Where is the best place for spring outing in Weifang?

Anqiu Shijiazhuang Folk Village

Anqiu Shijiazhuang Folk Village is located in Linghe Town, 16 kilometers southwest of Anqiu City. The village has tall trees and dense forests, straight roads and fields; the two-story buildings are arranged in an orderly manner, clean and bright. Flower gardens line the roadside, the hotel is chic and generous, the square is spacious and flat, and the kindergarten is elegant and exquisite, creating a vibrant and prosperous new rural area. With beautiful scenery, civilized rural customs, and honest and hospitable hosts, we welcome friends from Japan, the United States, Southeast Asia, Western Europe and many other countries every year, who come here to follow farm customs, learn farm work, live in farm houses, and eat farm meals. Experience folk customs and enjoy the pastoral joy.

There is a folk museum in this village, which was built in April 1988. It completely adopted local folk crafts, with deep stone foundations, waist-dressing and feet, lime mud walls, and blue bricks with large tips and small tile houses. Shijiazhuang Folk Performance is a typical farmhouse courtyard in the central Shandong area in northern my country, covering an area of ??1,900 square meters and a building area of ??725 square meters. The entire museum is divided into one hall, six rooms and one courtyard. It represents and embodies the farm life and customs in central Shandong in the late Qing Dynasty and the early days of the founding of the People's Republic of China, and is of high value to the study of the politics, economy and culture at that time.

Folk ceremonial halls are places where folk worship gods and perform rituals during festivals. The folk craft room mainly displays folk crafts, such as paper-cutting, embroidery, New Year pictures, etc., showing the artistic talents and interests of the local people. The folk entertainment room displays dragon lanterns, stilts, land boats, lion bags, games and entertainment equipment that are popular in folk festivals. The farm tools room displays various farm tools since the late Qing Dynasty, and hangs a "Four Seasons Production Map" to vividly depict the farmers' farming process throughout the year. The farmhouse living room has a complete range of living utensils, ranging from simple household utensils to exquisite tableware and banquet supplies for entertaining guests. The farmhouse textile room displays old-fashioned rolling, stretching, spinning, weaving, printing, dyeing and other tools, and a large mural "Farmhouse Textile Picture" hangs on the wall. There are calligraphy and paintings hanging on the walls of the village school room, the "Four Books and Five Classics" are displayed on the desk, and the Four Treasures of the Study Room are listed on the tables, recreating the appearance of the private school back then.

The couplet on the gate of the wedding courtyard reads: "Twin stars in the sky cross, and six rituals are completed in the world." There is a sedan chair in the courtyard, and there are incense tables and candles used to worship heaven and earth. The bridal chamber is decorated with wedding decorations and is full of festive atmosphere. Guests from all over the world can hold traditional Chinese classical weddings here and enjoy family happiness.

There is a grinding house and mill in the backyard, as well as a horse-drawn carriage. At the request of tourists, the owner can go grinding or grinding together, or take a carriage to the outside of the village to walk through country roads, fly kites, and enjoy the pastoral scenery.

2 Qingyunshan Folk Amusement Park

Qingyunshan Folk Amusement Park is a large-scale tourist attraction developed and built by the Anqiu Municipal Party Committee and Municipal Government in recent years that integrates tourism, sightseeing, entertainment, investment and shopping. The tourist park covers an area of ??3,000 acres and is called the "No. 1 Park in Shandong". Qingyunshan Folk Amusement Park is located at the intersection of Anqiu City, National Highway 206 and the provincial highway, with very convenient transportation. Qingyun Mountain Folk Amusement Park basically makes use of the original natural mountains, natural lakes, streams and vegetation resources, and plants precious tree species, flowers and large bamboo forests to form a large-scale amusement place that integrates tourism, entertainment, play, eating and living. The park is divided into six scenic spots, each with different characteristics. When you are in the garden, you can see each scene step by step, and the changes are endless, which will make you linger and forget to return.

3 Weifang Fuhua Amusement Park

A variety of celebration activities are dazzling

Fashion avant-garde art-body painting is back again

Mao Zedong Thousands of badges reproduce the glory of great men

Fuhua Art Troupe's "Golden Autumn Joy" special song and dance performance

Street performance large-scale welcome, unlimited fun, relaxed and exciting

Dear dear friends Friends

Fu Wah Amusement Park is filled with a festive atmosphere every day

On this sunny day

All employees of Fu Wah Amusement Park show a new look Looking forward to your arrival.

4 Weifang Kite Museum

Weifang Kite Museum is located at No. 66 Administrative Street, Kuiwen District, Weifang City. It was built in April 1989. It is currently the largest professional kite museum in the world. It covers an area of ??1.3 hectares and has a construction area of ??8,100 square meters. The architectural shape adopts the characteristics of Weifang's leading centipede kite. The roof ridge is a complete combined ceramic dragon. The roof is paved with peacock blue glazed tiles and the walls are paved with white mosaic. The entire architectural design style is unique like a dragon flying in the sky, falling and rising again.

The museum has 12 exhibition halls, including the Comprehensive Hall, the China Hall, the Weifang Hall, and the Friendship Hall. In the exhibition room of about 2,000 square meters, there are collections of ancient and modern kite treasures at home and abroad as well as cultural relics and materials related to kites. There are more than 2,000 pieces, which introduce the history, classification, innovation of kites, the Weifang International Kite Festival, friendly exchanges in the kite industry, and the general situation of Weifang City.

The exhibition mainly displays more than 1,000 exquisite kites in five categories: tubular, plate, hard-wing, soft-wing, and string kites, as well as more than 300 detailed kite cultural relics, which comprehensively and objectively embodies Weifang kites. It has a unique style with a wide range of themes, beautiful shapes, fine paintings, and bright colors; it introduces foreign kites with generous ideas, exaggerated shapes, sharp color contrasts, focusing on flying performance, and high research value; it reproduces the previous Weifang International Kite Fair The grand occasion showed the tremendous changes that have taken place in all walks of life under the guidance of the Weifang Municipal Party Committee and Municipal Government’s decision to “set the stage for culture and perform economically”. In 1988, kite organizations from various countries recommended Weifang as the "Kite Capital of the World", and in 1989, the "International Kite Federation" was established. The Kite Museum receives more than 30,000 domestic and foreign visitors every year and has become an important window for Weifang City to open to the outside world.

5 Fuyanshan Tourist Resort

Fuyanshan Tourist Resort is located 12 kilometers southwest of Weifang City, with a total planned area of ??10 square kilometers and a control area of ??23.5 square kilometers. kilometers, 10 kilometers from Weifang Airport, 12 kilometers from Jiqing Expressway, and 13 kilometers from Weifang Railway Station. Fuyanshan Development Zone was officially approved by the municipal government in 1991, and was approved by the provincial government as a provincial tourism development zone in 1993. After seven years of development and construction, Fuyanshan Development Zone has begun to take shape, and has successfully held flying competitions from the 9th to 15th Weifang International Kite Fair. Fuyan Mountain is the tail end of Taiyi Mountains, with Minggong Mountain in the south and Fu Mountain in the north, with an altitude of 161.5 meters. Fuyan Mountain is located between Wangliu Town and the southern half of Fushan Town. The name of Fuyan Mountain originated from the Tang Dynasty. There were originally Fuyan Pavilion, Xijian Thatched Cottage, Yongcui Pavilion, Woyuntai, Chaoyang Temple, Gongsun Hong's Tomb, Lutai Academy and other historic sites on the mountain. Most of them have been renovated. The whole mountain of Fuyan Mountain runs northeast to southwest, with gentle east slope and steep west slope. The mountainous landform is changeable and densely covered with valleys. The top is relatively flat and spacious. The mountains are lush with trees and the scenery in each season has its own characteristics. Shanxi Yifushan Reservoir, the mountains and rivers complement each other, adding a bit of beauty to Fuyan Mountain.

Fuyan Mountain is the only natural scenic spot in Weifang City and a tourist attraction in the city. The Weicheng District Government attaches great importance to the investment and construction of Fuyanshan Tourism Development Zone. It has invested 38 million yuan and has basically completed the construction of infrastructure and some scenic spots. It has built a large archway for Chaoyang Temple and Jinshan Mountain, a large kite flying ground and an observation platform. In one place, the main part of Fuyuan Hotel has been completed, and the holiday villa area has been basically completed. Fuyan Mountain is currently planned to be divided into six parts: 1. World Folk Customs Park; 2. Natural Scenery Area; 3. Entertainment Activity Area; 4. Vacation Villa Area; 5. Water Activity Area; 6. Logistics Service Area. Upon completion of the planning, the development zone will become a comprehensive and multi-functional playground integrating entertainment, tourism, commerce, trade and services.

6 Weifang Jinbao Paradise

Weifang Jinbao Paradise is a large-scale comprehensive amusement park for tourism. It is located opposite Shandong Jinbao Commercial and Trade Zone, adjacent to Weifang Civil Aviation Airport to the west and Weizhou Road 206 National Highway to the east. It enjoys unique location advantages. Since Shandong Jinbao Group opened Jinbao Paradise on August 10, 1996, it has also built Jinbao Hotel, Jinbao Bus Station and Jinbao Travel Agency, and has received more than 1 million tourists, including more than 10,000 overseas tourists.

Jinbao Paradise has a total area of ??400,000 square meters, integrating entertainment, viewing, stimulation and participation. It has rich folk customs and unique pastoral style. Entertainment areas, eco-tourism sightseeing areas, suburban agricultural sightseeing areas, and leisure areas are mostly good places for tourism and vacation. There are more than 120 entertainment attractions in the park, such as Kongming Temple, Dangshan Stream, Aerial Cable Car, Century Clock and Park Tram. There are supporting service facilities for viewing and leisure such as Jinquan Temple, Jinxiu Lake Fishing Center, Jinbao Hotel, Jinbao Travel Agency, Jinbao Bus Station can provide you with the best service for traveling and sightseeing.

7 Wanyin Tower

Wanyin Tower is located 1 km from the center of Weifang, covering an area of ??370 square meters and a construction area of ??380 square meters. It is 7 kilometers away from Weifang Airport and 7 kilometers away from Weifang Airport. 1.5 kilometers away from Weifang Railway Station, Wanyin Tower was founded by Chen Jieqi in the 30th year of Qingguang Dynasty. Because it has collected more than 10,000 cultural relics, it is called Wanyin Tower.

Since its opening to the outside world in 1993, it has received more than 8,000 people, including more than 2,000 overseas tourists. Chen Jieqi (1813-1884), a native of Weicheng District, Weifang City, also named Shouqing, was a famous epigrapher in the Qing Dynasty. In the 25th year of Daoguang's reign, he became a Jinshi and was awarded the title of Editor of the Hanlin Academy. In the fourth year of Xianfeng's reign, he resigned and returned home. In the next thirty years, he concentrated on the collection and research of epigraphy and became a master of epigraphy. With his tireless spirit, he conducted epigraphic exegesis and research, and wrote more than fifty kinds of works. The authority in the cultural relics circle said: Not only were his arguments and criticisms superior to those of his peers at the time, it can be said that "there is no one before, and no one will come after." ", his "Inscriptions on Stones and Calligraphy" are unique, simple and solemn, and enrich the art of calligraphy in our country. With his lifelong efforts, he made outstanding contributions to my country's epigraphy and won the admiration of experts and scholars at home and abroad. The Wanyin Tower complex has typical architectural features of Weifang in the Qing Dynasty and has the architectural style of the Qing Dynasty palace. The east building here is the Wanyin Building, which is well-known at home and abroad. There are ten rooms on the second floor of the east building, which display the collection and academic achievements. There are three halls in the west room. The hall displays antiques and collects 11 chimes. Round up the names. It's called "Ten Bells and Three Rooms". The collection of rare treasures includes: Mao Gong Ding, Zeng Bolin Gui

8 Shihu Garden

Shihu Garden was built in the Ming Dynasty. It was originally the former residence of Hu Bangzuo, a doctor in the Ministry of Justice during the Jiajing period of the Ming Dynasty. Chen Zhaoluan (Chen Zhaoluan) of the Qing Dynasty ( During the Shunzhi period of the Qing Dynasty, he served as the prefect of Zhangde) and Guo Xiongfei (as the governor of Zhili during the Daoguang period of the Qing Dynasty) lived here successively. Later, it was purchased by Ding Shanbao, the richest man in Weixian County, for a large amount of money. It was rebuilt in the 11th year of Guangxu in the Qing Dynasty (1885). For private garden.

The "Wat" is a long and narrow hand held by ministers when going to court in ancient times. It is usually made of jade, ivory or bamboo. Ding Shanbao explained the naming of Shihu Garden in his "Shihu Garden": "It is named Shihu Garden because it is small and easy to get there. It is also named because of its small size." The word "Wat" comes from "Fayuan Zhulin" written by the Tang Dynasty. In the "Gantong Chapter" of this book, it is said that there is the former residence of Vimalakirti in the Vaishali State of India. King Xuance of Tang Xianqing went to the Western Regions as an envoy and passed through the land. The homestead was measured by Huts, and there were only ten Huts, so it was called the abbot's room. Later generations used the term "Shihu" to describe small-area buildings. This garden covers an area of ??only more than 2,000 square meters. It is indeed a small garden, and Ding Shanbao took this meaning.

Although Shiwa Garden is small in area, it can present the beauty of natural landscape in a limited space, which is subtle and fascinating. There are 34 buildings and 67 rooms in the garden, including rockery ponds, winding bridges, corridors, pavilions and study rooms. They are compact and not crowded, and are immersive, just like in a painting, giving people a sense of rigorous layout and one scene at a time. It reflects the characteristics of northern architecture and is a wonder in my country's classical gardening art. Shihu Garden is rectangular in plan and consists of three ancient building axes in the middle, west and east. The central axis buildings and their courtyards are the main part of the garden. The main attractions are as follows:

Shihu Thatched Cottage. Entering the front door to the east is the front yard, and the main hall is the Shihu Thatched Cottage. The structure is three bays and seven purlins, with a hard top without corridors, a carved door in the Ming Dynasty, and a plaque written by Chen Jieqi, an epigrapher of the Qing Dynasty, with the words "Countless Green Mountains Worship Thatched Cottage". In front of the hall, there are scattered rocks, flowers and trees, the fragrance of lotus overflows in the pond, and the ripples of blue waves.

Sizhao Pavilion is named because it means that the sun shines on all sides. The pavilion is larger and square, with a six-purlin rolling shed-style resting top and surrounded by benches and railings. The pavilion is surrounded by water, surrounded by lotuses, wind, water and moon, which is quite poetic. There is a curved bridge in the west connected to the cloister. In the pavilion, there is a horizontal plaque of "Four Zhao Pavilions" inscribed by Cao Hongxun, the number one scholar of the Qing Dynasty. There is a "Taoyin" hanging outside the pavilion, which is the handwriting of Gui Fu, a calligrapher of the Qing Dynasty. The couplets on the pillars of the pavilion are "The breeze and the bright moon are priceless, and there is love for people near the water and mountains far away". The couplet hanging in front of the pavilion is "Looking at the clouds, I am ashamed of the tall birds, and facing the water, I am ashamed of the fish swimming". Walking along the winding corridor bridge into the center of the pool, looking around, the pool is filled with lotus flowers and the scenery is pleasant. The stone tables and benches in the pavilion were where the owner of the garden used to sit with his wine glass and chant poems. There are bridges and railings on all sides where you can sit and enjoy the panoramic view of the lotus flowers in the pond and the rockery. Where the curved bridge and the cloister meet, there is also a couplet that reads, "If you have something in your heart, you will never get tired of it, and you will be happy with everything."

The hexagonal door on the north side of the pavilion has a four-character stone carving of "Kite Flying and Fish Leaping". It was originally a self-encouragement work written by Han Yu in the 20th year of Zhenguan in the Tang Dynasty and was relegated to the Yangshan Order. The fonts are flying and graceful, with the spirit of a rainbow. They have the meaning of Cao Zhuan Li's brushwork. They are arranged in an upright and smooth way. The Cao Zhuan Li script is made in one furnace, embodying emotions in the book. It shows the kind of "the sea is wide for fish to leap, and the sky is high for birds to fly." The lofty ambitions are both tangible and spiritual, and the writing and writing are wonderful. This four-character rubbing was published in the 1980 issue 6 of "Calligraphy" magazine and is a rare treasure. This stone carving in the garden was copied by the calligrapher and painter Zhai Yunsheng in the mid-Qing Dynasty, and it is very lifelike.

Steady as a Boat Pavilion There is a boat-shaped building built in the northeast corner of the pavilion, which is called Steady as a Boat. The pavilion faces the pool and is shaped like a boat, hence the name.

This pavilion is ingeniously constructed with a six-purlin rolling shed roof. It looks like a boat, just like it is anchored in the water. It can be anchored and unmoored at any time, which attracts people's imagination. On the north gate of the small pavilion, which is as stable as a boat, there is a couplet: The mountain pavilion is full of poems in the willow moon, and the water pavilion has lotus breezes in the painting.

Rockery The pool faces half a rockery to the east. The mountain is 10 meters high, 30 meters long from north to south, and 15 meters wide from east to west. It is built with Taihu stone based on the gables of the houses in the courtyard on the east axis. Climbing up the stairs, the mountain path is rugged and jagged with strange rocks. The road turns with the peaks, and its momentum is majestic. There are pools, caves, waterfalls, and mountain gates in the mountains. There are mixed pines and cypresses in the mountains, which are evergreen all year round and will not wither through the winter.

Weixiu Pavilion is built on the top of a rockery. It is taken from the "Drunkard Pavilion" written by Ouyang Xiu of the Song Dynasty. name. In the pavilion, there is a white-drawn stone carving of Jinnong, one of the Eight Eccentrics of Yangzhou, with a charming posture and novel creativity. There is a lone pine next to it, reaching straight into the sky. There is a couplet that reads: Xiaoting Mountain is the top of the mountain, and it has many sunsets.

Luoxia Pavilion is built at the southern end of the mountain, which is a four-purlin rolling shed-style structure. The interior of the pavilion is inlaid with Zheng Banqiao's hand-engraved stones, one each of "Three Writings and Ink", "Tianyou Rock" and "Inscribed Bamboo", and the hanging "Chat and Shelter from the Wind and Rain" is written by Zheng Banqiao. The couplet of Luoxia Pavilion is: Bamboo is suitable for rain and pine is suitable for snow, and flowers can be used for Zen and wine for immortality.

Yilan Pavilion Down the mountain path, paved with pebbles, located under the corner of the rockery in the southeast of the lotus pond, there is a small pavilion building with a hexagonal spire, named "Yilan Pavilion". This pavilion is small and unique. Sitting on the sill of the pavilion, looking up at the fountain, there are thousands of silver beads, rising and falling; looking down at the swimming fish, they are erratic. The ripples in the pool water are called "ripples"; the clouds in the mountains are called "Lan", hence the name. This name was used for the garden pavilion of Fu Bi, a famous minister in the Song Dynasty. Yilan Pavilion echoes Weixiu Pavilion on the mountain.

Small Canglang Pavilion, opposite to Yilan Pavilion, is a pavilion with pointed roofs at four corners and covered with thatch. Its four pillars are original pine wood buildings, making it more elegant and simple, full of wild charm. The meaning of Canglang is taken from "Mencius Li Lou": "The water in Canglang is clear, and I can wash my tassel; the water in Canglang is turbid, and I can wash my feet." There is a big stone beside the pond under the pavilion, which can be used to wash my tassel. Wash your feet. The poet Su Shunqin of the Song Dynasty once built Canglang Pavilion in Suzhou, which is a famous garden. Xiao Canglang was named after the Canglang Pavilion in the Humble Administrator's Garden in Suzhou. Because the pavilion is smaller, it is named Xiao Canglang. There are stone tables and stone benches in the pavilion, where you can drink tea, enjoy the cool air, and wash your hands.

Cloister Stone Carvings There is a cloister to the west of the pool, which cleverly and organically separates the west axis and the central axis landscape, playing the role of rationally distributing the landscape and increasing the ornamental architecture. The corridor is decorated with carved tusks and there are railings between the columns. Five stone carvings of Zheng Banqiao's bamboo orchid pictures are embedded on the wall of the corridor. At the southernmost end is the "Shihu Garden" written by Ding Shanbao and Hanlin Ding Liangqian, which describes the construction of the garden and its intentions. This is the best historical material of Jukutakuen. At the northernmost end is "Shihu Garden" written by Zhang Zhaoqian and written by Cao Hongxun.

Chun Yu Tower: Going out from the corridor to the north, the two-story building in the west of the courtyard is Chunyu Tower. This building is a three-bay, seven-purlin verandah-style building with a door leading to the building and a corridor, supplemented by benches and railings. The name Chunyu Tower is borrowed from the famous line in the poem "The First Spring Rain in Lin'an" by the Song Dynasty poet Lu You, "The small building listens to the spring rain all night, and the deep alley sells apricot flowers in the Ming Dynasty". Although it was built in the Qing Dynasty, it also adopts the architectural characteristics of the Song Dynasty. When you climb up the building on a rainy day, you can look out the window and have a unique elegance. The three characters "Chun Yu Tower" were handwritten by Cao Hongxun.

Yanxiang Tower The north building in the courtyard is the main building of Shihu Garden. It was built in the Ming Dynasty and is named Yanxiang Tower. Its structure is two stories, with two bays and five purlins, and a hard top; there is a platform in front of the building, round windows and square platforms, which is antique; there is a front porch outside the door and window upstairs, which is protected by railings. Inkstone Tower is the place where the original owner of the garden collected books and studied. Its name is borrowed from the sentence in Tang Dynasty poet Li He's "Yangsheng Blue and White Purple Stone Inkstone Song" "The gauze curtains are warm in the day, the ink flowers are spring, the light is soaked in the foam, the pine trees are heavy, and the musk is heavy", that is to say During the day, the study is as warm as spring. When you grind the ink to create patterns, the ink emits bursts of pine and musky scent, so it is named after this meaning. Standing upstairs and looking forward, you can have a panoramic view of Shihu Garden, including "rockery cliffs, waterfalls and springs, lotus ponds and fields of lotus leaves, and fields of lotus leaves." Chinese and foreign calligraphers and painters often gather here to communicate. Just like the poem goes: If you want to be drunk in the Chunyu Tower, the inkstones are fragrant in the Shihut Hall; the bridge leads to the Sizhao Pavilion, and the small Canglang waves are flowing.

Ten Wat Gardens (continued)

Quiet as a mountain house. There is a row of west wing rooms with eight bays on the west axis. The courtyard is called the garden in the garden. From south to north, the first one is the Quiet Mountain Room, which means quiet, elegant and clean. It is a relatively high-end guest room.

Qiu Sheng Pavilion is named after Ouyang Xiu's "Qiu Sheng Fu". It is a place where guests stay. There is a bench and railing in front of the pavilion.

Shenliu Reading Hall The north hall in the west courtyard of the garden is called Shenliu Reading Hall.

The poem "Que Ti" written by Liu Shenxu, a poet of the Tang Dynasty, contains the sentence: "With the door closed to the mountain road, deep in the willow reading hall", because it was borrowed as the name of the book school, it means that his interest is in reading and he is not easy to socialize. He is deep in the willow shade. I happened to be reading in the main room. In the Qing Dynasty, He Guoji, He Rihao, Qian Xianggao, etc. all used this as the name of their study.

Songfen Bookstore Pass the Shenliu Reading Hall and enter the small courtyard. The north hall is the Songfen Bookstore, which is the study room of the garden owner. The hall is gleaming with carved beams and painted pillars. In the backyard of this hall, there is a wing in the west, and the north hall is named Xue'an. After Kang Youwei visited Shihu Garden, it was renamed "Little Book Nest".

Biyunzhai is located on the east axis, with four courtyards including Biyunzhai. Biyunzhai is the home of the owner of the garden, which means the blue sky and the clear sky. There are small corridors on the east and west. In the east corridor, there are 10 bamboo and stone carvings painted by Feng Qizhen, with inscriptions and postscripts by Dong Qichang, Xing Dong and Li Ye respectively. In the west corridor, there are embedded bamboo and stone carvings painted by Zhao Ziyong. On the painting, Zhao Ziyong wrote a poem by himself, saying: "When writing about bamboo, I should be a teacher of bamboo. Why should I imitate the ancients? I know my mind, my eyes, and my hands, and I can understand my spirit when I write." There are many other stone monuments in the garden.

Chenghuang Temple Monument The monument is 1.90 meters high, 0.80 meters wide and 0.20 meters thick. The inscription has 20 lines, with 47 characters in each line. It was written and written by Zheng Banqiao. The entire text is in regular script, which is extremely rare in Zheng's calligraphy. It is called the "Three Unique Steles". Zheng Banqiao did not believe in ghosts and gods. In his inscriptions, he said that gods were created by humans and that divine power was granted by humans. He had simple materialistic ideas and was regarded as unique. The calligraphy is a masterpiece of Zheng Banqiao's regular script, which is said to be unique. The alchemy stone was engraved with paste by Situ Wen, a master of his craftsmanship. It does not lose the meaning of the writing and is exactly the same as the real pen, which is another unique thing.

The Tang Dynasty Iron Buddha statue was unearthed in 1962 at Shifo Temple in Weicheng District and is now in Shihu Garden. According to the "Weixian Chronicles" and inscriptions, the Shifo Temple was known as the Iron Buddha Temple before the Song Dynasty. The Iron Buddha Temple was destroyed and rebuilt into the Stone Buddha Temple, and the Iron Buddha was buried underground. The iron Buddha statue is 3 meters high, 2 meters wide and weighs about 5 tons. The lower part and hands were damaged and were cast in sections, reflecting the superb casting techniques of ancient foundry artists. The Iron Buddha statue sits cross-legged, with its left hand on the chest, and its right hand stretched forward. It has a plump and dignified face, a raised nose, a wide forehead and plump cheeks, slightly closed eyes, a kind smile, beautiful hair in a high bun, and a belt-style coat. Yingluo has a beautiful shape and reflects the typical artistic style of the Tang Dynasty. It is a rare giant iron Buddha statue in my country. The Turtle and Snake Monument was originally located in the Yuqing Palace in Weicheng District, with the word "turtle and snake" written on it, hence its name. The title of the monument was written by Tan Chuduan, a Taoist priest from the Jin Dynasty. The two characters "turtle and snake" are written in pictographic cursive script. The font is flying and vigorous, majestic and can be written in one stroke. Yuqing Palace is a Taoist temple. Taoism believes that the god of the north is Xuanwu, and its image is a combination of a turtle and a snake. Taoist Tan Chuduan wrote these two words meaning "respect for Xuanwu". When Taoists worship Xuanwu, they place images of turtles and snakes next to them. Wen Zhengming's stone carvings Wen Zhengming, a Ming calligrapher and painter, was born in Suzhou, Jiangsu Province. At the end of Zhengde, he was recommended to the Ministry of officials by tribute during his lifetime, and was appointed to the Hanlin Academy to await imperial edicts. In the early years of Jiajing, he preliminarily revised "Wuzong Shilu". He did not agree with Zhang Cong and Yang Yiqing, so he resigned and returned home. His cursive writing has Zhiyong's legacy, his large characters imitate Huang Tingjian, and he is especially good at small regular script. He is good at painting landscapes. He learned from the Song and Yuan Dynasties. His brushwork is green and elegant, and he is known as the "Wu School". Together with Shen Zhou (or Zhu Yunming), Tang Yin, and Qiu Ying, they are also known as the "Four Ming Schools". He also discussed poetry and prose with Zhu Yunming, Tang Yin and Xu Zhenqing, and was known as the "Four Talents in Wuzhong". There is "Futian Collection" handed down from generation to generation. The content of the stone carvings in the garden is: All things have been swept away over the years, but unwarranted calligraphy and ink remain. The gulls cast elixir powder for the sake of luck, and wrote a book for the geese. Dong Qichang's calligraphy stone carvings Dong Qichang, a Ming calligrapher and painter, courtesy name Yuan Zai, nickname Si Bai, Xiangguang layman, was born in Songjiang, Shanghai. Wanli was already an ugly Jinshi, and he was appointed as the Minister of the Ministry of Rites and Zhan Shifu of Nanjing. He is famous at home and abroad for his calligraphy and painting. Zongbei is a painter of landscapes. His works are graceful and lush, and transcendent. The calligraphers Zongyan and Yu also studied Zhong and Wang. This stone carving is a piece of Dong's calligraphy: The lingering water is indifferent, how can I pick up the gold and green; greeting the morning with plain flowers, leaving the past alone. There is a postscript by Yu Zhi (Danyuan) below: "Yang Jun Runxuan has both carved the Hengshan book and the stone on this volume. This is also an old possession of my family. His writing power is like that of Li Beihai. Yi Mao Qiu Shi." Zhang Ruitu stone engraving by Zhang Ruitu (A.D. 1576-1641), a native of Jinjiang, Fujian Province in the late Ming Dynasty. In the sixth year of Tianqi (1626), he was Shangshu of the Ministry of Rites and a bachelor of Dongge University and joined the aviation industry. At that time, Wei Zhongxian was in charge of affairs, and most of the inscriptions on Zhongxian's temple were written by him. Let's go at the beginning of Chongzhen. Decide against the case and redeem the people. He is good at landscape painting and calligraphy, and is as famous as Mi Wanzhong and Dong Qichang. There is "Baihao'an Collection". The content of the stone carvings in the garden is: After a night of spring rain, thousands of fields are turned green; if you don't know what you want, it means you are fasting and cooking enough. Zheng Banqiao Special Exhibition Room Zheng Banqiao (AD 1693-1765), named Xie, courtesy name Kerou, also named Li'an, also known as Banqiao, was born in Xinghua, Jiangsu. He was born into a poor family, has an unruly temperament, does not stick to trivial matters, and is regarded as a madman by many people.

The magistrate of Wei County in the Qing Dynasty, one of the "Eight Eccentrics of Yangzhou". He was a scholar in the Kangxi period of the Qing Dynasty, a scholar in the Yongzheng period, and a Jinshi in the Qianlong period. In the spring of the seventh year of Qianlong's reign in the Qing Dynasty (1742), he was appointed magistrate of Fan County. In the 11th year of Qianlong reign of the Qing Dynasty (1746), he was transferred to the post of magistrate of Weixian County. Zheng Banqiao served as the magistrate of Weixian County (today's Weifang City) for 7 years. His greatest political achievement was the relief of disaster victims. At that time, a severe drought that had never happened in a century occurred in Weixian County, and a large number of victims were displaced. "Sell a son in ten days, sell a wife in five days, and you will have one body left one day. The journey is long..." is a portrayal of that time. He took decisive measures: on the one hand, he first opened a warehouse to provide loans, and asked the people to borrow grain with coupons, and on the other hand, he reported it to the superiors. He sealed up all the households that accumulated millet, regardless of gentry and merchants, and charged them with living. They also built city walls, dredged city rivers, and used work as relief. "I am lying in the Yazhai listening to the bamboos. I suspect it is the sound of suffering among the people. I am a small official in Caozhou County. I care about every branch and leaf." He always cared about the people and tried every means to save the people from fire and water. Therefore, he offended the interests of the wealthy gentry and wealthy businessmen, and was falsely accused and dismissed from office. . Zheng Banqiao has achieved great achievements in poetry, calligraphy and painting, and is known as the "Three Wonders". His paintings are beautiful and vigorous, free and full of interest, especially good at orchids, bamboos, and stones; his poems emphasize true feelings, are proud and generous, and are compassionate; his calligraphy is composed of regular script, running script, cursive script, and official script, which is mellow and ancient. , self-titled "Six and a half books". He is the author of "Banqiao Collected Works", "Banqiao Family Letters", "Banqiao Poetry Notes", etc. Zheng Banqiao has a certain status in the history of Chinese literature and art. Mr. Xu Beihong said: "Mr. Banqiao is one of the most outstanding figures in China in the past three hundred years. His thoughts, articles, and calligraphy and painting are especially wonderful. Looking at his poems, calligraphy and paintings, one can not only see the magnificence, but also the kindness and wonder. , especially rare talents in ancient and modern times." The special exhibition room of Zheng Banqiao has four parts: the first part is the preface, in addition to texts and objects, there are also portraits and statues of Zheng Banqiao; the second part focuses on the exhibition of Zheng Banqiao's legacy in Wei County. Among the inscriptions, there is the original stele of "City God's Temple Stele" written and written by Zheng. There is also a stone inscription in the courtyard, which is "Run Ge" written by Zheng Banqiao. It is a combination of real and official script and mixed with running cursive. It is one of his calligraphy masterpieces; thirdly Part of the display displays Zheng Banqiao's handwriting and text diagrams, etc., introducing Zheng's life and artistic achievements; the fourth part displays contemporary papers and monographs commemorating and studying Zheng Banqiao.

10 Yunmen Mountain

Yunmen Mountain is one of the first batch of provincial scenic spots announced by the Shandong Provincial Government in 1985. It is located 2.5 kilometers south of Qingzhou City, with an altitude of 421 rice. The plain is covered with pine trees. Although it is not high, it has the potential to reach thousands of feet. It has been a famous mountain in central Shandong since ancient times. The main peak, Da Yunding, has a cave like a door, connecting the north and south. Looking from a distance is like a mirror hanging high. In summer and autumn, clouds and mist pass through the cave like rolling waves, holding the temple on the top of it, looming, ethereal, like a fairyland, and majestic. It is so spectacular that it is called "Yunmen" or "Yunmen Wonderland".

There is a natural stone cave on the south and west side of the main peak Yunmen Cave, which is unfathomable. When the air pressure is low, steam often emerges, which is called "Yun Cave". Yunmen Mountain is as lush as the sea of ??pines and cypresses, with steep cliffs and charming scenery. It is located in the south of Qingzhou Prefecture and looks like a natural barrier. Yunmen Fairy Mirror has always been favored by both Buddhism and Taoism. There are 5 large and small grottoes and 272 statues on the sunny slope of Yunmen Mountain. In Yunmen Mountain, there is a huge stone inscription with the word "Shou" on a cliff, which is rare in the sea. It is known as "Yunmen Xian Shou". It is "written by Ji Yang Zhouquan, the head of the Heng Mansion, on the 9th day of September in the 39th year of the Jiajing reign of the Ming Dynasty". On the east side behind Yunmen Mountain, there is also the "Wanchun Cave" comprehensively constructed in Jiyang. The main peak of Yunmen Mountain is named "Big Yunding". It is shaped like a fish spine and runs east-west. There are many temples and palaces on it. The palace of "Emperor Dongyue" is planted on the top of the mountain, and a tree dedicated to "Mount Tai Mother" is built. Langfeng Pavilion is built in the east and west. Panshan stone level 968. Climb to the top of Yunmen Mountain and look to the west to see Tuo Mountain and the large and small peaks in the southwest. The undulating mountains are very spectacular. The "Celestial Jade Girl Temple" and "Wangshou Pavilion" in Yunmen Mountain are built with red walls and green tiles, which are antique and majestic.

11 Ouyuan

Ouyuan, located on the east side of the middle section of Ouyuan Street in Qingzhou City, was originally the private garden of Feng Pu, the bachelor of Wenhua Palace and the crown prince during the Kangxi period of the Qing Dynasty. It is commonly known locally as "Feng Family Garden". This garden is not large in scale. Because it is a rare existing "Kangxi style" garden building, it has high architectural and cultural value.