Introduction of Eight Scenes in Liaoyang!

The eight scenic spots in Liaoyang in the Ming Dynasty are: Wangjing Tuanlou, Guangyou Xiong Tu, Taishui Ring, Qianshan Pinglie, Xiang Yan Buddha Dream, Shoushan Qiaosang, Shoufeng Spring Waterfall and Tuodong Guazhu.

The times have changed and the country has changed hands, and the Eight Scenes in Liaoyang have a new name.

The eight scenic spots in Liaoyang in the Qing Dynasty are: Huabiao Xianzhang, Dragon King Night Crossing, Lonely Lamp, White Pagoda Sunset, Kuige Lingxiao, Shuangqiao Lying Rainbow, the Sound of Pine and Cypress, and the Song of Shoushan Firewood.

Eight Scenes of Ming and Qing Dynasties in Liaoyang

Li Dabao

From 1522 to 1566, it was the period when Han, an intellectual who graduated from imperial academy, lived in China during the Jiajing period of the Ming Dynasty. Han's great-grandfather, Han Bin, his grandfather, Han Fu, and his father were all court officials, guarding Liaodong. Han, who grew up in Liaoyang Shenzhai Courtyard, did not inherit the martial arts style of the family, but he loved the literati business. If the ancestors "resisted foreign invasion, took care of the sergeants at home, managed the state affairs to keep the people safe, and had a loud voice", then the trained generation described the scenic spots in their hometown through their own poems, so that future generations had a more concrete and in-depth feeling about Liaoyang, which is outstanding in people. This is "Poems of Eight Scenes in Liaoyang" left by Han.

One is "Wangjing Street Gully":

Being in the Jianghu, my heart is in the temple. Go upstairs and watch Sun move. Bonzi and quinoa sigh that human beings have been suffering for a long time, and their poems are far away. Draw a building with a bead curtain on the river, and the city is swaying. The desire is high, and everything in Liaoshui is lonely.

This scene is wangjinglou in the southwest corner of Dusi Town, Liaodong. At that time, Liaoyang City was like a military city, with many yamen, solemn and solemn, towering walls and watchtowers, which made it difficult for people to stop or board.

The second is Guang You Xiong Tu:

Northwest Zen Forest is out of profile, and pagoda faces Jin Xian. The top reed and the moon shine together, and the bell is empty and unique. There is sorrow on the construction site, and the sky will prevent the birds from flying back. The wheel is still easy to push, who has a good relationship with the people.

This is a description of Baita and Guangyou Temple. At that time, they were standing in the northwest suburb. The White Pagoda was built in Liao Dynasty, with a height of 70.4 meters and a floor of 13. It is a brick-wood structure with dense eaves, which consists of six parts: abutment, sumeru tower, tower body, tower eaves, tower top and tower brake. There are all kinds of temples, corridors and monasteries in Guangyou Temple, including "protecting the imperial edict", a stele-carving workshop, three mountain gates, five halls of heavenly kings, three incense pavilions, two halls of bells and drums, four stone pavilions, five former Buddhist temples, seven nave, five wheel-hidden temples, five halls of great compassion and three earth storage halls. It can really be said that the tower is high and the Buddha's shadow stays, and the temple is wide.

The third part is "Fantasy of Water":

Yan dan used to avoid flies, and Yanshui passed on the name of today's prince. The mouth of the canal is far from a thousand streams, and the edge is close to a flat river. Si Gan entered Ode to Xiong Wei, and if he took it, he would join the White Horse Club. Strive for profit before crossing the night and sing in the forest.

The Taizi River winds through like this, forming soup waves on the east, north and west sides of the ancient city, and winding away like that, not to mention the tragic story of Yan Taizi Dan!

The fourth is "Qian Shan column screen":

There are five temples in Qian Shan, and one row in the south of Shimen. Silverscreen goes to the snow-capped mountains in winter and the golden valley in spring. The fog is heavy, the tiger and dragon are hidden deep, and the steaming clouds and rain are slightly hazy. No one was born a pen, which failed to live up to the five colors of that year.

Qian Shan is the first famous mountain in Northeast China, located in the south of Liaoyang. No matter the landscape or the temple, there is no doubt that it is a scene.

The fifth is "sweet rolling dream":

Fragrant rock towering into the sky reflects the peak, and the temple is rebuilt on the left and right slopes. Monks will stay in the fire house for life, and the lights will stay in the dream Buddha. Sheng Fei flies far to the nest crane, and the cloud pool sleeps deeply. The first enlightenment is nothing more than innocence, which makes people want to follow the fate.

This scene is the Xiangyan Temple in Qianshan, the penance place of Xueyan, a monk in the Yuan Dynasty. "Liaoyang County Records" contains: "The temple is a mountain, and the mountain flowers are extremely prosperous. At the turn of spring and summer, the mountain flowers are brilliant and fragrant, hence the name Xiangyan Temple. It used to be said that Xiangyan Temple has the most scenic spots and is as high as a mountain. Gailongquan is narrow, and the security is near danger, so it is rare for Zuyue to return. However, the outer boundary of Xiang Yan is very wide, surrounded by double-layered rocks, and there are thousands of bird paths. If you go back and forth, thousands of trees are jagged, shaded by shade, and there are strange stones in between. "

The sixth is "Hua Biao Xian Yin":

Ding Ling is immortal for thousands of years, and the anecdote of her return has been circulated since ancient times. After chatting with people in fairy tales, there is an abrupt ending. Stone ridge moss dew, Dan furnace fire purple pin. And both have become down and out, Shao dance is different.

This scene is called Huabiao Mountain, which is behind Qiujiabaozi in the east of Liaoyang City. It is said to be a huabiao column in Qicang Hutong, Liaoyang City. However, they all have the story of "Ding" in the Epilogue of Searching for God. According to legend, one day, after becoming a fairy and a crane, I missed my hometown and returned from practicing by plane. He stopped at a height and looked at the devastation. Suddenly he felt sad.

The seventh is Shoufengquan Waterfall:

The first mountain embraced itself and looked like a flag from a distance. The station number is uncertain, and spring flies. Knowing that Wei will be stationed in the camp, I also remember when Tang Wang was stationed in the camp. Today, it's just that the name of the city is different, and the abandoned land in the Central Plains makes people suspicious.

Compared with the scenic spots in Qianshan Mountain, Shoushan Mountain is closer to Liaoyang City. It is located 7.5 kilometers south of the city, so it is named after being the first in Qian Shan. It faces rolling hills in the east and vast plains in the west, with beautiful scenery and complicated stories.

The eighth is "expanding the east and hanging beads":

The sorghum in the Buddha cave has unique scenery, flat eaves and stony eaves. Not only blindfolded the golden grate, but also exposed that Zhu Ni was blind. In the rock, it can move with the thunderstorm, hanging the symbols of the end of the rock and the moon and stars. I'm proud to be outside the cloud and recite.

It is said in the poem that Liaoyang East15km, at the southern foot of Fenghuang Mountain, is adjacent to the Taizi River in the south, with 18 holes, all of which lie across rocks. The eighth hole is Leizu Cave, where there is a Buddha statue with a Taoist crown on his head and a drooping chin. And keep a round stone, hanging like a bead. Modern people are also called Luo Zudong.

With the passage of time, most of the eight scenic spots in Liaoyang in the Ming Dynasty no longer exist. Qianshan and Xiangyan Temple are now listed in the territory, and wangjinglou was destroyed by the war in the late Ming Dynasty. Even the fortified city at that time did not exist, but Guangyou only saved the White Pagoda and destroyed the temple. "Hua Biao Xian Yin" and "Tuodong Zhu Hang" are also vague ruins. There are only Taizi River and Shoushan Mountain in front of us, but it is inevitable that the water will be scarce and the mountains will be short and bald. Time passed minute by minute, as if nothing had been destroyed. However, it was this time that changed everything. In a sense, time can create everything, including "loss".

Because of loss, people have nostalgia.

Fortunately, Han's eight landscape poems are still well preserved. They trekked in the long river of history for more than 300 years and met generations of descendants. After reading Han's landscape works carefully, we know that he did not write landscapes and do naturalistic scanning, but devoted more historical stories, myths and legends and personal thoughts and feelings. He looks like a river and lake, but he has a temple inside. Upstairs in Wangjing, "Zhang sighs the world" and calls a pavilion. Facing the religious architecture of Guangyou Temple, I felt that "the wheel is easy to push, who has a good relationship with the people?" Just as writing Yanshui will naturally associate with tragic yan dan, it is no longer natural to describe Shoushan with ancient war stories as the material. It can be seen that the poet has always paid attention to the humanistic atmosphere of the scenery, and he is deliberately creating his own scenery. Indeed, the natural scenery may mutate and disappear, but the scenery in the poem will live forever.

Due to the ingenious conception of the poet, the eight scenes in Liaoyang in the Ming Dynasty are vivid. ...

Stars have changed, and "Ming" is not "Ming". About after Han Hou, a poet of Ming Dynasty 160 years ago, another gifted scholar was born in Liaoyang in Qing Dynasty. In his early years, Liaoyang County Records praised him as "a famous contemporary of Ci Han's calligraphy and the first person in Qing Dynasty". This "Kanto gifted scholar" who was active in Qianlong and Jiaqing years of Qing Dynasty also recorded the "Eight Scenes of Liaoyang" at that time with poetic brushstrokes, which became valuable materials for future generations to explore the development history of Liaoyang.

The eight scenic spots in Liaoyang in Qing Dynasty are quite different from those in Ming Dynasty. This may be due to social changes and the alienation of people's ideas. The water today is not the water yesterday. Through Wang Erlie's poems, we know that the following scenery gained people's understanding in Qing Dynasty.

One is "Hua Biao Xian Zhuang":

Where is Ding Lang Lingwei? Point out the clear clouds and fragrant mountains.

Memories of the past often stay in quiet places, and thoughts are longer than fog.

This obviously refers to the huabiao column in Qicang Hutong. According to legend, Ding stayed here when he returned to his hometown. In fact, the memorial archway built by later generations to commemorate Ding is a kind of sustenance with strong humanistic color. He also wrote a poem "Laihe Pavilion", which also described this scene: "Xiangping City Wall is close to the mountain, and Ding came to China to show its existence. If you don't hear your surname, you won't find your children and grandchildren for a thousand years. Lingbo is ethereal, and the pagoda is crowded with vegetation. Who * * * Qingshan is not alive or dead, the crane should come to ask the true source. " Later, during the Daoguang period, Ma, a famous poet in Liaoyang, also wrote a poem "Hua Biao Xian Zhuang": "If you want to find a palace, go to Dongmen Road. There are still human graves, but there are no old flashy pillars. When I came back by plane, I advised people to learn to be immortal. He is like Guan Youan, so the well has to be. " Comparing the two poems, it seems that this scene was destroyed at the end of Jiaqing.

The second part is "Night Crossing of the Dragon King":

Fish lamp and crab fire are almost the same, and the lonely moonlit night is starry.

You have to be in the smoke of Ye Zhou to know how to draw and shake.

Under the bright moon, ships come and go frequently at the ferry in front of Longwang Temple outside Koryo Gate. Look closely at the lamp, the old boatman is hazy and mysterious. Coupled with the dark city walls and warm red fishing fires, this scene will last forever.

The third part is "Lonely Lamp":

When the gods do this tour, they either light up or destroy fireflies.

Don't look for fairyland in the ethereal world, but there are ancient realms in the world.

In the west street of the city, people often see that the lights go out at night, or one or two, which is impermanent; The desire for ghosts and gods makes people envy and fear overlap, which is even more beautiful.

The fourth part is "White Pagoda Sunset"

Pull out the dirt to keep a clean body, and there is more flow to wash the dust.

When the sky is high and the clouds are light, Buddhist songs will knock on the clouds.

The White Pagoda is the forever White Pagoda. When the sun sets, the chalk shines; The afterglow is beautiful, and the tower is red. Then the shadow of the tower at this moment is projected into a stream not far away, and a long Buddhist music rings, and a frame of wonders on earth is suddenly completed.

The fifth song is Quege Lingxiao:

This is a kuixing pen like a knife, and it is best to cut off the clouds.

If you get fame, think about it, and don't be negative about it.

At that time, an octagonal two-story building stood on the pedestal in the southeast corner of the city. The wooden statue of Kuixing is located on the upper floor, standing on the top of the mountain with one foot, needless to say, it is the first place; Kuixing holds the seal in his left hand and the pen in his right hand. He can rotate and looks like a champion. Visitors look out of the window and have a panoramic view of the landscape wall; The breeze is blowing in my chest, and my thoughts are floating in my chest.

The sixth song is "Wohong Shuangqiao":

Lying on the rainbow bridge is like nothing, and clouds cover the shadows.

Wandering around in eight steps to heaven is already a drop of pearl.

Outside the west gate of the city, in front of Guandi Temple, on the moat, two stone bridges are adjacent, only eight steps apart. In the clouds, the arched bridge seems to look like nothing; If you stand on the double bridge at night and look at the temples and people, you can't tell the lights from the stars, and the scene is excellent.

The seventh song is "The Sound of Pine and cypress":

Pine and cypress are self-contained, faint and shallow as strings.

This song should have existed in the world, so I fiddled with Sisi to see the fleeting time.

At that time, there was a "Xi Hui Temple" in Daximen. Strangely, the old pine tree in the yard is hollow and parasitized by a cypress tree, both of which are flourishing in Ye Sheng. The breeze blows on your face, the pines and cypresses are stirring, and the guzheng rings, which naturally fills your ears. This is a wonderful thing. Wonderful combination, visible and audible, should be great beauty.

The eighth song is Shoushan firewood singing:

Carrying firewood over mountains and flowers in autumn, the path is curved and the stone edge is inclined.

It is easy for people to return to illusion, manage clouds and manage clouds.

According to the inscription on Guanyin Pavilion at the foot of the first mountain, there used to be immortals cutting firewood behind the mountain and often singing at night. The song is melodious and the listener is intoxicated, but only the voice is heard, but the person is not seen. This scenery is really beautiful.

Comparing the above eight poems with the Eight Scenes of Ming Dynasty, we can see that the Eight Scenes of Liaoyang in Wang Erlie's era have new features. First, the content has been renovated: except Baita, Huabiao, Taizihe and Shoushan, the other four places are all new; Even the former has made a new breakthrough in the details of performance, which is more local and specific. For example, the Taizi River is just an established background for the activities of ferries, ferries and boatmen, which magnifies the fishing fire, stars and boats into a striking landscape. The second is to narrow down the scope: among the eight scenic spots, except Shoushan Qiaosang, which is a little far away (but much closer than Qianshan in the Eight Scenes of Ming Dynasty), the rest are located in the urban areas or suburbs, with scattered east, west, north and south, which makes the whole city full of interest. This layout of scenic spots not only beautifies the city, but also facilitates tourists. Third, emphasize timing: almost every scenic spot has the best viewing opportunity. For example, it is best to go to "Huabiao Fairy Mountain Villa" when the weather is clear, watch "Dragon King Crossing at Night" in the evening of the moon, and watch "Pine and cypress Music" with the help of the breeze. It's best to put "White Pagoda Sunset" on the riverside at dusk. Fourth, it highlights the mystery: every scenic spot has a strong mystery, or it looks like ghosts or immortals, or it looks like reality. For example, The Lonely Lamp always makes people feel warm and neat, The Wonder of Pavilions and Pavilions makes it difficult to argue between heaven and earth, The Double Bridge Lying in the Rainbow also makes tourists sigh that they don't know where to send it, and The Woodman Singing in the First Mountain can't help but attract people and feel empty.

If we compare Eight Scenes Poems in Qing Dynasty with Eight Scenes Poems in Ming Dynasty, it seems that the chapters and sentences pay more attention to lyricism, while Han's works highlight some truth, which may be caused by the social environment at that time, the poet's personal education and hobbies. Han lived in Jiajing period of Ming Dynasty, with social unrest and dynasty decline. He was a military attache from his great-grandfather to his father, especially Guo Jianzi. Wang Erlie was famous in Qianlong and Jiaqing periods of Qing Dynasty. He lived in prosperity for most of his life, and his family of literary officials had a far-reaching influence. He is a scholar, a scholar, a minister of punishments, a magistrate of Ganzhou, an academician courtyard, and an imperial advisor of Shaanxi Road. He moved to The Cabinetshi Read to study for a bachelor's degree, which is well-known in Guangdong and Jiangnan. He is a man who reads widely. The true but not melancholy Eight Scenes of Liaoyang in Ming Dynasty existed before Han's poems. The Eight Scenes of Liaoyang in Qing Dynasty are far-fetched, and must be carried forward after Wang Erlie's hymns. In this way, Han injected "reason" into objective description and "emotion" into subjective exploration. Therefore, the Eight Scenes in Liaoyang in Ming and Qing Dynasties are naturally different from their poems. ...

Scene 1: Hua Biao Zhang Xian

According to legend, Ding Temple is located in the former site of Nanjie Banner in the old city. In the past, when it was sunny in Shizhu Taoist Temple, Ming Rui filled the sky.

Scene 2: Dragon King Crossing at Night

Version 1. On the Prince River outside Koryo Gate, there is the original Longwang Temple. On a moonlit night, the boatman looked around. I saw the mountains stand tall and the battlements were heavily guarded. The crab fire fishing lamp faintly reflects the stars and the moon.

Version 2. On the Prince River outside Koryo Gate, the former Longwang Temple. On the evening of the moon, there are often blond old people who ferry for free. This old man is no one else. He is not lonely, but a legend. He is the legendary Dragon King.

Scene 3: the lonely light of the magic lamp:

There used to be one or two lights on the west street of the city, which was vaguely unusual. According to the rumors of the elders, when there are nobles.

Scene 4: Baita Xiaoqing

Whenever it clears up after the rain and the setting sun shines on the top of the tower, my leisure time becomes enchanting.

Scene 5: Quigo Lingxiao

On the city-based Kuixing Building in the southeast of the city, I pushed open the window and looked around, and the breeze brushed my face. South Qian Shan is listed as a screen; Surrounded by water in the east; Lonely tower in the northwest; The first mountain is reflected in the southwest. Overlooking the city, there is a feeling of floating in the sky.

Scene 6: The Sound of Pine and cypress

In front of the "Baihua Temple" building outside the west gate, old Gu Song looks old and lonely. Sometimes the wind enters the pine room, and the rhyme is melodious, just like the sound of a piano.

Scene 7: Double Bridge Lying Rainbow

There are two bridges in front of Guandi Temple outside the west gate. The wall of Guandi Temple faces south, and the Temple of Wealth is located between the two bridges, which is like crossing a rainbow and has a strange shape.

Scene 8: Shoushan firewood singing

Qingfeng Temple is in the sunshine of the first mountain, and Baita Temple reflects its back. According to legend, there were idle people collecting firewood behind the mountain, and the songs they heard at night were gone. Guanyin Pavilion at the foot of Shandong has an inscription.