Satire social poems (Li Bai satirizes social famous sentences)

1. Li Bai satirizes the famous social sentence Lu Cha Tan Five Classics, and white-haired people send black-haired people. Demanding economic policies is like falling smoke. Long journey, wearing a square mountain towel. Walk slowly from the straight road and dust off before you go. Qin Jiacheng is the prime minister and doesn't pay much attention to clothes. You are not an uncle, Sun Tong, but you are my friend. The current affairs have not been reached and have returned to the waterfront.

-"Mocking Ru Ru" Li Bai

Three qingping tunes were written by Xuanzong of Tang Dynasty and Yang Guifei respectively. On the surface, they are gorgeous poems praising the life of the imperial concubine, but in fact they express profound satire in a very artistic way.

one

Clouds need clothes, flowers need capacity, and spring breeze blows the threshold to show off China.

If it hadn't been for the first time in Yushan, I would have met Yaotai under the moon.

two

A red dew incense, heartbroken in vain.

Excuse me, who looks like Han Palace? Poor Yan Fei leans on her new makeup.

three

Famous flowers pour into the country, caring for each other and smiling like flowers.

Explain that the spring breeze is infinitely hateful, and the agarwood pavilion is northward.

2. What are the poems about satire? 1, Nanxiangzi Dengjingkou Gu Beiting is pregnant.

Song Dynasty: Xin Qiji

Where to see China? Full of scenery, Gu Bei Building. How many things have gone up and down through the ages? The Yangtze River stretches as far as the eye can see.

I was too young to stop fighting in the southeast. Who is the world hero? Cao Liu. Children should be like Sun Zhongmou.

2, "Yong Yu Le Jingkou Gubeiting Nostalgia"

Song Dynasty: Xin Qiji

It is difficult to find a hero like Sun Quan after the history of the country. Dancing in the pavilion, singing on the platform, wind and rain always blow away romantic feelings. The setting sun shines on the grassland covered with grass and trees. People say that this was once the place where Emperor Wu of Song lived. Looking back, how powerful he was when he led the Northern Expedition and recovered lost ground!

However, Li Liu Yi Long, the son of Liu Wang Yilong, was a great success and made a swift northern expedition. Instead, he made the Northern Wei Emperor Wu Tuoba fly south and returned to the north bank of the Yangtze River, which was severely hit by his opponent. I have been back to the south for forty-three years, and I still remember the war scenes in Yangzhou. Looking back, there was a crow club drum under the beaver temple. Who will ask, how is Lian Po's appetite when he is old?

3. Cold food

Tang Dynasty: Han Yi

In late spring, Chang 'an city is full of songs and dances, and countless flowers fall. The east wind of the Cold Food Festival blows on the willow trees in the royal garden.

As night fell, the palace was busy lighting candles, and smoke drifted to the house of the prince and the marquis.

4. Name of Lin 'an Building

Song Dynasty: Lin Sheng

When will the singing and dancing in the West Lake stop?

Warm winds make tourists drunk and make Hangzhou a continent.

5. The Gift of Sending Flowers

Tang Dynasty: Du Fu

The city music under the overpass is soft and melodious, half of it goes with the river wind and the other half floats into the clouds.

This kind of music should only be in heaven, where can I hear it several times?

3. What are the poems about "ridicule"? 1. Businessmen don't know how to hate their country, but they still sing backyard flowers across the river.

This sentence comes from the poem "Bo Qinhuai" written by Du Mu, a writer in the Tang Dynasty. This poem was written by the poet when he spent the night in Qinhuai. The first half writes the night view of Qinhuai, and the second half expresses feelings. He used the history of Chen's pursuit of debauchery and pleasure to die, satirizing the life of the rulers in the late Tang Dynasty who did not learn lessons after drinking, showing the author's incomparable concern and deep concern for the fate of the country. The whole poem contains feelings in the scenery, with sad artistic conception, deep and subtle feelings, refined language and ingenious artistic conception. The combination of scenery writing, lyricism and narration has a strong artistic appeal.

2. "Two Poems for Farmers"

There is no waste of heaven and earth, and the toiling peasants are still starving to death.

Who would have thought that our bowl of rice and grain are full of the blood and sweat of farmers?

These two sentences are from a group of poems "Two Poems for Farmers" written by Li Shen, a poet in the Tang Dynasty. This group of poems profoundly reflects the living conditions of farmers in feudal China. The first poem vividly depicts the fruitful scene everywhere, highlighting the realistic problem that farmers have worked hard to get a bumper harvest, but they starve to death with empty hands;

The second song describes the scene of working in farmers' fields at noon in the scorching sun, which generally shows the hard work life of farmers all year round. Finally, the poet expressed his heartfelt sympathy for the farmers with the motto "Who knows that every meal is hard".

I was born from the same root. Why are you in such a hurry to fire each other?

This sentence comes from the Seven Steps Poem written by Cao Zhi, a poet of Wei State in the Three Kingdoms period. This poem uses the seeds and beans from the same root to compare the half-brothers, and uses the seeds and beans to compare the flesh and blood brother Cao Pi who killed his younger brother, expressing strong dissatisfaction with Cao Pi, vividly and simply reflecting the cruel struggle within the feudal ruling group and the poet's own difficult situation and depressed thoughts and feelings.

I went to town yesterday and came back with tears in my eyes.

Those who wear Luo Qi are not silkworm farmers.

Silkworm Girl is a five-character quatrain written by Zhang Yu, a poet in the Song Dynasty, which reflects the hardships of people's lives. This poem reveals the shocking social reality that "the exploiters get nothing for nothing, and the workers have no clothes and no food" through what the sericulture peasant woman sees and feels when she goes to the city to sell silk, and shows the poet's sympathy for the working people and dissatisfaction with the oppression and exploitation of the ruling class.

5.

Mice have skin, but people have no tools; If a person doesn't look his face squarely, he might as well die.

Rats have teeth, but people have no end; A man without virtue should not wait for death.

Rats have bodies, but people are rude; If people are rude, Hu will not die?

Guo Feng Yan Feng Xiang Mouse is a poem in The Book of Songs, the first collection of poems in ancient China. This poem describes a mouse, but in fact, the ruler deceives the people with false etiquette. People hate it and compare it to a mouse, which gives them a bitter irony. The whole poem consists of three chapters, each with four sentences. The three chapters overlap, taking rats as the starting point, making repeated analogies, and their meanings are juxtaposed, but each has its own emphasis. The whole chapter has strong emotion and sharp language, which is full of concern and reflux, enhancing the power of irony and humor.

4. Ironic ancient poem Tang Du Mu's "Crossing the Qing Palace" Chang 'an looks back and embroiders in piles, and the top of the mountain opens a thousand times.

As soon as I rode on the smile of smoke and smoke, no one knew that the fresh fruit litchi was sent from the south. An official rode a post horse, flying like lightning, raising clouds of red dust behind him, and took litchi to Huaqing Palace, where the Yellow Emperor and the imperial concubine spent the summer.

Yang Guifei, who loves litchi, tasted the fragrant and cold litchi and smiled. But who can think of Mercedes-Benz pony to offer litchi?

Post horses are in a hurry, and people think that they are passing on state affairs. Who knows that those rushing waves are just sending lychees to concubines. The poet skillfully combined these two scenes, exposing the absurdity of what the Yellow Emperor did to love his concubine and attacking the extravagant life of the rulers of the Tang Dynasty.

Chant the trumpet to the emperor, alas, with a small tone and a big cavity. The official ship is in a mess, and the price increase depends on you.

The army worries about the army, and the people are afraid of the army. Where can we judge officials? Is it true?/You don't say. Seeing this, I blew the house down and hurt that one. I just blew the water away. The horn lock doesn't whine, the tune is small and the cavity is big.

The official ship is in a mess, and the price increase depends on you. Soldiers are worried about soldiers, and people are afraid of soldiers.

Where can I tell the truth from the false? Blowing this house down and hurting that one will only blow the river dry and the geese will fly! As we know, this poem was written by the poet after witnessing all kinds of evil deeds of eunuchs traveling on the canal, and it was obviously pinned on something. The question now is whether this sustenance is successful.

Trumpets are different from eunuchs, but they are similar to eunuchs in that they are "small and big" and "small and big". Therefore, the works look for * * * between things and people, and the author actually howls according to the eunuchs' faces: they are characterized by bluffing, being accomplices of the government to harm the people, dominating the king everywhere and provoking the army and the people. While exposing the darkness of the reality that eunuchs harmed the people, the author also issued a warning to the supreme ruler, and the voice of criticism was sharp.

Therefore, the ideological connotation of this poem is rich and profound. Reading through the whole article, we obviously feel that we are not chanting for the sake of chanting. The profound insight into the real society and strong emotional color clearly convey a voice of resistance, and these ideological connotations are all contained in Poems about Things.

The work clearly criticized the eunuch for harming the people, but in the end it was broken. The conclusion is left to the reader to think about, which is both hearty and implicit. This is "never leave". Spring scenery in the south of the Yangtze River, thousands of miles of Du Mu singing green and reflecting red, water town mountain fruit wine flag wind.

More than 480 ancient temples were left in the Southern Dynasties, and countless pagodas were shrouded in wind and rain. Thousands of miles away, birds are singing in the south of the Yangtze River, red flowers are set off by green leaves, and spring is strong everywhere. Flags in front of water towns, mountain cities and hotels are swaying gently in the wind.

Ah, the temples built in the Southern Dynasties are now hidden in a misty rain. This poem shows the poet's praise and yearning for the scenery in the south of the Yangtze River.

However, some researchers put forward the "satire theory", arguing that the emperors of the Southern Dynasties were famous for Buddhism in the history of China, and that the Buddhism in Du Mu's era was also a vicious development, while Du Mu had anti-Buddhism thoughts, so the last two sentences were ironic. In fact, the interpretation of poetry should first start from the artistic image, and should not make abstract inferences.

Du Mu's opposition to Buddhism does not mean that he must hate the Buddhist temple architecture left over from history. In Xuanzhou, he often goes to Kaiyuan Temple and other places to play.

I have also been to some temples in Chizhou and made friends with monks. Famous phrases such as "Clouds on Jiuhuashan Road, Liu Fuqiao on Qingyi River" and "Autumn Mountain and Spring Rain Wandering All over Jiangnan Temple Building" all show that he still appreciates the balcony of the Buddhist temple.

Of course, while enjoying it, it is also possible to drift a little historical emotion occasionally. Gui Anshi boarded the plane to see him off. This is the late autumn in the ancient country, and the weather is very early.

Thousands of miles are like a river, like clusters of Qingfeng. Sailing towards the sunset, leaning against the west wind and leaning against the wine flag.

The colorful boat is cloudy, and the Milky Way heron rises, which is difficult to draw. Miss the past, compete for prosperity, sigh outside the door, and feel sad and hateful.

Throughout the ages, depending on the level, share weal and woe. The past of the Six Dynasties flows with the water, cold smoke and green grass.

Until now, business women have been singing. A brief analysis of the posthouse legacy shows that the poet is in Jinling resort, climbing high and looking far, full of sadness: the sun and the moon are migrating, his career is ups and downs, his family and country are worried, and his life is bitter, and he writes a masterpiece that lasts forever. Wang Anshi's "Guizhixiang" comes straight to the point, and the author, Jinling Resort, the ancient capital of the Southern Dynasties, is in a late autumn evening.

Although he takes climbing high and looking far as the theme, he takes the late autumn in his hometown as his eyes. Words such as "Zheng", "Chu" and "Su" gradually awaken its theme.

The following two sentences, borrowed from Xie Jia's famous sentence in the Six Dynasties, seem to have come out: "Explaining the Tao makes people forget Xie Xuanhui.". That is to say, an "elephant training" and an "elephant cluster" have sprung up.

Then I wrote about the color of the river. Looking at it, countless sails and shadows crisscross the sparkling river waves in the sunset. Looking closely, I saw that the west wind was tight, and the green flag of the restaurant was raised high, because the wind was blowing.

The sail is a broad scene, the wine flag is a fine scene, and the poet's meaning is guided by scenery and personnel. A word "back" and a word "foundation" are used brilliantly, and the scenery along the river is vividly written, as if it were alive.

At this point, the scenery is rough, and the following has changed. The combination of "colorful boat" and "Xinghe" adds a touch of bright color.

But the word beat has reached the rest of the film, so the pen is also here. It is quite common for everyone to praise it with the phrase "drawing is difficult". "Colorful boats are cloudy", and the river sky at sunset reads: "The Milky Way rises with herons", which looks like a continent in the evening.

The next film is another pen and ink, lamenting the historical fact that all the Six Dynasties died in debauchery. It is about sorrow, hatred, honor and disgrace, and it is empty for future generations to mourn; There is no trace of the past, only autumn grass is blue, which is shocking.

The "building outside the door" is also concise and powerful with Du Mu's "Taicheng Qu". The ending of this poem is more wonderful. The poet wrote: Today, the Six Dynasties are far away, and their legacy is still audible.

Allusions are used here "A strong woman in business doesn't know how to hate her country, but also sings" backyard flowers "across the river!" This famous sentence sung by Tang Xian Xiao Du in "The Smoke Cage is full of sand in the cold moon, and the night is near Qinhuai Restaurant" is more than enough for poets.

5. The irony of connotation The irony of other people's poems is a poem with ironic content.

There are many famous satirical poems in the history of literature? These poems satirize a social phenomenon or an injustice. There is not a curse word or a dirty word in the full text, but it is thought-provoking. Today, Shi Jun introduced ten satirical poems to see which poet is the best at swearing.

"Watch for the rain" Tang Li Yue sang leafless native tobacco, flute pipe to meet Longshui Temple. Watching songs and dances in Zhumen, I am afraid that the spring sounds will swallow the strings.

Through two different life phenomena in one weather, the poet reflects the author's great indignation at the dissolute life of the rich and powerful and his deep sympathy for the miserable life of the peasants. After a long drought without rain, the author presents two phenomena. On the one hand, the land is smoky and the drought is abnormal. In front of the Longwang Temple, everyone beat gongs and drums and prayed for rain from the Longwang.

On the other hand, rich people watch songs and dances everywhere, but they are afraid that the rainy weather in spring will get the orchestral instruments wet, and they can't make a crisp and pleasant sound. Poor girl Don Qin Taoyu lives under a thatched cottage and has never worn fragrant silk. She is eager to arrange a marriage, but how dare she? .

Who would have known her cutest simple face, dressed frugally in the era of pity. Her finger embroidery is unparalleled, but she can't compete with painting eyebrows.

Year after year, she sewed gold thread for other girls in the bridal gown. This poem tells the grievances of those poor people who have been relegated to inferior status for a long time, and reflects the useless resentment and injustice of the poor people in feudal society to the world.

The daughter of a poor family is noble in character, skilled in craftsmanship and exquisite in needlework, but even so, few people come to ask the media. I deeply hate holding gold thread embroidery in my hand every year, which is the wedding dress of a rich lady.

"Ding Du protects the Song Dynasty" Tang Libai went to Yunyang, and both sides spared the merchants. Why bother tugboat when the black ox rests on the moon?

Turbid water can't be drunk, and the pot pulp is half turned into soil. When I sang the song to protect the governor, my heart burst into tears.

Ten thousand people cut stones, and there is no way to reach the river. You look at Shi Mang, and you hide your tears and grieve for the ages.

This poem describes the hard work of the working people in the hot season, exposes the sin of the ruling class's extravagance and neglect of people's lives, and shows the poet's deep sympathy for the suffering and fate of the working people. Tens of thousands of worker ants cut down the strange stone, and it is impossible to reach the water margin along the river quickly.

Look at the thickness and weight of that stone. It hides its face and cries for the people. "Selling Charcoal Weng" Tang Bai Juyi sells Charcoal Weng, cutting his salary and burning charcoal in Nanshan.

His face was covered with dust, which was the color of smoke burning, his temples were gray, and his ten fingers were burnt black. What is the money for selling charcoal for? Buy clothes, buy food in your mouth.

Pity that he is wearing thin clothes, but he is worried that charcoal can't be sold, hoping it will be colder. At night, it snowed a foot thick outside the city. Early in the morning, the old man drove a charcoal wheel to the market.

Cows are tired and people are hungry, but the sun has risen very high. They are resting in the mud outside the south gate of the market. Who is that proud man riding on two horses? It was the eunuchs in the palace and eunuchs who did it.

The eunuch, with documents in his hand and the emperor's orders in his mouth, shouted at the petrified palace. A load of charcoal, more than 1000 kilograms, eunuch attendants to drive away, the old man is helpless, but there is no way.

Those people put half a piece of red yarn and a piece of silk on their heads as the price of charcoal. This poem describes the hardships of an old man who lives by burning charcoal. Through the experience of selling charcoal Weng, the corrupt essence of "palace market" was deeply exposed, and the crime of plundering people by rulers was given a powerful whip, which satirized the corrupt social reality at that time and expressed the author's deep sympathy for the working people at the lower level, which was of strong social typical significance.