Traditional Culture Encyclopedia - Hotel reservation - If you want to watch a lot of movies, find one

If you want to watch a lot of movies, find one

Chinese title

Psychic Transporter/Shuttler

Foreign title

Jumper

More Chinese title

The Skywalker....Hong Kong translation

Mobile World....Taiwan translation

More foreign film titles

Jumper - Franchir le temps .....Canada (French title)

Movie Genre

Thriller/Adventure/Drama/Science Fiction

Duration

88 min / USA: 90 min

Country/Region

United States

Dialogue Language

English

Color

Format

35mm Anamorphic

Mixing

Dolby

Rated

Rated PG-13 for sequences of intense action violence, some language and brief sexuality.

Rating

Singapore:PG USA:PG-13 Norway:11 UK:12A South Korea:15 Philippines:PG-13 Switzerland:14 Ireland:12A Taiwan:PG-12

Date of filming

August 28, 2006 - December 8, 2006

Production date

August 28, 2006 - January 12, 2007

Camera

RED ONE Camera....(second unit camera)

Camera format

35 mm

Development format

35 mm .....(anamorphic)

Watching address: onlinetv.com/Movie/4453

[Edit this paragraph] Cast and crew

Director

Doug Liman

Writer

Steven Gould.... .novel

David S. Goyer .....screenplay

Simon Kinberg .....screenplay

Jim Uhls .....screenplay

Actor

Hayden Christensen .....David Rice

Samuel L. Jackson Samuel L. Jackson .....Roland

Jamie Bell .....Griffin

Diane Lane .....Mary Rice

Rachel Bilson....Millie

Annasophia Robb....Young Millie

Michael ·Michael Rooker .....William Rice

Max Thieriot .....Young David

Jesse James .... .Young Mark

Tom Hulce…..M

r. Bowker

Kristen Stewart .....Sophie

Teddy Dunn .....Mark

Meredith Henderson ... ..Fiona

Nathalie Cox .....Maggie

Barbara Garrick .....Ellen

Brad Borbridge .....Coffee Shop Manager

Adam Chuckryk

Shawn Roberts .....Brit

Michael Winther .....Day Bank Manager

Massimiliano Pazzaglia .....Italian Desk Cop

Damir Andrei .....Psychologist

Tony Nappo .....NYPD Detective

George King .. ...Owner Of Millie's Old House

Clark Beasley Jr. .....Bank Guard

Simona Lisi .....Italian Woman

Matteo Carlomagno .....Italian Detective

Fabrizio Bucci .....Italian Police Officer #1

Giorgio Santangelo .....Italian Police Officer #2

Marcello Santoni .....Italian Cabbie #1

Franco Salvatore Di Stefano .....Italian Cabbie #2

Angelo Lopez .....Doorman

Roberto Antonelli .....Bellhop

Veronica Visentin .....Italian Ticket Agent

Christian Pikes .....Toby

George Ghali .....Landlord

Ryny Gyto Ouk .....Jungle Jumper

Frantisek Jicha .....Kid #1 in Detroit Airport

Robin Zenker .....Kid #2 in Detroit Airport

Masahiro Kishibata .....Angry Japanese Cook

Sumiko Yamada ... ..Japanese Chef's Wife

Tamaki Mihara .....Japanese Chef's Daughter

Mansaku Ikeuchi .....Japanese Scientist

Rolando Alvarez Giacoman .....Mexican Truck Driver

Jordan Gatto .....Hoolihan's Bar Patron #1

Nicholas Kusiba .....Hoolih

an's Bar Patron #2

Ariel Lukane .....Hoolihan's Bar Patron #3

Vanessa Reid .....Hoolihan's Bar Patron #4

Stephen Whitehead .....Hoolihan's Bar Patron #5

Mahmud Watts .....Surfer #1

Braden Munafo .....Surfer #2

Tamara Buchwald .....Surfer #3

Maia Smith .....Surfer #4

Valentino Visentini .....Police Officer

John Baker .....Lamplighter Clerk

Josie Lau .....Hospital Aid

Produced by

Marc S. Fischer .....executive producer

Lucas Foster .....producer

Vince Gerardis .....executive producer

Joe Hartwick Jr. . ....co-producer

Simon Kinberg .....producer

Giovanni Lovatelli .....line producer: Italy

Stacy Maes . ....producer

Jay Sanders .....producer

Ralph Vicinanza .....executive producer

Kim H. Winther ... ..executive producer

Scott Gardenhour .....executive producer

Jeffrey Harlacker .....associate producer

Philip Waley ..... line producer: Prague

Original Music

John Powell

Photography Cinematography

Barry Peterson ..... (director of photography)

Film Editing

Saar Klein

Dean Zimmerman

Don Zimmerman

Select Casting Director

Joseph Middleton

John Buchan

Art Director Production Designer

Oliver Scholl

Production Designer Art Direction by

Elinor Rose Galbraith .....(supervising art director)

Peter Grundy

Tom Valentine .....(supervising art director) )

Tamara Marini

Scenery

Set Decoration by

Hilton Rosemarin

Costume Design by

Magali Guidasci

Visual Effects Supervisor

Mark O. Forker .....DIVE

Joel Hynek

Gary E. Beach .....Prague

Michael Joyce .. ...Cinema Production Services, Inc.

Don Lee .....Pixel Playground

Edson Williams .....Lola Visual Effects

Erik Winquist .....Weta Digital

Assistant Director

Adam Bocknek .....third assistant director

Simon Crane .. ...second unit director

Aric Dupere .....trainee assistant director

Beau Ferris .....third assistant director: second unit/trainee assistant director

Jen Foxton .....assistant director

Jennifer Haufler .....assistant director

Joel Hay .....second second assistant director

Nick Lopez .....assistant director

Murphy Occhino .....second assistant director: New York City

Michael Peleshok .....trainee assistant director

Andrew M. Robinson .....second assistant director

Boyana Sutic .....first assistant director

Adam T. Weisinger .... ...second second assistant director: New York

Kim H. Winther .....first assistant director

Heather Wusterbarth .....key second assistant director: New York /key second assistant director: Rome, Italy

Eric Yellin .....second assistant director

Alessandra Balestra .....second assistant director: rome

Darrin Brown .....second assistant director (reshoots)

Bonnie Corey .....ass

istant director

Terry Madden .....first assistant director: second unit

Jodi A. Tario .....assistant director

Simonetta Valentini . ....second assistant director: rome

Robert Ballentine .....first assistant director (additional photography)

Patrick Hagarty .....third assistant director: reshoot

Patrick Scoffin .....trainee assistant director: Prague

Mark Taylor .....first assistant director: Prague

Katey Wheelhouse .... .assistant director: additional photography/second assistant director

[Edit this paragraph]Production and distribution

Production company

Twentieth Century-Fox Film Corporation [USA]

Created By

New Regency Pictures

Hypnotic

Regency Enterprises

Distribution Company

20th Century Fox Netherlands [Netherlands] ..... (2008) (Netherlands) (theatrical)

Gemini Film [Russia] ..... (2008) (Russia) (theatrical)

20th Century Fox [Japan] ..... (2008) (Japan) (theatrical)

20th Century Fox 20th Century Fox [Singapore] ..... (2008) (Singapore) (theatrical)

20th Century Fox de Argentina [Argentina] ..... (2008) (Argentina) (theatrical)

Kinowelt Filmverleih [Germany] ..... (2008) (Germany) (theatrical)

Twentieth Century-Fox Film Corporation [USA] ..... (2008) (USA) (theatrical)

Stunt Production Company

Cinema Production Services Inc.

Gentle Giant Studios Inc . [USA]

Hydraulx [USA]

Lola Visual Effects [USA] ..... (visual effects)

Soho VFX [Canada]

Other companies

Chapman and Leona

rd Studio Equipment ..... cranes/dollies

Postworks New York [USA] ..... HD dailies (NY shoot)

Behind the Scenes Freight [USA] . .... shipping by

Dolby Laboratories [USA] ..... sound post-production

Egypt Productions ..... production services co.

Hand Prop ..... props supplied by

International Production Company ..... production services

Internet On Set ..... on-set satellite internet

Jigsaw Music ..... music preparation

Lakeshore Records [USA] ..... score album

Louisiana Media Productions ..... production services

Packair Airfreight ..... international logistics

Panavision ..... camera equipment provided by

Rockbottom Rentals ..... cell phone rentals

Sydney Symphony Orchestra [Australia] ..... orchestra

[Edit this paragraph] Release date

Italy

February 6, 2008..... (Rome) (premiere)

United States

USA

February 2008 February 11.... (New York City, New York) (premiere)

Philippines

February 13, 2008

Canada

February 14, 2008

Indonesia

February 14, 2008

Kuwait

February 14, 2008

Mexico

February 14, 2008

Portugal

February 14, 2008

Singapore

February 14, 2008

South Korea

February 2008 14th

February 14, 2008

Australia

February 14, 2008

Russia

February 14, 2008

Hong Kong

February 14, 2008

Netherlands

February 14, 2008

United States

USA

February 14, 2008

Taiwan

February 14, 2008

Norway

February 15, 2008

Spain

2008 February 15, 2008

Estonia

February 15, 2008

Iceland

February 15, 2008

Poland

February 15, 2008

Belgium

February 20, 2008

Egypt

February 20, 2008

France

February 20, 2008

Denmark

February 22, 2008

Sweden

February 22, 2008

Japan

Japan

February 26, 2008.... (Roppongi, Tokyo) (premiere)

Israel

February 28, 2008

Italy

February 29, 2008

Slovakia

Slovakia

March 6, 2008

Japan

March 7, 2008

Finland

Finland

March 7, 2008

Turkey

March 2008 March 21

Germany

March 27, 2008

Brazil

March 28, 2008

Argentina

April 3, 2008

[Edited version Paragraph] Plot introduction

Superpowers are often the bottom line for testing moral trends. If you want to understand the good and evil of a person, give him extreme power, so that he will tear off the mask of hypocrisy and reveal himself. The truly dirty face... If you can use "teleportation" to travel across time and space at will, and send yourself to an imaginary place in the blink of an eye, is that a form of extreme power?

Due to an irregular or even abnormal genetic gene, a young man named David suddenly discovered that he had a superpower that could transform himself within a second. Transported to any place, and after discovering his ability, the first thing he thought of was to rob a bank... David had an unhappy, even miserable childhood, so it is not difficult for us to understand that when he After gaining the ability, what he wants most is to change his previous miserable life. At least he is still an imperfect person with a lot of room for plasticity. He needs to master the ability as he wishes while facing the responsibilities and duties of an adult. obligation. Slowly, David discovered that the magical power he possessed had existed in this world for thousands of years, and it was not the "only one." Since people who have just mastered the "teleportation technique" will have temporary confusion and excitement like David, and do some irrational things such as robbing banks, another mysterious organization "Ranger" came into being. As long as they meet the "psychic transmitter", they are ruthless and ruthless and will "kill" them mercilessly. The war that exists between them has also lasted for thousands of years - and David is no exception. , he soon became the next target of the "Ranger".

[Edit this paragraph] Related comments

The film is still a qualified travel manual, with many tempting descriptions of Rome, Tokyo, New York and other very spectacular scenery. As for being a science fiction action movie, it's just not satisfactory.

——"San Francisco News"

Even though there are many magnificent scenes in it, the film can only be called a niche movie at best.

——"Time Magazine"

People with superpowers may not necessarily use this power to do good things for mankind. Since the film is the first part of a trilogy, It feels more like a cool, 90-minute trailer.

——comingsoon website

[Edit this paragraph] Behind-the-scenes production

Upgraded version of "Apparition"

"Psychic Transmission" "The Writer" tells a thrilling and imaginative legend. Simon Kinberg, one of the screenwriters and also a producer, said: "At the beginning, we just wanted to tell the story Some of the things that happened to a hero were created by chance and against his will. He just wanted to know what would happen if he kept using his superpowers to help people in danger. "The consequences." Director Doug Liman, Kinberg and producer Lucas Foster spent several years fleshing out its structure, and why they did so wasn't Just to enrich the script of "The Teleporter", they wanted to know more mysterious stories and the true origins behind a young man's epic adventure-why he wanted to return to real life so much instead of Live a life full of dreams, full of temptation, where you can go wherever you want, like a myth?

For Doug Liman, he has a knack for films where characters determine the story, especially unpredictable, nerve-wracking action thrillers. For example, the recent "Mr. and Mrs. Smith" and "The Bourne Supremacy". From this point of view, the potential contained in "The Teleporter" cannot be ignored. In Liman's hands, it is equivalent to an opportunity to combine that very modern and trendy form of expression into an older storytelling method. Among them, Liman pointed out: "Most of the stories we see about superheroes actually began to appear in novels almost 100 years ago, but the content of "Psychic Transporter" is full of rare new ideas and Modernization, in the end, will probably be the biggest and most creative challenge of my career."

The story told in the film is based on Steven Gould. ) was adapted from two science fiction novels created by "The Teleporter" and "Reflex" - both of which feature David Rice, a young man who encounters many difficulties. His seemingly unexplainable "teleportation" ability allowed him to start a dreamlike new life, far away from the pain of the past... Due to its high popularity among critics and readers, Gould's The novel series quickly developed a large following. At the same time, the story itself demonstrates a potential power beyond the confines of words: when producers Vince Gerardis and Ralph M. Vicinanza read Upon arriving at these novels, they immediately knew they were in for a great cinematic journey.

At this time, the popular film screenwriter David S. Goyer appeared at the right time. His work is related to classic superheroes or villains, such as "Blade Runner" and " Action thrillers like Batman Begins are specifically responsible for making these two-dimensional characters three-dimensional on the big screen. Goyer did more than just adapt Steven Gould's work into a screenplay. He also gave the entire story a broader scope, including creating a new character-Griffin. He is another "teleporter" whose life experience is a mystery. Since he was a child, Griffin has mastered the art of time and space travel... Goyer hopes to use this to establish a larger scope for the film.

In the process of writing the script, Goyer did not continue the conventional way of describing superheroes. Instead, he studied each character in depth and showed the audience how they use superpowers that almost perfectly symbolize "escape". , of course, including the very real temptation that this ability brings. The entire story revolves around an unstable young man, creating a breathless and thrilling atmosphere as the young man learns the consequences of complete freedom. Director Doug Liman said: "The reason why I fell in love with Goyer's original script at first sight was because the person in the story who got super powers, the first thing he did with them was to go out and rob a family. Banks... I really liked that there was something about the story that I hadn't seen before, and as a director who likes to have character-driven content, I loved that and it gave me that. It’s a very huge space of imagination, and it can even be said to be a crazy and thorough research. I have made two action movies in a row, and I am really fascinated by the process of creating these profound and complex characters.”

Film Analysis

Similar to Doug Liman, producer Lucas Foster was also attracted by David S. Goyer's script before joining. He was particularly impressed by the focus on the human turmoil brought about by a young man possessing superpowers. Foster said: "'Teleportation' gave David Rice a The opportunity, that is, he can escape his unhappy family life, but this ability also puts him into a different world, where he can only learn how to be an adult on his own, And have enough courage to solve various problems in life. David has to learn how to slowly improve his abilities, face the darkness in his heart, and then continue his life. This kind of story setting can be achieved by everyone. Relating it to himself, although he is in a special situation as a 'teleporter', everything David encounters is universal and popular."

So there was Steven Gould. , David S. Goyer and associate screenwriter Jim Uhls (Jim Uhls) jointly contributed the script, plus Doug Liman, Simon Kinberg and Lucas Foster, they * **The same "psychic transmitters" have created a huge historical background story that has gone through countless generations: they can reverse time and space through their thoughts, and their superpowers can be passed down from generation to generation, and their traces can be traced back thousands of years ago.

The filmmakers first started by studying those who believe in "teleportation". From the theoretical perspective of occultism and fringe physics, this situation is very likely to happen, Simon Kinberg explains: "We talked to a lot of physicists, so we understood how teleportation manifested itself in science and enriched the story with these real theories. But we also learned from the mystical I thought about it from a scientific perspective, so the film itself is also based on the cultural imagination that has taken thousands of years to form. Sufism and Hinduism have had mysterious legends about the practical theory of 'teleportation' almost centuries ago. I feel that the form of its manifestation is that you can immediately 'transport' yourself to a mountain top that no one can climb, or do some of the most mundane and ordinary daily things, providing a world full of temptations and allowing you to expand your imagination at will. Opportunities, such as this kind of wish-fulfilling story elements, often have real appeal."

However, the "teleportation technique" with its completely open nature also provides opportunities for those who create evil. Given an equal chance, Lucas Foster said: "Many people use teleportation not because it is cool or fun, such as having breakfast on the top of a giant mountain and then teleporting in the blink of an eye. Go surfing in Australia... There are some people here who have very evil intentions, like getting a nuclear weapon and throwing it into the White House. When you think about it, you'll find that teleportation brings you. A lot of surprises, but it is also similar to a curse. If such power falls into the wrong hands, or is used by someone who can control the 'teleporter', they can spread their evil everywhere. , to do anything.

”

The existence of “teleporters” also led to the creation of “Ranger”, which is a very mysterious elite group. They have spent thousands of years trying to stop “teleporters” Using their abilities for evil, in the short time before those "teleporters" have mature minds, they become the targets of ruthless "Ranger" agents who will do anything they can. Get rid of the "teleporter"

In order to establish a solid foundation for this complex internal structure that is worthy of an epic story, the film's production team has always followed the two most basic principles of "teleportation". Rules: 1. You can transport yourself to any place you just saw; 2. You can also transport yourself to a place you have never seen before, as long as you have a strong visual memory of that place.

As for other perfect rules of "teleportation", there are also "teleportation scars", which are a momentary abnormal phenomenon, some divisions in the time and space left behind by the "teleporter" - like this It allows other "teleporters" to search for traces of his operation. Then there is the "time rope", which is an electronic weapon used by the "Ranger" to strand, track and terminate the free-roaming "teleporters". It is a "teleportation". "The thing that scares the most".

[Edit this paragraph] Highlights

·Because Evan Rachel Wood rejected the role of Millie, Rachel Beale Mori had the opportunity to star.

·At the beginning, the two roles of David and Milly were played by Tom Starridge and Teresa Palmer respectively. After two months of filming, filming was halted due to budget constraints. Hayden Christensen and Rachel Bilson rejoined the project, and reshoots began. >

·Eminem turned down a request for a guest star in the film

·The crew received permission to film at the Colosseum for three days, on the condition that no video footage was allowed. The equipment is inside. And the time is limited to 6:30 to 8:30 in the morning, so as not to disturb visitors. As for lighting, only natural sunlight is allowed.

·When the film was filmed in Ann Arbor, Michigan, the high school described in the story was actually Lake Huron High School. During the filming, the school allowed students to appear as extras on the scene or around the school. .

[Edit this paragraph] Wonderful dialogue

Davey: Why are you walking?

Griffin: I like walking for a change! Makes me feel normal. ..

David: Why are you walking?

Griffin: I like walking to change myself! It makes me feel normal...

Davey: Take a deep breath...

Davey: Take a deep breath...

Cox: You think you can go on like this forever? Living like this with no consequences? There are *always* consequences.

Cox: Do you think you can go on like this forever? Survive by this ability without consequences? There are "always" bad consequences for using this ability.

Griffin: Welcome to the war.

[Edit this paragraph] Gang scene

·Surfboard with super powers: After David slept with a girl in London, he teleported himself to a shop selling surfing supplies Shop where you can get a surf suit and a surfboard. He first came to a beach, but other surfers told him that only Fiji had waves at this time... When the camera turned, David, who was riding a huge wave in Fiji, did a somersault, and then teleported himself back to the giant peak. However, when he jumped back from Fiji, the surfboard was left there, but at the top of the mountain, we saw that the surfboard was clearly next to him.

·Numbers with ever-changing textures: At the beginning of the film, when David walks into his hotel room for the first time, the room number on the door is three glued-on numbers. , the numbers are black and printed on the metal plate. Later, when he returned to the room, the room number turned into a large, black number embedded on the door.

After racing, they stopped on the side of the road. There was a white car parked behind them. After the other person flashed, David was in the car, and the car behind them disappeared.

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