Appreciation of Wang Anshi's "Jinling Nostalgia"

By praising the scenery of Jinling (now Nanjing, Jiangsu Province) and regretting the rise and fall of history, this word entrusted the author with his concern about the current politics at that time and the current politics of the country. Shang Kan wrote his views on landing in Jinling's old capital. Chengjiang, Cuifeng, Sailing, Sunset, Wine Flag, West Wind, Cloudy Pale and Heron Ascending outline the majestic scene of water, land and air in turn, and the realm is desolate. I wrote down my thoughts in Jinling. The word "nian" makes a turning point, contrasts the past and the present, crisscrosses time and space, and the reality and reality coexist, expressing deep depression and heavy sigh to history and reality. The whole poem is a masterpiece with a blend of scenes, a broad realm, a gloomy and tragic style, and a harmonious combination of magnificent scenery and historical content.

Ci begins with the word "seeing six ways", which opens up a lofty vision for Ci. "Old country in late autumn, weather in early autumn" points out the place and season. Because it is the old capital of the Six Dynasties, it is called "the old country". "Late autumn" is opposite to the next sentence "early autumn", and everything is dying, showing an atmosphere of "sad autumn". At this time, when you go to the temple building, you will be moved by things, and your words will have feelings, which will pave the way for the distant time described in the next movie.

"A thousand miles into a river, like a practice, like a cluster of green peaks" and "a thousand miles" are the continuation of the first sentence "Climb high and look far and see clearly"-overlook a thousand miles; The panoramic scanning of "Chengjiang seems to be practicing, and Cuifeng seems to be clustered" has an open and lofty scene. "Chengjiang seems to be practicing" is different from Xie Tiao's poem "Chengjiang is as quiet as practicing". Compared with Cuifeng Cluster, not only the wording is rigorous and neat, but also the composition is so, the curve is stretched ("Chengjiang is like practice") and scattered points are spread ("Cuifeng is like cluster"). There is not only a flat development, but also a three-dimensional presentation, and a beautiful Jinling landscape is displayed in front of us.

"Sailing towards the sunset and leaning against the west wind wine flag" is a concrete description of the scenery in the background. "Sunset" and "West Wind" point out that it is dusk, which has typical autumn scenery characteristics. "Wine Flag" and "Sailing" are journeys written in autumn dusk. People are in a hurry, and the picture is vividly written from pure natural activities to human activities.

"Colorful boats are cloudy, herons rise to the Milky Way" is a big finishing touch. "Colorful Boat" and "Galaxy" are brightly colored; "The clouds are light and the wind is light" and "the heron rises" are dynamic and static. A mist hangs over the hull in the distance in the sky, and the egrets on the water have started up from the Milky Way, which not only vividly shows the whole picture of Qiu Jingtu in Jinling, but also further broadens the field of observation-in the vast space, with the sails drifting away, water and sky have merged into one, and it is impossible to tell where water and sky are. Compared with Wang Bo's Preface to Wang Teng-ting, "The sunset is lonely in Qi Fei, and the autumn water is * * * the sky is one color", their tolerance and vision are comparable. One is a parallel epigram that has been told through the ages, and the other is an unprecedented creation, which is exactly the same. As Lin Bu said in "Xiaoxiao Palace in Su Dong", "Autumn Mountain is boundless, Qiu Si is boundless", and what you see in front of you is too beautiful to describe, so you always praise "drawing is difficult" and end it.

I am nostalgic and lyrical. "read