Green tea from the perspective of psychoanalysis

Freud divided people's spiritual activities into consciousness, pre-consciousness and subconscious. Consciousness is the subjective initiative of human beings to fully mobilize all aspects of rational components, and the surface part is the external presentation of superego personality. The subconscious is the deepest and most primitive part of human spiritual activities. In this dark and secret corner, the subconscious is full of all kinds of instincts and desires that are not allowed by social ethics, which is the external display of my personality. The heroine in the film Green Tea obviously embodies the interweaving transformation of consciousness and subconscious, thus showing two different personalities: superego and id.

On the one hand, Wu Fang is an old-fashioned hostess with simple clothes and conservative personality. She is busy dating all kinds of men every day, longing for marriage, which is the heroine's consciousness and superego personality; On the other hand, Lang Lang, a charming hotel pianist, dresses beautifully and has a variety of amorous feelings, wandering among all kinds of men, unmoved, which is the subconscious level and id personality of the heroine. Two people's personalities seem to be very different and irrelevant. The only similarity is that Wu Fang and Lang Lang both like to drink green tea and tell each other a story about "a friend of mine".

After watching this movie, we can't help asking whether the heroine is aware of this problem when she switches between Wu Fang in the daytime and Lang Lang in the evening. Do you realize that you have a dual personality? In my opinion, the heroine may not be aware of this problem. First, in front of the hero, they show a completely different self, not a state that can be deduced by lying and pretending. Even if we can tell each other's stories, they are two supplements to a complete story. Second, if the heroine realized it, there would be no final "revealing identity" scene. Lang Lang slapped a friend in Chen Mingliang and said, "I hate men who hit women!" This sentence. This shows that the heroine's two personalities are completely independent. During the day, Wu Fang's personality is dominant and becomes the main personality, and at night, the subsequent personality is dominant and becomes the main personality, which is what we often say in medicine.

The main feature of personality split is that the patient separates the conscious activities or memories that cause her inner psychological pain from the whole spiritual level to protect herself, thus losing her self-integrity. There is no doubt that the reason why the heroine splits into two personalities is her unhappy childhood memories. My father has accomplished nothing and is prone to mental illness. He often insults his mother with words and violence. The girl accidentally killed her father, and her mother took the fall for her. The dark life experience of childhood undoubtedly caused a huge psychological shadow to the heroine. She doesn't trust men, but she keeps dating. She has deep doubts about love but longs for marriage, and has lived under great psychological repression for a long time. In order to prevent her emotional and psychological collapse, the body can only subconsciously choose to split into dual personality. Dual personality is a way for her to protect herself, a self-protection instinct in the primitive state. So, in fact, the heroine didn't realize that she could split into two personalities. When the other person's personality appears, the memory of the other person's personality no longer exists and is completely independent.

The hero became interested in Wu Fang because he told a story about green tea fortune-telling and making friends on a blind date, and then began to pursue Wu Fang, but the process was not so smooth. After knowing Lang Lang, I became interested in Lang Lang because of his identical appearance and completely different personality. In this movie, the hero can't fully understand the psychology of Wu Fang and Lang Lang, although he thinks he knows women very well. He kept mentioning Wu Fang in front of Lang Lang and tried carefully, which showed that he was extremely confused about his own judgment. If he was very sure that Wu Fang and Lang Lang were the same person, he wouldn't repeat and verify them over and over again.

In fact, men and women, half of the sea and half of the flame, are strong and contradictory, and will never be mutually soluble, which reflects the gap between the two sexes. This kind of diaphragm cannot be eliminated, nor can it be eliminated. Because of the differences in libido and social status, there must be differences between men and women in mental psychology and way of thinking, so both men and women will envy and explore each other to varying degrees.

At the end of the film, the hero and heroine came together smoothly. At the end of the movie, we will think, when did the heroine begin to fall in love with the hero? Is it because conservative Wu Fang is willing to dance with Chen Mingliang, or does Chen Mingliang make her realize that Wu Fang and Lang Lang are actually the same person at the end of the film? The film doesn't give a clear hint. Perhaps from an earlier time, Wu Fang would like to continue telling the story of "a friend of mine" to Chen Mingliang.

Some people say that if the world of two people is a teacup, Wu Fang and Chen Mingliang are tea leaves floating at the bottom of the cup, and Lang Lang is the water for making tea. Water determines the rotation direction, winding mode and fluctuation rhythm of tea between Wu Fang and Chen Mingliang. Admittedly, there is some truth in this. However, I prefer to compare Wu Fang and Lang Lang to the front and back of tea. Consciousness and superego are in front, subconscious and id are behind, and Chen Mingliang is the water for making tea. Because of the appearance of Chen Mingliang, Wu Fang and Lang Lang merged into one, making green tea exude a real and natural fragrance.