Appreciation of Jiangjin's Farewell to Liu Guanglu

This poem has ten sentences. The first two sentences, "I am still in Linjiang Bamboo, Wangjiang Tianjin for a long time", are the prospects for seeing my friends sailing. "Quiet" is attachment, from which we can see how depressed the poet is. From the gaze of "Wang Chang", we can see the ups and downs of their emotions, just like the river rolling in front of us!

The following six sentences can be divided into two levels and can also be regarded as two shots. In the first level, the phrase "drums often smell, sails are close to clouds" is the vision in the long shot of the film, which describes the situation that the ship has gone away. When my friend set sail, the drums were ringing in the river, and the arrow of sailing reached the river as far as the clouds. These two sentences are far from the poet's concern.

The next four sentences are the second level, which can be regarded as close-ups. The poet turned to the scenery around him, where his friend had just left. "There are empty birds in the berth, and people have left the pavilion", this berth is where friends leave the ship, and the pavilion is where friends live before leaving the ship. Perhaps the poet was particularly concerned because he didn't have time to say goodbye to his friends, so he had emotional involvement and migration with the place where his friends just stopped, that is, seeing things and thinking about people. The berth is empty, and only birds are circling back. Birds don't understand the poet's pain of parting, but still chase and play, further stirring the poet's feelings of parting. Leaving the pavilion is still there, but people are scattered, and things have changed, which only adds to feelings. The poet's description of the bird pavilion reflects the emptiness of the berth and the laxity among friends. The next two sentences, "It's too late to catch nylon in the cold forest", are still the last two sentences, which say that the weather is cold and the trees fall leaves, but it's too late, and the fisherman has to close the line and go home. Here, it is quite ingenious to choose the scenery that enters the poem, that is, the scenery in the poet's eyes. Under the cold leaves in the forest, the late harvest of nylon is rendering the poet's independent and boundless mood and atmosphere, and the tone of the scene is gloomy, from which we can see the poet's inner sadness. The fallen leaves here symbolize that friends' lonely sails are drifting away, and the late harvest of nylon suggests that the poet is about to go home. This dual realm of poetry appreciation is based on the first realm created by the author, thus opening up a new artistic world in the process of appreciation and acceptance.

The last sentence is that my friend went to Jianghan, but I went back to the city. "How to See Far", the tone of the poem is plain and simple, which deeply reveals the helpless mood. In this way, writing about his return is a continuation of Jiangjin's refusal to send friends, which shows the poet's deep and eager yearning for friends; Second, the whole poem is more integrated, full of affection, lingering and more profound.