Reflections on the Cultural Journey

Random thoughts on cultural journey 1 A Cultural Journey is Yu's masterpiece, and I have gained a lot after reading it. This book mainly includes two parts, one is historical and cultural prose, and the other is reminiscence prose. The book begins with the long yellow sand of the Taoist temple tower and ends with the footsteps of a wanderer in a foreign land. From Li Bing's direct reading in Dujiangyan more than two thousand years ago to the extraordinary Wujiang boat two thousand years later, it is a veritable hard journey.

In this book, I feel the deepest, is the Taoist Tower. Mogao Grottoes is the most famous Buddhist grottoes in China. After 1000 years of history. It is a treasure house of China's culture and art, but this treasure house was destroyed by a Taoist priest, and it didn't play its role. Jade is deeply saddened by the loss of these treasures, which is the social root of that terrible national and cultural tragedy. At that time, the Mogao Grottoes were not under the protection of culture, so they were taken away by "tourists" from the west one by one, and the calligraphy and painting with the essence of culture became commodities for silver dollars in the hands of Taoist priests. In that Taoist priest's "small business" one after another, the culture of Dunhuang Mogao Grottoes was thus squandered, and Taoist Wang never imagined that these smug businesses almost ruined a country's culture. When foreign scholars carefully explore the culture of the Mogao Grottoes, once upon a time, it belonged to the culture of China and the pride of China, but does China, a vast country, really have no room for such a small land?

After reading this book, I found that the original fascinating places of interest have such a deep meaning behind them. Yu's brilliant pen and clean and beautiful prose strokes make it an article to awaken the descendants of China.

"I can't help being old, but I may still be young. I dare not pray for our huge culture, but I hope that the words I write can have a bitter aftertaste, an anxious understanding, a relaxed meditation and a young age. " It is this desire for creation that has formed a deep and sentimental historical atmosphere in A Cultural Journey, which has caused us to think deeply. Cultural Journey is a heavy book, which deserves my good taste.

Reflections on the cultural journey 2. Changes of all things in the world from generation to generation. People often compare history to a long river, that is, mapping the word "change" that happens all the time, just like running water. In this vast river, human beings are too small to even compare with a spray. Throughout history, it will never be fragile human life, but mountains, rivers, trees and stones. With tenacious life, they stood silently by the river and watched the changes of the times coldly.

It is hard to imagine whether the city we live in still exists, whether there are only a few stones and an abandoned well, just like "history" in our eyes today.

Reading The Cold Eye of Abandoned Wells, I seem to feel the author's mood when he sees the abandoned wells, as if a trickle of time flows through his fingers, and as if time is slowly solidified in the cold eye of abandoned wells. At that time, there seemed to be a fire in front of me, burning the old well hundreds of years ago, boiling and drying up, leaving only a pair of cold eyes for thousands of years, tired of seeing everything.

The author said, "history is very cold, and in most cases, we don't talk about merits and feelings." But I think it is the indifference of history that makes us indifferent to ourselves. We can look at ourselves from the perspective of the whole history, and how can we care about the dusty ups and downs?

Everyone in history is a passer-by. Even a bustling metropolis like Bohai has only existed for hundreds of years in history, which is not as good as a civilization passed down from generation to generation. All creatures will die. In history, only culture is eternal. Some people sigh for their ups and downs, but if they look at it more philosophically, they may still be unable to solve the current problems, but at least they can maintain a indifferent attitude in the joys and sorrows of life. And when we really let go and see through it, we can be happy wherever we go.

This is taught us coldly, and it is also taught by history.

Looking back at the abandoned well standing trembling on the ground, it still looks tough despite its destruction. Those cold eyes have been used to dynasty changes and family ups and downs, and I am sure I will not be moved by it again. History is indifferent, but it makes us feel humiliated and surprised, and shows us that everything is fleeting. I think this is the greatest compassion in history.

Reflections on the Cultural Journey 3 This man, with his understanding and feeling of the historical and cultural essence of China, which has been hidden for thousands of years, gave birth to an amazing book "Cultural Journey".

The first time I saw Yu's article was a text I learned in junior high school, The Letter Guest. Even now, I still don't forget the honest, selfless, kind-hearted and kind-hearted image of the letter-bearer in The Letter-bearer. The words he expressed also gave people a sense of conciseness, elegance, incisiveness and fluency.

Picking up the "Cultural Journey", I feel heavy and under great pressure. "Cultural journey", as the name implies, is a difficult journey. Change the previous relaxed and chic, and the text is older and heavier. "Affection begets early" means: "Affection for history will always increase the load of life, and the vicissitudes of history will give you a sense of vicissitudes." If he is in the ocean of history and deeply immersed in his own thoughts, he is happy or sad because of the ups and downs of China culture.

Lushan Mountain, a strange and familiar name, explains its value here.

In ancient China, people used to send their feelings to heal their wounds, like a vicissitudes of life old man buried with a thousand-year secret. From "on the long mountain road leading to Sandie Spring, I felt a great sense of capacity" to "No one escaped, but they all looked up and stood silently, without sighing or discussing, showing the wet life of that person." This is its charm, the fury and majesty of the waterfall, and even the majestic momentum, which not only shocked the author, but also shocked my soul. He said that literati are also weak. As long as they are wrapped in this torrent, they can breathe for thousands of years. The result is in this seemingly ordinary standing moment. Man, history and nature are mixed in chaos.

In The Towers, I realized the author's sadness and resentment over the loss of cultural relics. In Snow in Yangguan, the author looks for Yangguan, remembers Wang Wei and feels the sadness of history. In "Hidden Springs in the Sand Garden", I seem to see the author standing on Mingsha Mountain overlooking the crescent spring, with pity and surprise in his eyes, and then a sound of nature sounded in his heart.

The hardship of the journey is not the exhaustion of the body, but the ups and downs of the mind, the author's thinking and pursuit of culture, and the bitter aftertaste of passing away. He said, I dare not pray for our huge culture, but I hope that my writing can have a bitter aftertaste, an anxious understanding, a meditative relaxation and a youthful age.

"The road is long, Xiu Yuan, and I will go up and down." It is also unique to calm down and chew "culture" in your mouth.

Reflections on the Cultural Journey 4 After reading the Cultural Journey, I can't help but ask what is culture? I Baidu about culture, there are various explanations circulating on the internet, and various entries about culture are also one after another. It is not a person who edits the entry, which leads to problems: various viewpoints are mixed to form a definition, and various definitions explain the same noun. These are all questions about online entries. For the explanation of culture, I prefer that culture is the precipitation of history. Whether it is ideology including religious belief, customs, literature and art, or four levels of cultural state, system, behavior and mentality, it is the result of historical accumulation and precipitation.

Since this is a hard journey, of course, this journey can't be happy. The inheritance of culture is far more difficult than the formation of culture. For example, among the four major civilizations, Egyptian Nile Valley Civilization, indus valley civilization and Two Rivers Valley Civilization were all destroyed in the process of inheritance, but Chinese civilization came down in one continuous line and lasted for thousands of years. Even so, the process of inheriting Chinese civilization is not smooth sailing. For various reasons, cultural things have been destroyed or even destroyed. The best example is the Mogao Grottoes. When Wang tidied up his courtyard again and again, when foreign "scholars" carried away ancient books bought at low prices again and again, and when China officials refused to protect the grottoes again and again because of lack of funds, I think the Mogao Grottoes must be crying in the cold wind in the northwest. The sunset has dyed the sky red, and the bloody sunset is like the wound of China culture dripping blood. ...

Compared with the pain felt by the destruction of culture, the pain of traveling by boat is more like an experience, a religious ceremony in front of culture. I traveled to many famous mountains and rivers, talked about the pain in the journey more than once, and quoted the pain of other ancient people. Compared with the ancients, modern people suffer much less. Cable cars and hotels along the way arranged everything for tourists to eat, live and travel, while the ancients brought their own dry food and slept in Shan Ye, only after fatigue could they see the long-awaited scenery of mountains and rivers. It is with such a trip that mountains and rivers are no longer mountains and rivers, and culture is constantly precipitating in welcoming tourists again and again. Famous mountains are just mountains, and their fame grows with cultural accumulation.

Although "Cultural Journey" wrote that cultural inheritance is not easy, we should also see that culture also has tenacious vitality. When it is vividly presented to you, you will not feel that it is culture, but that it is a part of your life and inseparable.

Reflections on the Cultural Journey 5 The Tower of Taoist Temple expresses the sufferings of China literati. "I hate that I didn't live a century earlier, so I can stand with you and look at each other ..." However, it is more of a reflection. "China's scriptures are not enough!" Ironically, when European and American scholars rushed to Dunhuang, camped out in the wind and lit up the smoke in the desert, tea was still burning in the living room of China officials! However, everything has become history, and there is nothing anyone can do to condemn it. This cultural catastrophe has brought us not only regret and anger, but also reflection.

Do you still remember "there is no reason to persuade you to drink more, and there is no reason to go out to Yangguan in the west"? This is yangguan. The snow in Yangguan Snow is vast and sad. Thousands of years ago, the willows outside the Acropolis were green. After a thousand years, reeds float and mountains are covered with snow, all of which are frozen waves. The world is desolate, and the former literati and poets have gone through ups and downs in this Millennium and disappeared. The rise and fall of Yangguan and the profound desolation of Yangguan history can be imagined. After visiting the desert in the northwest, there is a gentle Jiangnan sentiment. Elegant towns and finely carved stone bridges in the south of the Yangtze River, beautiful West Lake in the West Lake dream, charming Su Xiaoxiao, legendary White Queen, and unfortunate beauty stone in white-haired Suzhou are all romantic thoughts and expectations of literati, which are the starting point and end point of a hard journey of life.

On the other hand, The Storm and Qingyunpu Scenic Resort's Random Thoughts directly touch the conscience of the literati, showing the difficult mental journey of the China literati. From the desert in the northwest to the town in the south of the Yangtze River, from the Great Wall of Wan Li to Dongting Lake, we have seen the hometown of Li Bai, which is known as the "land of abundance", witnessed the value of Dujiangyan, and relived the story of Bai Di's entrust an orphan. "The earth is silent. As long as one or two shrewd literati stand up, its long-standing cultural connotation will be vigorously rushed out."

Cultural Journey pursues the true meaning of cultural soul and life with beating words. Taste a cup of tea, read a good book, and feel the author's amorous feelings, full of absurd remarks and a bitter tear. Dou Yun's author is crazy, who can understand the taste?

Reflections on the Cultural Journey 6 "Cultural Journey" is a book with beautiful words but meaningful words. This book takes me all over the country, takes me through time and space, and appreciates the history of Tang, Song, Yuan, Ming and Qing Dynasties. This book is about places of interest and customs in China, which can be said to be a travel book. It records many historical facts; It can also be said to be a historical record; The joys, sorrows and poetries revealed in the book make this book a very good collection of essays.

Walking on the land of the Chinese nation, the author used his unique observation and insight to think deeply about the profound culture of this ancient nation, and with delicate brushstrokes, he made this "bitter journey" of traveling Chinese culture. There is too much bitterness in this book that he can't bear to experience personally. That kind of bitter taste, I probably wouldn't have thought that there would be such a profound meaning behind a fascinating scenic spot and historic site before reading "Cultural Journey". And the author uses his wonderful pen to combine wonderful articles with clean and beautiful prose. Walking into the situation and thinking of the book, I can't help but get serious. Like an exiled child, being exiled to a strange land forced me to move forward. The caves in the Mogao Grottoes appeared in front of me. The caves are still spectacular, and the stone murals are still silent. I quietly watched the changes of light and shadow projected on the stone wall, just as they quietly watched the Millennium changes of Dunhuang. The first excavation thousands of years ago opened the glory of the Mogao Grottoes after thousands of years. It suffered a catastrophe: the Taoist king guarded Dunhuang for thousands of years with a bunch of keys, but left it in the hands of foreigners, while the descendants of China abandoned it, and the car after car of cultural relics was exported to foreign countries. Today, many years later, why does that mysterious and meaningful cave attract everyone's attention? It is not a dazzling appearance, but it is just a ceremony, a kind of humanity and its profound implication. What we see here is that beauty also has a religious world. It is a specimen of China for thousands of years, and it is as beautiful as ever, even though it was once mutilated and remoulded mercilessly and arbitrarily.

In front of Liu Hou Temple, there is a stone statue to commemorate Liu Zongyuan's life. From his literary talent to his relegation, this is relegation. Liu Yong House is a remote place. Therefore, he put himself between mountains and rivers, and pinned his sad mood entirely on sightseeing and article creation, which made China's literary history have such excellent landscape literature as Eight Chapters of Yongzhou and such a generation.

Bitterness and sweetness are a family, and the taste of sweetness is known only after tomorrow. Just as I named it "Cultural Journey"! But there are glimmers of hope everywhere.

Reflections on the cultural journey 7 Writing, writing about the cultural journey. Describe the ups and downs of history.

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China's splendid civilization is being obliterated by time. I wonder if those people who reminisce about that sad history in the corner while lambasting historical sinners have really closed their eyes, calmed their hearts and returned to the indifference and rationality of history. I have always admired scholars who understand history and dare to criticize it. At the same time, I think Mr. Yu, a professor at Shanghai Theatre Academy, is a hero among countless scholars, and his Cultural Journey is the most outstanding top grade among thousands of literary and historical prose works.

Some of these articles won the first prizes of various literary awards. The main purpose of this book is to seek the secrets of cultural soul and life with the help of scenery, and to explore the historical fate of China culture and the historical composition of China literati. These articles by Mr. Yu, with their profound knowledge of literature and history, rich cultural perception and artistic expression, not only reveal the great connotation of China culture, but also provide a brand-new example for contemporary prose circles.

Mr. Yu attracts readers with his unique writing charm, which is a bitter memory, an understanding after anxiety, a relaxation after meditation and a youth after old age. Like many educated youth scholars, he once sighed deeply in this book, but the same sigh appeared in different places, and the charm was far from the same. As he said, "I can be young", his life is flexible. He always upholds the passion of his youth and enjoys the leisure of his old age to spend his rich middle-aged time. Therefore, Yu Xiansheng is a half-breed at any time. So his articles are always mixed with different feelings. For example, his sadness about the loss of China culture is full of young people's insults to dissatisfaction, middle-aged people's helplessness to the world, and old people's regret for vicissitudes.

Maybe some ideas are completely unintentional, but the inspiration for writing this book is definitely intentional. Obviously, he discovered the dusty place of China's history and culture. In today's era of vigorously promoting China's splendid civilization, it is naturally more striking and thoughtful to put forward such a specious view. China's ancient civilization once created a prosperous time in ancient times. In order to preserve its prosperity, people handed down splendid culture from generation to generation, and successively built large buildings such as Mogao Grottoes and Dujiangyan. Even ordinary arched buildings and library buildings are printed with cultural traces. But people's ideals are always good, but time is against people and changes endlessly. What people want to preserve will still be washed away by time within a certain limit. Although some of them are artificial, in the final analysis, they still come from the blank of historical roulette. Some historical dust can't be left behind, and many scholars are sad and regret it. They always live in a past that doesn't belong to them, and they will never get out alive. Therefore, "facing up to the past and the present" is an important topic I have learned from this book, and I also think it is the subject of Mr. Yu's research and warning. Because only those who truly understand the historical situation can print their own rut marks on the basis of conforming to the wheel of history.

Smoke a wicker and break a peach branch. Have a cup of tea and read a good book.

Walk into the leisure, walk into the "cultural journey".