Poems about the pursuit of fame and fortune

1. Poems about the pursuit of fame and fortune by the ancients

1. Asking about the famous and wealthy guest Tang Cui Hao on the roadside in "Walking Through Huayin" 2. Asking about the famous and wealthy guest on the roadside Tang Cui Hao in "Walking Through Huayin" 3. Asking about fame and fortune on the roadside by Tang Cui Hao, "Walking Through Huayin" 4. Tang Bai Juyi, a young man with fame and fortune in the Eastern Capital, "Yonghuai" 5. Famous and prosperous Song Liuyong, "Part Two" 6. Fame and fortune, the old Song Dynasty, Huang Tingjian, "Defending the Storm·Putting the Hops" "Qian Yu Wen Xi" 7. But teaching about fame and fortune is not tied to Song Shihao's "Partridge Sky, I am floating out of Xiuyun" 8. Don't seek fame and fortune, don't talk about mysteries. Fame and fortune are good, Yao Shuyao 2 "Huanxisha" 10. When will fame and fortune be enough? Yao Shuyao 2 "Good things come soon·Shui Pavilion makes the breeze" 11. Fame and fortune come to Song Fan Chengda "Niannujiao · Shuangxiang Shuangluo" 12. Fame and fortune Song Xin Qiji's "Partridge Sky· "The Water Lily Moves Green Waves" 13. The Suffering of Fame and Fortune Song Zhao Shixia's "Water Melody Singer·The Heart Scenery Is Raining" 14. Looking back at the fame and wealth situation in the world Song Wuqian's "Butterflies in Love with Flowers·The Fragrance of Plum Blossoms on Wild Trees" 15. They are all seeking fame and fortune. "Qinyuan Chun·Yuedan Commentary" by Song Chen. 16. Fortunately, he does not strive for fame and fortune. "Fame, Fortune, Happy Travel" 18. Pretending to live in the world with fame and fortune, Tang Luyan's "Seven Words" 19. Don't worry about fame and fortune in the world, Tang Luyan's "Seven Words" 20. Fame and wealth are all about Yuanyuan Haowen, "Mantingfang·Jiangque Lingfeng" 21. Yuan Ma Yu's "Man Ting Fang· Past Years of Fame and Fortune" 22. Yuan Ma Yu's "Man Ting Fang· Shan Dong Past" 23. Yuan Ma Yu, a man of fame and fortune, "A Clear Heart Mirror Presented to Mr. Ma" 24. The nameless Song Dynasty's "Manjianghong·Yuanbenchu" 25. The nameless Song Dynasty's "Qinyuanchun·Does Not Like Light Qiu" 26. The nameless Song Dynasty's "Qinyuanchun·Since Ancient Times" 27. Fame and fortune are only limited by Song Anonymous's "Qinyuan Chun·Good for No Reason" 28. The wave of robbery and greed for fame and fortune 》 30. Don't pursue fame and fortune. "Tao Song·Song of Proving the Way" 33. Keeping in good health and only coveting fame and fortune "Xiaoyao Ode" 36. Fame and wealth are greedy and useless. "Xiaoyao Ode" by Taizong of the Song Dynasty 37. Fame and fortune are used for many purposes in the world. Song Taizong of the Song Dynasty "Fate and Knowledge" 38. Fame and wealth should not be greedy and often in vain. Song and Song Taizong's "Fate and Knowledge" 39. Not Seeking worldly treasures and fame and fortune, Song Taizong's "Yuanshi" 40. Living in the world is all about fame and fortune, Song Song Taizong's "Yuanshi". 2. Tao Yuanming's poems about not pursuing fame and wealth

Tao Yuanming and Pastoral Poems Tao Yuanming's works include more than 120 existing poems, six essays, three poems, as well as "Nine Chapters of Reading History" and The two verses in "Ode to Paintings on Fans" are close to four-character poems.

Poetry is the most prominent aspect of the poet's achievements. There are more than one hundred poems with rich content. The poet lives in an extremely dark society, but he persists in lofty ideals and aspirations. Some of his works show his stubborn character.

The poem "He Guo Zhubo" says: "The chrysanthemums bloom in the forest and the green pines crown the rocks. With this pure and beautiful posture, Zhuo is a hero under the frost." The eighth poem of "Drinking" says: " The green pines are in the East Garden, and the grass has no appearance; the frost is rare, and the tall branches are outstanding."

The blooming chrysanthemums and the unyielding green pines under the power of frost are the symbols of the poet's upright and unyielding character: The poet also praised many people who persisted in poverty and ambition in "Seven Poems about the Poor" and "Ode to Paintings on Fans". It is precisely because of this character that the poet, on the one hand, showed an aloof attitude towards the decadent ruling class.

The first poem of "Ode to the Poor Man" says: "All races have their own support, but the lone cloud is alone and helpless; when the warmth disappears in the sky, when will the afterglow be seen?" This lone cloud floating in the clear sky, It symbolizes the poet's situation and destiny. It is lonely and will disappear silently, but it also expresses the poet's attitude. It wants to stay away from dust and remain free and noble forever.

On the other hand, they also expressed strong dissatisfaction with the dirty reality.

In the twenty poems of "Drinking", he uses "intoxicating" language to either accuse society of the confusion of right and wrong and the sameness of blame and praise (sixth poem), or to expose the traps and crises of politics (sixth poem) Poem 17), or contempt for worldly hypocrisy and deceit (Poems 12 and 19). In the last poem, he said: "How can I have no relatives in the world? I drive around all day long and disappear. What do you care about?" Although he beautified Confucius, he was more importantly angry and sad about the decadent scholarly style of pursuing fame and fortune. Tao Yuanming's ambition and character finally made him completely break away from the upper political class and return to his countryside.

He wrote a large number of pastoral poems. His pastoral poems are full of hatred for the dirty society and love for the pure countryside.

For example, the first poem of "Returning to the Garden and Living in the Fields": There is no popular rhyme, and nature loves mountains and hills. I accidentally fell into the dust net and passed away for thirty years.

The tame bird misses the old forest, and the fish in the pond miss the old abyss. Open up the wilderness in the south, stay humble and return to the garden.

The square house covers more than ten acres and has eight or nine thatched houses. The elms and willows shade the back eaves, and the peach and plum trees in front of the hall.

Nuannuan is far away from the village, and the smoke is in the ruins. Dogs bark in the deep alleys, cocks crow in the mulberry trees.

The courtyard is clean of dust and clutter, and the empty room has plenty of leisure. After being in a cage for a long time, you can return to nature.

The poet denounced the upper class society as a "dust net", regarded joining it as being a "fettered bird" or a "fish in a pond", and described retreating to the countryside as breaking out of a "cage" ", returning to "nature" shows his contempt for the ugly society. The poet focused on describing the pure and beautiful pastoral scenery in detail, and the author's sincere love was revealed between the lines.

Here, the simple and peaceful pastoral life forms a sharp contrast with the hypocrisy, fraud and strife of the upper class, which has a particularly attractive power. When the poet has not yet left his official career, he always has a feeling of being "temporarily restrained by others" and his mood cannot calm down. He "looks at the clouds and is ashamed of the tall birds, and the water is ashamed of the fish swimming."

But when he is far away After getting rid of the dirty reality and returning to the countryside, I felt that I had found my destination. The fifth poem of "Drinking": The house is in a human environment, without the noise of carriages and horses.

How can you do this? The mind is far away from itself. Picking chrysanthemums under the eastern fence, you can see Nanshan leisurely; the mountain air is getting better day and night, and the birds are flying back and forth.

There is a true meaning in this, but I have forgotten to explain it. The poet avoided the noise of the carriages and horses of dignitaries, and gained a free and peaceful state of mind in a leisurely life.

Although the poet's pastoral life is far away from the ruling class, it is closer to the lower class literati and farmers. There are like-minded friends here talking and appreciating articles: "Neighbors' songs come from time to time, and resistance talks are in the past; wonderful articles are appreciated by all, and doubts are analyzed."; there is a simple farmer who talks about Sangma: "When the time comes to return to the ruins, in the song "We meet each other in the grass, and come and go; there is no talk when we meet, but the roads are full of mulberry and hemp trees"; there are neighbors' greetings and banquets: "I pour my new cooked wine, and a chicken invites people close to me"; there is also family happiness: "relatives" When we live together, our descendants still protect each other."

Therefore, his pastoral poems are rich in real life content, which is one of the reasons why his pastoral poems are so moving. What is particularly valuable is that his pastoral poems also reflect the content of working life.

For example, the third poem of "Returning to the Garden and Living in the Fields": Planting beans at the foot of the southern mountain, the grass is thick and the bean seedlings are sparse. I wake up in the morning to sort out the wasteland and filth, and return with a hoe in the moonlight.

The road is narrow and the grass and trees are long, and the evening dew touches my clothes. It's not enough to regret the stain on your clothes, but your wishes are fulfilled.

We can clearly see the image of a laborer returning from hoeing on a path covered with vegetation in the moonlight. The poem "Reminiscent of the Ancient Farmhouse" says: "Even when we are far away from each other, the good seedlings are also nostalgic for the new. Although we have not measured the success of the year, we are grateful for the many things we have done."

The description of the field scenery and farming activities is filled with emotion. A feeling of joy. Because the poet personally participated in agricultural labor and loved it sincerely, labor was fully praised for the first time in literary creations.

Some of his pastoral poems also express thoughts and feelings that only a laborer can experience. For example, the second poem of "Returning to the Garden and Living in the Fields" says: "The days of mulberry trees have grown longer, and my soil has grown wider.

I am often afraid of frost coming, and the trees will be scattered like grass. "It shows his close concern for the harvest of crops.

The poem "Harvesting Early Rice in the West Field" says: "Life is in a good way, and food and clothing are solid. Who doesn’t even have a camp, but just wants to be safe? If you start to practice regular business in spring, your achievements will be considerable.

Go out in the morning and work hard, and work hard every day. There is frost and dew in the mountains, and the weather is cold first.

Isn’t it hard for the Tian family to get rid of this difficulty? "Not only does it express the idea of ??living by working, which is in clear opposition to the parasitic views of the exploiting class; it also expresses the tenacious attitude of working tirelessly and persisting in hard work.

These are beyond the ideological consciousness of ordinary scholar-bureaucrats, making him Tao Yuanming's pastoral poems shine with the brilliance of progressive thoughts.

"Deng Zhizhong, the Master of Shi Pang" said: "There is always hunger in the summer, and there is nothing in the cold night." Being asleep; thinking about the cockcrow at night, and wishing for the crows to move in the morning. ""Composition after meeting" said: "When you are weak, you will be hungry at home, and when you are old, you will be more hungry; Shumai is really enviable, who dares to admire the sweetness and fat!" "Although these poems only describe his own situation of being hungry and cold during natural disasters in his later years, we can also imagine the more tragic life scenes of farmers at that time.

Tao Yuanming's thoughts and feelings in pastoral life It is extremely complicated. "Reading History. Qu Jia" said: "It will be time to learn virtue; it is like the deed of Ji, who is not willing to do it!" "He also. 3. Please write two consecutive poems that express the poet's indifference to fame and wealth and his pursuit of a quiet life

1. I don't regret the clothes, but my wishes are true.

" "Returning to the Garden and Living in the Fields·Part 3" Wei and Jin Dynasties: Tao Yuanming

Planting beans at the foot of the southern mountain, the grass is full of bean sprouts. In the morning, I clean up the wasteland and return home with a hoe.

The grass and trees are long, and the evening dew touches my clothes. I don’t regret the clothes, but my wishes are fulfilled.

I am planting beans at the foot of Nanshan. The weeds are lush and the bean seedlings are sparse. . I got up early in the morning to clear out weeds, and then returned home under the moonlight. The mountain path was narrow and overgrown with trees, and it was not a pity that my clothes got wet with dew. I just hope I don’t go against my intention to go into seclusion.

2. I wish it would last forever, and it would be a shame to work hard.

"Harvest early rice in Xitian in the middle of the ninth month of Gengxu" Wei and Jin Dynasties: Tao Yuanming

Return of life. There is a way to keep food and clothing in order. Who doesn't have to do anything to keep himself safe? /p>

There is frost and dew in the mountains, and the weather is also cold. Isn't it difficult for Tian's family to get rid of it?

The feeling of being depressed for thousands of years is related. I hope it will last forever.

Definition:

Life. It is common sense to take refuge in food and clothing. Who can find peace of mind by abandoning this? He starts farming in early spring, and the harvest is considerable. He goes to work in the early morning and returns home after sunset. There is a lot of frost and dew in the mountains, and it is cold before the season.

Isn’t it hard for farmers to work? I can’t escape the hardship. Fortunately, there are no disasters to worry about. I wash and rest under the roof and drink happily. Smiling face. My long-term ambition to farm has been closely related to me. I hope I can live like this, and I am willing to work hard.

3. I am old and gray-haired. This is my life. .

"Jiang Shenzi·Boshan Daozhongshu Wangshibi" Song Dynasty: Xin Qiji

There are trees and bamboos in a river, and there are people there, and the plum blossoms are covered by clouds. I saw two or three flowers. The scenery is better than that of Taoyuan River.

There is a wine trail in Qiting. It is colder in the evening. How can I stop him from riding in a hurry? I am old and gray-haired, but this is my life.

Interpretation:

Both sides of the road are covered with pine and bamboo branches, and some houses in the mountains are obscured by clouds and mist. After the snow, I saw two or three flowers on the sparse plum trees from time to time. Compared with what Tao Yuanming said, the scenery was almost better.

It’s getting late. If there is wine in the hotel, feel free to drink it on credit. Otherwise, how can you withstand the cold weather at night? After being drunk, he hurried back, and the horse he rode followed the car. My hair is white and my face is old. Let me spend my remaining years here.

4. It’s hard to catch something when you look forward to it, but it’s hard to change your desire and work hard.

"Two poems about ancient farmhouses in the early spring of Guimao. Part 2" Wei and Jin Dynasties: Tao Yuanming

The ancestors have taught me to worry about the road but not the poverty. Looking forward is hard to catch, turning to desire will always make you diligent.

Adhere to the current affairs, understand the beauty and persuade the farmers. Pingchou is far away from the wind, and good seedlings are also full of new ideas.

Although I have not measured my achievements over the years, I am glad that there are many things going on. There is a break in farming, but the traveler has no interest in it.

When the day comes, we return home together, and when the sun comes in, we work hard for our neighbors. I chant a lot to cover the firewood gate, and talk about being the people of Long Mu.

Interpretation:

The late teacher Confucius left a legacy: "A gentleman is concerned about the way and not the poor." It is difficult to reach the level of admiration for high-level opinions, but I am determined to work hard for a long time. During the busy farming season, my heart is happy and my smiling face encourages the farmers. The distant wind blows across the plains, and the beautiful seedlings are growing stronger every day. The harvest of the year is immeasurable, and my work has made me happy. There was a break between farming, and no passers-by came to pay attention. At sunset, we go home together and take wine to comfort our neighbors. I close my wood door and recite poems to myself, while I work hard as a farmer for the time being.

5. When Yuan Ming came back, he was afraid that the crane would complain about the strange mountain birds, so he asked what his fame was.

"Happiness in front of the Palace·Changyouzai" Yuan Dynasty: Guanyun Stone

It is so quiet and peaceful that the spring breeze is everywhere on the terraces. I feel helpless for a moment, but always open to the sky.

When Yuan Ming came back, he was afraid of the cranes complaining about the strange birds in the mountains, so he asked where his fame was. Suan Zhai is me, I am Suan Zhai.

Definition:

The mood is very comfortable and peaceful, and the spring breeze is blowing everywhere on the balcony. I feel so helpless that I can't realize my ambition, and I always sigh to the sky. Follow Tao Yuanming and return to seclusion. If you return to the countryside and continue to be attached to worldly fame and fortune, I am afraid that you will incur the complaints of wild cranes and birds. What fame and fortune does he care about? I am Sunzhai, Suuzhai is me. 4. Quotes about being indifferent to fame and fortune

1. If you avoid it, you will have no regrets for others, and if you abandon it, you will have no regrets for yourself. Oh, I can't bear it. ——"Hundred Admonitions to Encourage Forbearance".

It means that if you avoid benefits, you will have no regrets, and if you abandon rights, you will have no fatigue. In the face of fame and fortune, how can we not hold back our possessiveness?

2. Fame and wealth are more important than wine, which makes one’s heart intoxicated. ——Du Guangting of the Tang Dynasty, "Hurt Time"

It means that flashy fame and wealth are more intoxicating than wine, which can easily make people get carried away and make people drunk until they wake up.

3. Whale salamander teeth are on the road, so why don’t you pass by them less? ——Tang Huang Tao's "Jia Ke"

It means that the journey to the whale's mouth is very dangerous, it is better to go less often, and don't do those things that take risks to chase fame and fortune.

4. When it comes to glory and wealth, they are nothing but passing smoke. ——Song Dynasty Su Shi's "Baohuatang Ji"

It means that talking about the glory and wealth is just passing smoke and is not enough to talk about.

5. Fame and wealth are sweet, but the thought of death tastes like chewing wax. If people often worry about death and illness, they can also eliminate illusory karma and develop a Taoist mind. ——"Cai Gen Tan·Chapter 10".

It means that the desire for fame and wealth is as sweet as honey, and thinking about the scene of death, fame and fortune will taste like wax. People should always think about illness and death to eliminate sinful desires and increase their moral karma.

6. There is no separation between right and wrong, fame and fortune. ——Du Mu's "Long Sentences from Luoyang"

It means that the mood is as leisurely as spring grass, and the turmoil of fame and wealth becomes as if nothing.

7. Who is related to name and body? Which one has more body or goods? Which disease is good or bad? If you love too much, you will spend a lot of money; if you hide too much, you will perish. ——"Laozi·Chapter 44".

It means which one is more intimate, fame or life? Which is more valuable, life or property? Which one is more harmful, gain or loss? Excessive pursuit of fame and fortune will lead to greater effort. Collecting money will definitely lead to more serious losses.

8. Don’t compete with others for gains and losses, but seek your own abilities. ——"Night Talk Around the Fireplace".

It means not to argue with others about the gains and losses of things, fame and fortune, but only to gain wisdom and ability when doing things.

9. Those who are high-ranking officials cannot become politicians. ——Liu Xiang's "Shuo Yuan".

It means that those who compete for fame and wealth will not achieve any good political achievements. If you want to achieve great achievements, don't pursue fame and fortune.

10. Do not put favor and profit before others, and do not lag behind others in virtue. ——Hong Zicheng, Ming Dynasty, "Cai Gen Tan"

It means not to be in front of others in terms of fame and fortune, and not to lag behind others in terms of moral cultivation. 5. Poems about being indifferent to fame and wealth

When things are done, I brush off my clothes and hide my body and fame.

——Tang Dynasty Li Bai's "Xia Ke Xing" Don't talk about fame and fortune. Fame and fortune are personal enemies. ——Du Mu of the Tang Dynasty, "Not Sleeping" I asked the famous and wealthy people on the roadside why they should learn to live here.

——Cui Hao of the Tang Dynasty, "Walking Through Huayin" The color of grass, the human heart, and leisure, right and wrong, fame and fortune. ——Du Mu, Tang Dynasty, "Luoyang Long Sentences" The origin is not to seek fame, but to wait for the spring breeze to see the peonies.

——Zhang Hu of the Tang Dynasty, "Beijing Yuhuai" Qiongda is a pseudonym, and the prince can take it by discarding the head of the knife. ——Lulun of the Tang Dynasty, "When I Climb the Tower in Winter, I Give a Gift to Cheng Teng" for the sake of gratitude.

——Wei Yingwu of the Tang Dynasty, "Xiu Mudong returned to Zhou Guili to show the end" directly uses the careless and sparse method to discuss things, and does not use the words to occupy the time and name. ——Liu Zongyuan of the Tang Dynasty, "Hengyang and Mengfendi Road Farewell" Right and wrong are not heard, and fame and fortune are not in the mind.

——Fan Zhongyan, Song Dynasty, "Leave a Inscription on Xiaoyinshan Study Room" has been often misunderstood by false reputations in ancient times, and it is better to live up to false reputations than live up to them. ——Yan Jidao, Song Dynasty, "Spring in the Jade House" has a false reputation and a small profit, but he is very busy.

——Song Dynasty Su Shi's "Man Ting Fang" There are not many blue clouds and windy moon. Don't be locked in by fame and fortune.

——"Liu Shaoqing" by Zhang Xiaoxiang of the Song Dynasty.