A little knowledge of Mujiang's ancient poems

1. The ancient poem "Mu Jiang Yin" is spread out to make up stories and beautify about 200 words.

The hymn of Twilight River

(Tang) Bai Juyi

The sun sets,

Half the river rustles and half the river is red.

Poor night of September 3rd,

Dewdrops are like pearls, and the moon is like a bow.

Keywords: sunset, red, snake, river, night, dew, moon.

In the early autumn evening, I came to the Yangtze River. Looking at the mountains in the distance, the sunset has gradually set, and the sunset glow is reflected in the horizon. The afterglow of the sunset sprinkled on the wide river. The river seems to be divided into two parts, one is green and the other is bright red. The breeze gently brushed the river, and the river rippled, like shining gems and twinkling stars in the air. Ah! What a charming river view.

Before I knew it, night fell and I stood by the river for a long time and didn't want to leave. When the autumn wind brushed my face, I felt cool and comfortable. I looked at the grass by the river beach and looked up for a while. Ah, the green grass is gradually exposed in the soft moonlight, and they are dancing gently in the breeze. The crescent moon in the night sky is like a delicate bow, and I can't help but blurt out, "What an autumn night!" "

What a beautiful night today!

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I hope you like it:)

2. Who has a miniature lesson plan of Mu Jiangyin?

Yinmujiang miniature teaching plan

19 Three ancient poems "Song of Mujiang"

Shishi city Xiangzhi Central Primary School Qiu, Fujian Province

Teaching objectives:

1. Knowledge goal: Learn Ode to Mujiang, understand the meaning of the poem, understand the scenery described in the poem, and read it aloud with emotion.

2. Ability goal: Feel the beauty of nature and language through repeated reading. Deepen the understanding of ancient poetry through small exercises.

3. Recite and memorize ancient poems.

Teaching emphases and difficulties:

1, understand the meaning of the poem.

2. Understand the relationship between scenery description and performance.

Teaching process:

First of all, talk about the introduction and introduce the poet.

Teacher: We learned a poem "Grass" in the lower grades, remember?

(Teachers and students recite cursive script)

Teacher: Who is the poet of this poem? (Bai Juyi)

Teacher: Today, we will learn another famous poem by Bai Juyi-Ode to Mujiang. (Show the topic and watch the topic together)

Teacher: Before learning this poem, let's get to know the poet.

(Showing courseware-Bai Juyi's photo and life introduction)

The teacher named Bai Juyi's biography.

Second, learn new lessons.

1, Teacher: The poet Bai Juyi left Beijing and was very happy on his way to work in Hangzhou. After writing this poem, preview it before class. Who will talk about the meaning of the topic? (the meaning of the title naming)

2. Teacher: Let's listen to what the poet recited.

(Students listen to the model essay in the courseware to read)

Teacher: Now please read this poem freely, and understand the words in the poem by combining pictures and texts or contacting the context. Words you don't understand are marked with △.

Students are free to read and learn ancient poems.

4. Exchange and learn a sentence or two

Teacher: What words can you put forward in these two lines that you don't understand?

(Teachers and students answer the words "sunset", "paving the way" and "rustling". )

Teacher: Try to express the meaning of these two poems in your own words.

(tell the meaning of this poem)

5. Guide to read a sentence or two.

Transition: Next, because the evening scenery by the river is so attractive, it is already evening before you know it.

6. Guide the study of three or four sentences.

Teacher: What do these two sentences describe about the scenery by the river?

Teacher: What methods did the poet use to describe the dew and the moon?

Teacher: Contrast, contrast.

Teacher: The poet grasped the characteristics of the scenery and even used two metaphors to describe the charming scenery by the river at night. What word is used in the poem to describe it? (poor)

Teacher: What do you mean by pity? (cute)

7. Guide reading three or four sentences.

8. Guide to read the whole poem.

Teacher: To read an ancient poem, we should not only pronounce it correctly, but also have feelings and rhythm. We should read this poem with emotion according to carefully drawn pauses.

(Students read ancient poems rhythmically)

9. Guide music reading.

Teacher: The poet Bai Juyi left Beijing to work in Hangzhou. On the way, he was in a happy mood, intoxicated by the beautiful scenery of red clouds all over the sky, crescent moon rising and dewdrops glittering and translucent. Let's enjoy this poem carefully with the music.

(Read aloud to the music)

10, talk about feelings.

Teacher: If you were a poet at this time, how would you feel when you came to the river in the late autumn evening and enjoyed the quiet and beautiful scenery?

(Say how you feel)

Third, practice writing.

Can you make a new poem or draw a stick figure or two on the basis of understanding poetry? Choose one of the two to complete.

Fourth, summary.

Teacher: In this class, we not only learn and recite poems, but also do poems and draw pictures. The students did a good job. I hope the students can collect poems about Bai Juyi after class, and we will exchange them next class.

Fifth, assign homework.

3. What is the meaning of the ancient poem "Mu Jiang Yin"?

The whole poem [edit this paragraph] is covered with sunset, half river rustling and half river red.

The loveliest thing is the ninth day of September. The bright pearl's bright crescent moon is shaped like a bow. Note [Edit this paragraph] Sunset: The sun is about to fall.

Se se: bright green. Unfortunately: love.

Zhu Zhen: That is, pearls. The moon is like a bow: on the third day of the ninth lunar month, the first quarter moon bends into a bow.

[Edit this paragraph] A touch of sunset sprinkled on the river. Under the sunlight, it sparkles, half is dark blue and the other half is red. What makes people fondle admiringly is the first moonlit night when the dew falls in September. Dewdrops are like pearls, and crescent moons are like delicate bows.

Know the author [edit this paragraph] Bai Juyi (772-846), whose real name is Lotte, and whose name is Xiangshan Jushi, is now from Weinan, Shaanxi. During the Yuanhe period, he served as a bachelor of Hanlin, a doctor of Zuo Zanshan and a doctor of Zuo Zanshan.

Yuanhe was demoted to Jiangzhou Sima for ten years, and later transferred to Zhongzhou Secretariat. Mu Zongshi was appointed as the secretariat of Hangzhou and Suzhou by Zhongshu Sheren.

In his later years, he was divided into the eastern capital by Prince Ke and Prince Shaofu. Writing background [Edit this paragraph] This landscape poem was written in the second year of Tang Changqing (822).

In July of this year, Bai Juyi was appointed as the secretariat of Hangzhou by the secretariat of Zhongshu, passing through Xiangyang and Hankou, and resisted on October 1. This poem is regarded as a trip to Hangzhou. At that time, politics was dark, and the struggle between Niu and Li was fierce. The poet tasted the taste of being an official and asked to go abroad.

This poem reflects the poet's relaxed and happy mood after leaving the court. What I saw in the tour was all sung casually, with a fresh and natural style, which gave people a beautiful enjoyment after reading it.

Appreciation of Poetry [Edit this paragraph] Mu Jiangyin is one of Bai Juyi's Miscellaneous Poems. The characteristic of these poems is that they recite one thing one by one and sing their true and natural feelings one by one.

The beauty of the whole poem lies in taking two beautiful pictures of nature and combining them. One is the gorgeous scene of the sunset reflected on the river, and the other is the hazy night when the crescent moon rises and the dew is crystal clear.

Both of them have their own beautiful scenery, and reading together is even more wonderful. Because this poem permeated the relaxed and happy liberation mood and personality of the poet after he was forced to stay away from the imperial court, the whole poem became the artistic carrier of the poet's aesthetic psychological function in a specific situation.

The first two sentences are about the river at sunset. "A sunset is spreading in the water". The sunset shines on the river, but it means "spreading" instead of "taking pictures". This is because Sunset is close to the horizon and almost touches the ground. It really seems to be "paved" on the river, which is very vivid. The word "shop" is also gentle, which says the softness of autumn sunset, giving people a cordial and leisurely feeling.

"Half the river is rustling, half the river is red", the weather is clear and windless, the river flows slowly, and there are tiny ripples on the river. The part that receives more light shows "red"; Where there is little light, there is dark blue.

The poet grasped the two colors on the river, but showed the scene that the river was sparkling at dusk and the color changed rapidly in the sunset. The poet was intoxicated and put his happiness in the description of the scenery.

The last two sentences are about the night scene when the new moon rises. The poet lingered until the early moon rose, the cool dew fell and a better realm appeared in front of him.

The poet leaned over and looked at it: Hehe, the grass by the river is covered with crystal dew. Dewdrops on the green grass look like pearls embedded in it! With the metaphor of "real pearl", not only the roundness of dew is written, but also the luster of dew shining under the new moon.

Look up again: a crescent moon rises, just like hanging a delicate bow in the blue sky! The poet condensed the two scenes of heaven and earth into a poem ── "Dewdrops are like pearls, and the moon is like a bow". From the crescent moon bent like a bow, the author remembered that it was "the third night of September", and could not help but blurt out his lovely praise for it, expressing his feelings directly, pushing his feelings to * * *, causing waves in his poems.

What a harmonious and peaceful artistic conception the poet created by describing the two visual images of "dew" and "moon"! With such a novel and ingenious metaphor, it is amazing to describe and color nature in detail. There seems to be a lack of time connection between describing the sunset river and praising the moon dew, but the night on the third day of September virtually connects time, with the dusk above and the dewdrop moon below, which means that the poet enjoys the moon from dusk until it is exposed, which contains the poet's joy and love for nature.

Mr. Zong Baihua said: "Artistic conception is not a natural reproduction of a single plane, but a deep creation." (The birth of China's artistic conception) If the famous sentence about the sunset scenery along the Chunjiang River in Xie Tiao's "Shangsanshan Evening Wangjing Town" in the Southern Dynasties: "Yu Xia is magnificent, and Chengjiang is quiet as practice", it is purely the accumulation and externalization of the literary and artistic thoughts of that era (Zhong Rong's "Poetry") in Xie Tiao's aesthetic consciousness; It only describes a concentrated moment at sunset, like a faint sketch by the river; Then, Bai Juyi's "A wisp of setting sun is sprinkled in the water, half the river is rustling, and half the river is red" is the literary trend of thought since the prosperous Tang Dynasty, that is, "Seeking images, being at ease in the environment, knowing God from things, and getting from the heart" (for Wang Changling, see "Tang Yin Deception", Volume II). In Bai Juyi's works, the artistic conception is condensed by aesthetics.

It artistically shows a process of moving in time and space, which is not only a magnificent watercolor painting, but also a set of shots in a color film. As a result, with the passage of a long shot, our aesthetic consciousness quickly shifted to the "dew like a pearl, moon like a bow" shaken by the combination of long and short shots. Hegel said: "Poetry is not limited to a certain moment in a certain space and plot like painting, which makes it possible to express it according to the inner depth of the object written and the breadth of its development in time.

"("Aesthetics "Volume III, Page 6) Among them, the poem" Poor Third Night in September "is used as the adhesive of inner feelings. It is this unique aesthetic feeling under the specific time and space consciousness that makes the two lens systems "half river shaking and half river red" and "dew like a pearl and the moon like a bow" create a dynamic artistic whole.

Eisenstein said: "The opposite of two montage shots is not the sum of two numbers, but more like the product of two numbers." This can be understood as an artistic structure with multi-dimensional intersection and two-way feedback of any artistic style, and its artistic implication will be more mellow, rich and three-dimensional.

4. Yin Mujiang explained eagerly

Ode to Mujiang is a four-line poem by Bai Juyi, a poet in Tang Dynasty.

[Edit this paragraph] Appreciate an ancient poem. The setting sun spreads in the water, half river rustling and half river red. The loveliest thing is the ninth day of September. The bright pearl's bright crescent moon is shaped like a bow.

Note: If a pearl is wrongly written as a real pearl, the truth in the poem is true, not the treasure of the pearl. The real pearls here are pearls.

[Edit this paragraph] Text Note Sunset: Sunlight about to fall. Se se: green.

Unfortunately: cute. Zhu Zhen: That is, pearls.

The moon is like a bow: on the third day of the ninth lunar month, the first quarter moon bends into a bow. [Edit this paragraph] A touch of afterglow is sprinkled on the river, shining under the sunlight.

Half is dark blue and the other half is red. What is even more loving is that on the first moonlit night in September, the cool dew falls.

Dewdrops are like pearls, and crescent moons are like delicate bows. Writing background This landscape poem was written in the second year of Tang Changqing (822).

In July of this year, Bai Juyi was appointed as the secretariat of Hangzhou by the secretariat of Zhongshu, passing through Xiangyang and Hankou, and arrived in Hangzhou on October 1. This poem is regarded as a trip to Hangzhou. At that time, politics was dark, and the struggle between Niu and Li was fierce. The poet tasted the taste of being an official and asked to go abroad.

This poem reflects the poet's relaxed and happy mood after leaving the court. What I saw in the tour was all sung casually, with a fresh and natural style, which gave people a beautiful enjoyment after reading it.

[Edit this paragraph] Appreciation of Poetry Mu Jiang Yin is one of Bai Juyi's Miscellaneous Poems. The characteristic of these poems is that they recite one thing one by one and sing their true and natural feelings one by one.

The beauty of the whole poem lies in taking two beautiful pictures of nature and combining them. One is the gorgeous scene of the sunset reflected on the river, and the other is the hazy night when the crescent moon rises and the dew is crystal clear.

Both of them have their own beautiful scenery, and reading together is even more wonderful. Because this poem permeated the relaxed and happy liberation mood and personality of the poet after he was forced to stay away from the imperial court, the whole poem became the artistic carrier of the poet's aesthetic psychological function in a specific situation.

The first two sentences are about the river at sunset. "A sunset is spreading in the water". The sunset shines on the river, but it means "spreading" instead of "taking pictures". This is because the "sunset" is very close to the horizon, almost touching the ground, and it really looks like it is "paved" on the river. The word "shop" is also gentle, which says the softness of autumn sunset, giving people a cordial and leisurely feeling.

"Half the river is rustling, half the river is red", the weather is clear and windless, the river flows slowly, and there are tiny ripples on the river. The part that receives more light shows "red"; Where there is little light, there is dark blue.

The poet grasped the two colors on the river, but showed the scene that the river was sparkling at dusk and the color changed rapidly in the sunset. The poet was intoxicated and put his happiness in the description of the scenery.

The last two sentences are about the night scene when the new moon rises. The poet lingered until the early moon rose, the cool dew fell and a better realm appeared in front of him.

The poet leaned over and looked at it: Hehe, the grass by the river is covered with crystal dew. Dewdrops on the green grass look like pearls embedded in it! With the metaphor of "real pearl", not only the roundness of dew is written, but also the luster of dew shining under the new moon.

Look up again: a crescent moon rises, just like hanging a delicate bow in the blue sky! The poet condensed two scenes in heaven and earth into a poem-"Dew is like a pearl, the moon is like a bow". From the crescent moon bent like a bow, the author remembered that it was "the third night of September", and could not help but blurt out his lovely praise for it, expressing his feelings directly, pushing his feelings to * * *, causing waves in his poems.

What a harmonious and peaceful artistic conception the poet created by describing the two visual images of "dew" and "moon"! With such a novel and ingenious metaphor, it is amazing to describe and color nature in detail. There seems to be a lack of time connection between describing the sunset river and praising the moon dew, but the night on the third day of September virtually connects time, with the dusk above and the dewdrop moon below, which means that the poet enjoys the moon from dusk until it is exposed, which contains the poet's joy and love for nature.

Mr. Zong Baihua said: "Artistic conception is not a natural reproduction of a single plane, but a deep creation." (The birth of China's artistic conception) If the famous sentence about the sunset scenery along the Chunjiang River in Xie Tiao's "Shangsanshan Evening Wangjing Town" in the Southern Dynasties: "Yu Xia is magnificent, and Chengjiang is quiet as practice", it is purely the accumulation and externalization of the literary and artistic thoughts of that era (Zhong Rong's "Poetry") in Xie Tiao's aesthetic consciousness; It only describes a concentrated moment at sunset, like a faint sketch by the river; Then, Bai Juyi's "A wisp of setting sun is sprinkled in the water, half the river is rustling and half the river is red", which is the literary trend of thought since the prosperous Tang Dynasty, that is, "Seeking images, rest assured in the environment, knowing God from things, and getting from the heart" (in Wang Changling, see "Tang Yin Deception" Volume II). In Bai Juyi's works, the artistic conception is condensed by aesthetics.

It artistically shows a process of moving in time and space, which is not only a magnificent watercolor painting, but also a set of shots in a color film. As a result, with the passage of a long shot, our aesthetic consciousness quickly shifted to the "dew like a pearl, moon like a bow" shaken by the combination of long and short shots. Hegel said: "Poetry is not limited to a certain moment in a certain space and plot like painting, which makes it possible to express it according to the inner depth of the object written and the breadth of its development in time.

"("Aesthetics "Volume III, Page 6) Among them, the poem" Poor Third Night in September "is used as the adhesive of inner feelings. It is this unique aesthetic feeling under the specific time and space consciousness that makes the two lens systems "half river shaking and half river red" and "dew like a pearl and the moon like a bow" create a dynamic artistic whole.

Eisenstein said: "The opposite of two montage shots is not the sum of two numbers, but more like the product of two numbers." This can be understood as an artistic structure with multi-dimensional intersection and two-way feedback of any artistic style, and its artistic implication will be more mellow, rich and three-dimensional, which often brings people a vague and complicated mixed emotion.

You see, when the setting sun is slanting, the Shasha River unfolding in the setting sun is changing.

5. How to write ancient poems?

"Ode to Mujiang" Bai Juyi spreads water with the sunset, half river is rustling and half river is red.

The loveliest thing is the ninth day of September. The bright pearl's bright crescent moon is shaped like a bow. [Note] 1, Pu: (pū) [Comment] This landscape poem was written in the second year of Tang Changqing (822).

In July of this year, Bai Juyi was appointed as the secretariat of Hangzhou by the secretariat of Zhongshu, passing through Xiangyang and Hankou, and resisted on October 1. This poem is regarded as a trip to Hangzhou. The beauty of the whole poem lies in taking two beautiful pictures of nature and combining them.

One is the gorgeous scene of the sunset reflected on the river, and the other is the hazy night when the crescent moon rises and the dew is crystal clear. Both of them have their own beautiful scenery, and reading together is even more wonderful.

Because this poem permeated the relaxed and happy liberation mood and personality of the poet after he was forced to stay away from the imperial court, the whole poem became the artistic carrier of the poet's aesthetic psychological function in a specific situation. [Author] Bai Juyi (772~846) was a poet in the Tang Dynasty.

The word Lotte,No. Xiangshan lay, Mr. Drunk Sound. Originally from Taiyuan, he moved to Xiatuo.

In the sixteenth year of Zhenyuan, he was a scholar. During the Yuanhe period, he served as a bachelor of Hanlin, a doctor of Zuo Zanshan and a doctor of Zuo Zanshan.

Yuanhe was demoted to Jiangzhou Sima for ten years, and later transferred to Zhongzhou Secretariat. Mu Zongshi was appointed as the secretariat of Hangzhou and Suzhou by Zhongshu Sheren.

In his later years, he was divided into the eastern capital by Prince Ke and Prince Shaofu.

6. How to write an appreciation of ancient poetry?

Appreciation of Bai Juyi's Ode to Mujiang This landscape poem was written in the second year of Tang Changqing (822).

In July of this year, Bai Juyi was appointed as the secretariat of Hangzhou by the secretariat of Zhongshu, passing through Xiangyang and Hankou, and resisted on October 1. This poem is regarded as a trip to Hangzhou. The beauty of the whole poem lies in taking two beautiful pictures of nature and combining them.

One is the gorgeous scene of the sunset reflected on the river, and the other is the hazy night when the crescent moon rises and the dew is crystal clear. Both of them have their own beautiful scenery, and reading together is even more wonderful.

It is precisely because they show a movement process of time and space displacement that they secretly point out the length of the poet's visit time and interest. Therefore, it artistically shows the poet's aesthetic course of being infected and intoxicated by natural scenery.

Because this poem permeated the relaxed and happy liberation mood and personality of the poet after he was forced to stay away from the imperial court, the whole poem became the artistic carrier of the poet's aesthetic psychological function in a specific situation. "The sunset spread in the water."

Saying "shop" is more vivid and accurate than saying "photo". "Sunset" not only shines on the river, but also the whole sky is dyed red by the afterglow. The flaming sunset falls on the quiet river and spreads.

Under the enthusiastic escort of the sunset, the sunset glow blends into the river, and the beautiful scenery is so charming. In the Ming Dynasty, Yang Shen's Collection outside Sheng 'an quoted other poems of Bai Juyi, such as "Gray on both sides, whispering in the middle"; It can be seen that poets often like to use the word "rustling" to describe the blue color of water waves.

His Poems on Sheng 'an commented on this poem in this way: "The poem is full of charm, saying that the sun sets, the blue of the half river is like a rustling color, and the red sun reflects the half river. It can be said that work is a painting. "

This wonderful scenery is sparkling, verdant and changing rapidly. As commented in the poem Poems of Tang and Song Dynasties, it is a colorful picture of Qiu Jiang. Mr. Zong Baihua said: "Artistic conception is not a natural reproduction of a single plane, but a deep creation."

(The birth of China's artistic conception) If the famous sentence about the sunset scenery along the Chunjiang River in Xie Tiao's "Shangsanshan Evening Wangjing Town" in the Southern Dynasties: "Yu Xia is magnificent, and Chengjiang is quiet as practice", it is purely the accumulation and externalization of the literary and artistic thoughts of that era (Zhong Rong's "Poetry") in Xie Tiao's aesthetic consciousness; It only describes a concentrated moment at sunset, like a faint sketch by the river; Then, Bai Juyi's "A wisp of setting sun is sprinkled in the water, half the river is rustling and half the river is red", which is the literary trend of thought since the prosperous Tang Dynasty, that is, "Seeking images, rest assured in the environment, knowing God from things, and getting from the heart" (in Wang Changling, see "Tang Yin Deception" Volume II). In Bai Juyi's works, the artistic conception is condensed by aesthetics. It artistically shows a process of moving in time and space, which is not only a magnificent watercolor painting, but also a set of shots in a color film. As a result, with the passage of a long shot, our aesthetic consciousness quickly shifted to the "dew like a pearl, moon like a bow" shaken by the combination of long and short shots.

Hegel said: "Poetry is not limited to a certain moment in a certain space and plot like painting, which makes it possible to express it according to the inner depth of the object written and the breadth of its development in time." (Aesthetics, Volume III, Page 6) Among them, the poem "It's three nights in September" is used as the adhesive of inner feelings.

It is this unique aesthetic feeling under the consciousness of specific time and space that makes the two lens systems of "half-river sound and half-river red" and "dew like a pearl, moon like a bow" create a dynamic artistic whole. Eisenstein said: "The opposite of two montage shots is not the sum of two numbers, but more like the product of two numbers.

This can be understood as an artistic structure with multi-dimensional intersection and two-way feedback of any artistic style, and its artistic implication will be more mellow, rich and three-dimensional, which often brings people a vague and complicated mixed emotion. You see, when the setting sun is reflected, the Shasha River spreading in the sunset disappears into the poet's field of vision unpredictably, and another beautiful and quiet montage lens is gently shaken and stretched out in front of the poet.

Looking up, the curved crescent moon hangs and floats in the vast blue sky; Looking down, the crystal dew is condensed and shining on the flowers and plants by the river. It is really "a pearl in spring, a painting on the wall, in a word, all out of the normal environment."

The poet could not help but blurt out his praise: "What a lovely night!" This is surprise and intoxication. The poet's incomparable joy and faint artistic conception, his yearning for detachment from things and his quiet interest are clean but very subtle, which makes people ponder and comprehend endlessly.

Here, we can witness Wen Yiduo's praise of "Moonlit Night on a Spring River": "A more exclusive cosmic consciousness, a deeper, more spacious and quieter realm. In the face of magical eternity, the author has only consternation, no embarrassment and no sadness. " What he got seemed to be a more mysterious, elegant and upright smile. He is more confused, but he is satisfied.

(Palace Poetry Redemption) Isn't it? When we read such a poem today, we can't help but have a mythical reverie: Are the crescent moon in the mysterious blue sky really those little angels flying in the sky? The little fairy opened the open bow. Are those dewdrops small balls that they shot into the blue sky and scattered on the earth in the game? This is really a wonderful realm.

As Bai Juyi's aesthetic discovery of "the clear scenery on earth", Ode to Mujiang will always maintain its wonderful artistic vitality. This poem will always enlighten and awaken us to pay attention to the creation of our own aesthetic psychological function. How poor can life be on the third night of September? ! However, as long as you look at nature from an artistic perspective, you will feel that nature is so affectionate and soothes your soul, so as to feel the warmth and light of life and the fullness and satisfaction of life.

This is the sublimation and purification of human nature.

7. Poems and poems of Ode to Mujiang

Bai Juyi in Mujiang sings Tang poetry, and the sunset is sprinkled in the water, half river is rustling and half river is red.

The loveliest thing is the ninth day of September. The bright pearl's bright crescent moon is shaped like a bow. A touch of afterglow sprinkled on the river, shining in the sun.

Half of the river is dark blue and the other half is red. What makes people fondle admiringly is the first moonlit night when the dew falls in September. Dewdrops are like pearls, and crescent moons are like delicate bows.

Appreciation: Ode to Mujiang is one of Bai Juyi's Miscellaneous Poems. The beauty of the whole poem lies in taking two beautiful pictures of nature and combining them.

One is the gorgeous scene of the sunset reflected on the river, and the other is the hazy night when the crescent moon rises and the dew is crystal clear. Both of them have their own beautiful scenery, and it is even more exciting to watch them together. Poets also add metaphors to their poems appropriately to make the scenery more vivid.

Because this poem permeated the relaxed and happy liberation mood and personality of the poet after he was forced to stay away from the imperial court, the whole poem became the artistic carrier of the poet's aesthetic psychological function in a specific situation. The first two sentences are about the river at sunset.

"A sunset is spreading in the water". The sunset shines on the river, but it means "spreading" instead of "taking pictures". This is because the "sunset" is very close to the horizon, almost touching the ground, and it really looks like it is "paved" on the river. The word "shop" also appears euphemistic and gentle, describing the unique softness of the autumn sunset, giving people a cordial and leisurely feeling. "Half the river is rustling, half the river is red", the weather is clear and windless, the river flows slowly, and there are tiny ripples on the river.

The part that receives more light shows "red"; Where there is little light, there is dark blue. The poet grasped the two colors on the river, but showed the scene that the river was sparkling at dusk and the color changed rapidly in the sunset.

The poet was intoxicated and put his happiness in the description of the scenery. The last two sentences are about the night scene when the new moon rises.

The poet lingered until the early moon rose, the cool dew fell and a better realm appeared in front of him. The poet leaned down and saw the grass by the river covered with crystal dew.

Dewdrops on the green grass are inlaid on the green grass like pearls. With the metaphor of "real pearl", not only the roundness of dew is written, but also the luster of dew shining under the new moon.

When the poet looks up again, a crescent moon rises, just like hanging a delicate bow in the blue sky. The poet condensed two scenes in heaven and earth into a poem-"Dew is like a pearl, and the moon is like a bow".

From a crescent moon bent like a bow, the author remembered that it was "the third night of September", and could not help but blurt out his lovely praise for it, directly expressing his feelings and pushing them to * * *, causing waves in the poetry circle. [4] The poet created a harmonious and peaceful artistic conception by describing the two visual images of "dew" and "moon", and used such novel and ingenious metaphors to carefully describe and color nature, describe its capacity, draw its shape, and show readers a wonderful picture.

There seems to be a lack of time connection between describing the sunset river and praising the moon dew, but the night on the third day of September virtually connects time, with the evening above and the dewdrop moon below, which means that the poet appreciates it from dusk until the moon is exposed, which contains the poet's love and love for nature. Comments on Yang Shen's Poems of Sheng 'an in Ming Dynasty: "Poetry is full of rhyme.

It is said that the sun is spreading water, and the blue of the river is like the color of rustling; Half the river is red, and the sun is reflected. It can be said that the work is a miniature painting. "

Comment on the poem Wine in Tang and Song Dynasties: "Qiu Jiang scrolls and writes beautiful scenery." Comments on Wang Shizhen's Selected Poems of Tang Poetry in Qing Dynasty: "Beautiful, absolutely beautiful and charming."