China Xinjiang aerial photography

Aerial photography of China is a large-scale aerial documentary with the largest aerial photography scale and the highest investment in a single episode in China. Let's share our impressions of China Xinjiang aerial photography. Let's have a look!

After aerial photography of China, Xinjiang commentary article 1 as the saying goes, "The bright moon rises from the mountain in the sky, in the boundless sea of clouds." In the vast northwest frontier land, it seems that only the vast Gobi and sand are left in the depths of the eyes, and it seems that only a few towering and daunting snow peaks are left. After watching Aerial Photography of China-Xinjiang, I understand what it means: "A pool of thick ink makes a beautiful scenery."

As the camera looks down from the air, the eyes flow at that moment, and the charm of Xinjiang, the south of the Great Wall, gradually appears. Although it is not personal experience, the beauty is really immersive.

Perhaps the beauty of Xinjiang lies in her generosity. Xinjiang is the farthest place from the ocean in the world. It has never owned a vast ocean, but it has a more magnificent stretch than the sea on the golden desert: Taklimakan Desert, Gurbantunggut Desert ... vast sand dunes, which is the brave and unyielding majestic spirit of the northern part of the motherland. Looking from the sky, the yellow of despair and hope is deeply engraved in my mind.

Perhaps the beauty of Xinjiang lies in its clarity. The colorful Kanas Lake, the sparkling Bosten Lake and the Tianchi Lake, which contains the legend of mysterious monsters, must have stopped the clouds above the sky. Oh, there is the boundless prairie, where the green waves roll and bear the hardships of herders.

Perhaps the beauty of Xinjiang lies in its confusing charm. The ancient town of Gaochang with endless murals, the ghost town of "eagle hunting and eagle rushing to laugh", and the ancient country of Loulan with ancient civilization ... Everywhere you go, scenes show the unique charm of Xinjiang.

Unforgettable, her fruit is fragrant; Unforgettable, her soul is stirring, but that is even more unforgettable-remember her fragrance, remember her clarity, and remember the power that this vast land has brought us. In the memory, we kept every flower and grass, every inch of fertile soil and fragrance, and the mirror that floated from the northwest border that day.

1.66 million square kilometers is vast, 1.66 million square kilometers is bold and bright, inch by inch of land and towering mountains and rivers echo the indelible history and glory of the vast motherland. In this documentary, I understand the charm and touch from the frontier of the motherland, and also understand that every inch of the motherland is immersed in the glory of the world. Xinjiang is a beautiful color for us, inspiring us to face the vast land of the motherland with gratitude. The shadows of Xinjiang frame by frame have taught us to carry forward the past and forge ahead into the future, and to learn the determination to work hard for the eternal glory of the motherland. Spread your wings, we are young eagles, we should work together to describe the beautiful scenery of the motherland!

On March 8th, the last episode of Aerial Photography of China (the first season) was broadcast on 9 documentary channels of CCTV. After the program was broadcast, the audience's enthusiasm continued unabated-recently, more than 3,500 netizens gave it a high score of 9.4 on Douban.

This documentary, praised by overseas Chinese as "every frame is so beautiful that I want to sing the national anthem", is the largest aerial documentary in China. In the first season, Hainan, Shaanxi, Xinjiang, Heilongjiang, Jiangxi and Shanghai became the targets of the documentary. Among them, Xinjiang was presented in the third episode. "Xinjiang film girl cried, but she really cried." Netizens commented like this.

In fact, during the Spring Festival of 20 17, the first four episodes of Aerial Photography of China have been broadcast. In late March, this documentary, which aroused strong response from the audience, aired all six episodes in one breath. In the end, all the audience were impressed by the incredible aerial scenes and the beautiful land of China, and were highly praised by word of mouth.

You know, in the six episodes of the first season, although each episode is only 50 minutes, during the whole year of shooting, the film crew used 16 manned helicopters and 57 drones, with a total journey of nearly150,000 kilometers, which is equivalent to four times around the equator.

"Our whole team is very happy to be recognized by everyone. In fact, our initial intention is to let more people get involved in this film without distinction between the creative mode and the final state. We have done this. " A few days ago, Yu Le, the director of aerial photography China, replied in this way on WeChat.

"I think the beauty of Xinjiang is only half released. I want to shoot Xinjiang again." Wang Lianming, the general director of Xinjiang, the cooperative unit of CCTV, and the general manager of Ruizhi Jiuzhou Company, said.

Overlooking Xinjiang, the beauty is shocking.

Aerial photography of China is a documentary that overlooks the overall scenery of China from the air and displays the natural geographical features, cultural and historical landscapes and urban reform and changes of China in a three-dimensional way. With the progress of "One episode, One place", the documentary gradually presents the overall features of 34 provincial administrative regions in China, and the complete works are planned to be broadcast within five years.

This is a real "burning money" shooting process. The program group requires that in order to achieve the shooting effect as perfectly as possible, all pictures are shot by manned aircraft and drones, and high altitude and low altitude complement each other. Whether it is an airplane or photographic equipment, the team should use the highest specifications of equipment.

Anyone who has seen the documentary was deeply shocked by the land of China from the perspective of aerial photography. "Xinjiang", with its unique exotic customs, vast and wild natural environment and rich multi-level humanistic elements, is even more amazing and convincing.

Xinjiang is the first place decided in the first season. Yu Le said that from 2065438 to March 2006, when the documentary "Aerial China" was established, it was decided to do six episodes. At that time, it was decided to reflect the geographical and cultural features of different regions of the motherland through the orientation choice of east, west, south and north, and Xinjiang, as the most representative province in western China, was formally established as an important content in the first quarter.

"Because it is the first season, we also hope to put the most exciting content in it. Xinjiang has obvious geographical features and a large area. It is especially suitable for seeing landforms and mountains and rivers from the air. Shooting Xinjiang is an overall consideration. " He said.

Xinjiang has a vast territory and complex landforms, and the production team has been prepared for this. Therefore, the program set a higher budget for Xinjiang than other filming provinces.

During the 240-day filming process, five unmanned units were dispatched before and after, and more than 50 people participated in the filming. I rented nine cars in Xinjiang alone, and with the cars brought by the program group, I counted more than a dozen cars and ran back and forth on the vast land of Xinjiang.

It is such a huge shooting team and budget that supports the almost perfect all-round presentation of Xinjiang. The continuous Kumutage desert sand dunes, spectacular Fuhai fishing and the open transition of Kazakh herders show the perfect fit between man and nature from the perspective of aerial photography.

Aerial photography of Xinjiang is incredibly big.

Wang Lianming, the general director of Xinjiang, who participated in the filming, is also the general director of Aerial Photography in China and Hainan. When shooting in two places, Wang Lianming's biggest feeling is that Xinjiang is too big.

In fact, as early as a decade ago, Wang Lianming's Reiz Jiuzhou had cooperated with the documentary film crew of Xinjiang TV Station for many times to shoot Xinjiang, and he was quite familiar with him and his company.

But the filming of Xinjiang still becomes a challenge in his career. "Xinjiang is the largest in the country, which is also destined to be the most difficult to shoot in Xinjiang." He said.

First of all, we must solve the problems of climate and weather. 2065438+At the end of March and the beginning of April, 2006, the film crew planned to take a group of aerial photos of the Kumutage Desert in Shanshan. The team stayed in Shanshan for a whole week and only had two afternoons to really start working. The rest of the time, they were there, waiting for the wind to stop.

"The wind and sand are too big, and the equipment can't be opened." Wang Lianming said. The shooting ended in failure. It was not until the end of July that the film crew came to an end and went to Shanshan to shoot again.

"At that time, the ground temperature could reach 70℃ on the hottest day, but that time was the preparation time for the film crew. Everyone was so hot that they simply tried to fry eggs in the desert. Really cooked! " He said.

Then, there is the potential danger brought by the terrain. On one occasion, the film crew moved from Bayinbuluke to Kuqa. When the helicopter flew over Tianshan Daban, there was a thunderstorm ahead and it was impossible to return. We had to bite the bullet and rush forward until it landed safely, and everyone was relieved.

Infinite scenery with dangerous peaks. The beauty of Xinjiang is the driving force for Shandong Wang Lianming not to shoot enough.

"Every season, every place has a different charm. It's too big here. Every time you go to a new place, you will find new differences. For example, in the Gurbantunggut desert, in mid-air, we saw the desert, especially like the blood vessels on the profile of human heart, which has a unique impact; In April, Jiangbulak, viewed from the air, is a unique beauty only on the alpine grassland. The wheat fields are green and affectionate. When I went back in August, it was already early autumn, and the wind was blowing the waves of wheat, which was endless, two seasons and two huge contrasts. It's beautiful. " Wang Lianming said with emotion.

The beauty of Xinjiang lies in its unique culture.

As the general director of China aerial photography, Yu Le admits that he didn't relax until he saw the comments from the online audience. After all, this is a fresh team with the post-80s generation as the main body, and how much surprise it can bring to the audience depends on whether the team provides fresh language and maintains an equal communication attitude with the audience, and ultimately depends on whether the program itself presents its due quality.

Among the six documentaries, the most interesting thing is that in addition to the beautiful scenery under aerial photography, human factors run through them and become a major attraction. In Xinjiang, oasis civilization, camel team, mountaineering team, herdsmen in transition, and the prosperity of the city have all become amazing components in a documentary.

"The humanities part must be taken seriously. It would be lonely in Leng Yan if only the scenery was filmed and no one participated. Humanity and nature are inseparable. In Xinjiang, human beings have lived by water since ancient times, and oasis civilization is the general direction for us to look at Xinjiang. Moreover, Xinjiang is located in the hinterland, in the center of Asia, bordering many countries and blending with many civilizations in history. In the eyes of most people, this unique humanistic feature of Xinjiang brings people a novel feeling. This is a good opportunity to introduce Xinjiang to the whole world. " Yu Le said.

It's not easy to make a humanistic documentary, not to mention a 50-minute aerial film. The audience should be patient and enjoy it. After all, social development has divided most people into different spaces in a new way of life. From the air, they can't show their hands and feet, while outdoor aerial photography can only focus on agricultural civilization.

"So in Xinjiang, we try our best to show the human environment with the civilization of agriculture and animal husbandry. For example, the transition of Kazakh herders is very suitable for aerial photography. They have come a long way, and each way is different. The overall shooting is spectacular and shocking. " He said.

For Wang Lianming, the bigger feeling is regret: "I didn't shoot enough, but there are still many unsatisfactory shots." For example, desert and Gobi should add some more vital elements, such as people, which can better reflect the wildness of Xinjiang. He said that Xinjiang is just a trailer, and his company has planned to make Xinjiang into a movie version. If he really wants to photograph the charm of Xinjiang, he has to do it on the big screen: "Although aerial photography of China has been well reflected, I think only half of the charm of Xinjiang has been released. It will be better and more shocking to work hard. " Wang Lianming said.