Seeking the detailed annotation and writing background of Liu Yong's Memory of the Forbidden City.

The thin pillow is cold, and it feels like parting at first. It's colder to get up and sleep. After all, I can't sleep, and the night is as long as years.

I also intend to stay, but I will return to Levi; I have plans to fight for resistance again. Ten thousand kinds of thoughts, many solutions, only loneliness and fatigue. This is my life, and I have shed a thousand tears for you. [Edit this paragraph] Appreciating this poem "Remembering the Imperial Capital" is one of Liu Yong's series of poems about parting lovesickness. This word expresses the inner feelings of both men and women with pure oral sketches, and its artistic expression is novel and unique. It is a distinctive one among Liu Yong's similar works.

It gets cold in early autumn. "Thin" is because the weather is cold but not cold; Judging from the "small pillow", the person in the word is still lying alone at this time, so "I felt the taste of parting at the first sight". The "first feeling" is the first feeling, just feeling, because it was touched by something, causing emotional waves. Next, the author gives a concrete description of "the taste of parting": "It's cold when you get up, and you sleep when you get up". Empty bed, can't sleep at night; I hope to sleep, because I may be able to solve my troubles in my dreams. After counting silently for more times, I still can't sleep. After getting up, I lie down again.

In just a few strokes, I turned over the bed of the lovesick person and suddenly fell asleep and got up. I didn't know what to do, but I expressed it openly. "I can't sleep after all" is a supplement to the previous two sentences. The word "after all" has the meaning of final, final, whatever, etc. Then, the sentence "One night is like one year old" skillfully uses the sentence meaning of "If I don't see you for a day, it's like I'm three years old" in The Book of Songs by Feng Wang, but the sentence is more concise and has deeper feelings. These few words spread out the "taste of parting" as usual, and the simple words contain passionate enthusiasm for life.

The second part turns to wandering homesickness, which shows the complex inner experience of wandering rationality and emotion. "I want to stay, too, but I'll ask for it." At this point, we can know that this man who has a thin pillow and can't sleep has not left the person he loves for a long time. Maybe he broke up in the morning and tasted "the taste of parting." At this moment, when he can't leave his feelings anyway, another thought can't help but arise in his heart: alas, it is better to turn around and go back. "I also intend to wait", which is a psychological activity after all kinds of helplessness. However, "resistance and planning" means that you have embarked on a journey. How can you go back to your original place? I can't go back, but I don't want to go either. As a result, we still have to "think a lot of ways", and naturally we can't find a way out, so we can only "be bored" and live bored. The last two sentences, "I will never forget you, but it seems that this is the only way. Even so, we still can't meet, so it must be" I will never forget you ". This sentence just sums up the meaning of the whole word's love for each other and highlights the theme centered on "I".

The first song "Fine Slip" (Liu Xizai's Introduction to Art) is pure in spoken language, fluent and natural, and expresses the sincere love between lyric protagonists in a euphemistic and tortuous way, with mature thoughts and art.