Appreciation of Jia Jian

Jia Jiancang (1), Millennium is frost. The so-called Iraqis are on the water side. Tracing back and forth, the road is blocked and long. Swim back from it, and it is in the middle of the water. (Chapter 1) Jian Peijun (Chapter 3), Peace and Prosperity (Chapter 4). The so-called Iraqis are in the water. Go back and follow, the road is blocked. Swim back from the inside and swim in the water. (Chapter 2) The harvest of building the machine is not complete. The so-called Iraqis are in the water. Go back and follow, the road is blocked and turn right. Follow it upstream and let it pass through the water. (Chapter III)

Raccoon, raccoon. Scarlet, reed said, "the height of grass is only five or six feet, while the height of reed is more than ten feet;" Stems as thin as Artemisia stems and reeds as big as bamboo; Reed is real, grass is empty, and the difference between the two grasses is also here. "

(2) Mao Chuan: "Go upstream against the current and swim downstream to Japan."

(3) Explanation: "This is also called' sadness'." Zhang Shenyi said, "Say:' The vegetation is lush. "Sorrow, rain clouds also. This poem should be written in cymbals. " "JOE said, the poem" April "said," it is sad and cool. The poem "Biography of the Green Clothes" says:' Sadness is accompanied by a cold wind.' "Jia Xu" to first frost, the cool breeze bleak, cold and sad, full will be uncomfortable. On this basis, you can read the scene by reading samarium; If you read Regret for the Past, you can also understand the feelings in the scene or in the vision.

4 Mao Chuan: "Hey, fuck."

⑤ Mao Chuan: "Mae, you earn money by water. Hey, get up. " Jian Zheng: "It's as difficult as going to Osaka." According to Mei's Er Ya Shi Shui: "Grass meets grass to be Mei." Li Xun's Note: "There are vegetation in the water." Mao Chuan also said "aquatic money", and Hu Chengyun said: "Shuowen" makes money, which is also a cliff. "Cliff, high side also. The following' jumping through obstacles' means raising righteousness, so' water' is used to see its high meaning. "

⑥ Mao Chuan: "Hehe." Jian Zheng: "Those who are' right' are circuitous." Jiao Linri: "The length of the road, abrupt and right, is due to the upstream. I think it must be so, but I don't think this is really a different kind of obstruction. " Li Jiuhua said: "Er Ya' Zhou Xiao is called Zhu, Address, and Gui' are all very small."

Reading Jia Jian, you will think of Wu Wenying's "Walking on the Sand", "People across the river are in the rain, and the leaves are sad and resentful in the evening wind". This was originally an epigram in Dream Window Ci, and the rhyme in it always felt that Jia Jian had transformed it. However, Jia Jian's goodness is beyond the reach of future generations.

The preface said, "A strong armor is a thorn in a man's side, and without the courtesy of Zhou, it is impossible to strengthen his country. "I really don't know where to start. Zhu's explanation got a little meaning: "When the autumn rain is coming, the so-called other is on the water side, and it is impossible to get up and down." "But I don't know what this means." If you appreciate the school, you will have a lot of understanding by saying this article. For example, Lu Huaxi said: "Repeated chanting in a poem is nothing more than imagining where people are and describing them as hard to see." Every article is about water, so those two sentences are used to describe the scenery of autumn water, but the bleak and sentimental meaning of Xiao Suo is suddenly seen, and I can think of the sad songs and spirit of Qin people. The word' so-called' has a taste, which is hard for people in their right mind to tell. It is advisable to say' one side' in vain. If there is a certain way that people can get there, why can't you get there from top to bottom? If you think so, even water is a loan. "How to say:" The boundless autumn water has reached the god of secluded people, and the word "Jiaxu" has reached the god of autumn water. People who draw autumn waters can't draw what a hundred rivers look like, but they are just between the frosty days of Judy in Luzhou and the smoky rivers. Who are the so-called Iraqis? Thinking without seeing, looking without being amiable. At present, in my mind, the pulse is hard to say, but when I look at it, my eyes can't finish it. The air is shining and striking, so I think it's just by the water. And what does one party care about? You can't walk back and forth, and you can't follow. Who is this man? The word' Wanzai' has a profound meaning and the scene is lonely. "It is self-evident that' the road is blocked and long' and' everything is in the middle of the water', and the person who knows the solution is on the water side, but it is also conceivable. "

Jia Jian doesn't write "encounter", such as Li Feng, such as Meng, such as Oriental Sky, but just a "realm". Encounter, there must be a story, the environment is not necessarily. In most cases, opinions and feelings are based on the plot, while in the environment, opinions and feelings are based on the image. As far as the real scene is concerned, the water in Jiaxu is not necessarily large, at least it is far less than that in Han Guang. As far as the scenery is concerned, it is as vast as ever, with infinite autumn colors, but as vast as hanbitsoft. It doesn't matter whether "Yiren" is a virtuous minister or a beautiful woman. No matter a virtuous minister or a beautiful woman, there is no distinction between high and low in thought. In other words, this is actually a fable. As the saying goes, "Even water is a loan." Dai Junen said, "There is nothing wrong with going back and forth. There is no one by the water." The poet felt that he cared about the scenery at that time and suddenly became pregnant, but he put aside his words and wrote about his grievances and anguish. "The poet is just stubborn in his insistence on this idea, and readers really think this persistence is so precious. If we must identify with the "Iraqis" school, I am afraid we will lose Thai poetry. Although the poet's thought is very concrete, since he has turned this "concreteness" into an endless scene, there is infinite "possibility", so why should we pursue the only thing that once existed?