 28th, it was the birthday of the medicine king (according to records, this was a birthday note), and many doctors prepared incense and gathered at Zhusixiang Temple, that is, medicine. County doctor's lawsuit is fragrant. Lujiaxiang and Wang Yao Temple. On the birthday, people in the drug market set up sacrifices to wish them happiness, or gathered for a meeting, and the leader was in charge. This is called Wang Yaohui. "
Jia Qinglu only recorded the situation in Suzhou. In fact, in many dynasties and places in China's history, the "Wang Yao Temple" was built, and the ordinary people respected Wang Yao very much, and there was the custom of Wang Yao's big gathering. Mr. Ceng Jun from Shangqiu City, Henan Province made a detailed introduction to the temple fair in Wang Yao in the article "Medical Temple Fair in Past Dynasties". For the lively scene during the temple fair, the article wrote:
During the temple fair, the occasion was unprecedented. Many famous doctors either went up the ancient post road or went down by boat, and gathered in the temple to follow Wang Weimin's example in treating diseases and using drugs. And get together, exchange treatment experience with each other, and explore hundreds of theories. Neighboring counties, towns, businessmen and gentry also come to borrow the meeting to do business and perform arts. The temple fair was covered with colorful tents, and the temple was brightly lit and filled with cigarettes. A blowing platform was set up outside the temple, and two or three disciples of the pear garden performed in public. All day long, the sound of silk and bamboo can be heard, and the sound of gongs and drums can be heard far away; Even more, guns and firecrackers exploded, and the world jumped for joy and scrambled to climb the mountain, which was a blessing to witness the statue of Wang Sheng, a traditional Chinese medicine practitioner in the temple.
From this point of view, the excitement of the "meeting" that Zhen saw before he took to the streets was the grand occasion of the "Medicine King Meeting" on April 28.
There are different drug kings in different places, and there is a saying that "the north is called flat bird, and the south is called Sun Simiao". The life story of Sun Simiao, the drug king, has attracted the author's attention. He lived in seclusion in the mountains all his life. Emperor Taizong, Tang Gaozong and other emperors called him to be an official in Beijing several times, but they all declined politely. In the second year of Chongning in the Northern Song Dynasty (1 103), Sun Simiao was regarded by posthumous title as a "wonderful real person".
A Dream of Red Mansions has written many stories about medicine. From Zhang Taiyi's 10 story about Qin Keqing's disease, the author Cao Fujing knows medical skills. Ms. Wang's book "A Talk about Red Chamber Medicine" has an in-depth and incisive analysis of this, so you can read it yourself. Judging from Jia Baoyu's discussion about Lin Daiyu's illness in the 28th time, Baoyu also knows a lot of medical knowledge. From this point of view, both the author and Baoyu inherited the mantle of "the king of medicine".
More significantly, the novel 120 wrote back:
Jia Zheng came into the room and thanked him. His Majesty gave many instructions and asked about Baoyu. Jia Zheng answered truthfully. The sage was amazed, and the will said that Baoyu's articles were exquisite and strange, so it must have been before. If you are in court, you can use it. He didn't dare to accept the title of Holy Dynasty, so he was named "Miao Wen Ren Zhen".
In previous episodes, Jia Baoyu kept saying that he wanted to be a monk, but "Miao Wen Zhenren" was obviously a Taoist name, and it had an amazing correspondence with the title of "Miaoying Zhenren" by Taoist immortal Sun Simiao, and both of them were "not knighted by the Holy Dynasty". It can be concluded that the author Cao Fu only set the above plot to imply that Jia Baoyu's real date of birth is April 28th, "Christmas Day of the King of Medicine (Sun Simiao)".
Check Zheng's Comparison Table of Modern Chinese and Western History Days, which is 1706, April 28th of the lunar calendar and June 8th of the solar calendar. Tell you, this day is Jia Baoyu's real birthday, which is the exact date of birth of Cao Fu, the real author of the novel.
& lt Jia Baoyu's homonym in A Dream of Red Mansions is fake Baoyu.
If Jia Baoyu's brother in A Dream of Red Mansions is really a blood relative, Baoyu has no first brothers and sisters, and his half-brothers Yuan Chun and Zhu Jia are older than him. Jia Huan, who is younger than him, was born to Aunt Zhao, who is his brother and sister.
Among relatives, he is Lin Daiyu's cousin, and Shi Xiangyun is also a relative and her cousin, but he is not as close as Lin Daiyu in blood. Others in his generation are either older than him or have nothing to do with him. Calling him brother is just a gesture of kindness and flattery.
On the linguistic features of Jia Baoyu in A Dream of Red Mansions, but little is known about his ci and its meaning.
He always asks Sister Lin how many times she coughed last night.
Every word is simple and true.
What sentences reflect Jia Baoyu's personality characteristics in the seventh chapter of A Dream of Red Mansions? Jia Baoyu is a little rebellious, doesn't like reading, especially hates stereotyped writing, despises and contradicts the so-called fame and fortune from the heart, and doesn't pursue progress. He is a strange and vulgar character. A poem in A Dream of Red Mansions describes Jia Baoyu like this: "Looking for sorrow and hatred for no reason, sometimes it seems to be madness. Even if you are born with good skin, your stomach is rough. Poor and ignorant, stupid and afraid of reading articles. It is a slander to the world to behave in a remote and perverse way! Being rich does not know happiness, but being poor is miserable. There is no hope of living up to the good times at home and abroad. The world is incompetent first, unparalleled in ancient and modern times. Send a message to wan ku and Gao Liang: don't affect this style! " "Ignorance of the world" and "fear of reading articles" are the most important and valuable characters of Jia Baoyu, and his spirit of resisting feudal ethics is also reflected here. "Ignorance of the world" means that he is completely ignorant in making friends with officials, entertaining officials and observing ethical codes. , and does not meet the requirements of feudal orthodox figures; "Afraid of reading articles" means that he has no interest in stereotyped writing, which is regarded as a Confucian classic by the feudal ruling class and a stepping stone to fame and fortune. This is a "stupid" stupid thing, which actually reflects Jia Baoyu's dissatisfaction with feudal orthodoxy and his rebellious spirit.
In Jia Baoyu's life, the most important thing is undoubtedly his love with Lin Daiyu. This love, on the one hand, began with rebellious character, on the other hand, it promoted the final formation of his rebellious character. This is the biggest and most important treason in his life history. In love, Bao and Dai both demanded the autonomy of marriage and deviated from the lifestyle of feudal society. They went further and further on the road of rebellion, which eventually led to their tragic ending.
Second, Jia Baoyu respects, loves, worships and sympathizes with women. The core is to treat people equally, respect individuality, and advocate that everyone can move freely according to their own will. Jia Baoyu likes a free and natural life, that is, fighting grass and flowers in the daughter country of Daguan Garden and singing quietly and freely. He is affectionate to many girls, likes Lin Daiyu, has a crush on Xue Baochai, appreciates Shi Xiangyun, respects xiren, Qingwen, Zijuan and Sheyue, and sympathizes with Pinger, Xiangling and Yuanyang.
Jia Baoyu is gentle in nature and has sincere admiration for his daughter. He believes that "daughters are made of water and men are made of mud" and that "all the beautiful scenery of mountains and rivers is only for daughters, and men with men are just scum." So he "saw my daughter, and I relaxed; I feel turbid and unpleasant when I see a man. " In Baoyu's view, this is not morbid psychology. Although Baoyu has some powder, he is still a lovely young man, a handsome guy who perfectly combines external delicacy with internal frankness. His temperament and admiration for his daughter are more about the pursuit and ideal of beauty, and it is a struggle and subversion against the era when men are superior to women and full of foul smell.
In the eighth episode of A Dream of Red Mansions, Baoyu is close to Baochai, which shows Jia Baoyu's character-Jia Baoyu's "male liberation" image.
Jia Baoyu in A Dream of Red Mansions is a rebel image within a feudal aristocratic class and a newcomer image on the eve of the collapse of feudal society. Jia Baoyu's image reveals the subversion of traditional male gender roles everywhere. Although, limited by time, he may not know what gender roles are. But in him, it embodies the idea of emancipating the mind that many men believe in. The rebel image of this feudal aristocratic class is also a rebel of gender roles in traditional society.
1, Jia Baoyu betrayed the gender role of "men should have a successful career".
The ideal man under the Confucian cultural concept should be: cultivate one's morality with a righteous heart, and make Qi Guoping the world. Jia Baoyu is a figure with high hopes from his family. Jia Zheng and others' expectations of Baoyu are naturally "deep and refined", climbing high and looking far to worship their ancestors. Jia Baoyu despised fame and fortune all his life and hated the so-called "official career economy" the most. This "lack of initiative" runs counter to the requirements of traditional social gender roles for men. In Jia Baoyu's place, the opposite of fame is "romantic poetry and wine", in which he enjoys himself.
2. Jia Baoyu subverted the gender role requirement of "men stay away from women"
In the traditional norms of gender roles, boys are taught from an early age to be different from girls and to keep a distance from women. If a "mature" man hangs out with women all day, he will be considered "worthless" and will be addicted to loving his children deeply. Men should have men's things to do, and what things are naturally seeking fame. But Jia Baoyu is interested in what girls do. This may be because of his sense of gender equality.
One of the important components of traditional male social gender roles is male hegemonism, that is, "authority" above women. At the time when Jia Baoyu lived, men were masters of society, and women were slaves, despised and enslaved.
Baoyu has the respect for women required by male liberation. He once said: "It turns out that man is the soul of all things, and all the beautiful scenery of mountains, rivers, the sun and the moon is only for his daughter, and the man with a beard is just scum." He even thinks that "men are flesh and blood made of mud and women are flesh and blood made of water". Men's world is like Abalone City, while women's world is like Lan Zhi's room.
His concept of equality and love for women are shown in many details. On the 21st time, Baoyu washed his face with Xiangyun's water, which is absolutely not allowed by the traditional "big man" image. For women with low social status, Baoyu does not have the concept of superiority or "master" as a man.
3. Jia Baoyu challenged the role orientation of "masculine man"
China's traditional gender roles clearly define the differences between men and women, and the masculinity of men corresponds to the femininity of women. In order to create this different gender image, there are differences between men and women in the content of childhood games, but Jia Baoyu wants to break this difference. Back to the sixty-second, Xiangling and others mowed the grass. "It happened that Baoyu saw them fighting grass and found some flowers to play with." I'm afraid only men like Baoyu would be keen to participate in the second government of Rong Ning. Jia Baoyu is recognized as a son who values affection and righteousness, which is not allowed by the masculine image of men and is another betrayal of Jia Baoyu's traditional male gender role.
4. Jia Baoyu neglected the gender description of "men are mature and steady"
Today, a "mature and steady" and "mature and steady" man is still an "ideal man" under the requirements of gender roles, while Baoyu's "slandering monks and ruining Taoism" is "speaking without taboo" in xiren's speech; In his usual life, he and the girls are just fighting and can't get on or off. This kind of temperament is free and easy, and it is also an ideal in the eyes of male liberators.
5. Baoyu rebelled against the friendship between people.
Under the traditional gender role, the deep friendship between men is bound. Confucian culture pays attention to "a friendship between gentlemen is as light as water".
2. Jia Baoyu's betrayal is the unity of class rebellion and gender role rebellion, which determines the thoroughness of his betrayal and makes his characters more vivid. Take Jia Baoyu's attitude towards men as an example. In A Dream of Red Mansions, the main tone of Jia Baoyu's attitude towards men is antipathy. The reason why he is in close contact with Qin Zhong and others is because in the past, according to the viewpoint of class betrayal, red scholars explained that all the men that Jia Baoyu didn't like were upper-class people, while his friends lived at the bottom. . Jia Baoyu's love for them shows men's appreciation of the handsome same sex, which is not based on * * *. In the traditional concept of gender, women's appreciation of the beautiful same sex is recognized and understood, and the same thing happening to men is considered inconceivable, or will be immediately associated with homosexuality. Therefore, introducing the perspective of male liberation will help us fully observe the inner world of the characters and make further in-depth thinking on some issues.
Jia Baoyu's view of love in A Dream of Red Mansions is "the most sincere feeling"-I don't know why, I am deeply attached to the past. His love for the maid is not promiscuous, but a heartfelt love for a beautiful, pure and clean girl's life. The stereotyped imperial examination, which he hated, was a symbol of being stuck in the mud and lifeless. Strictly speaking, Baoyu's love is only for Lin Daiyu, which can be seen from many details. You can ask for more details.
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