What does it mean to know that the east wind is colorful and there is nothing to do in spring?

"Leisure" means (ordinary, relaxed and easy).

This poem is from "Spring Day" by Zhu, a Neo-Confucianist in Song Dynasty.

Original text:

spring

Ju Hee Song

Beautiful spring outing in Surabaya, the endless scenery is new.

Everyone can see the face of spring, the spring breeze blows flowers open, thousands of purple, and the scene of spring is everywhere.

Precautions:

Victory Day: A sunny day.

Looking for fragrance: spring outing, hiking.

Surabaya: The name of this river is in Shandong Province.

Leisure: Ordinary and relaxed. "Leisure" is easy to recognize.

East wind: Spring breeze.

Translation:

I chose a beautiful day to enjoy flowers and plant grass and came to the Surabaya River. I saw the boundless scenery suddenly changed. It is easy to see the face of spring. It is colorful and full of spring scenery.

Appreciate:

It is generally believed that this is a spring outing. Judging from the scenery written in the poem, it is also very similar. The first sentence is "winning the sun to find the fragrance of Surabaya", and "winning the sun" refers to sunny days, indicating the weather. "Surabaya" indicates the location. "Looking for fragrance" means looking for beautiful spring scenery and pointing out the theme. The following three sentences are what you saw when you wrote "Looking for Incense". The second sentence, "boundless scenery is new for a while", is about the initial impression gained by watching spring scenery. Use "boundless" to describe all the scenery in front of you. "A Moment of Novelty" not only describes the return of spring to the earth, the natural scenery is brand-new, but also describes the refreshing joy of the author during his outing. The word "knowledge" in the third sentence inherits the word "search" in the first sentence. "You can easily know" means that the features and features of spring are easy to recognize. "East wind" refers to spring. The fourth sentence, "colorful is always spring", means that this colorful scene is made up of spring, and people know spring from this colorful scene. This specifically answers why we can "wait for the east wind". The "colorful" in this sentence also takes care of the "new situation" in the second sentence. The third sentence and the fourth sentence describe the new situation and the gains from finding incense in vivid language.

The first sentence points out the season and place of travel, and the last three sentences write what you have seen and known about "Seeking Fragrance". When spring returns to the earth, the poet is full of energy. It is this fresh feeling that makes the poet understand the east wind. As if the east wind blew away colorful flowers overnight; And the scene of a hundred flowers blooming, isn't it a vibrant spring? The poet deepened from "seeking" to "knowing", and the word "new" dominated the whole poem. But Surabaya is in Shandong, and Confucius once gave lectures and preached on the shore of Surabaya; In the Southern Song Dynasty, this place had fallen into the hands of the State of Jin. Why did Zhu go for a spring outing? It turns out that this is a philosophical poem. "Surabaya" in the poem is a metaphor for Confucius, "seeking incense" is a metaphor for the sage's way, "Dongfeng" is a metaphor for enlightenment, and "Spring" is a metaphor for benevolence advocated by Confucius. If these meanings are written in philosophical lecture-style language, it will inevitably be boring. This poem, however, melts philosophy into vivid images, leaving no trace of reasoning. This is the genius of Zhu.

About the author:

Zhu (1130 September15 ~1200 April 23rd) 52 lines, nicknamed Lang Lang, small print, dark word, dark number, later called Dark Weng, also known as Mr. Ziyang and Kao. Shi Wen, also known as Zhu Wengong. Han nationality, whose ancestral home is Wuyuan County (now Wuyuan, Jiangxi Province), Jiangnan East Road, was born in Youxi, Nanjian Prefecture (now Sanming City, Fujian Province). Zhu Zi was a famous philosopher, thinker, educator, poet and representative of Fujian School in the Southern Song Dynasty, and he was the most outstanding master of Confucianism since Confucius and Mencius.