In spring, the filariasis will weave until it dies, and every night the candle will cry and draw the wick away.

Cursive scripts and spring silkworms will be woven until they die, and candles will drain the wick every night;

"Spring silkworms will weave until they die, and candles will drain the wick every night." It was a long time before I met her from Untitled, but it was even longer since we separated.

The unnamed time was long before I met her, but it has been longer since we separated.

Tang Li Shangyin

It was a long time ago that I met her, but since we separated, the time has become longer, the east wind is blowing, and a hundred flowers are blooming.

Silkworms in spring will weave until they die, and candles will drain the wick every night.

In the morning, she saw her hair cloud changing in the mirror, but she bravely faced the cold of the moonlight with her evening song.

There are not many roads to Pengshan. Oh, Bluebird, listen! -Give me what she said! .

Translation:

The opportunity to meet each other is really hard to get, and it is even more difficult to part when we break up. Moreover, the weather in late spring, the east wind is about to close, is even more sad.

Spring silkworms don't spin silk when they die, and wax oil like tears can drip dry when candles are burned to ashes.

Women dress up in front of the mirror in the morning, only worrying that the plump bangs will change color and the youthful appearance will disappear. Men can't sleep at night, so they must feel Leng Yue's aggression.

The other party's residence is not far from Penglai Mountain, but there is no road to cross, but it is out of reach. I hope an angel like a bluebird will visit my lover diligently for me.

Extended data:

Li Shangyin's poetry is unique in the late Tang Dynasty, because he is sentimental and devoted to it. He uses many works to express the feelings of late Tang scholars and their persistence in love, thus creating a new style and a new realm of poetry.

His poems are novel in conception and beautiful in style, especially some love poems and untitled poems, which are lingering and memorable. In addition, Li Shangyin used subtle and hazy expression techniques to the extreme, but some poems were too obscure and puzzling to be solved. There was a saying that "poets always loved Quincy, but only hated that no one wrote Jian Zheng".

The highest achievement of Li Shangyin's poetry is modern poetry, especially seven-character poems. He is the second milestone after Du Fu in the development history of the Seven Laws in Tang Dynasty.

Li Shangyin's poems have a wide range of teachers. His feeling of compassion for others and the method of reposing the beauty of vanilla originated from Qu Yuan, and his poetic style with profound meaning is similar to Ruan Ji's.

Du Fu's spirit of worrying about the country and the people, his depressed and frustrated style, Qi Liang's exquisite and gorgeous poems, and Li He's symbolism and style all influenced Li Shangyin.

Some of Li Shangyin's long ancient styles are bold and unconstrained, close to Han Yu's. He also has several fresh and beautiful poems with pure lines, which were born out of the folk songs of the Six Dynasties. Li Shangyin is good at melting hundreds of families into one furnace, so he can form his own family.

References:

Baidu Encyclopedia-untitled time was long before I met her, but even longer after we broke up.

References:

Baidu Encyclopedia-Li Shangyin