Is the grass too close to the bell bud?

The bell bud is too close to the grass.

In Journey of Jingle Lei, Jingle Lei lost her mother in the earthquake and didn't say goodbye to her mother. It was her heart. Without a good farewell, you can't really believe that your mother is gone from the bottom of your heart, so you can't face Aunt Huan's unilateral efforts. She has a mother, and Aunt Huan should not sacrifice her happiness instead of her mother.

Because the grass is too big, let the bell buds open their hearts. In Changshi, she knew that the figure was not her mother, but her future self. Mother is long gone, and she put down her obsession. Meeting Zhong Lei was a period in Cao Tai's lonely life.

Zhong Ya rushed into the secular world and brought it back to Caotai, which also opened Caotai's heart as a teacher behind closed doors. In this two-person adventure, Caotai accompanied Zhong Ya's growth and opened her heart. Zhong Ya ended Caotai's loneliness and returned to the world. This is not vigorous love, but it must be love.

Behind-the-scenes Production of Journey to the Bell Bud

There are nearly 2000 scenes in TV series, more than your name and the son of the weather. Makoto Shinkai said that making this film consumes about twice as much energy as previous works. In order to prevent the audience from being scared by the earthquake warning in the movie, Makoto Shinkai deliberately adopted the warning sound effect different from the reality when designing the sound effect.

The production of this TV series is the third collaboration between Makoto Shinkai and Radwinps. The original music is produced by Makoto Shinkai, Radwinps and Ishikawa. In the spring of 2020, Makoto Shinkai sent the first draft of the script to Noda Yojiro immediately after Radwinps finished it.

Noda Yojiro and Mr Array recorded orchestral music and other parts of this song together in Abbey Road Studio in London, England. This is the first time that Makoto Shinkai recorded movie music overseas.