The rain was cold, the dew stained the clothes, the evening was cool and the moonlight was sunny.

It was a cold night when the river bridge was abandoned. The moon is far away, the tears on the copper plate have run out, and the clothes are stained with cold dew. Xiang will leave the meeting, sound the wind and beat the drums, and raise flags in front of the tree. Flowers? Yes, flogging, being late. All the way back to Julia, people's words gradually become unknown, empty and sad. The ground is red, but I can't see the cymbals, and I lost my way. Rabbit, sunflower and oat, facing the sunset, want to be with people. But walking in the grass, sighing and drinking, looking at the west.

This song originated from halal. Writing parting scenes, therefore, can gallop at will, and can be in harmony with the tone, with vocal beauty.

The words are about other feelings, and the last one is about seeing Fujian off last night, which is a review. The next movie is about seeing Fujian come back. This is a story, and each one is a wonderful place. When these words are put together, "how cold is the night", and in the sentence of "How cold is the night" in The Book of Songs Xiaoya Pavilion Liao, "Qi" is an auxiliary word, which has no practical significance. Very simple and profound. The three sentences in "Oblique Moon" are written about the cool night scene, which is so sad. "It's freezing in the cold, and I'm naked." The word "clothes" means that someone will say goodbye. The sentence "Xiangjiang" is a link between the preceding and the following, which makes it more clear that it is clutch. The word "exploration" is very vivid and appropriate, because it is night, so it is difficult to distinguish and time is delayed. At this time, it is almost dawn, and I must do it. I have to leave. The word "exploration" knows that the drums of the ferry are floating in the wind, but looking up at the sky, Orion is still hanging on the treetops (Professor Luo Yanlie noted that the "flag" is now Orion, so I said it from Luo). This time is from night to dawn. "Flower knot? Knowing it, whipping it, and being late on your own ",not saying goodbye to others, but writing that the horse knows people's wishes, deliberately riding the horse, and deliberately delaying, is really a stroke of genius. Horses are like this. Why people are inferior is a way to write it on the back of the paper. After watching the last one, it's memorable. The next movie is about the return of Fujian, of course, from He Qiao, a place in Fujian. Here is the beginning of "Tiaodi", with three consecutive sentences. The river bridge is not far. Why do you say "all the way"? Although you came to say goodbye, you came with your companion to remind you that you naturally won't feel like you are at the place of parting. Now that the guests have left, you have come back alone. "People are dying, and you come back sadly." How can you not feel that the road is far away? After writing about the differences between people, the feelings are subtle and profound. On the way home, the words "what do you mean" were beautiful and melancholy. In this sentence, some books put "what is the meaning of the past", and we use "what is the meaning of the red land", thinking that the latter embraces the former. "Heavy red all over the ground" and flowers all over the ground are naturally "invisible cymbals, astray". "He Yi" also embodies the meaning of the past and the land, but it also exerts its imagination and plummets. "Rabbits, sunflowers and oats, facing the sunset, want to be integrated with people" is another view of "He Yi". These two sentences have always been appreciated by people, such as Liang Qichao's cloud: "The word rabbit sunflower oats and the lingering moonlight of Liutuntian can be said to be the best in farewell words, and the two complement each other." In fact, the sentence of willow was passed by by pedestrians, and the sentence of "rabbit sunflower" was seen by the people who saw me off when I came back. It's still different, but the scene is full of emotion, so it's popular. "Sunset" is another day when it comes back from farewell. People's lovesickness is endless. At the end of the word, the scene is further described. As soon as the word "Dan" was picked up, it also took a sharp turn. Looking back on the past, I had to "wander in the grass, sigh and drink, and look at the western heaven." Ban Cao, it's a cloth grass sitting on the ground. Being drunk is a toast, which enhances pleasure. This is from Jiang Yan's Biefu, which is simple and affectionate. Looking at the West is a continuation of wandering and sighing. It doesn't use emotional words, it's just plain, but it's actually endless disappointment.

The first sentence is "I'm going to send it to a distant place, and then I'll write my yearning after I go." The level is very good, the meaning is very dense, and the words are very deep. From time to time, there are strong sentences that people can chew.

Langtaosha

Author: Li Yu

There was only sadness in the past!

The scenery is difficult to arrange.

Moss invaded the courtyard in the autumn wind.

The bead curtain is idle. Who comes all day long?

Jin Jian has been buried, strong and powerful!

On a cool night, the moonlight blooms.

I want to see the shadow of Yuta Yao Temple, and the sky shines on Qinhuai.

The whole word is written in the past and the present, one empty and one solid. "The past is only sad, but the scenery is difficult to arrange" is the theme sentence. Past events, such as "Golden Hairpin Dancing Beauty" in Huanxisha and "Spring in the Temple" in "Jade Palace Spring", are also luxurious and enjoyable imperial life.

According to the memoirs of Wang Luo, a poet in the Song Dynasty, Li Yu was imprisoned downstairs, with "old soldiers guarding the door" and "not allowed to meet outsiders", so "moss in the courtyard invades the order" and "who will come all day" are realistic sentences.

Zhuang's lai sentence is also a true memory. When the Southern Tang Dynasty was in danger, Li Yu wanted to fight for World War I and made some positive preparations, but in the end he gave up because of his weak strength and different opinions of the court. Now once classified as a vassal, it's still a pity. Accordingly, although Li Yu was the king of national subjugation, he also had some reflections on the national policy at that time. This is often overlooked.