Traditional Culture Encyclopedia - Weather inquiry - Ask Shanghai Translation Publishing House about the grams, brands, specifications and Beijing price of the paper used in the novel One's Fine Weather (nanae Aoyama).
Ask Shanghai Translation Publishing House about the grams, brands, specifications and Beijing price of the paper used in the novel One's Fine Weather (nanae Aoyama).
basic document
Words: 49,000
Version: 1
Pages: 14 1
Printing time: September 2007 /0 1
Paper: offset paper
Industrial and commercial bank number: 97875327435 13
Packing: paperback
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(Japanese) Author, translated by Zhu.
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Shanghai Translation Publishing House
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: 2007-9- 1
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Confessions of "Scud" Youth
-"Burned vitality" Miyamoto Hui
In 2007, she won the Akutagawa Prize, which is the best-selling Japanese novel and the second masterpiece of nanae Aoyama, a new female writer born in 1980s. It describes the time when the 20-year-old heroine Zhi Shou lived with her distant relative Yin, who was 7 1 year-old. It vividly reflects that many Japanese young people don't want to work, just want to be irresponsible freelancers "wild one", but they are troubled by life and emotions.
Nowadays, young Japanese writers are either mobile phone novels with popular love formulas, erotic novels with many sexual tricks, or dramatic novels with ups and downs. A novel with light details like the weather is unique. So at the Akutagawa Prize judging meeting, six of the eight judges voted for this work. The judges of Akutagawa Prize, Shintaro Ishihara and Ry? Murakami, have always been famous for their strictness, but they have always had a soft spot for One's Fine Weather. They even made an exception and praised this work in front of reporters. Ishihara said that it depicts the loneliness of the protagonist with a certain sense of nothingness with an urban brisk brushwork, which is comparable to Ry? Murakami's masterpiece; Murakami praised the author's observation, and the accuracy of the author's sight made him feel a comfortable surprise. Some critics also believe that One's Fine Weather inherits the tradition of "private novels" by Natsume Sasaki, Kawabata Yasunari and others.
I recommend Fine Weather by Ms. nanae Aoyama. When reading this novel, I forgot that I was a candidate, and I entered it as if I were the hero. At first, I thought those conversations were true, and gradually I was surprised by the accuracy or vision of the author's observation. The "core" location of the work "One's Fine Weather" is set as follows: the house where the hero stays is "the subway station opposite the fence of the small courtyard, with only a path in the middle".
The novel begins with a casual introduction to the station. After that, he appeared in various occasions corresponding to the hero's mood many times, even at an impressive ending. The platform of this station was "built" by the author according to his own vision and observation, and it also has symbolic significance like a landmark building in the whole work. The protagonist uses this place as a medium to look at the world and describe himself in the eyes of others.
I don't think the author "consciously" set up this place and its significance. It should be said that I caught something I didn't think of by intuition.
Ry? Murakami
brief Introduction of the content
"One's Fine Weather" describes the story of how a girl who does odd jobs gets along with her elderly relatives and pursues herself and independence at the same time. The experiences and feelings of a lonely girl in work, life and love are worrying. The novel describes the bitterness of being a freelancer ("flying man"). The content reflects a social problem in Japan at present, that is, many young people are unwilling to devote themselves to full-time jobs and work everywhere, preferring to be freelancers. They don't want to grow up, take responsibility, be independent, and are afraid of going out to see the world, but they don't know where this fear comes from. According to Japanese official statistics, the number of short-term employees aged from 15 to 34 doubled from 1996 to 214,000 in 2004. The survey also shows that the income of odd jobs is unstable, and the chances of getting married and having children are greatly reduced, which is a great warning to Japan with a serious declining birthrate. Author nanae Aoyama said in an interview with reporters: "I want to tell them that as long as you are willing to take the first step, there will naturally be a way out." She hopes that her job will help them "take the first step".
Brief introduction of the author
brief introduction
Nai Nai Aoyama (1983-), a new Japanese novelist, was born in Kumagaya, saitama and graduated from Tsukuba University. In 2005, he won the 42nd Japanese Literature and Art Award for his first novel, Window Lamp, and made his mark in the literary world.
win a prize
In 2007, he won the 136 Akutagawa Ryunosuke Award for "Good Weather for One". In 2009, he won the 35th Kawabata Yasunari Fragment Award.
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spring
summer
autumn
winter
Welcome to spring
media comments
Ry? Murakami
I recommend Fine Weather by Ms. nanae Aoyama. When reading this novel, I forgot that I was a candidate, and I entered it as if I were the hero. At first, I thought those conversations were true, and gradually I was surprised by the accuracy or vision of the author's observation. The "core" location of the work "One's Fine Weather" is set as follows: the house where the hero stays is "the subway station opposite the fence of the small courtyard, with only a path in the middle".
The novel begins with a casual introduction to the station. After that, he appeared in various occasions corresponding to the hero's mood many times, even at an impressive ending. The platform of this station was "built" by the author according to his own vision and observation, and it also has symbolic significance like a landmark building in the whole work. The protagonist uses this place as a medium to look at the world and describe himself in the eyes of others.
I don't think the author "consciously" set up this place and its significance. It should be said that I caught something I didn't think of by intuition.
A writer wants to get in touch with something that comes from a deeper field than consciousness or reason by sharpening his eyesight and take it away.
Loneliness in metropolis
(Shintaro Ishihara)
Looking at all kinds of unknown things that have happened in society in recent days, it can be said that they are toxic products brewed by peace, which makes people feel the loss of the anti-proposition of human life based on self-survival. War, great harassment, longing for life, poverty, the demise of great ideas, etc. On the contrary, these losses alienate people, take away the connection between people and turn people into weak beings. Especially in big cities, it is more serious.
Nai Nai's Fine Weather for One describes the loneliness of young women living in such a city, which is confirmed by the sense of nothingness. It is by no means serious, but always describes the city in a relaxed style.
This sense of nothingness is reflected in the other party's ignorance of small things such as cigarettes, or contact with boyfriends who appear and disappear in front of their eyes, which makes people feel that they will break up soon from the initial meeting. In such an inevitable city-specific, lover and residence flow, the only people who support her are the lover of the owner's old lady and the same old lady who almost sees through life. The author describes these two characters as ironic beings.
It is also very ingenious to set the boarding place in a single-family house near the platform of Tokyo Central Station and deep in the path forgotten by the development tide, especially looking up at the appearance of many people coming and going in this house-the line of sight of the station, which is extremely impressive. In Ry? Murakami's first novel Infinitely Similar to Transparent Blue (now one of the judges), after a night of revelry, the protagonist wakes up slowly after a deep sleep and suddenly sees the world outside the open door. That description of the outside world is like an accurate design sketch. Castle Peak Nai Nai's description of the station has something in common with that picturesque and outstanding description.
I am interested in this author. In the future, she will go out of the present world, how she will meet others in the outside world, how she will be deeply hurt or get what she wants after meeting, and how she will describe the taste of pain or joy.
The writing of a good novel
(Keiko Kono)
In this year's jury, judging from the initial voting, "Good Weather for One" won more votes. Later, the judges carefully considered all the candidate works and finally decided to award the award to a person's good weather. Other candidate works are also written very hard, each with its own merits, but they are unable to compete with this work.
The winning work was written calmly. The author has carefully read all the places he should see; There is no extra pen and ink. She also knows that novels are used for expression, not for reason. For example, "I" is a thief, and I often steal trivial things from people around me. The author does not write reasons or reasons at all. It seems to be related to loneliness or unsatisfied desires, but it naturally makes people feel that they are dominated by something that is not yet in the mood. The author is an extremely young person, but when she wrote, she didn't show off her youth and youth at all. I think this person is really precocious. I am also glad to guess that by writing this good work, she probably already knows how to write it.
The writing of a good novel can only be understood by writing a good novel. Just like riding a bike, you can only understand it if you ride it well ... However, unlike riding a bike, the experience of writing a good novel is not always universal. Even people who have more than half a century's creative experience and have written many good novels will accidentally sigh "I forgot the writing method of novels".
The ability to hide writing intentions
(Gao Qiao Noko)
"One's Sunny Weather" writes that young women seem to have a sense of loneliness, which makes people feel nervous.
This is not a work formed by ideas, but the author spreads out high-quality induction devices in daily life, collects the collected signals, and compiles a story in the form of a natural body-it seems so, but in fact it proves considerable strength.
Take the way of depicting women changing with the seasons as an example. While writing about the differences in consciousness between the hero and a 70-year-old man and woman, the thief addiction and the collector addiction, she was neither clever nor meticulous, and conveyed her loneliness to a full audience. In these places, the main points are ready, but the writing intention is hidden.
The heroine is twenty and her mother is about forty. Mother went to China to consider whether to remarry. Yin Zi, who lives with the protagonist * * *, seems to be over 70 years old, but she is still in love and dating men. This work calmly describes the love of three generations. After the hero's lovelorn love, he muttered, "Old people are so cunning. Young people can't do anything good. " Talking about the true feelings of young women in one sentence really speaks the voice of young people now.
The victory of natural body
(Kurai thousand times)
The Good Weather for One by Nai Nai in Castle Peak is a novel that gives people a good impression. The author describes a 20-year-old freelancer "I" with a distant relative in his seventies, and spent a year starting from spring. During this period, the heroine was abandoned by two boyfriends, and that kind of pain and sadness also flowed through my body faintly. I'm afraid this is because my real life has not yet begun. More precisely, it is a premonition of real life, which strongly supports this work. Where the shadow of premonition clearly emerges, people feel a kind of power.
The story of Gigi Lai.
Using railways and stations as stage installations (Saito Minako (literary critic))
I have also heard a lot about the winning works of the Akutagawa Prize. For example, "Although it has won high praise, what's so good about it" and "It should be a story about girls' independence, but it always feels a little bland". There is also "This is not literature" that must be aimed at young women writers.
I should say that this shows that your view of literature is too old-fashioned. Although the Akutagawa Prize judges are also very old-fashioned. There are various ways to read novels. Try to read about your sunny weather around the railway station and subway station, and you will see a slightly different scenery.
In the spring, 20-year-old "I" began to stay at Yinjia, 50 years older than myself. This home is close to the private railway station, only separated by a path. You can see the tram from here and the home from one end of the platform. This interesting place is the stage of the story.
In summer, "I" started working in a small shop in Sasakawa Station along this private railway early. Later, she fell in love with Fujita Jun, who worked at the same stage. He works as an assistant and pushes people into the tram on the platform opposite me during the morning rush hour. Their relationship is getting closer and closer, but in autumn, dark clouds cover up their relationship. ...
Here, I don't want to make any tacky analogy, comparing the railway to life, but the scenery of the station really coincides with the characters in the book.
Silver stood on the eaves gallery and looked at the direction of the station.
"Did the old man leave just now?"
"Go now. Look, it's coming. "
Yin Zi waved. On the other side of the platform, the old man waved.
If this is silver, then the young "I" is still wandering aimlessly on the platform of Sasakawa Station.
"Sometimes I especially envy people sitting in the car and envy them where to go by car. But I only have Sasakawa Station to go. "
With these preparations, she found a formal job and jumped to other private railways, and finally the scene of watching Yinjia through the window will make you feel different.
A friend told me that she found the subway station where Yinzi's family was located. This is a small station where the express trains of Tokyo Private Railway and Wangjing Line stop. The name of the TV station is confidential. You can't scare the silver.
(Asahi Shimbun, March 2007 1 1)
Edit the wonderful excerpts from this book.
One rainy day, I came to this house.
There is a beautiful photo frame on the lintel of a room, which is full of photos of cats. Looking into the room again, I started from the left wall, went through the middle window, turned to the middle of the right wall, and hung a circle of photos of cats. I'm too lazy to count how many. The photos are black and white and color; Some cats ignore me, and some cats stare at me. The whole room is like a Buddhist shrine, suffocating. I was standing at the door.
"This scarf is really nice."
Someone pulled my hook collar behind my back. Looking back, a little old lady was squinting at the collar.
She pulled the rope of the fluorescent lamp and clicked. The room was immediately filled with white light. Then she opened the window, and the subway station was just opposite the wall of the yard outside the window, separated by a path. A breeze brushed my cheek with rain and fog.
We stood at the window silently. At this time, with the alarm of "Dangdang-",the station broadcast came.
"The tram pulled into the station."
Grandma said. Her pale face, plus a series of wrinkles, made me take a step back involuntarily.
"You can live in this room."
Grandma said and went out.
She won't live like that for long, maybe next week.
I remember thinking that.
"Did you keep all those cats?" I dared to ask.
"Cat? What cat? "
"The cat in my room, in the photo."
"Oh, those photos. That's Cherokee's room. "
"What?"
"There is a picture of Cherokee hanging there."
"It means dead cat?"
"I don't know, something like that."
"……"
"I have forgotten their names."
"Come on? Aha ... "
"It's really sad. The earliest cat was Cherokee, which is the only name I remember. My nephew picked it up. "
I listen to jokes on the surface, but I am not calm inside, and I feel as if I have touched something gloomy.
At three o'clock at night, after my eyes completely adapted to the darkness, I sat quietly on her pillow, trying to make sure that she was really asleep. I put my hand in front of her face and felt a gasp.
I stood up, near the glass cabinet above the wardrobe, and glanced inside. They are all worthless things, but they may be meaningful to the old woman. Before I left, I opened a small rattan cupboard with a mirror by the silver pillow and reached in and touched it. In addition to paper and cold plastic, I felt a cloth box with a good feel and gently took it out. Silver is still asleep.
I turned on the light above the sink and got a glass of water to drink. The water spilled from the corners of the mouth dripped all the way to the front of the pajamas. It is still raining outside. I closed my eyes and listened to the rain. I somehow remembered the horror movie I saw on TV, and I shuddered.
In order to divert my attention from ghosts, I picked up the little box and looked at the light. This is a small box of green cotton wool. A small rose was embroidered with white silk thread in the middle. Open it and find a necklace inside. Although it is inlaid with tiny emeralds, it is slightly cheaper under the fluorescent light of the sink. I tried it on my neck and felt uncomfortable, so I put it back in the box. I was about to go back to my room when I found two cups by the sink, thinking that she could still walk here to drink water. I opened the rice cooker conveniently, and saw the leftover bamboo shoot rice from yesterday, so I wrapped it in plastic wrap and put it in the refrigerator.
After returning to my room, I took out the shoe box from the closet and put this small box with a necklace next to the clown who lost his head the first night. There are pencils and duckling clips, which are all unnecessary things to keep.
I have a problem with taking other people's things since I was a child.
Of course, I don't have the courage to steal from the mall. I usually steal gadgets from people around me to enrich my collection, which has become my greatest pleasure at an early age. I don't collect things like pencil boxes or sports shoes, but small things like erasers, markers and clips. With the feeling of taking commemorative photos, I slipped these little things that fell on the ground or were put in my desk into the pocket of my school uniform. I don't think it's stealing, it's recycling, and I want to get rid of my guilt by doing this. Nobody noticed, which greatly increased my pleasure. At the same time, I feel angry. Why do people pay so little attention to their own affairs?
Until now, I have often made this mistake.
I put the garbage I collected into an empty shoe box and put it away. Now, there are three such shoe boxes in the closet of the room.
Occasionally, I will turn over these shoe boxes and immerse myself in memories. When I think about my relationship with the original owner, I sometimes cry and sometimes giggle. Pick up any one of them and play, and you will feel at ease.
However, after enjoying it, I will call myself a thief, worthless, poor and self-loathing. Every time I go through this, I feel thick-skinned. No matter what others say, I will be unmoved and be myself.
This is to exercise myself, I said to myself while covering the shoe box.
……
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