Why is the Spring Festival called Spring Festival?

The original intention of the two concepts of Spring Festival and New Year comes from agriculture. In ancient times, people called the growth cycle of the valley "year". Hebe: "in the year, the grain is ripe." . During the Xia and Shang Dynasties, the Xia calendar came into being, with the full and short moon as the month, and a year was divided into twelve months. Every month, the day when the moon can't be seen is the new moon, and the first day of the first month is called the beginning of a year, also known as the year. The title of the year began in the Zhou Dynasty and was officially set in the Western Han Dynasty, which continues to this day. However, in ancient times, the first day of the first month was called "New Year's Day". Until the victory of the Revolution of 1911 in modern China, in order to conform to the farming season and facilitate statistics, the Nanjing Provisional Government stipulated that the people should use the summer calendar, and the institutions, factories, mines, schools and organizations should adopt the solar calendar, with the Gregorian calendar 1 month 1 day as New Year's Day and the first month of the lunar calendar 1 day as the Spring Festival. The Spring Festival is coming, which means that spring is coming, everything is renewed, vegetation is renewed, and a new round of sowing and harvesting season is about to begin. People have just spent a long winter in which flowers and trees are dying in the ice and snow, and have long been looking forward to the day when bloom is warm in spring. When the new year comes, it is natural to greet this festival with joy and singing. 1949 On September 27th, New China was founded. At the first plenary session of the China People's Political Consultative Conference, the international use of the Gregorian calendar era was adopted, and the Gregorian calendar 1 month 1 day was designated as New Year's Day, commonly known as the Gregorian calendar year. The first day of the first lunar month is usually around beginning of spring, so the first day of the first lunar month is designated as the Spring Festival, commonly known as the Lunar New Year. In the traditional sense, the Spring Festival refers to the La Worship sacrificial ceremony from the eighth day of the twelfth lunar month or the 23rd day of the twelfth lunar month to the 15th day of the first lunar month, with New Year's Eve and the first day of the first lunar month as the climax. During the Spring Festival, a traditional festival, the Han nationality and most ethnic minorities in China will hold various celebrations. Most of these activities are mainly about offering sacrifices to gods and buddhas, paying homage to ancestors, saying goodbye to the old and welcoming the new, and praying for the new. The forms of activities are rich and colorful, with strong national characteristics. One of the legends of the Spring Festival: Keeping New Year's Eve, that is, not sleeping on the last night of the old year and staying up late to welcome the arrival of the new year, is also called keeping New Year's Eve, commonly known as "keeping old". Exploring the origin of this custom, there is an interesting story among the people: in Archean, there was a fierce monster scattered in the mountains, which people called "Nian". Its appearance is ferocious, its nature is ferocious, and it specializes in eating birds, animals and insects. It changes its taste every day, from kowtowing insects to living people, which makes people talk about "Nian". Later, people gradually mastered the activity law of "Nian", that is, every 365 days, people go to places where people live in concentrated communities to taste fresh food. The haunting time is after dark, and when the rooster crows at dawn, they return to the mountains. After determining the date of the ravages of 2008, people regarded this terrible night as a gateway, and came up with a set of methods to close the New Year's Day: every family prepared dinner in advance, turned off the fire, cleaned the stove, then tied all the cowpeas, sealed the front and back doors of the house, and hid in the house to eat the "New Year's Eve" because this dinner was uncertain. In addition to inviting the whole family to have dinner together to show harmonious reunion, we should also worship our ancestors before eating and pray for their blessing to spend the night safely. After dinner, no one dared to sleep, so they sat together and chatted with courage. Gradually formed the habit of not sleeping on New Year's Eve. The trend of observing the age rose in the Southern and Northern Dynasties, and many scholars in the Liang Dynasty had poems about observing the age. "One night for two years, five hours for two years." People light candles or oil lamps and keep vigil all night, which symbolizes driving away all evil diseases and looking forward to good luck in the new year. This custom has been handed down from generation to generation. Legend 2 of the Spring Festival: According to legend, there was a young man named Wannian in ancient times. When he saw that the festival was chaotic, he had a plan to make it accurate. But he couldn't find a way to calculate the time. One day, he was tired of chopping wood on the mountain and sat in the shade. The movement of the shadow inspired him. He designed a sundial to measure the time of the day. Later, inspired by the dripping spring water on the cliff, he began to make a five-layer clepsydra to calculate the time. Over time, he found that every 360 days, the four seasons would cycle once, and the length of the weather would be repeated. At that time, the monarch was called Zu Ti, who was often troubled by the unpredictable weather. Ten thousand years later, he took the sundial and the clepsydra to see the emperor and explained to Zu Ti the truth about the movement of the sun and the moon. Zu Ti was very happy after hearing this and felt reasonable. So he left for ten thousand years and built the Sun Moon Pavilion, the sundial platform and the Leaky Pot Pavilion in front of the Temple of Heaven. I hope I can accurately measure the laws of the sun and the moon, calculate the exact time in the morning and evening, and create a calendar to benefit people all over the world. On one occasion, Zu Ti went to learn about the progress of the perpetual calendar. When he boarded the altar of the sun and the moon, he saw a poem engraved on the stone wall next to the Temple of Heaven: sunrise 360, sunset 360, start all over again. Vegetation is divided into four seasons, and there are twelve circles in a year. Knowing that the perpetual calendar was created, I personally boarded the Sun Moon Pavilion to visit the perpetual calendar. Wan Nian pointed to the astronomical phenomena and said to Zu Ti, "It's been twelve months now, the old year has passed and the new year has begun again. Please make a festival for you. " Zu Ti said, "Spring is the first year of a year, so let's call it Spring Festival". It is said that this is the origin of the Spring Festival. After years of long-term observation and careful calculation, he worked out an accurate solar calendar. When he showed his successor the solar calendar, he was covered with silver whiskers. The monarch was deeply moved. In order to commemorate the achievements of 10 thousand years, he named the solar calendar "perpetual calendar" and named it the birthday star of the sun, moon and moon. In the future, people will hang up the Shou Xingtu during the Chinese New Year, which is said to commemorate the venerable ten thousand years. Legend 3 of the Spring Festival: Sticking Spring Festival couplets and door gods It is said that the custom of sticking Spring Festival couplets began in the post-Shu period about 1000 years ago, which is proved by history. In addition, according to the Jade Candle Collection and the Chronicle of Yanjing, the original form of Spring Festival couplets is what people call "Fu Tao". In the ancient mythology of China, it is said that there is a ghost world, in which there is a mountain, a big peach tree covering three thousand miles, and a golden rooster at the top of the tree. Whenever the golden rooster crows in the morning, the ghost who travels at night will rush back to the ghost domain. The Gate of Ghost Domain is located in the northeast of Peach Tree District. There are two gods standing by the door, named Shen Tu and Lei Yu. If the ghost does something unnatural at night, Shen Tu and Lei Yu will immediately find it, catch it, tie it up with a rope made of Miscanthus and give it to the tiger. So all the ghosts in the world are afraid of Shen Tu and Lei Yu. So people carved them into peach trees and put them at their doorsteps to ward off evil spirits and prevent harm. Later, people simply carved the names of Shen Tu and Lei Yu on the mahogany board, thinking that this could also eliminate disasters. This kind of red board was later called "Fu Tao". In the Song Dynasty, people began to write couplets on mahogany boards, one for killing evil spirits, the other for expressing good wishes, and the third for decorating the portal for beauty. They also write couplets on red paper symbolizing happiness and good luck, and stick them on both sides of doors and windows during the Spring Festival to express people's good wishes for good luck in the coming year. In order to pray for the longevity of the family, people in some places still keep the habit of sticking up doors. It is said that there are two door gods posted on the gate, and all monsters will be afraid. In the folk, the door god is a symbol of justice and strength. The ancients thought that people with strange looks often had magical temperament and extraordinary skills. They are honest and kind, and it is their nature and responsibility to catch ghosts and demons. Zhong Kui, a ghost hunter who is highly regarded by people, is such a strange look. Therefore, the folk door gods are always glaring and ferocious, holding all kinds of traditional weapons in their hands, ready to fight against ghosts who dare to come to the door. Because the doors of China's house are usually two opposite doors, the door gods are always paired. After the Tang Dynasty, besides peace, people also regarded Qin and Weichi Gong, two military commanders in the Tang Dynasty, as gatekeepers. According to legend, Emperor Taizong was ill, heard ghosts screaming outside, and stayed up all night. So he asked the two generals to stand by with weapons in their hands, and there was no ghost harassment the next night. Later, Emperor Taizong had portraits of two generals painted on the doors, and this custom began to spread widely among the people.