What are the periods and characteristics of the new style in the history of western clothing?

If western clothing culture deliberately pursues the beauty of human body and completely ignores the morality of clothing, what is the influence of traditional ethical values of China clothing culture? More or less retained some moral etiquette. For example, The Book of Rites says: "You are a slut, you suspect the ball, kill it!" (easy copula) cloud: "the beginning of measuring obscenity. Zuo Zhuan called it "energy lust". In the Qin and Han Dynasties, when the mermaid was pursuing strangeness and life, Liang Qi and his wife dressed as scholars, saying, "Ye Rong is obscene. However, although there is no or little direct appreciation of the human body in China's traditional costume culture, there are also some classic literary works that describe American novels and legends about the human body in The Book of Songs. Among them, there is a description, such as muscles, such as "a solid skeleton and more people and clothes constitute the image of the United States", embroidered pod skirts, all 45 times, feet chasing silk shoes, tortoise shells on the head, such as cutting onion roots, mouth steps. ("Ancient Poetry is Jiao Zhongqing's Wife"); On the third day of Chang 'an seaside, the weather is beautiful, such as Dan, which is as delicate as pearls, which concentrates the elegance and authenticity of Italy, with even texture and delicate flesh. Embroider troy to reward. How about organizing golden peacock and silver unicorn head in late spring? Look at the roaring leaves hanging on the lips of the temple. Zhu He's back is stable and fits well. "(The Second Way) Perhaps some examples of modern women's dress are used to prove that women in China pay attention to the expression of natural beauty of human body. In fact, this cheongsam was influenced by the aesthetic taste of western dresses in the first half century. Until Guangxu period, was it a cheongsam? The performance of some traditional cheongsam in the shoulders, chest, waist, arms, buttocks and other parts is completely different from the style of western women's clothing that highlights the beauty of the human body. Different from western clothing art, clothing art is a decorative American country, which does not highlight the beauty of human body, but fully mobilizes artistic modeling and other means. That is to say, a spiritual space transcends physics from the dress style of China in the Qing Dynasty, covering up the width of the body, and retaining a lot of oil and the mainstream of China traditional dress. This kind of dress does not show a beautiful figure, and even some people have beautiful bodies. "Mirror" quoted Xiao as saying: "From the point of view that the emperors of Korea and China, whose families are not strong because of the world, have big sleeves in their clothes, we should understand why they don't intend to show the physical beauty of the emperor, but pay attention to freehand brushwork and vivid expression, highlighting dignity and noble spiritual strength. Qu Yuan's words in the river: "My teenager loves this strange costume. I am old and immortal, separated from the land. The crown was cut into a long section. "Wear and tear enriches a person's personalized clothing with cynicism, rather than tolerance and love for those in power. The intuitive expression of western clothing people in the United States and China reflects two different cultural forms and value orientations. Lin Yutang once pointed out: "One of the main points of Chinese and western clothing concepts is to express the purpose of wearing a suit on the body, aiming at covering the device." Lessing said: "I admit that clothes have a kind of beauty, but most of them come from the beauty of the human body." What are the requirements for clothes and beauty? " Lin Yutang holds the opposite view: "Only by maintaining the style of a suit in an aesthetic social tolerance can people on the street know whether your waistline is 30 inches or 30 inches ... Generally speaking, a chubby 4-year-old woman wears a topless evening dress to the first night of the opera, which is a western invention and very harsh. (The Art of Living)

However, due to the lack of religious concepts such as Islam in China's clothing culture, it is difficult to achieve the outstanding aesthetic value of western clothing that erodes human beings? The modern cheongsam and twisted four-body clothes of modern urban women prove this point. There is an old saying in China: "The willfulness of dressing and wearing a hat shows that China's clothing culture is limited to a certain extent and lacks morality.

Of course, it also absorbed some characteristics of western clothing. China's traditional dress, such as the off-the-shoulder collar of western women in modern China dress and the stand-up collar of western China cheongsam, all absorb and draw lessons from the characteristics of China's traditional dress culture. After all, the traditional costume culture in China has little aesthetic value? We can't change or replace the aesthetic stereotype of westerners as a whole. Western costume culture has formed a powerful shock wave to China's traditional costume culture, and China people seem to be facing the alienation of costumes unconsciously.

Another aspect of Islamic clothing culture is that China is close to the west. One of the most remarkable features of modern clothing is that the clothing styles are constantly changing, the pursuit of brands is eliminated at a high speed, and economic resources are greatly wasted. The ethics against extravagance and waste is in sharp contrast with Islamic clothing. In the past twenty years, it is not difficult to find that the average life span of many clothes is only three to six months, or even shorter. Take the whole skirt as an example. In the 1970s, "average skirt, tight skirt, secret skirt, slit skirt, layered skirt and classical skirt" were folded out. Many fashion designers introduced new clothing styles every year, and continued to artificially stimulate the consumption of clothing styles and the desire of others. According to foreign reports, Diana, Princess of England, was ashamed and embarrassed when she learned that she was included in the list of "Top 10 Worst Dressed Women" in 1983. Many British civilians prayed that her situation was ironic? . Clothing has already surpassed ordinary people. Even, clothing is not only practical and decorative, but also shows the effect. More importantly, it embodies the lofty spiritual realm, human beliefs and the role and significance of the principle of western clothing culture and clothing art first. Fashion design, the former emphasizes decorative art, the latter emphasizes human body art, and the regulatory role of fashion design and production is weakened or abandoned in different degrees morally and even acts as a situation, said Wei Nuo Pontina. The clothes we look at every day, such as changing patterns, sometimes give up after we feel satisfied four months ago. Today, they are so bohemian that they can only be condemned, not banned. Although the extravagance and waste of clothing and the pursuit of novel effects have never dominated China's traditional clothing culture, many people of insight have issued warnings in this regard. For example, as Mozi said, legal silk clothes for winter training, enough light and warm summer-related networks, and enough light and clear will stop here, but it is enough to make saints' clothes and fitness proud of their bodies and skin. I'm also a fool ... Today, the clothes of the Lord are carved with gold hooks, and the precious stones of literary grace are worn out. Women and men who work think they have a warm feeling. As this Feiyun, a single finance is useless. From this perspective, it is clothes, not people's bodies, that are reconciled now. It is the least secluded and stubborn, and it is difficult to remonstrate. "Mozi's words were pertinent and profound, but they were criticized.

In addition, some fashion designers are also interested in pursuing some absurd visual effects. For example, in western Japan and other countries, "beggars" used to be popular. People deliberately tear clothes and drag things, and even let clothes cover themselves, which is still outdated dirty cloth.

Islamic dress ethics resolutely opposes the male dresser and pretends to be a man, which is a common modern dress in China and the West. In the street, we can often see men wearing so-called tomboys, men wearing braids and flirting with each other wearing gold rings and some clothes. It seems that they are influenced by western feminist thoughts and advocate so-called neutral clothes or "neutral clothes" to eliminate gender differences. "

/& gt； What is the most fundamental doctrine of Islam and the most reasonable value of Islamic clothing culture? The highest dominant ideology of culture, uniforms, history, times, psychology and aesthetic elements. Islamic clothing art has no basic moral intervention, because art itself is not enough to cultivate people with noble sentiments.

Islamic clothing culture emphasizes that clothes must cover the shameful body, because although the human body is called the god's creation bodybuilding, it is an animal that enjoys the shame exposed by men and women, and it is easy to arouse instinctive desires, morality and human depravity. Western costume culture deliberately highlights the beauty of human body, its particularity and the particularity of body aesthetic experience, confuses the difference between human body beauty and other forms of beauty, and emphasizes the aesthetics of western costume culture on human body. Some historical deposits of Roman culture. China's traditional costume culture is restricted by traditional moral concepts to a certain extent, which has a heavy visual expression of the human body and a strong freehand brushwork and vivid decoration, but it lacks such traditional moral concepts? General solid support-believing in the uniqueness of the Lord, and the immoral tendency of fashion design and production in the later period eroded its own ultimately alienated Islamic ethics, so it is difficult to achieve the ultimate concern of unloading western aesthetic values?