Music appreciation of Kunqu Mudan Pavilion

"Come to the courtyard to rest, spring scenery is like a line." This is the first time that Du Liniang stepped into his back garden and sighed when he saw the "fine weather" in front of him. The singing is euphemistic and moving. Structurally, Dream can be divided into two parts: visiting the garden and dreaming. As far as the content is concerned, it mainly talks about the heroine Du Liniang's youth awakening and the love in her dream. This is the beginning of her rebellious road of resistance and pursuit, and her literary talent is flying, which has always been praised by people. Wonderful, carefree, "under the bright spring, the beautiful scenery returns step by step", which is about Du Liniang's inner activities when she was dressing in front of the mirror before going to the park. This song was sung after Du Liniang praised "fine weather", so it was written from the perspective of spring. "The breeze blows to the idle court, shaking the spring like a line." After writing Spring Return, all kinds of hibernating insects wake up and spin silk. These silkworms are so thin that they can only be seen when the weather is fine. "Meisi" refers to this kind of swaying spring silk, which has also blown into this deserted courtyard. The author doesn't write about the peach willow bee butterfly, but only chooses the slender hairspring, which is very innovative and wonderful. First, this writing is entirely based on the prescribed situation, and it is not a subjective and arbitrary product. Therefore, it is difficult for the heroine in the small courtyard to see the colorful spring scenery directly, and she can only appreciate a little poor spring scenery from the fine silks here. Second, this writing is in line with the identity and personality of the characters. Du Liniang is a boudoir who lives a leisurely and melancholy life. She is a young girl who is very concerned about spring. Only in this way can she have such careful and attentive observation. The hairspring is so thin that it is difficult for people who are not careful and attentive to find it. So these two sentences are in line with the identity and personality of the characters. Thirdly, this writing reflects the ideal materialized form of the subtle mood of the characters, and "emotion" is homophonic with "emotion" and "thinking", so "emotion thinking" is a pun. It refers to the gossamer in the clear sky, and it is also the lingering emotion in the heroine's heart. Whether it is "gossamer" or this kind of "emotion", it is so slender and hazy, so elusive. The sight of the spring breeze blowing soft hair into the deep courtyard can also be seen as a psychological portrayal of the spring breeze opening Li Niang's locked heart and being gradually destroyed by budding feelings. The author describes not only the lingering spring scenery, but also the lingering Chun Qing. Love and scenery, things and me, the combination of emptiness and reality is very clever, and it can really be called nuance.