Appreciation of two sentences in prose poems (1 sentence)

Jiangnan Ancient Town

Yang Guomin

To study the culture and history of Jiangnan, you must read the ancient towns in Jiangnan. If the entire Jiangnan is compared to a piece of music that is euphemistic, soft and flowing, then the ancient town is a very wonderful piece.

When you visit the ancient towns in the south of the Yangtze River, you will be surprised to find that the layout of these ancient towns is so regular. A clear stream flows elegantly from a distance, and then flows away gracefully from here, lingering. The lingering place is an ancient town. If the Yangtze and Yellow Rivers are the cradle of Chinese civilization, then the meandering streams are the clear springs that nourish the civilization of ancient towns. The boats going back and forth, sails raised and lowered, and oars raised and retracted, intertwined an ancient town with the entire cultural background of Jiangnan in an extremely harmonious way.

The streets are all paved along the river, with two rows of crowded houses pinching a slender strip of sky. One row of houses is simply half a stilted building built on the river, which shows that it is close to the water. The bluestone street surface has been polished by thousands of pairs of feet until it shines, incorporating a distant history without leaving a trace. Although the ancient street is narrow, it does not lose its straightness and simplicity. The deep alleys are connected to the ancient street at one end and extend zigzag at the other end, causing the entire ancient town to twist and turn, as if there are the rhythm of the music. "The small building listens to the spring rain all night, and the deep alleys sell apricot flowers in the Ming Dynasty." The long and beautiful poetry is extracted from the alleys of the ancient town. And lying on a stilted building in the ancient town at night, listening to the sound of the oar "Ai Nai" drifting from afar, and then drifting from under your pillow to the distance, carrying your reverie and longing. The ancient arch bridges that are "like drinking water from a rainbow" are cleverly constructed, just like a frame of cursive calligraphy. Between the dripping pen and ink, there is a wisp of ink rhyme connecting them, forming the overall rhythm and perfection.

1. "If the Yangtze and Yellow Rivers are the cradle of Chinese civilization, then the meandering streams are the clear springs that nourish the civilization of ancient towns." What is the author's intention in writing this?

Answer: (1) Comparing the clear flow of the ancient town with the Yangtze and Yellow Rivers highlights the role of the clear flow in the ancient town in nurturing and nourishing the civilization of the ancient town;

(2) It implies that the civilization of the ancient town and the Chinese The inner connection of civilization thus deepens the connotation of ancient town civilization and the purpose of the article.

The rhyme of rain

From Weixi

After entering the sunset of life, I understood that the simple Chinese character "rain" contains the four seasons of life.

According to the chemical molecular formula, rain is a substance in which H2O gas on the ground is synthesized into water in the sky and then returned to the ground. It has the instinct to transform in different seasons: the spring rain is silent, full of childish tenderness and tenderness, like a newly born baby, a bit shy in appearance; the torrential summer rain symbolizes the strong life force, in this In the season, the grass grows and the orioles fly, and the crops jump up and down, just like a person entering youth from childhood, showing unparalleled masculinity; the sound of autumn rain, the joyful notes are mixed with some sad chants, and the pattering of rain is endless. The sound of rain not only makes people see the ripening of fruits and feel the joy of harvest, but also easily reminds people of Daiyu's sadness in autumn in "A Dream of Red Mansions". This is a sign that man and nature are maturing at the same time; in winter, rain His body turned into patches of white snow, the same color as the old man’s silver hair, which meant that the person had reached the twilight of his life; when the snow turned into ice, it was the end of life, so in the cemetery, white statues stood up monument to life.

1. Why is it said that "rain embraces the four seasons of life"? Briefly summarize why the author says this.

Answer: Because the spring rain is immature and gentle, like a baby; the summer rain is full of vitality, like a youth; the joy of autumn is mixed with a trace of sadness, which is a sign of maturity; the winter rain turns into snow and ice, symbolizing human beings The twilight and end of life.

Appreciation of prose poems (three articles)

Zhouzhuang: Viewing the scenery in the rain

Willow silk fluttering lightly and turning green

A curtain of mist and rain...

The boat passes under the arch bridge, and the water pavilion faces the evening. The lights in Langfang are flashing...

Appreciation of "Zhouzhuang: Viewing the Scenery in the Rain"

This short chapter by Junyu is like a miniature painting, which contains rich aesthetics in a condensed volume resource.

"The willow silk flutters lightly, and a green curtain of misty rain" is written calmly, but it touches the soul of the rain scene in the south of the Yangtze River in one sentence. The misty rain turned the silk willows green, and turned the willow green into the misty rain, soft and comfortable; then cut out bits and pieces of Jiangnan scenery between the lights and shadows of the boat bridges and the cornices and stone railings. From objects to people, the Pingtan, Foot Music, oil-paper umbrellas, and stone slabs were cut out. The images of roads and other regional characteristics are embellished with it, giving it a swaying charm.

It is worth mentioning that the prose poem in this chapter has achieved an invisible, harmonious and natural effect by incorporating the spirit of Chinese literary tradition. The so-called "getting its charm" is not deliberately done. Hardness and any sense of staleness or decay.

People have always paid attention to how prose poems can properly absorb the elites in the national tradition. I think Junyu’s article can be used as a reference, including a certain classical style in its music rhythm.

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Reminiscing about Jing Ke

I think that Yishui must have been more than two thousand years ago. It is clear and vast; I think that the banks of the Yishui River more than two thousand years ago must have been inaccessible and deserted.

On a much colder autumn day more than 2,000 years ago, a group of real men came here, and they were about to unveil a tragic story that shocked China for more than 2,000 years.

I think that Jing Ke is not necessarily very tall. Dressed in an elegant ancient dress, he should look like a scholar. Qin Wuyang, who was traveling with him, might look more majestic, but he definitely didn't have the generosity and heroism in his brows like Jing Ke.

The Yishui River flows gurglingly, and the autumn wind blows by the waterside. Surrounded by the farewell people in white clothes and white crowns, Jing Ke looked like the stamen of a huge white flower.

Everyone here knows that he must die, whether he fails or succeeds. Everyone knew that this scholar-like warrior was going to fight against a powerful country and the arrogant emperor who controlled that country.

The distinguished Prince Dan had already cried like a tearful person, and Gao Jianli's voice could only be sobbed. This group of people in white clothes and crowns are mourning a living person, and this dying person is their only hope.

I don’t know if Jing Ke has a trace of fear in his heart at this time. But I could hear the impassioned singing voice he left behind, and I could see his retreating back calm and unrestrained.

It is not difficult to imagine how embarrassed King Qin felt when he "walked around the pillars". Jing Ke looks majestic and handsome with a sharp blade in his hand, as if he is chasing a fugitive with a lot of blood debt. In an instant, the dignity and majesty of an emperor were shattered by the bravery of a commoner.

As a result, the huge pyramid of royal power trembled under the courage of a commoner; thus, the life of a commoner and the life of an emperor achieved true equality in a one-on-one battle. .

"It is a pity that the swordsmanship is sparse, but the miraculous feats are not accomplished!"

Maybe, Jing Ke loves reading more than fencing; maybe, Jing Ke is not a real warrior, but just a warrior. Mentally strong; maybe, just an accident. History finally became what we saw in Sima Qian's "Historical Records".

The floor of the palace hall was covered with Jing Ke's blood, and his face looked pale due to excessive blood loss. But Jing Ke, who "wears eight wounds" and has become a bloody man, is still "leaning on the pillar and smiling". He laughed at the arrogant emperor, at the ugly ministers, at the warriors who were like killing tools, and at the numerous swords!

What a wonderful smile this is!

Facing the dead Jing Ke, King Qin "was unhappy for a long time."

I don’t know what the future First Emperor is thinking at this moment. But he should know that everyone is equal. The bravery of a common man is enough to shake the powerful empire that he thinks he has passed down for eternity.

"The wind is blowing and the water is cold, and a strong man will never return once he is gone"!

Jing Ke, who was gradually drifting away by the Yishui River, embarked on a road of no return. In front of him is death, but that is also the glory of life, the eternity of life!

Appreciation of "Remembering Jing Ke"

The story of Jing Ke's assassination of the King of Qin is well-known to every household, and many people have written poems about it, which makes it difficult. Ni Junyu's interpretation is still not limited to historical facts, but creates sparks from historical facts in a "drilling wood to make fire" style.

Poetry is refined from history. "The wind is rustling and the water is cold" can be called an eternal quatrain. Ni Junyu extracted "howl" from this poem, and Yi Shui turned it into a "sharp sword". And Jing Ke became the "steel on the blade", a creation that integrated water, swords and people into one. Both water and swords gained sparkling sublimation because of people.

The poet's language imagery is excellently displayed in this chapter: "The paleness of Qin Wuyang's people illuminated many souls" has profound connotation, "A map is finally as beautiful as autumn leaves." "Floating" is really vivid and has a natural charm.

The ending is also good. The image is plump but solemn, without excessive artificial elevation, and gives just the right amount of poetic commentary. This is called a "sense of proportion."

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------One after another, vivid in the sound of oars and shadows in the water.

The illusion of cornices. Stone story. The legend of brick carving...

------Section by section, it swims into my memory.

The flowing Pingtan washes away the dust traces on the horse head wall, A smile showing one or two little flowers.

There are long and deep alleys with the sound of footsteps. Can you find the resentful lilacs that cannot be held up by the oil-paper umbrella, dripping on the bluestone?