Traditional Culture Encyclopedia - Hotel reservation - If you want to watch a lot of movies, find one
If you want to watch a lot of movies, find one
Chinese title
Psychic Transporter/Shuttler
Foreign title
Jumper
More Chinese title
The Skywalker....Hong Kong translation
Mobile World....Taiwan translation
More foreign film titles
p>
Jumper - Franchir le temps .....Canada (French title)
Movie Genre
Thriller/Adventure/Drama/Science Fiction
Duration
88 min / USA: 90 min
Country/Region
United States
Dialogue Language
English
Color
Color
Format
35mm Anamorphic
Mixing
Dolby
Rated
Rated PG-13 for sequences of intense action violence, some language and brief sexuality.
Rating
< p>Singapore:PG USA:PG-13 Norway:11 UK:12A South Korea:15 Philippines:PG-13 Switzerland:14 Ireland:12A Taiwan:PG-12Date of filming
< p>August 28, 2006 - December 8, 2006Production date
August 28, 2006 - January 12, 2007
Camera
RED ONE Camera....(second unit camera)
Camera format
35 mm
Development format< /p>
35 mm .....(anamorphic)
Watching address: onlinetv.com/Movie/4453
[Edit this paragraph] Cast and crew
p>Director
Doug Liman
Writer
Steven Gould.... .novel
David S. Goyer .....screenplay
Simon Kinberg .....screenplay
Jim Uhls .....screenplay
Actor
Hayden Christensen .....David Rice
Samuel L. Jackson Samuel L. Jackson .....Roland
Jamie Bell .....Griffin
Diane Lane .....Mary Rice
Rachel Bilson....Millie
Annasophia Robb....Young Millie
Michael ·Michael Rooker .....William Rice
Max Thieriot .....Young David
Jesse James .... .Young Mark
Tom Hulce…..M
r. Bowker
Kristen Stewart .....Sophie
Teddy Dunn .....Mark
Meredith Henderson ... ..Fiona
Nathalie Cox .....Maggie
Barbara Garrick .....Ellen
Brad Borbridge .....Coffee Shop Manager
Adam Chuckryk
Shawn Roberts .....Brit
Michael Winther .....Day Bank Manager
Massimiliano Pazzaglia .....Italian Desk Cop
Damir Andrei .....Psychologist
Tony Nappo .....NYPD Detective
George King .. ...Owner Of Millie's Old House
Clark Beasley Jr. .....Bank Guard
Simona Lisi .....Italian Woman
Matteo Carlomagno .....Italian Detective
Fabrizio Bucci .....Italian Police Officer #1
Giorgio Santangelo .....Italian Police Officer #2
Marcello Santoni .....Italian Cabbie #1
Franco Salvatore Di Stefano .....Italian Cabbie #2
Angelo Lopez .....Doorman< /p>
Roberto Antonelli .....Bellhop
Veronica Visentin .....Italian Ticket Agent
Christian Pikes .....Toby
George Ghali .....Landlord
Ryny Gyto Ouk .....Jungle Jumper
Frantisek Jicha .....Kid #1 in Detroit Airport p>
Robin Zenker .....Kid #2 in Detroit Airport
Masahiro Kishibata .....Angry Japanese Cook
Sumiko Yamada ... ..Japanese Chef's Wife
Tamaki Mihara .....Japanese Chef's Daughter
Mansaku Ikeuchi .....Japanese Scientist
Rolando Alvarez Giacoman .....Mexican Truck Driver
Jordan Gatto .....Hoolihan's Bar Patron #1
Nicholas Kusiba .....Hoolih
an's Bar Patron #2
Ariel Lukane .....Hoolihan's Bar Patron #3
Vanessa Reid .....Hoolihan's Bar Patron #4
Stephen Whitehead .....Hoolihan's Bar Patron #5
Mahmud Watts .....Surfer #1
Braden Munafo .....Surfer #2
Tamara Buchwald .....Surfer #3
Maia Smith .....Surfer #4
Valentino Visentini .....Police Officer
John Baker .....Lamplighter Clerk
Josie Lau .....Hospital Aid
Produced by
Marc S. Fischer .....executive producer
Lucas Foster .....producer
Vince Gerardis .....executive producer
Joe Hartwick Jr. . ....co-producer
Simon Kinberg .....producer
Giovanni Lovatelli .....line producer: Italy
Stacy Maes . ....producer
Jay Sanders .....producer
Ralph Vicinanza .....executive producer
Kim H. Winther ... ..executive producer
Scott Gardenhour .....executive producer
Jeffrey Harlacker .....associate producer
Philip Waley ..... line producer: Prague
Original Music
John Powell
Photography Cinematography
Barry Peterson ..... (director of photography)
Film Editing
Saar Klein
Dean Zimmerman
Don Zimmerman
Select Casting Director
Joseph Middleton
John Buchan
Art Director Production Designer
Oliver Scholl
Production Designer Art Direction by
Elinor Rose Galbraith .....(supervising art director)
Peter Grundy
Tom Valentine .....(supervising art director) )
Tamara Marini
Scenery
Set Decoration by
Hilton Rosemarin
Costume Design by
Magali Guidasci
Visual Effects Supervisor
Mark O. Forker .....DIVE
Joel Hynek
Gary E. Beach .....Prague
Michael Joyce .. ...Cinema Production Services, Inc.
Don Lee .....Pixel Playground
Edson Williams .....Lola Visual Effects
Erik Winquist .....Weta Digital
Assistant Director
Adam Bocknek .....third assistant director
Simon Crane .. ...second unit director
Aric Dupere .....trainee assistant director
Beau Ferris .....third assistant director: second unit/trainee assistant director
Jen Foxton .....assistant director
Jennifer Haufler .....assistant director
Joel Hay .....second second assistant director
Nick Lopez .....assistant director
Murphy Occhino .....second assistant director: New York City
Michael Peleshok .....trainee assistant director
Andrew M. Robinson .....second assistant director
Boyana Sutic .....first assistant director
Adam T. Weisinger .... ...second second assistant director: New York
Kim H. Winther .....first assistant director
Heather Wusterbarth .....key second assistant director: New York /key second assistant director: Rome, Italy
Eric Yellin .....second assistant director
Alessandra Balestra .....second assistant director: rome
< p>Darrin Brown .....second assistant director (reshoots)Bonnie Corey .....ass
istant director
Terry Madden .....first assistant director: second unit
Jodi A. Tario .....assistant director
Simonetta Valentini . ....second assistant director: rome
Robert Ballentine .....first assistant director (additional photography)
Patrick Hagarty .....third assistant director: reshoot< /p>
Patrick Scoffin .....trainee assistant director: Prague
Mark Taylor .....first assistant director: Prague
Katey Wheelhouse .... .assistant director: additional photography/second assistant director
[Edit this paragraph]Production and distribution
Production company
Twentieth Century-Fox Film Corporation [USA]
Created By
New Regency Pictures
Hypnotic
Regency Enterprises
Distribution Company< /p>
20th Century Fox Netherlands [Netherlands] ..... (2008) (Netherlands) (theatrical)
Gemini Film [Russia] ..... (2008) (Russia) (theatrical)
20th Century Fox [Japan] ..... (2008) (Japan) (theatrical)
20th Century Fox 20th Century Fox [Singapore] ..... (2008) (Singapore) (theatrical)
20th Century Fox de Argentina [Argentina] ..... (2008) (Argentina) (theatrical)
Kinowelt Filmverleih [Germany] ..... (2008) (Germany) (theatrical)
Twentieth Century-Fox Film Corporation [USA] ..... (2008) (USA) (theatrical)
Stunt Production Company
Cinema Production Services Inc.
Gentle Giant Studios Inc . [USA]
Hydraulx [USA]
Lola Visual Effects [USA] ..... (visual effects)
Soho VFX [Canada]< /p>
Other companies
Chapman and Leona
rd Studio Equipment ..... cranes/dollies
Postworks New York [USA] ..... HD dailies (NY shoot)
Behind the Scenes Freight [USA] . .... shipping by
Dolby Laboratories [USA] ..... sound post-production
Egypt Productions ..... production services co.
< p>Hand Prop ..... props supplied byInternational Production Company ..... production services
Internet On Set ..... on-set satellite internet< /p>
Jigsaw Music ..... music preparation
Lakeshore Records [USA] ..... score album
Louisiana Media Productions ..... production services
Packair Airfreight ..... international logistics
Panavision ..... camera equipment provided by
Rockbottom Rentals ..... cell phone rentals
Sydney Symphony Orchestra [Australia] ..... orchestra
[Edit this paragraph] Release date
Italy
Italy
February 6, 2008..... (Rome) (premiere)
United States
USA
February 2008 February 11.... (New York City, New York) (premiere)
Philippines
Philippines
February 13, 2008
p>Canada
Canada
February 14, 2008
Indonesia
Indonesia
February 14, 2008
Kuwait
Kuwait
February 14, 2008
Mexico
Mexico
February 14, 2008
Portugal
Portugal
February 14, 2008
Singapore
Singapore
February 14, 2008
South Korea
South Korea
February 2008 14th
UK
UK
February 14, 2008
Australia
Australia
February 14, 2008
Russia
Russia
February 14, 2008
Hong Kong
Hong Kong
February 14, 2008
Netherlands
Netherlands
February 14, 2008
p>United States
>
USA
February 14, 2008
Taiwan
Taiwan
February 14, 2008
Norway
Norway
February 15, 2008
Spain
Spain
2008 February 15, 2008
Estonia
Estonia
February 15, 2008
Iceland
Iceland
February 15, 2008
Poland
Poland
February 15, 2008
Belgium
Belgium
February 20, 2008
Egypt
Egypt
February 20, 2008
France
France
February 20, 2008
Denmark
Denmark
< p>February 22, 2008Sweden
Sweden
February 22, 2008
Japan
< p>JapanFebruary 26, 2008.... (Roppongi, Tokyo) (premiere)
Israel
Israel
< p>February 28, 2008Italy
Italy
February 29, 2008
Slovakia
< p>SlovakiaMarch 6, 2008
Japan
Japan
March 7, 2008
< p>FinlandFinland
March 7, 2008
Turkey
Turkey
March 2008 March 21
Germany
Germany
March 27, 2008
Brazil
Brazil
p>March 28, 2008
Argentina
Argentina
April 3, 2008
[Edited version Paragraph] Plot introduction
Superpowers are often the bottom line for testing moral trends. If you want to understand the good and evil of a person, give him extreme power, so that he will tear off the mask of hypocrisy and reveal himself. The truly dirty face... If you can use "teleportation" to travel across time and space at will, and send yourself to an imaginary place in the blink of an eye, is that a form of extreme power?
Due to an irregular or even abnormal genetic gene, a young man named David suddenly discovered that he had a superpower that could transform himself within a second. Transported to any place, and after discovering his ability, the first thing he thought of was to rob a bank... David had an unhappy, even miserable childhood, so it is not difficult for us to understand that when he After gaining the ability, what he wants most is to change his previous miserable life. At least he is still an imperfect person with a lot of room for plasticity. He needs to master the ability as he wishes while facing the responsibilities and duties of an adult. obligation. Slowly, David discovered that the magical power he possessed had existed in this world for thousands of years, and it was not the "only one." Since people who have just mastered the "teleportation technique" will have temporary confusion and excitement like David, and do some irrational things such as robbing banks, another mysterious organization "Ranger" came into being. As long as they meet the "psychic transmitter", they are ruthless and ruthless and will "kill" them mercilessly. The war that exists between them has also lasted for thousands of years - and David is no exception. , he soon became the next target of the "Ranger".
[Edit this paragraph] Related comments
The film is still a qualified travel manual, with many tempting descriptions of Rome, Tokyo, New York and other very spectacular scenery. As for being a science fiction action movie, it's just not satisfactory.
——"San Francisco News"
Even though there are many magnificent scenes in it, the film can only be called a niche movie at best.
——"Time Magazine"
People with superpowers may not necessarily use this power to do good things for mankind. Since the film is the first part of a trilogy, It feels more like a cool, 90-minute trailer.
——comingsoon website
[Edit this paragraph] Behind-the-scenes production
Upgraded version of "Apparition"
"Psychic Transmission" "The Writer" tells a thrilling and imaginative legend. Simon Kinberg, one of the screenwriters and also a producer, said: "At the beginning, we just wanted to tell the story Some of the things that happened to a hero were created by chance and against his will. He just wanted to know what would happen if he kept using his superpowers to help people in danger. "The consequences." Director Doug Liman, Kinberg and producer Lucas Foster spent several years fleshing out its structure, and why they did so wasn't Just to enrich the script of "The Teleporter", they wanted to know more mysterious stories and the true origins behind a young man's epic adventure-why he wanted to return to real life so much instead of Live a life full of dreams, full of temptation, where you can go wherever you want, like a myth?
For Doug Liman, he has a knack for films where characters determine the story, especially unpredictable, nerve-wracking action thrillers. For example, the recent "Mr. and Mrs. Smith" and "The Bourne Supremacy". From this point of view, the potential contained in "The Teleporter" cannot be ignored. In Liman's hands, it is equivalent to an opportunity to combine that very modern and trendy form of expression into an older storytelling method. Among them, Liman pointed out: "Most of the stories we see about superheroes actually began to appear in novels almost 100 years ago, but the content of "Psychic Transporter" is full of rare new ideas and Modernization, in the end, will probably be the biggest and most creative challenge of my career."
The story told in the film is based on Steven Gould. ) was adapted from two science fiction novels created by "The Teleporter" and "Reflex" - both of which feature David Rice, a young man who encounters many difficulties. His seemingly unexplainable "teleportation" ability allowed him to start a dreamlike new life, far away from the pain of the past... Due to its high popularity among critics and readers, Gould's The novel series quickly developed a large following. At the same time, the story itself demonstrates a potential power beyond the confines of words: when producers Vince Gerardis and Ralph M. Vicinanza read Upon arriving at these novels, they immediately knew they were in for a great cinematic journey.
At this time, the popular film screenwriter David S. Goyer appeared at the right time. His work is related to classic superheroes or villains, such as "Blade Runner" and " Action thrillers like Batman Begins are specifically responsible for making these two-dimensional characters three-dimensional on the big screen. Goyer did more than just adapt Steven Gould's work into a screenplay. He also gave the entire story a broader scope, including creating a new character-Griffin. He is another "teleporter" whose life experience is a mystery. Since he was a child, Griffin has mastered the art of time and space travel... Goyer hopes to use this to establish a larger scope for the film.
In the process of writing the script, Goyer did not continue the conventional way of describing superheroes. Instead, he studied each character in depth and showed the audience how they use superpowers that almost perfectly symbolize "escape". , of course, including the very real temptation that this ability brings. The entire story revolves around an unstable young man, creating a breathless and thrilling atmosphere as the young man learns the consequences of complete freedom. Director Doug Liman said: "The reason why I fell in love with Goyer's original script at first sight was because the person in the story who got super powers, the first thing he did with them was to go out and rob a family. Banks... I really liked that there was something about the story that I hadn't seen before, and as a director who likes to have character-driven content, I loved that and it gave me that. It’s a very huge space of imagination, and it can even be said to be a crazy and thorough research. I have made two action movies in a row, and I am really fascinated by the process of creating these profound and complex characters.”< /p>
Film Analysis
Similar to Doug Liman, producer Lucas Foster was also attracted by David S. Goyer's script before joining. He was particularly impressed by the focus on the human turmoil brought about by a young man possessing superpowers. Foster said: "'Teleportation' gave David Rice a The opportunity, that is, he can escape his unhappy family life, but this ability also puts him into a different world, where he can only learn how to be an adult on his own, And have enough courage to solve various problems in life. David has to learn how to slowly improve his abilities, face the darkness in his heart, and then continue his life. This kind of story setting can be achieved by everyone. Relating it to himself, although he is in a special situation as a 'teleporter', everything David encounters is universal and popular."
So there was Steven Gould. , David S. Goyer and associate screenwriter Jim Uhls (Jim Uhls) jointly contributed the script, plus Doug Liman, Simon Kinberg and Lucas Foster, they * **The same "psychic transmitters" have created a huge historical background story that has gone through countless generations: they can reverse time and space through their thoughts, and their superpowers can be passed down from generation to generation, and their traces can be traced back thousands of years ago.
The filmmakers first started by studying those who believe in "teleportation". From the theoretical perspective of occultism and fringe physics, this situation is very likely to happen, Simon Kinberg explains: "We talked to a lot of physicists, so we understood how teleportation manifested itself in science and enriched the story with these real theories. But we also learned from the mystical I thought about it from a scientific perspective, so the film itself is also based on the cultural imagination that has taken thousands of years to form. Sufism and Hinduism have had mysterious legends about the practical theory of 'teleportation' almost centuries ago. I feel that the form of its manifestation is that you can immediately 'transport' yourself to a mountain top that no one can climb, or do some of the most mundane and ordinary daily things, providing a world full of temptations and allowing you to expand your imagination at will. Opportunities, such as this kind of wish-fulfilling story elements, often have real appeal."
However, the "teleportation technique" with its completely open nature also provides opportunities for those who create evil. Given an equal chance, Lucas Foster said: "Many people use teleportation not because it is cool or fun, such as having breakfast on the top of a giant mountain and then teleporting in the blink of an eye. Go surfing in Australia... There are some people here who have very evil intentions, like getting a nuclear weapon and throwing it into the White House. When you think about it, you'll find that teleportation brings you. A lot of surprises, but it is also similar to a curse. If such power falls into the wrong hands, or is used by someone who can control the 'teleporter', they can spread their evil everywhere. , to do anything.
”
The existence of “teleporters” also led to the creation of “Ranger”, which is a very mysterious elite group. They have spent thousands of years trying to stop “teleporters” Using their abilities for evil, in the short time before those "teleporters" have mature minds, they become the targets of ruthless "Ranger" agents who will do anything they can. Get rid of the "teleporter"
In order to establish a solid foundation for this complex internal structure that is worthy of an epic story, the film's production team has always followed the two most basic principles of "teleportation". Rules: 1. You can transport yourself to any place you just saw; 2. You can also transport yourself to a place you have never seen before, as long as you have a strong visual memory of that place.
As for other perfect rules of "teleportation", there are also "teleportation scars", which are a momentary abnormal phenomenon, some divisions in the time and space left behind by the "teleporter" - like this It allows other "teleporters" to search for traces of his operation. Then there is the "time rope", which is an electronic weapon used by the "Ranger" to strand, track and terminate the free-roaming "teleporters". It is a "teleportation". "The thing that scares the most".
[Edit this paragraph] Highlights
·Because Evan Rachel Wood rejected the role of Millie, Rachel Beale Mori had the opportunity to star.
·At the beginning, the two roles of David and Milly were played by Tom Starridge and Teresa Palmer respectively. After two months of filming, filming was halted due to budget constraints. Hayden Christensen and Rachel Bilson rejoined the project, and reshoots began. >
·Eminem turned down a request for a guest star in the film
·The crew received permission to film at the Colosseum for three days, on the condition that no video footage was allowed. The equipment is inside. And the time is limited to 6:30 to 8:30 in the morning, so as not to disturb visitors. As for lighting, only natural sunlight is allowed.
·When the film was filmed in Ann Arbor, Michigan, the high school described in the story was actually Lake Huron High School. During the filming, the school allowed students to appear as extras on the scene or around the school. .
[Edit this paragraph] Wonderful dialogue
Davey: Why are you walking?
Griffin: I like walking for a change! Makes me feel normal. ..
David: Why are you walking?
Griffin: I like walking to change myself! It makes me feel normal...
< p>Davey: Take a deep breath...Davey: Take a deep breath...
Cox: You think you can go on like this forever? Living like this with no consequences? There are *always* consequences.
Cox: Do you think you can go on like this forever? Survive by this ability without consequences? There are "always" bad consequences for using this ability.
Griffin: Welcome to the war.
Griffin: Welcome to the war.
[Edit this paragraph] Gang scene
·Surfboard with super powers: After David slept with a girl in London, he teleported himself to a shop selling surfing supplies Shop where you can get a surf suit and a surfboard. He first came to a beach, but other surfers told him that only Fiji had waves at this time... When the camera turned, David, who was riding a huge wave in Fiji, did a somersault, and then teleported himself back to the giant peak. However, when he jumped back from Fiji, the surfboard was left there, but at the top of the mountain, we saw that the surfboard was clearly next to him.
·Numbers with ever-changing textures: At the beginning of the film, when David walks into his hotel room for the first time, the room number on the door is three glued-on numbers. , the numbers are black and printed on the metal plate. Later, when he returned to the room, the room number turned into a large, black number embedded on the door.
After racing, they stopped on the side of the road. There was a white car parked behind them. After the other person flashed, David was in the car, and the car behind them disappeared.
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