Tao Yuanming praised Jing Ke yan dan as a good teacher.

Jing Ke Ode to yan dan's Good Cultivation

Author: Tao Yuanming

Yan Dan is a good teacher and aims to win prizes.

Gather one hundred husbands and get Jing Qing at the end of the year.

A gentleman dies as a bosom friend and goes out of Yanjing with a sword;

Suu Kyi's reputation is wide and strange, and she gave it to me generously.

The hero is not afraid of danger and grabs the long tassel.

Drinking water is easy, four rows of heroes.

Gradually away from this sad building, Yi Song sang loudly.

Whispering and wailing, the wind is gone, and a faint cold wave is born.

The business sound is more flowing, and the feather plays a strong man.

I know that I will never return, and I will leave a name for future generations.

When to board the bus and fly into the Qinyuan.

Sharp, the more Wan Li, winding over thousands of cities.

The poor thing came from the map, and the owner was shocked.

It's a pity that the swordsmanship is sparse and has not achieved remarkable results.

Although he is gone, he has lingering feelings for thousands of years.

Precautions:

1, Jing Ke: During the Warring States Period, patriots avenged Yan Taizi Dan. In the name of sending maps, they hid a dagger and stabbed the king of Qin, but they were not killed.

2. yan dan: The prince of Xi in Rebecca during the Warring States Period was named yan dan.

3. Qiang Bi: Qin State.

4. Jing Qing: Jing Ke.

5. Divorce: Gao Jianli, a native of Yan State during the Warring States Period, made friends with Jing Ke and was good at percussion (an ancient musical instrument).

6. Yi Song: A Warrior of Yan State.

7. Shang Yin Yu Opera: Shang Yin Yu Opera. The business sound is bleak, and the feather sound is more passionate.

Translation:

The prince likes to adopt public servants,

The purpose is to avenge the state of Qin.

He recruits talented people everywhere,

At the end of this year, Jing Qing was brought out.

A gentleman is loyal and dies for his bosom friend.

Jing Ke will bid farewell to Yanjing.

White horses sing on the road,

Everyone was excited to see him off.

Everyone was angry,

The spirit of a brave man is like a broken hat.

There is a grand farewell party by the Yishui River.

All present are the best people.

The sound of knocking off the building was generous and tragic,

Yi Song sings very loudly.

The sad wind is blowing in the seat,

There are faint ripples on the water.

All the audience cried when they sang the commercial tone.

Jing Ke was particularly shocked when he played the feather sound.

Knowing that he's not coming back,

The name left will last forever.

I never cared when I got on the bus and left.

The flying car went straight to the official court of Qin State.

Go ahead, travel not only to Wan Li,

The tortuous journey passes through more than 1000 cities.

After turning over the map, the dagger suddenly appeared.

The king of Qin couldn't help shivering when he saw this scene.

What a pity! Unfortunately, fencing is not good,

The great achievements were not finished in the end.

Jing Ke is long dead,

His spirit will inspire future generations forever.

Appreciate:

This article was written after Jin, Song and Yi Dynasties. With great enthusiasm, the poet eulogized Jing Ke's feat of stabbing the king of Qin, expressing his indignation at the dark politics with regret that he failed to accomplish his wonderful work. It is written in pen and ink, generous and tragic, and has another feature in Tao poetry which is famous for its plainness.

This poem also sets off Jing Ke's mental outlook through the rendering of environmental atmosphere. The most typical scene is the scene of drinking water easily. In Xiao Killing Autumn Wind, tragic music sounded on the surging Xiao River, and tragic architecture, loud voices and cold waves stimulated each other, which strongly expressed the heroic theme that a strong man would never return. Zhu said: Everyone says that Tao Yuanming's poems are plain. According to some people, he is proud of it, but he is uninhibited. Its true colors are revealed in an ode to Jing Ke. This is still very discerning.

Shi Dazu Yan Yongyan

Shuang Yan sings swallows.

Shi Dazu

After the Spring Festival Club,

In the middle of the curtain,

Last year was cold and dusty.

If you want to live,

Try to blend in.

Also carved beams and seaweed wells,

And soft words are uncertain.

Fast floating brush tips,

Cui Wei separated the red shadow.

Fang Jing,

Qin's mud is wet.

Like to fly close to the ground,

Exaggerated despise handsome.

The red chamber came back late,

Look at this willow tree.

It should be self-fragrant and steady,

I forgot Tianya Fang Xin.

Worried about the damage to moths,

Painting is independent every day.

Appreciate:

This is a swan song about Shuang Yan. The whole sketch is exquisite and vivid in writing. In the first part, the swallow flew back to his old house in spring, and the roof beams were covered with dust, feeling cold and hesitant to live. They looked around, talked in a low voice, and then quickly drifted across the flower tips, through the flowers and stayed in the old nest. The next movie is about a happy life after staying. Both of them hold mud to build their nests and fly around the ground, as if they were competing to boast about their handsome figure, enjoying flowers and willows, lingering in the countryside and returning home at night, safe and sweet. Shuang Yan, intoxicated with happiness, forgot to bring back good news from afar, which made the beauty in the Red Chamber frown and lean against the railing of the painted building every day to look forward to the right person. The beauty of this poem lies in humanizing birds and endowing Shuang Yan with human emotional spirituality. They are like a pair of lovers in love, flying together and living together, sweet and warm. The soft language is uncertain, the emerald is separated from the red shadow, and the swallow is written in Yan language, which is vivid and wonderful. At the end of the article, Chun Yan, a pair of women, reveals a deep hatred for the world compared with the beauty of loneliness and sadness. Life is full of sadness and hatred, how can we get rid of it? What a profound meaning. This sentence was written by Yan, but the word Yan can't be found throughout, which makes people see Yan's movements, forms, emotions and exquisite techniques everywhere, which is amazing.

Jing Ke Yishui Song

Yi Shui Ge

Author: Jing Ke

It's easy to get cold when the wind is rustling.

A strong man is gone forever.

Explore the tiger's den and enter jiaozi Palace.

Exhale and turn into Bai Hong.

Precautions:

1, rustling: refers to the wind.

2. Yishui: refers to the name of water, which originated in Yixian County, Hebei Province and was the southern boundary of Yan State at that time.

Translation:

The rustling wind blew the bank of Yishui very cold.

Strong people will never come back when they go.

Killing the king of Qin is as dangerous as going to the Dragon Palace in the Tiger Cave.

But the heroic spirit of our hero,

Even breathing in the sky can form a Bai Hong.

Appreciate:

According to historical records, Jing Ke lamented that the wind was rustling and the water was cool, and the strong man was gone forever, so he sang so tragically that the listener was angry and severed his fingers. After singing for a while, Jing Ke looked up and sighed, and a rainbow appeared in the sky. Gao Jianli changed a tune conveniently and the music became more exciting. Jing Ke went on to sing: Explore the tiger's den, enter the Jiao Palace, exhale from the sky, and turn into Bai Hong. Taizi Dan was finally deeply moved, kneeling on the ground and offering a glass of wine to Jing Ke.

This is a generous elegy of a strong man who went to the wolf's den and knew that he could not live any longer.

The whole poem has only two sentences. The first sentence is about the parting environment, bleak autumn wind, cold water and a tragic and desolate atmosphere. The scenery description is permeated with the singer's feelings. The second sentence shows the hero's unswerving concern for the disaster.

The language of this poem is simple, concise, lyrical and picturesque, and it is the swan song of China's ancient poems.

Jing Ke got his name from this, but two short poems are immortal. The difficulty in expressing majestic feelings in poetry lies in convincing people, not in arrogance and exaggeration; There is a more permanent and universal feeling behind temporary feelings, not a temporary impulse. Words about tragedy are often easy to be emotional, and it is difficult for people to distinguish between true and false under emotions, so they not only deceive others, but also deceive themselves. Many works that were in high spirits at that time later felt dull when read. It was that performance that deceived them. "Song of Xiao" regards two understatements as eternal swan songs. When we read, we must have Jing Ke's life experience. This is the universality of art, which transcends time and space and appeals to that eternal emotion.

There have been different opinions about Jing Ke's behavior since ancient times. Some people say that Jing Ke is a brave man who gave his life for justice, some people say that he is a trivial outlaw, and some people say that he is a terrorist in ancient China.

Song of Yan state

Caopiyan musical instrument store

The autumn wind is bleak, the weather is cool, the vegetation is exposed like frost, and the geese go south.

I miss you and your guests, and my heart breaks. I miss my hometown, so why should I leave it for a long time to send it to each other?

I am alone in my room, afraid of forgetting my worries, and I don't feel tears on my clothes.

Short songs cannot be long.

The bright moon shines on my bed, and it's still early for the stars to flow west.

Penny and Weaver looked at each other from a distance. Why should I restrict the river beam?

Translation and annotation

The autumn wind is bleak, the weather is freezing, the plants and trees are dying, and first frost has been in the Millennium.

Swallows leave and swans fly south. I miss my lover who travels far away, and I am extremely sad inside.

I miss my hometown when I think about it. Why did you stay so long?

I keep the boudoir alone, and miss the gentleman when I am sad. I can't forget it. Unconsciously, tears fell and wet my clothes.

I took the guqin and fiddled with the strings, but my heart was very sad. The short song sang softly, as if it were still broken.

The bright moonlight shines on my empty bed, the milky way flows west, and the sleepless night is long.

Cowherd and Weaver Girl, facing each other from a distance. What crime did you commit? It was blocked by Tianhe.

1, this article belongs to Xiang He Ge Ci Ping Diao Qu. Yan is a northern border, and there is a constant need for defense, so most of Yan's songs are parting.

2, shake down: wither.

3. sinister: swan.

4. Hey: the feeling of emptiness. Stay long: stay long. The last sentence assumes that the other person is bound to miss home, which is doubtful because he does not return.

5. Shang Qing: Music name. The syllables in the Qing Dynasty are short, so the next sentence says that short songs can't be long.

6. The night is still early: the night is deep and not over. The ancients measured time by observing the stars. The scenery described in this poem is the night in early autumn. Altair and Vega are on both sides of the Milky Way. In the early autumn evening, they are at the zenith. At this time, the Milky Way should point southwest. Now we say that the stars and Korea flow westward, which means that the Milky Way turns westward, which means that the night is already deep.

7. Two: Petunia and Weaver Girl. He Liang: A bridge over the river. Legend has it that Petunia and Weaver Girl can only meet each other on July 7th every year across the Tianhe River, and the black magpie has built a bridge between them.

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This is the first of two songs written by Cao Pi. Ge Yanxing is a Yuefu theme, which belongs to the category of Pingdiao of Xianghe Song. It is similar to Xing He Xing, which reflects the life in their respective regions and has their own musical characteristics. Yan (Yān) was the name of the vassal state in the Western Zhou Dynasty and even in the Spring and Autumn Period and the Warring States Period, and its jurisdiction was about Beijing, northern Hebei and southwestern Liaoning. This is the border area between the Han nationality and the northern minorities. Since Qin and Han Dynasties, wars have frequently occurred. Therefore, the rulers of past dynasties have sent heavy troops to guard here. Of course, there are various services such as building a city and transferring traffic. Judging from the recent facts, in the twelfth year of Jian 'an (2007), Cao Cao's northern expedition to Wuhuan took place in the northern part of this ancient Yan country, which is now Xingcheng, Liaoning. As early as the Qin dynasty, works reflecting the sufferings of the war corvee in this area gave birth to men who should be careful not to lift them, and women who were born with breasts. There are no folk songs under the Great Wall, and the bones support each other. In the Han Dynasty, there was a famous "Great Wall Cave Drinking Horses". Cao Pi's Ge Yanxing is the inheritance and development of this kind of literary works in ideological content. Guo Maoqian's Poems of Yuefu quoted Yuefu as saying: The time sequence of Wei Wendi's autumn wind was changed, and she didn't return to work, so women have nothing to complain about. He also quoted Yuefu Guangti as saying: Yan, the place name is also. It is said that the lover served in Yan for this reason. It is correct to understand the content of the work in this way. There are no ancient words in Ge Yanxing, and this tune may have originated from Cao Pi. This work reflects the historical phenomenon of 400 years since the Qin and Han Dynasties, and it is also the social reality of his recent Jian 'an period, showing the author's concern and sympathy for the sufferings of the lower classes.

The autumn wind is bleak, the weather is cool, the vegetation is exposed like frost, and the geese go south. The first three sentences are about a chilling scene in late autumn, preparing for the heroine's appearance. The image here is visual, auditory and sensory, giving people a feeling of emptiness, loneliness and decline. This scene is consistent with the inner feelings of the upcoming heroine. Although these three sentences are just scenery, there is no positive love, but we already feel that love is full of paper. This method of expressing feelings of parting and nostalgia by describing autumn scenery is a tradition in China. Song Yu's "Nine Debates" has: Sad people, autumn is the spirit! A bleak, withered vegetation, decline. If you travel far, climb high and see the water, you will come back. The autumn wind poem written by Emperor Wu of the Han Dynasty said: Autumn wind rises, plants and trees fall yellow, and geese return to the south. You have beautiful orchids, beautiful chrysanthemums and beautiful women. You can't forget it. From here, we can not only see the continuity of xing and his thoughts and feelings, but also see the direct use of language and vocabulary. But by Cao Pi's works, everything has become something with its own unique ideological outlook and unique artistic style. We'll talk about this later.

I miss you and your guests, and my heart breaks. I miss my hometown, so why did you send it to stay for a long time? In the chilly autumn night scene described before, our heroine stepped onto the stage: she looked at the distance with sadness, loneliness and deep affection and talked to herself. She said: You have been away from home for so long, I miss you so much. I can also imagine your sad and frustrated yearning for your hometown every day, but what on earth kept you away for so long? Mao (qiānqiān): frustrated. Nostalgia is the heroine's imagination of her husband's homesickness abroad. This writing is ingenious and detailed. When a person misses another person, his ideological activities always have specific contents, either recalling the past time together, or looking forward to the joy of meeting in the future, or caring about the other person's life outside, imagining what he is doing now, and so on. This method of highlighting the eagerness and affection of the missing person by describing the activities of the missing person was already in the Book of Songs, and it was even more exciting when Liu Yong, a poet in the Song Dynasty, wrote that he wanted to be beautiful, dress up and look up and miss several times. The advantage of this writing is that it becomes a layer, which makes people feel more tortuous, detailed and specific. Stay long: stay long. Why did you send it after staying for a long time? There are expectations, doubts and infinite suspense. What is the reason why you can't come back so far? Is it because of the busy construction? Is it because the war is urgent? Is it because you are ill? Hurt? Or that's even more unimaginable. You see, the heroine's mind is heavy!

I am alone in my room, afraid of forgetting my worries, and I don't feel tears on my clothes. Qingqing: Lonely, lonely, lonely. Dare not: in polite terms, it means no,no. These three sentences describe the heroine's life at home: she lives alone in an empty room, takes private service all day and often tears her clothes. On the one hand, it shows her loneliness and boredom with life; On the other hand, it shows the heroine's infinite loyalty and love for her husband. Although her life is so bleak and lonely, she thinks of nothing but her husband and hopes for his early return.

Short songs cannot be long. Aid: Yin, bring it here. Shang Qing: A new musical tune formed on the basis of folk tunes since the Eastern Han Dynasty, characterized by sadness and sadness. Short song: tune the class name. Yuefu can be divided into long sentences and short sentences, which are distinguished according to the length of songs (Yuefu poems). Probably Long song mostly expresses passionate feelings, and short songs mostly express deep and sad thoughts. On this autumn night, the heroine is very sad. Holding a lyre, she tried to express her inexpressible feelings by playing A Qing Commercial Songs, but all her words were short and plaintive, and she could never sing a soft Long song. "Book of Rites" says: those who are happy will never change. The heroine is lonely and sad to the extreme. Even if she wants to play a different tune, how can she play it?

The bright moon shines on my bed, and it's still early for the stars to flow west. Penny and Weaver looked at each other from a distance. Why should I restrict the river beam? The heroine misses people far away sadly. Sometimes she sighs in the breeze, sometimes she sings softly and wanders around, and I don't know how long it will take. The moonlight shone through the curtains on her empty bed. She looked up at the blue sky and saw that the Milky Way had turned to the west. Only then did she know that the night was already deep. The night is still early, and there are two meanings here. One is that the night is already deep. When will our heroine get through this bleak long night? The other layer is symbolic, which means that wars and corvees are endless, and the suffering of our heroine's life, like this long night, is still very long and endless! Facing this heavy night sky, looking up at this bitter galaxy and savoring this painful life, what should our heroine do to change her destiny as a weak woman? At this moment, her eyes suddenly fell on the bright stars on both sides of the Milky Way: Ah! Cowherd and Weaver Girl, my poor partner in bad karma, what sin do you have to let people separate you from each other on both sides of the galaxy like this? Morning glory and Weaver Girl are the main stars of Aquila and Lyra respectively. These two stars have long been described by the ancients in China as a persecuted couple who can't reunite. This is a well-known thing. These two words that the heroine said to Penny Weaver, such as anger, resentment and confusion, are not only for the two stars in the sky, but also for herself and millions of men and women who were forced to separate and could not reunite with their destiny. This voice is a strong appeal, a sad accusation and an angry protest. It seemed to resound through the sky at that time, and in the feudal society of nearly two thousand years, its resounding echo could be heard every year, every month and every moment. This pun, memorable, deep and loud ending is very wonderful.

The ideas expressed in the works are not complicated, and the theme is not particularly novel. However, Cao Pi, as an upper-class figure of the ruling class, can care about such a matter involving thousands of families, and he has placed such deep sympathy in his poems, which is commendable. In art, he vividly described the feelings and psychology of the lyric heroine. She is elegant and dignified, fiery and reserved, eager and dignified. The work skillfully combines the lyrical description of the scenery, the narration of the characters and the monologue of the heroine, forming a tragic style. Its rhetoric is gorgeous, and it also uses a lot of things from predecessors, but all this seems to be completely unintentional, without any traces of carving. This is the characteristic of Xing, and it is also a typical characteristic that Cao Pi's poems are different from other poets in Jian 'an. Cao Pi is a politician, but from his works, he often can't see his father Cao's bold spirit of taking the world as his duty, nor can he find his younger brother Cao Zhi's positive and eager thought of serving the country. There, there is always a feeling of endless bitterness and sadness, and his words are lyrical, and he often likes to use a woman's tone. Therefore, Zhong Xing in the Ming Dynasty said that his poems were beautiful and elegant, childlike and popular in literature ("Ancient Poems Return"). In Qing Dynasty, Chen Ruoming said that his poems were like calligraphy, holding his heart, bowing his head without saying anything, and looking back was nothing more than pity (Selected Ancient Poems of Caijitang). Ge Yanxing can be said to be the most representative work of Cao Pi's thought and artistic style. The predecessors spoke highly of these two poems. In the Qing Dynasty, Wu Qi said: The style is extremely desolate, and the word 12 is connected end to end, but there are twists and turns in the middle, which is really outstanding. Wang Fuzhi said: From the feelings, colors and sounds, there is no difference between ancient times and modern times. (Jiang Zhai Shi Hua)

Xing's two poems have an important position in the development history of seven-character poems, which we should know. The Book of Songs is basically a four-character style, with seven sentences occasionally, but the number is very small. Chu Ci is a style of Chu Ci, which has seven-character rhymes, but mostly Xi characters, which is different from the seven-character poems in format and charm. There are some miscellaneous styles in Yuefu in Han Dynasty, such as The Battle of the South of the City, A Passage to the East Gate, etc. Some of them have obviously promoted the development of the seven-character poems, but the seven-character poems are not the main body in those works. During the 400 years of Han Dynasty, there were two seven-character poems, which are still mentioned today. The first one is the couplet of monarch and minister in the period of Emperor Wu of the Han Dynasty, which is called Poems of Bailiangtai. This poem is a novel of later generations, which has many loopholes and is not credible. And it's made up, piled up and perfunctory, with no poetry at all. The second is Zhang Heng's Four Sorrow Poems. It is poetic, but the first sentence of each of Zhang Heng's four poems still carries the word "Xi" and drags the tail of a Chu song. Therefore, the work that really gets rid of the fetters of the form of Chu Ci and makes the seven-character style independent can not but be said to be Cao Pi's "The Second Song of Yan". It can be seen that Cao Pi, who studied the poems of Han Yuefu and pre-school people, was brave in exploring and innovating in form. Every sentence of Xing rhymes, and it is flat and elegant, which is a stage of the development of seven-character ancient poetry. Writers in Jin and Song Dynasties wrote seven words, and they continued to walk a long way. Later, through the efforts of Bao Zhao, Yu Xin and others in the Southern Dynasties, in the Tang Dynasty, Lu, Wang and others appeared magnificent works with rhyming lines, and the seven-character ancient poetry entered a new stage of development. It can be seen that Cao Pi's pioneering work cannot be concealed.

The quatrains of ancient poetry are so classic, concise and full of infinite feelings. Want to see more quatrains and ancient poems? Please enjoy the ancient poems chanting chrysanthemums.