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The brief introduction of these two poems is as follows:

A, li bai's "will enter the wine":

1, Introduction:

"Jiang" (in which "Jiang" is pronounced as qiāng, meaning please), and another work "Cherish the Empty Jar" was originally the tune of the piccolo cymbals song of Han Yuefu, with the title of "Song of Persuading Wine". This famous poem "Fill it up to show one's feelings" was written in the eleventh year of Tianbao (752). At that time, he was a guest in Yangying Mountain with his friend Cen Can and another friend of Songshan, Yuan Danqiu, and the three of them climbed the mountain together for dinner. At that time, it was eight years since Emperor Xuanzong of the Tang Dynasty paid back the money, and the joy of life was nothing more than meeting friends. At the same time, the author is "holding the talents of the world and not meeting each other", so he is full of untimely poetry and painting, and has made a incisive expression.

2. Poetry appreciation:

"Jiang" was originally the tune of the piccolo cymbal song of Han Yuefu, and the song was called "Song of Drinking", so the old saying "Jiang, take the white" goes. The author's famous poem "Fill it in to express one's feelings" (a small supplement to the classification of Li Taibai's poems) was written in the eleventh year of Tianbao (752). At that time, he and his good friend Cen Can lived in Angelababy, another good friend of Songshan, and the three of them tasted the climbing banquet ("Appreciate Cen Can, find out, treat Yuan Danqiu with poetry": "Don't be thousands of miles away, treat wine with poetry." In the middle of Yuan Dynasty, Dan Qiu and Deng Ling gave a banquet in Bixiao. When I suddenly thought of me while drinking, I screamed and screamed. " )。 The joy of life is nothing more than making friends at cocktail parties, and the author is in the moment of "accepting talents from all over the world without meeting each other" (small), so he is full of untimely wine to arouse poetry and express it incisively and vividly. Invite for a drink

At the beginning of the poem are two parallel long sentences, such as rushing to the reader with the wind and rain. "Didn't you see how the water of the Yellow River moved out of heaven and into the ocean, never to return?" Angelababy is not far from the Yellow River, so it's interesting to climb the mountain. The Yellow River has a long history and a great gap, such as falling from the sky, spilling thousands of miles and entering the sea eastward. Such a magnificent wave scene can be seen extremely badly without the naked eye. The author wants to fall from the sky and "get the word and get it", which is exaggerated. The last sentence says that the coming of the big river is unstoppable; The next sentence says that the river is gone and irreversible. One rises and one disappears, forming a breath, which is not available in short sentences (such as "The Yellow River falls into the sky and returns to the East China Sea"). Then, "you didn't see the lovely hair in the bright mirror of the high room, although it was silky black in the morning and turned into snow at night" is like a turbulent wave. If the first two sentences exaggerate the space category, they exaggerate the time category. Sigh that life is short, instead of hurting the boss bluntly, say "how cute the lock on the shelf is", a gesture of scratching your head to see the shadow and calling for help, just like painting. Describing the whole process of life from youth to aging as "morning" and "evening", shortening the short-lived things and making the strong waves stronger than the previous two sentences, is a kind of reverse exaggeration. Therefore, the first set of parallel long sentences is metaphorical-the river is gone forever, indicating that life is perishable, and it also has a comparative effect-while the great eternity of the Yellow River shows the smallness and fragility of life.

This beginning can be said to be extremely sad, but it is not delicate. It can be said that it is a giant sadness with thrilling artistic power, and it is also caused by the sense of momentum at the beginning of long sentences. This opening technique is commonly used by the author, such as "I had to throw Bolt and me away from yesterday;": Today it hurts my heart even more "("A farewell letter to Xie Tiao Tower in Xuancheng "), Shen Deqian said:" This body is too white and self-centered ",which shows that it is quite original. This poem is a call for "not seeing you" (generally Yuefu poems are only used occasionally at the beginning or end of the article), which greatly enhances the emotional color of the poem. Poetry has the so-called big opening and closing, which can be described as big opening and closing.

"The husband of heaven and earth, the inverse of everything; Time flies, one hundred generations fly "(Preface to the Spring Banquet in Taoliyuan). Although sadness is inevitable, pessimism is not close to Li Bai's nature. In his view, as long as "life is proud", there is no regret and you should indulge in joy. Five or six sentences are reversed, from "sadness" to "joy". From then on, until "the cup never stops", poetry gradually became wild. "When you reach your destiny, you don't worry when you are free. You can climb the stairs with wine" ("Song of Liangyuan"), and you can't eat, drink and be merry without wine. This is the topic. But what is in the cup is not written directly in the sentence, but expressed in the image language of "golden urn" and "moon", which is not particularly vivid and makes drinking poetic; If you don't write directly, you will drink and party. Don't write directly, but use the double negative expressions of "don't make" and "empty", which is more focused.

"Oh, let a man with spirit take risks where he likes" seems to advocate the idea of "eat, drink and be merry", but it is only a phenomenon. Has the poet ever been "proud"? "The phoenix blooms purple mud at the beginning, and the emperor calls it a royal banquet" ("Yu Hu Yin")-it seems to be proud; However, this is just an illusion, "I want to go home, there is no fish to eat, and I don't think about courtesy for weeks"-this seems to be not pride, but disappointment and indignation. But not depressed. Therefore, the poet affirmed his life and himself in an optimistic and competitive tone: "Since God has given talents, let them find jobs!" This is a word that makes people applaud. "Useful" and "must" are confident, just like a person's value declaration, and this person-"I"-must be capitalized. Here, from the seemingly negative phenomenon, there is a hidden positive essential content that is eager to join the WTO. What should be sung loudly for such a future is "I will ride the wind and waves one day", and what is the price-"Spin a thousand pieces of silver and come back! ! "This is another amazing word of high self-confidence, which can drive money instead of being made by money, which really surprises all ordinary people.

Poetry is like a man, thinking that the poet "traveled in less than a year and scattered more than 300,000 yuan" ("Pei Chang Shang An Shi") is how heroic. Therefore, the lofty sentiments deeply embedded in the bones are by no means posturing. The author uses this style to describe a grand banquet, which is by no means "do you want one dish or two dishes?" "Do you want a pot of wine, two pots?" But "cooking sheep and slaughtering cattle" from beginning to end, and never stop until you drink "300 cups". What a feast, what a magnificent poem! At this time, wild feelings tend to climax and the melody of poetry accelerates. The poet's drunkenness, dazzled and fanatical, jumped to the page and suddenly made people feel as if they heard him loudly exhort wine: "Master Cen, Dan Qiusheng, drink, don't stop drinking!" The sudden addition of several short sentences not only changed the rhythm of poetry, but also forced Xiao to speak loudly. He is not only a bosom friend, but also a drinking opponent. Not only "get carried away", the poet even forgot that he was writing a poem, and the poem he wrote seemed to restore life. He also thought, "Let me sing you a song! Please listen to me. " The following eight sentences are songs in the poem. The idea is so strange that it is a stroke of genius. Invite for a drink

"Zhong Gu Yu" means a rich life (when the rich people eat, the bells ring and the food is as beautiful as jade), but the poet thinks it is not expensive enough and declares that "I hope I will never wake up after being drunk". At this point, poetry has obviously changed from wild to angry. There are not only drunken ravings, but also drunken confessions. Taking "I" as a naturally useful talent should have been in the position of prime minister, but "the road is as wide as the sky, and there is no way out" ("Difficult to Walk"). To say that wealth is "not expensive enough" is out of indignation. The following words "It has existed since ancient times, and sages get carried away" are also angry words. The poet once lamented that "Ge alone can't control it", so the ancients were "lonely" and showed their own "loneliness". So I want to stay drunk. Here, the poet poured his own bricks and tiles with ancient wine glasses. When it comes to "only drinkers leave their names", he is represented by "Wang Chen" Cao Zhi. And with his "famous name", he said, "Go back to the banquet to have fun, and the wine fights ten thousand people." In ancient times, drunkards had a vivid image, preferring "Wang Chen", which was inseparable from Li Bai's conceit. In his mind, Xie An and other high-level figures set an example, and among these figures, "Wang Chen" is more associated with wine. This style of writing is consistent with the extremely confident tone mentioned above. Furthermore, Cao Zhi, the "Wang Chen", was highly suspected at the time of Pirui, and his ambition was difficult to show, which also aroused the sympathy of the poet. Mention "ancient sages" and "Wang Chen" Cao Zhi, full of grievances. At first, this poem seems to involve only the feelings of life, but has no political color. In fact, the whole article is full of a deep and profound anxiety and self-belief. Poetry is so sad but not hurt, so sad and strong, which is rooted in this.

Just showing a little affection, I went back to talking about wine and looked in a higher mood. The following poems are wild again, becoming more and more crazy. "Master, why do you say your money is missing?" Taking care of the phrase "1000 yuan has been spent", and pretending to be ups and downs, it leads to the last brave words: even if you spend 1000 yuan, you should not hesitate to take out precious treasures-"five-flowered horse" (a good horse with five patterns on its fur) and "golden autumn" for wine, so as to get drunk. The beauty of this ending lies not only in "Tiger" and "Jade", but also in a big tune; Moreover, it has an arbitrary mood that the author may not be aware of at the moment. You know, poets are just guests invited to drink by friends. At the moment, he is sitting in a high seat, bossing around, suggesting that he should be a horse, which makes people wonder who is the "master". Romantic color is extremely strong. Speak quickly, unless you are bold and considerate, you can't do this. Poetry is so wild at this point that it makes people cry. When you sing, you should "dance". Love is not over, poetry is over. Suddenly, another sentence "I will always sell my sadness" is related to the beginning "sadness", and the meaning of "forever sadness" is more profound. At the end of this "white clouds floating from the air and disappearing with the wind", it is obvious that the poet is surging and ups and downs. Throughout the whole article, it is really ups and downs, and it must be like a giant pen.

"Into the Wine" is long, but full of five tones and extraordinary weather. It is full of pen and ink, sad and angry, wild and uninhibited, and its language is extremely bold and calm. Poetry has the momentum and strength to shock the ancient and modern times, which is of course related to exaggeration. For example, the poems repeatedly use huge numbers ("thousand women", "three hundred cups", "contending for thousands of drinks", "golden jubilation" and "eternal sorrow") to express heroic poetic feelings, without giving people an empty and grandiose feeling. Its root lies in its rich and profound inner feelings and the bottom wine words. In addition, the whole article is full of ups and downs, and poetry suddenly unfolds, from sadness to joy, to madness, to anger, to madness, and finally to the song of everlasting regret, echoing the beginning of the article, such as the river running, magnificent, full of twists and turns, which can carry the tripod. His songs are full of pregnant writing, ingenious and wonderful, which is neither easy to learn nor easy to achieve. The whole article is mainly composed of seven words, but it is "broken" by thirty or fifty words, which is extremely unbalanced and complicated; Poetry is mainly prose, but it is also interspersed with short sentences (such as "Cenfuzi, Dan Qiusheng", "Five Flowers Horse, Golden Ball Ball"), with changeable rhythm, unrestrained and difficult to flow. "Tang Poetry" says that "those who read Li's poems are far away from the gods in large and medium-sized schools, and they are immortal." This article is enough.

Second, about Liangzhou Ci;

, introduction:

"Liangzhou Ci" is the lyrics of Liangzhou Song, not the title of a poem, but the title of a popular song in the prosperous Tang Dynasty. During the Kaiyuan period, Guo Zhiyun, the Chinese ambassador to Longyou, collected a batch of western music scores and presented them to Xuanzong of the Tang Dynasty. Xuanzong handed it to Jiao Fang to translate it into China's music score, sang it with new lyrics, and took the place names produced by these music scores as the title of the song. Later, many poets liked this tune and wrote new words for it. Therefore, many poets in the Tang Dynasty wrote Liangzhou Ci, such as Wang Zhihuan, William Wang and Zhang Ji, among which Wang Zhihuan's Liangzhou Ci, also known as Chusai, is the most famous. Liangzhou in ancient times is now Wuwei City, Gansu Province.

Appreciate:

According to the records in Ji Yi Ji written by Xue Yongwei, a Tang Dynasty, during the Kaiyuan period (7 13-74 1), Wang Zhihuan, Gao Shi and Wang Changling went to Qiting for a drink, and met with the performers in the pear garden, and privately agreed that the names of poems would be decided by the performers. Wang Changling's poem was sung twice, and Gao Shi also sang one, but Wang Zhihuan failed one after another. It's the turn of the most beautiful woman to sing, singing "The Yellow River is far above the white clouds". Wang Zhihuan is very proud. This is the famous story of "painting a wall and hanging a flag pavilion". It may not be true. But it shows that this poem by Wang Zhihuan has become a famous one that was widely sung at that time.

The first two sentences of this poem describe the vast and magnificent scenery in the northwest. The first sentence captures the special feeling of looking at the Yellow River from the bottom (swimming) to the top (swimming) from near and far, and depicts the moving picture of "the Yellow River is far above the white clouds": the surging Yellow River flies to the clouds like a ribbon. Writing is really a leap of thought, and the weather is open. Another famous poem by the poet, "And the Ocean Drains the Golden River", is viewed from the opposite angle, from top to bottom; Li Bai's "How the Yellow River Water Moves Out of the Sky" is different from this sentence. Although it is also about looking at the upper reaches, the line of sight is from far to near. "All rivers run into the sea" and "How the water of the Yellow River moves out of the sky" are deliberately exaggerating the style of the Yellow River, showing dynamic beauty. "The Yellow River is far above the white clouds", its direction is opposite to that of the river, which is intended to highlight its long-standing leisure state and show a static beauty. At the same time, it shows the vast and magnificent scenery of the border, which is worthy of being a strange sentence throughout the ages.

The second sentence "Isolated City, Wan Ren Mountain" appears as an isolated city on the frontier, which is one of the main images of this poem and belongs to the main part of the "picture scroll". "The Yellow River is far above the white clouds" is its background, and "Wan Ren Mountain" is its near background. Against the background of the mountains in Yuanchuan, it is helpful to see that the city is in a dangerous terrain and lonely situation. "Pian" is an idiom in Tang poetry, which is often associated with "loneliness" (such as "a lonely sail" and "a lonely cloud"). Here, it is equivalent to "a seat", but the word uses an extra layer of "thin". A lonely city like Mobei, of course, is not a residential area, but a fortress on the edge, suggesting that readers have husbands in their poems. As a vocabulary of classical poetry, "Lonely City" has a specific meaning. It is often associated with the sadness of leaving people, such as "the sunset in Kuifu ancient city is oblique, and every time the Beidou Wangjing flowers bloom" (Du Fu's Autumn Prosperity), "Seeing the Han Dynasty from a distance makes a small pass, worrying about the sunset in the ancient city" (Wang Wei's Comments on Sending Wei) and so on. Firstly, the image of "lonely city" in the second sentence is introduced to prepare for further describing the psychology of husband recruitment in the next two sentences.

Poetry begins with a description of the vastness and desolation of mountains and rivers, and bears the loneliness and danger of the defenders. The third sentence suddenly turns, introducing the sound of Qiang flute. The tune played by Qiangdi is "Folding Willow", which can't help but arouse people's sadness. This sentence is translated into Yuefu's "Cross Blowing Songs and Folding Willow Songs", "If you don't catch the whip when you get on the horse, you will fold Yang Liuzhi. Playing the flute on the bench, worrying about killing the traveler. " The custom of breaking willows to bid farewell flourished in the Tang Dynasty. "Liu" has a more direct relationship with parting. Therefore, people will feel sad not only when they see willow trees, but also when they hear the flute sound of "breaking willow trees". The sentence "strong enemy" is not about "smelling willow", but about "resenting willow", which is particularly wonderful. This avoids directly using the title of the song, and turns the board into life, which can trigger more associations and deepen poetry. Outside Yumenguan, the spring breeze is not strong, the willow is not green, and people can't leave a willow to send their feelings, which is more embarrassing than breaking the willow to bid farewell. When people listen to music in this mood, it seems that the flute is also complaining about the willow, and the resentment is strong, but it is euphemistically expressed in the broad explanation of "why complain", which is deep, implicit and intriguing. This third sentence conveys such rich poetry through asking questions, and the last sentence "Spring breeze is not enough to cross Yumenguan" will come naturally. Entering the poem with the word "Yumenguan" is also related to making people think. "The Biography of Ban Chao in the Later Han Dynasty" says: "I dare not look at Jiuquan County and hope that Yumenguan will be born." So the last sentence was written in the biting cold, implying infinite homesickness. If we compare this poem "Liangzhou Ci" with some frontier poems after the middle Tang Dynasty (such as Zhang Qiao's "Old Soldiers of Hehuang"), we will find that although this poem is extremely about the resentment of those who are imprisoned in the frontier fortress and are not allowed to go home, it is tragic and desolate, and there is no melancholy mood, which shows the broad-minded mind of the poets in the prosperous Tang Dynasty. Even if you write sad grievances, you are strong in sadness and generous in sadness. The word "why complain" not only shows the euphemism and implication of its artistic technique, but also shows that the border guards at that time realized the great responsibility of defending the country and defending the border when homesickness was difficult to ban, so that they could forgive themselves. Perhaps it is because of the sadness of Liangzhou Ci that it can become a typical representative of "Tang Yin".