Poetry describing pastoral songs

1. Poems about pastoral songs

Poems about pastoral songs 1. Poems about pastoral songs

Wang Wei's

Deer Chai

No one can be seen in the empty mountain, but the sound of people's voices can be heard.

Returning to the deep forest, the light shines on the moss again.

Zhuli Pavilion

Sitting alone in the secluded bamboo, playing the piano and whistling loudly.

People in the deep forest don’t know that the bright moon comes to shine.

Autumn in the mountains

After the new rain in the empty mountains, the weather is late and autumn comes.

The bright moon shines among the pines, and the clear spring flows upstream from the rocks.

The bamboo noise returns to Huan Nu, and the lotus moves off the fishing boat.

Let the spring fragrance rest at will, and the kings and grandsons can stay.

Zhongnan Mountain

Taiyi is close to Tiandu, with mountains and seas.

The white clouds look back and merge, and the blue mist comes in to see nothing.

The peaks in the field change, and there are many valleys and clouds.

If you want to stay somewhere, ask the woodcutter across the water.

Passing Xiangji Temple

I didn’t know Xiangji Temple, but I entered Yunfeng several miles away.

Where is the bell in the deep mountains where there are no people walking on the ancient trees?

The sound of the spring swallows the rocks, and the sun is cold and green.

In the evening sky, the pond is filled with music, and Zen is used to control the poisonous dragon.

Qingxi

When entering Huanghuachuan, I chase the water of Qingxi.

There will be countless twists and turns along the mountain, and the journey will be endless.

Noisy in the rocks, but quiet in the deep pines.

The ripples are filled with water chestnuts, and the clear water reflects the reeds.

My mind is already idle, and the clear river is so peaceful.

Please stay on the rock, fishing will be over.

Looking at the new Qingye (at night)

The new Qingyuan is vast. Extremely untainted.

Guomen faces the crossing. The village trees are connected to the mouth of the stream.

Outside Baishui Mingtian. After Bifeng comes out of the mountain.

There is no idle person in the farming month. The whole family is in trouble.

Traveling in early spring

The purple plum blossoms are blooming for the first time, and the songs of the yellow birds are still astringent.

Whoever loses a Yang girl will not be able to enjoy spring.

I love the water and look at the makeup while sitting, and I am ashamed of the flowers standing in front of me.

The fragrance is afraid of being blown away by the wind, and the clothes are afraid of getting wet with dew.

In the jade boudoir's gate, the sunset and the incense car enter.

You Yanyi is lovesick and cries towards the colorful curtain.

I fall into a dream when I remember you, and I am even more suspicious when I return late.

It is not as good as the Red-Eaves Swallow, when it roosts on the green grass.

Here are some songs by Meng Haoran

"Inscribed on the empty room in the Cuiwei Temple in Zhongnan" by Meng Haoran

In Cuiwei Zhongnan, it is better to return to the sun after the rain. After being in seclusion for a long time, I climbed up and looked out.

Then I built a secluded room, and then I realized that tranquility is wonderful. Although Confucianism and Taoism are different schools, Yunlin is quite similar.

The two are happy with each other, chatting and laughing. When I sleep under a high window in the dark, I can see the mountains burning in the distance.

Remembering the Akagi logo, and remembering Linhaiqiao even more. There is a clear sound in the wind and spring, so why should the Su family roar?

"The old master's mountain house will never arrive" Meng Haoran

As the sun sets over the west ridge, the ravines are dimmed. The pine moon is cool at night, and the wind and spring are full of clear sounds.

The woodcutter wants to return home, and the smoke and bird habitats are beginning to settle. When his son comes, Guqin waits for Luo Jing.

"Roading on Yexi River" by Meng Haoran

The sunset leaves a clear glow, and the river is lightly crossed. If you love water clearly, how can you tolerate it in the presence of floods?

A fisherman with a white head, a girl with new makeup and gauze. They looked acquainted, but couldn't speak.

"Wuling Rafting" Meng Haoran

The road in Wulingchuan is narrow, and the front rafter enters the flower forest. In the mysterious source of darkness, how deep the faith of the immortal family is.

The water returns to the green peaks, and the clouds reach the green stream. Sit and listen to the roar of the ape, and clear your mind from the dust.

"Pastoral Work" by Meng Haoran

The poor house is isolated from the dust and noise, but we must first cultivate tranquility. There are three paths nearby, and thousands of trees are planted with fruits.

I have been promoted to other places in Guangdong, but I have not met him in my thirties. It's getting late when I write and write swords, and it's already dusk in Qiuyuan.

When you wake up in the morning, you will have many thoughts, but when you sit down during the day, you will often have little understanding. The swans in the sky are envious of the swans, and the chickens and swans are ashamed of each other as they compete for food.

Looking across the Golden Horse Gate, I work hard and sing on the woodcutter road. There are no friends in the countryside, and there are no relatives in the court.

Who can recommend Ganquan Fu to Yang Xiong?

Chinese landscape and pastoral poetry has a long history, and there are many poets with different styles. Poets such as Tao Yuanming formed the Pastoral Poetry School of the Eastern Jin Dynasty in my country, poets such as Xie Lingyun and Xie Tiao formed the Landscape Poetry School of the Southern Dynasties in my country, and poets such as Wang Wei and Meng Haoran formed the Landscape Poetry School of the High Tang Dynasty in my country. Poets take landscapes and pastoral areas as their aesthetic objects, and cast their delicate brushstrokes on the quiet mountains, forests, and leisurely fields, creating a pastoral life to express their dissatisfaction with reality and their yearning for a quiet and peaceful life.

Taking it carefully, these poems have more or less the same characteristics.

First of all, they all showed great interest in landscapes, paying attention that other poets and writers could not match, and they did not hesitate to describe the mountains, rivers, plants and trees of nature with rich ink and color.

For example, Meng Haoran's "Visiting an Old Friend's Village":

An old friend brought chicken and millet and invited me to Tian's house.

Green trees border the village, and Qingshanguo slopes outside.

Open a dining room and chat over wine.

On the Double Ninth Festival, I will still come to see chrysanthemums.

2. Ancient poems about pastoral scenery

Ancient poems about pastoral scenery

1. "Two Quatrains"

Tang· Du Fu

The country is beautiful in Chiri, and the spring breeze is fragrant with flowers and grass.

The swallows fly when the mud melts, and the mandarin ducks sleep in the warm sand.

2. "Zhuli Pavilion"

Wang Wei of the Tang Dynasty

Sitting alone in the secluded bamboo, playing the piano and whistling loudly.

People in the deep forest don’t know that the bright moon comes to shine.

3. "Passing Through an Old Friend's Village"

Meng Haoran of the Tang Dynasty

An old friend brought chicken and millet and invited me to Tian's house.

Green trees border the village, and Qingshanguo slopes outside.

Open a dining room and chat over wine.

On the Double Ninth Festival, I will still come to see chrysanthemums.

4. "Wangchuan Residence Presented to Pei Xiu Caidi"

Wang Wei of the Tang Dynasty

The cold mountains turn green, and the autumn water gurgls.

Leaning on a stick outside the firewood door, listening to the evening cicadas in the wind.

The sun is still setting over the ferry, and the lonely smoke is rising in the ruins.

On the summer day, I got drunk and sang wildly in front of the five willow trees.

5. "Returning to the Garden and Living in One of the Fields"

Tao Yuanming of the Song Dynasty

The birds in the pond are nostalgic for the old forest, and the fish in the pond are thinking about the old abyss.

Open up the wilderness in the south, stay humble and return to the countryside.

The square house covers an area of ??more than ten acres and has eight or nine thatched houses.

Elm and willow shade behind the starling tree, peach and plum trees in front of the hall.

6. "Pastoral Words and Feelings"

Li Bai of the Tang Dynasty

In the third year of his exile, Jia Yi was promoted to a class leader of ten thousand li.

How to lead a white calf and drink water from a clear stream.

7. "Lu Chai"

Wang Wei of the Tang Dynasty

No one can be seen in the empty mountain, but the sound of people's voices can be heard.

Returning to the deep forest, the light shines on the moss again.

8. "Autumn Dwelling in the Mountains"

Wang Wei of the Tang Dynasty

After the new rain in the empty mountains, autumn comes late.

The bright moon shines among the pines, and the clear spring flows upstream from the rocks.

The bamboo noise returns to Huan Nu, and the lotus moves off the fishing boat.

Let the spring fragrance rest at will, and the kings and grandsons can stay.

9. "April in the Countryside"

Weng Juan of the Song Dynasty

The mountains are green and the rivers are white, and the rain is like smoke in the sound of the rules.

There are few idle people in the countryside in April, so they are planting sericulture and planting fields.

10. "Pastoral Miscellany in Four Seasons"

Fan Chengda of the Song Dynasty

The plums are golden, the apricots are fat, the wheat flowers are sparse, and the white cauliflower flowers are sparse.

No one passes through the fence during the long day, only dragonflies and butterflies fly.

11. "Visiting Shanxi Village"

Lu You of the Song Dynasty

Mo Xiao's farmhouse is full of wax and wine, and in good years the guests are full of chickens and dolphins.

There is no way out in the mountains and rivers, and there is another village with dark flowers and bright flowers.

12. "Autumn Rain in the Pastoral"

Geng Mao of the Tang Dynasty

The desert is heavy with dark clouds, and the rain is drooping.

The ancient road of Linyan is full of wasteland.

When will the five crops be harvested? How many households in an isolated village will be able to cook.

The turbulent flow flows through the garden, and the rotten leaves are covered with autumn branches.

In the evening, new woodcutters are wet, and in the morning, the old fishery is moved.

Last year's chrysanthemums are left in the spare time, and the flowers are growing on the east fence.

3. Urgent use

Landscape pastoral poetry

Chinese landscape pastoral poetry has a long history. Poets take landscapes and pastoral areas as their aesthetic objects, and cast their delicate brushstrokes on the quiet mountains, forests, and leisurely fields, creating a pastoral life to express their dissatisfaction with reality and their yearning for a quiet and peaceful life.

Taking it carefully, these poems have more or less the same characteristics.

First of all, they all showed great interest in landscapes, and they did not hesitate to describe the mountains, rivers, plants and trees of nature with thick ink and color.

For example, Meng Haoran's "Visiting an Old Friend's Village":

An old friend brought chicken and millet and invited me to Tian's house.

Green trees border the village, and Qingshanguo slopes outside.

Open a dining room and chat over wine.

On the Double Ninth Festival, I will still come to see chrysanthemums.

After the first couplet of the poem explains the cause of the incident, the last couplet describes the natural scenery the poet saw when he entered the village. The poet seems to have picked up common rural scenery at his fingertips, but deep skill and careful tempering can be seen in the plainness. These two sentences not only accurately and vividly describe the dense green trees beside the village and the sloping green hills outside the village, presenting us with a fresh and bright mountain village landscape, but also the word "合" and the word "slant". "The word "Green Trees Surrounding the Mountain Village, with Green Mountains Sloping across the Village," also embodies the look of the village outside. It seems that the natural scenery and the people in the mountain village are harmonious and dependent on each other. It is full of strong sentiment, full of intimacy and appeal.

Secondly, the landscapes, vegetation, birds and flowers described by the poet are not isolated, but constitute a harmonious whole, forming a picture full of life consciousness.

Let’s take a look at Du Fu’s poem-as-painting work - "Quatrains":

Chiri, the rivers and mountains are beautiful, and the spring breeze is fragrant with flowers and grass.

The swallows fly when the mud melts, and the mandarin ducks sleep in the warm sand.

At the beginning of the poem, he writes from a broad perspective, describing the bright and beautiful spring scenery in the Huanhua River area under the bright sunshine in early spring. In the second sentence, the poet further uses the warm spring breeze, the first blooming flowers, and the lush grass to show the bright spring scenery. In the third sentence, the poet chooses the most common and characteristic dynamic scenery in early spring to outline. The fourth sentence outlines a static scene. Judging from the description of the scenery, this sentence contrasts with the dynamic flying swallows in the third sentence. The alternation of movement and stillness makes each other interesting. In the third and fourth sentences, the detailed descriptions of the flying swallows and the sleeping mandarin ducks are combined with the broad and bright scenery in the first and second sentences to make the whole picture harmonious and unified, forming a brightly colored and prosperous picture. , beautiful pictures of early spring scenery.

Furthermore, and more importantly, all the landscapes written by the poet serve to express the emotions of the characters in them.

For example, Du Fu's poem "Quatrains" written on the scene:

Two orioles sing in the green willows, and a row of egrets ascends to the blue sky.

The window contains the snow of Qianqiu in Xiling, and the door is docked with a ship thousands of miles away from Dongwu.

This is a short poem written by Du Fu after he learned that his old friend Yan Wu returned to Chengdu after the Anshi Rebellion was put down. The first couplet of the poem is a set of antithetical lines. There are pairs of orioles singing happily on the freshly green willow branches. It is a joyful scene, full of sound and color, forming a fresh and beautiful artistic conception, showing a vitality and festive meaning. The second sentence writes about the egret flying freely in the blue sky. These two sentences use four bright colors to form a gorgeous picture. There is also a description of the sound in the first sentence, which conveys a feeling of great joy.

The second couplet of the poem is also composed of antithetical sentences. The upper sentence is about overlooking the snowy mountains through the window. The snow on the ridge does not melt all year round, so it accumulates "thousands of years of snow", and the snow-capped mountains can only be clearly seen on a sunny day when the air is clear. It is self-evident that the poet feels comfortable after seeing such a rare beauty. In the next sentence, when I look outside the door, I can see the boats moored on the riverside. River boats are very common, but "thousand-mile boats" have a profound meaning. After the war was calmed down and traffic was restored, the poet saw the ships from Soochow. How could the poet not feel happy? These two sentences represent a vast space and a long time. The poet is in the thatched cottage, but his thoughts have lasted for thousands of years, and his vision spans thousands of miles.

4. Poems about the fields

Passing the old friend’s village

Meng Haoran

The old friend has chickens and millet,

Invite me to Tian's house.

Green trees border the village,

Qingshanguo slopes outside.

Open the Xuan noodle garden,

Drink and talk about mulberry and hemp.

Wait until the Double Ninth Festival,

I will still have chrysanthemums.

Touring Shanxi Village

[Song Dynasty] Lu You

Mo Xiao, a farmer’s house, is full of wax and wine,

In good years, there are enough chickens and dolphins for visitors.

There is no way out despite the mountains and rivers.

There is another village with hidden flowers and bright flowers.

Qingpingle·Village

Author: Xin Qiji

The eaves are low,

The grass on the stream is green.

Wu Yin is very charming when she is drunk.

Whose old lady has gray hair?

The eldest son is hoeing beans to the east of the creek,

The middle son is weaving a chicken coop;

The younger son likes scoundrels the most,

Lying at the head of the creek Peel the lotus pods.

Zhongnan Mountain Wang Wei

Taiyi is close to the capital of heaven, connecting mountains and sea.

The white clouds look back and merge, and the blue mist comes in to see nothing.

The peaks in the field are changing, and the clouds and sunshine are different.

If you want to stay somewhere, ask the woodcutter across the water.

Zhongnan Biye Wang Wei

He was quite good at Taoism in his middle age, and in his later years he came to Nanshan.

Happiness comes and beauty comes alone, and victory comes in vain.

Walk to a water-poor place and sit down to watch the clouds rise.

I happened to visit Lin Sou, and we talked and laughed for a long time.

Qingxi Wang Wei

When entering Huanghuachuan, he chases the water of Qingxi.

There will be countless twists and turns along the mountain, and the journey will be endless.

Noisy in the rocks, but quiet in the deep pines.

The ripples are filled with water chestnuts, and the clear water reflects the reeds.

My mind is already idle, and the clear river is so peaceful.

Please stay on the rock, fishing will be over.

5. Ancient poems about pastoral style

"New Liang"

Song Xuji

The fields are full of water and the rice leaves are full, and the sun shines through the trees Xiaoyan is low.

The oriole also loves the coolness of the new weather, flying over the green mountains and singing in the shadows.

"Reading the Classic of Mountains and Seas, Part 1"

Tao Yuanming of Jin Dynasty

Mengxia has long grass and trees, and trees around the house.

The birds appreciate their support, and I also love my house.

I have plowed and planted, but I still read my book.

The back alleys are separated by deep ruts, and it is quite possible to return to an old friend’s car.

Drinking spring wine and picking vegetables from my garden.

The light rain comes from the east, and the good wind goes with it.

Browse "The Biography of the King of Zhou" and "Mountains and Seas".

How can we not be happy if we look down to the end of the universe?

"Summer Floating Boat Passing Chen Dashui Pavilion"

Tang Meng Haoran

A Summer Floating Boat Passing Chen Yiren's Farewell Industry

The cool air of the water pavilion Yes, I came here late.

You can see rattan and bamboo in the shadow of the stream, and smell the lotus in the pond.

Wild boys dance drunkenly while mountain birds laugh and sing.

The secluded reward is not covered with clouds, but the smoke is shining in the evening!

"Summer Pastoral Miscellaneous"

Song Dynasty Fan Chengda

The rich family is full of joy in the evening, and the farmhouse is quiet at dusk.

The man knows the morning glory and the woman can weave, so there is no need to cross the river star.

"Huanxi Sand"

Su Shi of the Song Dynasty

The soft grass and smooth sand are new after the rain. Walking on the light sand road is dust-free. When to pack up?

The sun is warm, the mulberry trees are shining like splashing water, and the wind is blowing like mugwort and mugwort. Shi Junyuan is one of them.

The Pastoral School is an important component in ancient Chinese poetry. It originated from Xie Lingyun in the Eastern Jin Dynasty and Tao Yuanming in the Jin Dynasty, and was represented by Wang Wei and Meng Haoran in the Tang Dynasty. The poetry is meaningful and beautiful, the style is quiet and elegant, the language is clear and concise, and the line drawing technique is mostly used. He is good at describing natural scenery, rural scenery and comfortable and tranquil seclusion life. Poets take landscapes and pastoral areas as their aesthetic objects, and cast delicate brushstrokes on the quiet mountains, forests, and leisurely fields, creating a pastoral life to express their dissatisfaction with reality and their yearning for a quiet and peaceful life.

There are still many pastoral poets, such as Wang Wei, Tao Yuanming, Fan Chengda, and Meng Haoran, who are known as the four great poets of the pastoral school. Others such as Liu Zongyuan, Wei Yingwu, Chu Guangxi, etc. are also pastoral poets. If you are not satisfied with the ones I posted above, you can directly search for poets or find the pastoral poets yourself.

6. Ancient poems describing the countryside

The fragrance of rice flowers means a good year. Listen to the sound of frogs. ____Xin Qiji's "Moon on the Xijiang River·Walking on the Yellow Sand Road at Night"

The young man has no suitable vulgar charm, and his nature is to love mountains and hills. ____Tao Yuanming's "Returning to the Garden and Living in the Fields·Part 1"

It was noon on the day of hoeing, and sweat dripped from the soil. ____Li Shen's "Two Ancient Poems/Two Poems of Compassion for Farmers"

Egrets fly in the desert paddy fields, and orioles sing in the overcast summer trees. ____Wang Wei's "Jiyu Wangchuanzhuang / Autumn Return to Wangchuanzhuang"

The mountains are green and the rivers are full of white, and the rain is like smoke in the sound of the rules. ____ "April in the Countryside" by Weng Juan

The sunflowers in the green garden are waiting for the sun to set in the morning dew. ____Anonymous "Long Song Xing"

The plums are golden and the apricots are fat, the wheat flowers are sparse and the white cauliflowers are sparse. ____Fan Chengda's "Pastoral Miscellany in Four Seasons·Part 2"

The children and grandchildren have not yet been asked to farm and weave, and they also learn to grow melons near the mulberry tree. ____Fan Chengda's "Summer Pastoral Miscellany·Part 7"

Beans are planted at the foot of the southern mountain. The grass is thick and the bean seedlings are sparse. ____Tao Yuanming's "Returning to the Garden and Living in the Fields·Part 3"

I walked out of the front door alone and looked at the wild fields. The moon was bright and the buckwheat flowers were like snow. ____Bai Juyi's "Village Night"

The road is narrow and the grass and trees are long, and the evening dew touches my clothes. ____Tao Yuanming's "Returning to the Garden and Living in the Garden·Part 3"

Opening up the wilderness in the south, staying humble and returning to the garden. ____Tao Yuanming's "Returning to the Garden and Living in the Fields·Part 1"

Working in the fields during the day and working on hemp crops at night, the children of the village are each responsible for their own affairs. ____Fan Chengda's "Summer Pastoral Miscellany Part 7"

There is no idle land in the world, and farmers are still starving to death. ____Li Shen's "Two Ancient Style Poems/Two Poems of Compassion for Farmers"

When Tian Fu came to work with his hoe, they met each other and talked to each other. ____Wang Wei's "Weichuan Field House"

It is raining outside a curtain of doves, there are several idle fields, and spring hoeing is going on across the water. ____Zhang Yan's "Crossing the Clouds· Long-term guests from Shanyin recall the misty and sad thoughts of Xihang in spring again and again"

There are several clumps of sand and grass and a flock of gulls scattered, and a heron flies across the vast river field. ____Wen Tingyun's "Lizhou Nandu"

In the middle of the night, the children were plowing at dawn, and the oxen were unable to move. ____Yan Renyu's "Farmhouse"

I wake up in the morning to sort out the wasteland and filth, and return home with a hoe in the moonlight. ____Tao Yuanming's "Returning to the Garden and Living in the Fields·Part 3"

Even if there is no field, I am still dancing with joy, not to mention the hope of the new year in the field. ____Zeng Ji's "Su Xiudaozhong"

Ten miles west of Chou, the ripe rice smells fragrant, the hibiscus hedges fall and bamboo silk grows, and the hanging mountain fruits hang green and yellow. ____Fan Chengda "Huanxisha·Jiangcun Road"

The Tian family had a few days of leisure, and farming began. ____Wei Yingwu's "Guan Tian Jia"

The water surrounds the field and the bamboo fences, and the elm coins are all gone, and the hibiscus flowers are sparse. ____Zhang Shunmin's "Village Dwelling·Bamboo Fences Surrounding the Pei Fields"

At the end of the year, I hoe and plow the empty house, and call my children to climb the mountain to collect acorns. ____Zhang Ji's "Old Songs from the Wild Country/Shan Nong Ci"

The fields are small with sparse fences and winding paths. The cloud trees bloom at dawn. ____Zhou Bangyan's "Popular Poppy: A Small Field with Sparse Fences and Winding Paths"

Cuckoo Feifei advises early plowing, pounding the hoe to take advantage of the spring. ____Yao Nai's "Mountain Travel·Cuckoo Feifei Encourages Early Plowing"

The plums are green, the plums are yellow, the vegetables, fertilizer and wheat are ripe, and I am busy raising silkworms. ____Zhu Yunming's "Shou Xia Shan Zhi Yin"

At that time, people did not realize the hardships of farmers, and they would say that the fields and grains grew by themselves.

____Yan Renyu's "Farmhouse"

The setting sun shines on the countryside, and the cattle and sheep return home in the back alleys. ____Wang Wei's "Weichuan Tianjia"

Selling new silk in February and selling new grain in May. ____Nie Yizhong's "Ode to the Tian Family/Suffering from the Tian Family"

A light rain brought new flowers, and a thunder startled the insects. ____Wei Yingwu's "Guan Tian Jia"

It's easy to make money and money even in the desolate mountains. ____Wang Shouren "I am banished to Liangjue, please learn from the farmer general Tian Nanshan's chanting words and express my feelings"

When you see the harvest of rice, the grains are fat and fragrant. ____ Huang Xieqing's "Miscellaneous Odes of the Tian Family in Autumn"

The west wind blows in August or September, and the accumulated ground is covered with yellow autumn clouds. ____ Huang Xieqing's "Miscellaneous Odes of the Tian Family in Autumn"

It is getting late when I write and write swords, and the sun is already dusk in Qiuyuan. ____Meng Haoran's "Pastoral Works"

Only by diligently conserving one's industry can one have enough food for several months. ____Huang Xieqing's "Miscellaneous Odes of the Tian Family in Autumn"

Spring is early on the lake, and the Tian family has no leisurely days. ____ Qiu Wei's "Inscription on the Farmer's House"

When the wheat is harvested and the silk is put on the axis, the officials know enough to lose. ____Wang Jian's "Tianjia Xing"

A bird carries wild field grass in its mouth and strays into the withered mulberry trees. ____Li Bai's "Grass in the Trees"

The green spring waves fill the Qianpi, and the clouds are as far as the eye can see. ____Wei Zhuang's "Rice Field"

The thread ends of the green carpet pick out the early rice, while the green nepotism shows the new crop. ____Bai Juyi's "Spring Title on the Lake"

The spring water in Noda is as green as the mirror, and the silhouettes of people crossing the lake are not startled. ____Wang Zao's "Spring Day: There are only ten sunny days in one spring"

The rice roots are like blocks, and the field water is one foot wide this year. ____Fan Chengda's "Summer Pastoral Miscellaneous"

After a light rain, people on both sides of the Taiwan Strait are harvesting red beans, and their slender hands are raised under the trees. ____Ouyang Jiong's "Nanxiangzi·Road into Nanzhong"

An old friend invited me to Tian's house with chicken and millet. ____Meng Haoran's "Passing the Old Friend's Village"

After the war, the countryside was deserted, and the flesh and blood were scattered on the road. ____Bai Juyi's "Looking at the Moon and Feelings"

When will the deer chariot return to Yingdong Tian? ____Ouyang Xiu's "Autumn Embrace"

In the middle of winter, he temporarily studied as a Confucian scholar, while Qianyou still worked as a farmer for his father. ____Lu You's "Village Children Playing on the Stream"

The father plowed the plains and went to the fields, while the son went to the wilderness in the mountains. ____Nie Yizhong's "Tian Family"

When we come to the Tian family together, children will bloom. ____Li Bai's "Going down Zhongnan Mountain and passing Husi Mountain, where people stay and buy wine"

7. Poems about pastoral poetry

Pastoral poetry

Created by Tao Yuanming during the Jin and Song Dynasties in China A style of poetry whose main content is singing pastoral life. Tao Yuanming's five poems "Returning to the Garden and Living in the Fields" and "Poems of Peach Blossom Spring" are his representative works. Among them, "Returning to the Garden and Living in the Fields" depicts pastoral pastoral life to express the poet's infinite relaxed and happy mood after abandoning his official position and returning to seclusion, and his noble moral integrity of not collaborating with the world. "Poem of Peach Blossom Spring" is a development of pastoral poetry. From the pastoral to the peach blossom garden, it reflects the poet's further exploration of ideals. Tao Yuanming's pastoral poems are artistically natural and true, rich in artistic conception and meaningful in charm. Reading them seems like a fresh and rich local flavor rushing towards you. Its emergence not only opened up a new realm for classical poetry, but also had an extremely important impact on the formation and development of the Pastoral Poetry School in the Tang Dynasty.