Who has seen Gangrinboqi? Does it taste good？

Gon Rinpoche is very good. In the background of Hollywood sweeping China cinema, this film gives director China a long face. Against the background of Xiaogang Feng's saying that "junk movies are made by junk audiences", this movie gives China audiences a long face.

Let's talk about the beauty of this film.

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The advantage of Gon Rinpoche is that the film tells a very advanced and credible story, but it is not "self-touched".

Not being moved by yourself made Kong Rinpoche. The story is: 1 1 Tibetans formed a pilgrimage team, started from Mangkang, Tibet, kowtowed 1200 kilometers to Lhasa, and after earning enough money as a day laborer in Lhasa, kowtowed 1200 kilometers to Rinpoche, a sacred mountain.

(Mangkang County is more than 200 kilometers away from Lhasa 1, and it is also more than 200 kilometers from Lhasa to Gangrenboqi, and the long The Way is 2400 kilometers. )

The whole journey is more than 2,400 kilometers, and this 1 1 Tibetan kowtowed. From the film, we can see that kowtowing takes eight or nine steps, and a heavy prone body knocks to the ground, then gets up and then gets up. ...

On the way to worship, the tractor carrying daily necessities broke down. Those people pulled the tractor carriage for a distance, put it away, and then kowtowed back.

("Gon Rinpoche" stills)

Is this behavior shocking? Shocking, is this behavior contagious? Infectious. But for kowtowing Tibetans, this is just a part of their life. They take it for granted that they will not be "touched" by such behavior, nor will they be complacent because of such behavior.

For them, kowtowing is a good thing to pray for all beings.

The film is also very powerful: it does not deliberately exaggerate the greatness of this process, on the contrary, it describes this process very flatly in a way that is almost documentary. The director doesn't have a curiosity mentality, but expresses it by recording his lifestyle, not seeking to impress himself or the audience.

(A young man in the pilgrimage team has his hair cut in a barber shop in Lhasa)

These plots fully show the director's restraint: the pilgrimage team will buy shoes before departure and bargain when buying shoes; If the kowtowing hand board is broken, find a piece of wood to make a new one; On the way, I met an old family member who went to kowtow, and the pilgrimage team helped him plow the fields. When the travel expenses are not enough, they do short-term jobs in Lhasa to save money ... Everything is taken for granted, everything is natural, and there is no "self-emotion".

As director Zhang Yang himself said: When you observe these things quietly, what is interesting is not the dramatic ups and downs, but the daily changes of the four seasons. Through such a village, you can see many things that are comforting to life. "

So, is Gon Rinpoche an ordinary film that is unmoved by itself and minimizes drama conflicts? Of course not, just in line with the temperament of "listening to thunder".

The poor butcher kowtowed to atone.

I don't want to move the audience, and I take it for granted that the 2,400-kilometer kowtow, which was already very difficult and painful, is exactly the most shocking place.

When watching movies, you will be shocked by this "power of faith". After watching the movie, you will understand that the most important meaning given to a person by faith is that it is enough to define happiness only by your own heart.

(Movie 1 10 minutes, Lao Pei died at the foot of Gangrinboqi Shenshan, and several lamas turned him over. )

This group of simple Tibetans are happy because they think kowtowing is good, kowtowing can atone, and kowtowing can be blessed by the gods. Even if Lao Pei died before he reached the finish line immediately, everyone felt that "dying at the foot of the mountain was his blessing", and he was very happy without any sadness.

("Gon Rinpoche" stills)

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Some people say that "life is a practice". It is a custom of Tibetans to kowtow and crawl on mountain roads. It is also a kind of happiness to light a lamp in the cubicle of Beishangguang and pursue our so-called success. In many cases, there is no need to panic or be impatient. Inner peace is where happiness lies.

It is unrealistic to say that this film can guide your life and beliefs, but it can definitely tell you a way of life, a note about happiness.

(Director Zhang Yang is in Tibet)

Director Zhang Yang said: "There is no completely correct way of life in this world, but after several years, people can still see from this film that a nation still lives or lives like this."

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Let's talk about the controversy caused by this film first.

Many people say that this film is curious and pretentious. It should be pointed out that this is really not a documentary. The real The Way will not only experience sudden accidents such as car breakdown, baby birth, landslide and old man's death, but it will not stop completely.

By the director's own admission, these stories were separated from the 600-hour DV documentary and then put into a whole.

(The spectacular scenery of Tibet)

Many people think that Tibet, a mysterious religion, has been "consumed" for this reason. What I want to say is that Tibet, faith, the so-called "mystery", has long been hidden in Jokhang Temple and is not seen by the world. On the contrary, thousands of people pretend to be X through these so-called beliefs and mysteries. "Gon Rinpoche" is expressed and recorded with a lifestyle mentality, and has always maintained maximum restraint and respect.

When kowtowing meets a puddle that can't be bypassed, he will knock it out of the puddle. )

In this film, dramatic conflicts are dealt with as honestly as possible, and there are few close-ups and close-ups Basically, they are far-sighted and in the middle of the camera, that is, to maintain maximum restraint and rationality. This is valuable in the field of art films full of directors' personal expressions.

However, blandness does not mean mediocrity. It naturally integrates birth, illness, death and going to Qiu Lai in spring into this pilgrimage, which makes the film have a profound sense of destiny.