Appreciation of Sentences in Zuiweng Pavilion

Rhetorically, the article uses a variety of rhetorical devices, such as confrontation and questioning, which is clear at a glance; In addition, there are rhetorical devices such as "complexity" and "intertextuality", which are easily ignored by people. Intricate:

1. Wind and frost cleaning: it should be wind and frost cleaning. It means: The weather is Gao Shuang and the frost is white.

2, brewing spring wine, spring wine: it should be spring wine.

This deliberately intricate language belongs to "intricate" figures of speech. (Some people also call it "a pair")

The use of intricate figures of speech makes the language full of vitality rather than dullness. Intertextuality:

"As for the loser singing on the road, the walker rests in the tree." It says "loser" here, some "singing on the road" and some "resting in the tree". Write "walker", some "rest in the tree" and some "sing on the road".

This figure of speech is called intertextuality. Mosaic:

"The joy of feasting is not silk or bamboo."

The word "silk and bamboo" was originally used to refer to music in general. For example, "Humble Room Inscription": "There is no doubt about the silk and bamboo ears, and there is no strain on the case."

Pipa Tour: Jiujiang is so far away that I haven't heard music, neither strings nor bamboo sounds for a whole year.

The author of Zuiwengting Ji embedded two words "no" in the word "silk bamboo", which not only denied that "feast" was not music; It also makes the sentence play a soothing role and the meaning is solemn. From the content point of view: the main line running through the full text of Zuiwengting is the word "music". Drunkenness and happiness are unified, "drunkenness" is the appearance, "happiness" is the essence, and writing drunkenness is for Syaraku. The composition of scenery in the article is very heavy, so it is not surprising that the word drunk has been mentioned many times. Because since you write about pavilions, you should write about the scenery of pavilions; Because the pavilion is named "Drunken Weng", I want to write the meaning of naming, which is a necessary foil. At the beginning of the article, it is written to look at Langer. Both "walking" and "smelling the sound of water" imply a word "music". After breaking the title sentence "the meaning of drunkenness is not in wine, but in mountains and rivers", I added another sentence, and then I understood the main line of the full text from "the joy of mountains and rivers" In the following, "the joy of mountains and rivers" is slightly expanded, and the scenes of mid-evening and four o'clock are written, and it is pointed out that "the joy is endless", which makes readers feel immersive. However, it is not surprising that everyone has experienced this kind of "fun". The connotation of "music" will be deepened when the Chu people travel, and the Taishou Yan and all the guests are happy, because not only the Taishou and the guests, but also the people in Chuzhou can indulge in the scenery, which is unusual. It is also meaningful to end this happy scene with "being too drunk", which shows that the meaning of "drunkenness" lies not only in the people of a country. At the end of the article, the meaning of "drunkenness is not in wine" is used to unify "drunkenness" and "music", making the finishing point and outlining a theme. From the linguistic point of view, the language of Zuiwengting Ji is very distinctive, with beautiful style, concise words and sonorous syllables, which is perfect, accompanied by exquisite pictures and music.

First of all, the language of Zuiwengting is highly generalized and rich in meaning. The most prominent thing is that the idea of "getting drunk is not for the sake of wine" and "getting to the bottom" advocated by the author in this paper has been used by contemporary and later writers. For example, when Su Shi wrote about the scenery on the river at the turn of autumn and winter in his famous poem "Red Wall Fu", he directly borrowed the word "getting to the bottom". Moreover, due to the author's clever use of words and extensive generalization, "the meaning of drunkenness is not in wine" and "getting to the bottom" has evolved into a stable and standardized idiom, which has played its extended significance.

Secondly, the language of Zuiweng Pavilion is concise, crystal clear and fluent. This is the result of the author's good observation of things, incisively capturing the essential characteristics of things and refining them. For example, the difference between morning and dusk can be summarized in just two sentences: "At sunrise, bloom in the forest, the clouds return to the cave." Forests, rocks, early morning air and twilight are all common things in the mountains. I can write and cut the scenery. At the same time, "Chu" and "Kai" are subordinate relations, and "Kai" is the result of "Chu". "Discipline" and "training" are interlinked, and "discipline" is the premise of "training". Verbs are superb and mutually causal, which makes the changing mountain scenery realistic and imminent. Another example is the scenery of the four seasons. The author uniquely captures typical scenes with seasonal characteristics. The fragrance in spring, the complexity in summer, the cleanliness in autumn and the water in winter are all ironed accurately. Another example is "singing up and down in the shade". The first sentence is written in color, and the second sentence is transmitted by sound, which has both color and color. There are several characters who will show the Twilight scene. Another example is the "winged pavilion". Just a metaphor, the shape and style of the pavilion are painted like birds spreading their wings and flying in the air.

"Drunk Pavilion" also left a literary story that scrutinized sentences and was told by people. Zhu, a famous scholar in the Song Dynasty, wrote: "Ou Gong (according to: referring to Ouyang Xiu) is also a revision of beauty. Someone bought his draft of the preface to the drunken pavilion. At first, he said that "Chuzhou is surrounded by mountains" and there are several crosses there. Later, it was changed, and only the words' Chu is surrounded by mountains' were used. " (Volume 139 of The Complete Works of Zhuzi Genre) Filter and brew the moisture in the text, concentrate the language capacity, make it clear that all the words can be understood, and one word is worth a thousand words, so as to achieve the purpose of meticulous work.

Third, the drunken pavilion language is melodious. The full text almost always ends with "Ye", which runs through it all the time. There is no harm in repeating it, but it has a sigh rhyme. Although it is prose, it draws lessons from the language expression form of poetry, which is scattered and holistic and changeable. He arranged many antithetical sentences to make the sentence structure stable in the arrangement order.

There are pairs of simple sentences, such as "flowers in the sunrise forest" and "clouds return to the cave"; "Wild fragrance is rich" is opposite to "beautiful wood regains shade".

In pairs, there are two sentences: "Fish is near the stream, and the stream is deep and fish is fat" and "Spring wine is brewed, and spring fragrance is bottled".

Although the author was influenced by parallel prose, he did not eat it, but created it, melted to the bottom of the pen and became natural. No affectation, no affectation. This makes the tongue feel smooth; Listening, I feel clear, rhythmic and musical.

Ouyang Xiu played a special role in the literary innovation movement in the Northern Song Dynasty. He swept away the flashy literary trend in the Tang and Five Dynasties and established a fresh, beautiful, vigorous and euphemistic literary style. This "drunken pavilion" is the best artistic practice advocated by his literature.