Appreciation of Ancient Poetry Yellow Crane Tower

In our daily study, work or life, everyone has been exposed to ancient poetry, which is characterized by less strict metrical restrictions. Still struggling to find excellent classic ancient poems? The following is my appreciation of the ancient poem "Yellow Crane Tower", carefully arranged. Welcome to read the collection.

Appreciation of Ancient Poetry Yellow Crane Tower 1 Original

The fairy of the past has flown away by the yellow crane, leaving only an empty Yellow Crane Tower.

The yellow crane never revisited earth, there have been no long white clouds for thousands of years.

Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass.

But I looked home, and the twilight was getting thicker. The river is shrouded in mist, which brings people deep melancholy.

translate

The immortal of the past has flown away with the Yellow Crane, leaving only an empty Yellow Crane Tower here.

The yellow crane never came back. For thousands of years, it only saw long white clouds.

Hanyang trees are clearly visible in the sun, and Nautilus Island is covered with green grass.

It is getting late. Looking into the distance, where is my hometown? In front of me, I saw a mist hanging over the river, which brought people deep sorrow.

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This poem is a masterpiece of nostalgia. The poet boarded the historical site Yellow Crane Tower and got a panoramic view of the scenery before him. His poems are full of emotion, blurted out and beyond words. It is both natural and magnificent, full of personality. Poetry is not harmonious, but the syllables are clear and not awkward. It's really one step at a time, and it has become a treasure admired by all previous dynasties. Legend has it that Li Bai boarded this building and witnessed this poem, which impressed him deeply. He said: "There is a scene in front of me, with Cui Hao's poems on it." Yan Canglang also said that the seven-character poems of the Tang Dynasty should be the first. It shows that poetry is precious to nature, even if it is metrical. There are many poems in the Yellow Crane Tower, but Cui Hao's Seven Rhymes are the best. Please see how he wrote: A long time ago, a yellow crane carried a saint to heaven, and now there is nothing but the Yellow Crane Tower. The yellow crane never revisited earth, there have been no long white clouds for thousands of years. Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass. But I looked home, and the twilight was getting thicker. The river is shrouded in mist, which brings people deep melancholy.

This poem is written with an open artistic conception, great verve, picturesque scenery and sincere feelings. And simple and vivid, just like spoken English, can't help but be amazing. This poem is not only Cui Hao's masterpiece and handed down from generation to generation, but also laid the foundation for his poetic title. This conclusion is by no means a person's, nor am I insisting on giving Kaifeng people a golden face. Three Hundred Poems of Tang Poetry is an anthology of Tang poetry in later generations, so Cui Hao's poems are listed as the first of the seven laws.

This shows the importance of this poem. In the Yuan Dynasty, the new biography of talented people in Tang Dynasty recorded that Li Bai boarded the Yellow Crane Tower to write poems, but when he saw the works, he put his hands together and said, "There is no road ahead, so write poems on it." Some people say that this is not necessarily because it was attached by later generations. But I don't think it's all fake. I have two poems written by Li Bai about the Yellow Crane Tower. One is "Yellow Crane Tower Farewell to Meng Haoran on the way to Yangzhou": "An old friend said goodbye to the West Yellow Crane Tower, and fireworks went down to Yangzhou in March. Lonely sails are far away from the sky. I only saw the Yangtze River flowing in the sky. " The other is "Listening to the Yellow Crane Tower Flute with Shilang Zhong Qin": "One is to move a guest to Changsha and look at Chang 'an in the west without seeing home. The Jade Emperor blows the Yellow Crane Tower, and plum blossoms fall into the river in May. "

Although they are all related to the Yellow Crane Tower, they are all entrusted with other purposes, not entirely to describe the scenery. At the same time, the first four sentences of his Nautilus Island, "The parrot crossed the Wujiang River eastward, and the name of the parrot spread in Jiangshangzhou. Parrots fly to Longshan in the west, and the trees are similar to Cui Shifa. The same is true of his Poems of Going to Nanjing and Climbing the Phoenix Terrace, all of which have obvious traces of imitating Cui Shi's style. Therefore, it is not Li Bai's words to admit that Cui's poems are excellent, such as "there is no scenery in front of me, and poetry is on it". Cang Hua (Yan Yu) said: "The Yellow Crane Tower should be the first of seven-character poems in the Tang Dynasty. "Although controversial, for example, Hu Yinglin called Du Fu's ascent the highest of the seven laws in ancient and modern times, but it is indeed a pertinent word representing everyone's opinions. In this way, the Yellow Crane Tower in Cui Hao is even more famous.

With rich imagination, readers will be introduced into ancient times and returned to reality. All kinds of feelings and natural scenery blend together, and no one can but feel its sadness and desolation. This poem has always been highly praised by people and is listed as the first of the seven laws in the Tang Dynasty.

Legend has it that Li Bai traveled around the world in his prime, leaving poems everywhere. When he boarded the Yellow Crane Tower, he was fascinated by the beautiful scenery upstairs and downstairs. When he was about to write a poem as a souvenir, he suddenly looked up and saw Cui Hao's poem upstairs.

historical changes

The Yellow Crane Tower was built in 223. The following year, Huang Wu and Soochow were in the Three Kingdoms period.

During the Three Kingdoms period, the Yellow Crane Tower was just a "military building" in the corner of Xiakou City. After the rulers destroyed Wu Dong, the three countries were unified. At the same time, the building lost its military value, and with the development of Jiangxia city, it gradually evolved into an ornamental building for officials and businessmen.

According to the records of Yuanhe County Records in Tang Dynasty, Sun Quan began to build the old city of Xiakou. "There is a big river in the west of the city, and a building in the corner of the south of the Yangtze River is called Yellow Crane Tower." It was built for military purposes. According to Lu, it turned out to be a newly opened hotel.

In the first year of Yongtai in Tang Dynasty (765), the Yellow Crane Tower had begun to take shape. However, wars and fires occur frequently, and the Yellow Crane Tower is repeatedly built and abandoned. In the Ming and Qing Dynasties alone, it was destroyed seven times and rebuilt and maintained 10 times. There is a saying that "the prosperity of the country is the prosperity of the building". The last one was built in the seventh year of Tongzhi (1868) and destroyed in the tenth year of Guangxu (1884). Only the bronze roof of the Yellow Crane Tower left after its destruction in Qing Dynasty is left on the site.

From the Northern Song Dynasty to the 1950s, the Yellow Crane Tower was once regarded as a famous mountain and holy place of Taoism, and it was also the Dojo for Lv Dongbin to preach, practice and educate. "Taoist Scriptures, Stories, Immortals, Bodies, Taoism and Mirrors" says: "Lv Zu boarded the Yellow Crane Tower on May 20th and ascended to heaven at noon. Therefore, it is still a sacred relic. " It is said in Quanzhen Night Tanjing that the head of the Yellow Crane Tower has left a sacred mark.

When Wuhan Yangtze River Bridge Wuchang Approach Bridge 1957 was built, it occupied the former site of Yellow Crane Tower. 198 1 When the Yellow Crane Tower was rebuilt, it was located at Sheshanfengling, about 1000 meters away from the former site.

198 1 year1October, the renovation project broke ground and was completed in June 1985. The main building is based on Tongzhi Building in Qing Dynasty, but it is bigger and more magnificent.

Name source

Why is the Yellow Crane Tower named "Yellow Crane"? It is said that the original building was built on the collection of Huanggu, and later generations read "stork" as "crane", spreading false information and word of mouth, which proved to be true. It is a legend of "Xianhuanghe" with magical colors. The theory of immortals prevailed in Wei, Jin, Southern and Northern Dynasties, and the myth of Yellow Crane Tower was also formed under the background of novel development with the theme of "Machamp's disorderly gods". The legend of the immortal crossing the crane first appeared in the works of Zu Chongzhi, a scientist in the Southern Dynasties. The "Guest Driving a Crane" in his Strange Tales from a Lonely Studio was later recorded by Lu Xun in the "Ancient Novel Hooking and Sinking": The original site of the Yellow Crane Tower was at the head of a yellow crane in Sheshan, Wuchang, Hubei. According to legend, this was originally a hotel opened by the Xin family. Before leaving, a Taoist drew a crane on the wall to thank her for her thousand cups and told her that it could come down and dance. From then on, the guests were full and the business was booming. After ten years, the Taoist priest came back and played with a flute. The Taoist priest set foot on the yellow crane and went straight to the sky. In memory of the fairy who helped her get rich, Xin's family built a building in her place and named it "Yellow Crane Tower".

The karma records cited in Jiangxia County Records also have the same statement. According to records, there was once a man named Xin who made a living by selling wine. One day, a tall, ragged guest came and asked Xin calmly, "Can I have a drink?" Xin didn't neglect each other's rags, and quickly filled a large glass of wine. After half a year, Xin didn't show boredom because the guests couldn't afford the drinks, and still invited the guests to drink every day. One day, the guest told Xin's family, "I owe you a lot of money for drinks, and I can't afford it." So I took out the orange peel from the basket and drew a crane on the wall. Because the orange peel is yellow, the painted crane is yellow. As long as the people in the seat clap their hands and sing, the yellow crane on the wall will dance and beat with the song, and the guests in the hotel will pay for this wonderful thing.

After more than ten years, Xin has accumulated a lot of wealth. One day, the ragged guest drifted to the hotel again, and Xin came forward to thank him and said, I am willing to support you and meet all your needs. The guest replied with a smile, where did I get this? Then he took out his flute and played some songs. Soon, I saw white clouds falling from the sky. The yellow crane followed Bai Yunfei to the guest, who climbed the yellow crane's back and went to heaven in Bai Yunfei. In order to thank and commemorate this guest, Xin built a castle on Huangqiyan with the money he earned in ten years. At first, people called it "Xin's Building". Later it was called "Yellow Crane Tower".

Appreciation of the ancient poem "Yellow Crane Tower" 2 The Yellow Crane Tower bid farewell to Meng Haoran on the way to Yangzhou.

Tang Libai

Old friends frequently waved to me, bid farewell to the Yellow Crane Tower, and traveled to Yangzhou in this beautiful spring filled with catkins and flowers.

My friend's sail shadow faded away and disappeared at the end of the blue sky, only seeing the first line of the Yangtze River and heading for the distant horizon.

Precautions:

Yellow Crane Tower: It is a famous scenic spot, so it is located in Sheshan Yellow Chicken in Wuchang, Wuhan City, Hubei Province, belonging to the lower reaches of the Yangtze River. According to legend, Feiyi in the Three Kingdoms period ascended to immortality here and left by yellow crane, so it was called Yellow Crane Tower. The original building was destroyed and the existing building was restored on 1985.

Meng Haoran: Li Bai's.

One: Go and arrive.

Guangling: Yangzhou.

Old friend: Old friend, this refers to Meng Haoran. He is older than Li Bai and enjoys a high reputation in the field of poetry. Li Bai is very kind to him and has deep feelings for each other, so he is called an old friend.

Remarks: Goodbye.

Fireworks: describe the scenery with catkins like smoke and flowers like brocade, and refer to the gorgeous spring.

Down: Down the river.

Clear sky: Disappear in the blue sky.

Do: end, disappear.

Blue sky: a blue mountain.

Just look: just look.

Sky Flow: Flowing to the horizon.

Sky: the horizon, the end of the horizon.

Translation:

My friend said goodbye to me at the Yellow Crane Tower, and went to Yangzhou for a long trip in the spring of March when catkins were like smoke and flowers were like flowers.

The shadow of the solitary sail gradually disappeared at the end of the blue sky, only to see the rolling Yangtze River heading for the sky.

Appreciate:

This poem is not only different from the juvenile work like "Farewell to the Governor and Go to Shu as an Official", but also different from Wang Wei's "Wei Cheng Qu" which is so affectionate and considerate. But a poetic parting. The reason for saying this is that this is the parting of two handsome poets, and it is also because this parting is associated with a prosperous time, a prosperous time and a prosperous region, and it also brings the poet's yearning in the happy parting, which makes this parting more poetic and less.

Li Bai's association with Meng Haoran was when he was happy, so all he saw in his eyes was happiness. This parting is the prosperity of Kaiyuan and the prosperity of Taiping. This season is fireworks in March, and the spring is the strongest. From the Yellow Crane Tower to the Yangtze River, there are flowers all the way. Li Bai is such a romantic and sightseeing person, so this parting is completely carried out in a very rich atmosphere of whimsy and lyric poetry. There is no sadness or unhappiness in Li Bai's heart. On the contrary, he thought Meng Haoran's trip was very enjoyable. He yearns for Yangzhou and Meng Haoran, so when he says goodbye, his heart flies with him, and there is endless poetry in his chest.

The old friend resigned from the West Yellow Crane Tower. This sentence is not only to get to the point, but also because the Yellow Crane Tower is a world-famous scenic spot, which may be the haunt of two poets. So when it comes to the Yellow Crane Tower, it brings out various poetic life contents related to it. The Yellow Crane Tower itself is also the legendary place where immortals fly to the sky, which is associated with Li Bai's idea of Meng Haoran going to Guangling happily this time, adding that kind of pleasant and imaginative atmosphere.

Fireworks went to Yangzhou in March, and the word fireworks was added in March, which smeared the farewell atmosphere in the poem. Fireworks refer to misty smoke and flowers. The reader's feeling is by no means a piece of land or a flower, but an invisible and impenetrable smoke cloud in spring. March is the season of fireworks, and the prosperous lower reaches of the Yangtze River in Kaiyuan era is the place of fireworks. The fireworks in March not only reproduce the charming scenery of the bustling place in late spring, but also reveal the flavor of the times. This sentence is beautiful in artistic conception and beautiful in words, and is praised as an eternal quatrain by Sun Zhu of the dynasty. Li Bai's desire to go to Yangzhou is beyond words.

The last two sentences of the poem look like landscape writing, but there is a poetic detail in landscape writing. Li Bai has been sending his friends to the boat, and the boat has already left, while he is still watching the sails in the distance by the river. Li Bai's eyes looked at the sail shadow until it gradually blurred and disappeared at the end of the blue sky, showing the length of gaze. The shadow of the sail has disappeared, but Li Bai is still staring at it. At this time, he noticed that a river with spring water is flowing far to the junction of water and sky.

The last sentence is about the scene in front of you, but it's not just about the scenery. Li Bai's deep affection and yearning for his friends are all reflected in this poetic style. The poet's heart rises and falls, just like a stream of spring water rolling eastward. In a word, this poetic parting of two romantic and chic poets is another yearning parting of Li Bai, which vividly shows the vast picture of boating on the Yangtze River and the details of lonely sails in the distance with the gorgeous scenery in March.

Creative background:

When Li Bai lived in Anlu, he met Meng Haoran, who was twelve years older than him, and soon became close friends. In March 730 (the eighteenth year of Kaiyuan), Li Bai learned that Meng Haoran was going to Guangling (now Yangzhou, Jiangsu) and asked Meng Haoran to meet him in Jiangxia (now Wuchang District, Wuhan). A few days later, Meng Haoran took a boat to the east, and Li Bai personally sent it to the river. When I was leaving, I wrote this song "Farewell to Meng Haoran on the way to Yangzhou by the Yellow Crane Tower".

The author introduces:

Li Bai (70 1-762), a romantic poet in Tang Dynasty, was praised as a poet by later generations. My ancestral home is Ji Cheng in Longxi (to be tested), and I was born in Broken Leaf City in the Western Regions. At the age of 4, he moved to Mianzhou City, Jiannan Province with his father. Li Bai has more than 1000 poems, among which Li Taibai Ji has been handed down from generation to generation. He died in 762 at the age of 6 1. Its tomb is in Dangtu, Anhui, and there are memorial halls in Jiangyou, Sichuan and Anlu, Hubei.

Appreciation of the ancient poem "Yellow Crane Tower"

Looking at the Yellow River Mountain in the east, the male bird came out in the air.

There are white clouds on all sides, and the middle peak leans against the red sun.

The rocks cross the vault and the peaks are dense.

I have heard of many immortals and learned flying skills here.

Facing the sea, the stone room is empty for thousands of years.

The golden stove produces smoke, and the jade pool is secluded.

Leave the ancient wood, the court is cold and old.

I advocate rock climbing because I want to protect my leisure.

Traveling all over Shan Ye, Zi Ling is unparalleled.

Send your heart to the pine tree and don't forget the guest's feelings.

Translation translation

Looking east at the Yellow River Mountain, I saw the majestic power of the Yellow River Mountain in mid-air.

The peak is surrounded by white clouds, and the middle peak holds up the spring sun.

The mountains stand tall and the peaks are deep.

I've heard many times that many immortals learn the art of flying here, and once they become immortals, they fly to Penglai Wonderland, and the stone chambers they gave up have been empty for thousands of years.

The Dan stove has already produced dust, and the clear pool has long been silent, losing its old vitality.

The wasteland is overgrown with weeds, the palace is bitter and cold, and the herbs such as bitter orange are outdated.

I really want to climb this mountain to keep my leisure. The strangeness of viewing is all over the famous mountains, but what you see is not as good as this mountain.

I put my heart into the pine trees on the mountain, and I realized that there would be no more tourists and tourists.

Annotation explanation

Xiong Xiong: Magnificent.

Span: the span in the air.

Peak: A high mountain peak. Mystery: deep secret.

Flying skills: magic skills, skills to seek immortality.

Peng Hai: Penglai Fairy Mountain is called Peng Hai because it is located at sea.

Golden furnace: that is, the furnace for alchemy by Taoist priests.

Quiet: quiet and peaceful.

Jane: The auxiliary word at the beginning of the sentence.

Ji: Deng.

Creation background

This poem was written in the spring of the first year (760) of Shangyuan reign of Su Zong, and Li Bai returned to Baling and Jiangxia from Lingling. Yellow Heshan, also known as Huanggu Mountain, is located in Dongjiuli, Jiangxia County, Ezhou, and is now the first snake mountain at the southern foot of Wuhan Yangtze River Bridge. Legend has it that there was once a fairy who rode the yellow crane, so he was named Yellow Crane Mountain. This poem depicts the majestic momentum and magnificent scenery of the Yellow Crane Mountain.

Appreciation of poetry and prose

"Looking east at the Yellow River Mountain, the male is half empty. There are white clouds on all sides, and the middle peak leans against the red sun. The rocks are horizontal and the peaks are dense. " Li Bai exaggerated the majestic momentum of the Yellow Crane Mountain. At the beginning, I wrote the height of the mountain: "Looking east at the Yellow River Mountain, the male is in mid-air" and the word "male", trying to describe the grandeur of the Yellow River Mountain, but the whole peak rose into the sky. The next two sentences set off from the side, "White clouds are everywhere, and the middle peak leans against the red sun." From a distance, white clouds seem to rise from all sides of the mountain, and a red sun seems to follow the peaks in the mountain. Wavelike ups and downs, rugged mountains, rows of volley across, wide and boundless; The towering, barrier-like mountain bees are dense and dark.

The first six sentences are all derived from the first sentence "look east", including looking up, looking vertically, looking sideways and looking left and right. The whole Yellow River Mountain was almost completely seen by the poet. It can be seen that this poem has distinct romantic characteristics.

"I am quite famous for becoming an immortal, so I learn flying skills here", as Liu Yuxi said in "The Inscription of the Humble Room": "The mountain is not high, but I am famous for becoming an immortal." Li Bai yearns for it, so there are immortals living in the mountains. "When you look at the sea, you will find a stone room that has been around for thousands of years." People go to the building and the fairy goes to the room. Today, only the stone chamber of the immortal alchemy remains on the mountain. "The golden stove is full of smoke, and the Yaochi is secluded", and the "golden stove" of an alchemist is full of smoke and dirt; There is nothing in the pool full of jade liquid now; The whole Yellow Crane Mountain seems to be shrouded in a quiet and peaceful atmosphere, and everything is so mysterious. "The ancient vegetation stays, and the court is cold and old." A desolate and cold picture is presented to readers: ancient wasteland, overgrown with vegetation; In the garden, ganoderma lucidum and other herbs have aged and withered.

The second paragraph, * * * eight sentences, is from "immortal" to "cold old in court". The poet entrusted the legend of the Yellow Crane Mountain and described the desolate scene after the immortal rose. The style of writing is still from the word "king" to the pen, but it has been mixed with many illusory fantasies, enriching the atmosphere of the whole poem.

It is the third paragraph from "I envy climbing mountains" to the end of the article. This passage is about the wonders of the Yellow Crane Mountain and the yearning caused by the legend of immortals. "I advocate climbing because I want to protect my leisure", expressing my admiration and admiration unabashedly, and the poet is very willing to climb up. The reason why poets have such feelings lies in "protecting leisure", that is, maintaining a calm psychological state and living a leisurely life. This sentence echoes the first and second paragraphs, which shows that although the poet has traveled all over the five famous mountains, the Yellow River Mountain is unparalleled.

Generally speaking, after comparing this poem, the poet finally decided to take the Yellow River Mountain as his emotional sustenance, and ended his guest life in a foreign country forever: "I will send my heart to pine trees, and I will never feel my guest feelings." "Song Qing" here refers to the Yellow River, and also symbolizes the poet's perseverance and evergreen character in winter and summer. Awakening, awakening, awakening. "Guest affection" refers to the thoughts and feelings of living in a foreign country, including the poet's wandering life without talent.

Appreciation of the ancient poem "Yellow Crane Tower" (Part IV) comes from "Climbing the Yellow Crane Tower" written by Cui Hao, a poet in the Tang Dynasty.

The fairy of the past has flown away by the yellow crane, leaving only an empty Yellow Crane Tower.

The yellow crane never revisited earth, there have been no long white clouds for thousands of years.

Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass.

But I looked home, and the twilight was getting thicker. The river is shrouded in mist, which brings people deep melancholy.

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It is entirely natural for this poem to write about scenery first and then express emotions. Even Li Bai, known as a generation of poetic immortals, couldn't help admiring again and again, and thought it would be better to stop writing for a while. To this end, Li Bai also sighed with regret and said, "I can't do anything good in front of me, and Cui Hao is still writing poems on it!" !

The Yellow Crane Tower is named after its Yellow Crane Mountain (also known as Snake Mountain) in Wuchang. Legend has it that in ancient times there was a fairy who crossed here by yellow crane (see Zhi); It is also said that Fei went to the immortal to drive a crane (see "Taiping Universe", quoted from "Tu Jing"). Poetry is to think about the origin of the name of a building, from legend to writing, and then grow out. What is the fairy crossing the crane? What is it now? If it is gone forever, there will be regrets that the years are gone and the ancients are gone. The fairy went to the empty building, leaving only the white clouds in the sky, which lasted for thousands of years and could show the boundless generosity of the world. The poet's strokes describe the feelings that people who boarded the Yellow Crane Tower at that time often felt, with boundless spirit and sincere feelings.

The predecessors have said that qi is the mainstay. The first four sentences of this poem seem to be spoken casually, spinning in one breath and going down the trend without hindrance. The word "Yellow Crane" appears repeatedly, but because of its imposing manner, readers waved five strings, looked at Hong Fei and hurried on reading. This is a taboo in metrical poetry. The poet seems to forget that there is a floating sound before writing, and then it must be deleted. Every word has a fixed tone. Try it: the five or six words in the first couplet are the same as the yellow crane; The third sentence is almost all snoring; In the fourth sentence, the brake tail is adjusted by three steps; No matter any confrontation, it is based on the syntax of ancient poetry. Is this because the seven laws were not finalized at that time? No, there are already seven standardized laws, which were written by Cui Hao himself. Is it the poet who deliberately writes disharmonious laws? Not necessarily. He is different from Du Fu's later metrical poems in that he deliberately created his own tune. It seems that I still ignored it. As Lin Daiyu said when she taught people to write poems in A Dream of Red Mansions, if there are strange sentences, even the truth and falsehood are wrong. Here, Cui Hao follows the principle that poetry should focus on the idea, but not on words that hurt the meaning, which is why he wrote such a rare poem in the Seven Laws. Shen Deqian commented on this poem and thought it was like the first one, and it was written in a vertical pen, so he was good at making great achievements through the ages (Volume XIII of Tang Poetry), which is what it means.

In the first half of this poem, put things right, and in the second half, I wrote about what I saw and felt in the building, and wrote about the homesickness caused by the grass and trees overlooking Hanyang City and Nautilus Island from upstairs. This is put first and then collected. If you just let nature take its course, don't accept it, don't stick to the rules, and don't return to the meter, then it's not seven tones, but seven ancient ones. This poem seems to be divided into two parts, but in fact, the text is always focused from beginning to end, with only one breath in the middle. This seemingly continuous connection is also the most organized from the perspective of the beginning, inheritance, transformation and combination of rhythmic poetry. When discussing that the second couplet of metrical poems should be attached to the first couplet, Yuan Yang, a poet and legalist, said: This couplet should be broken (the first couplet), like a dragon ball, and should be held tightly. This is the case in the first four sentences of this poem, which tells the legend of a fairy riding a crane. Couplets and puzzles embrace each other and are integrated. Yang Zai also said that the turning point of the neck link: avoiding the meaning of the former link, changing it into lightning breaking the mountain, shocking the viewer. The metaphor of thunder is intended to show that there should be a sudden change in the first five or six sentences, which is unexpected. At the turning point of this poem, the style turns from right to right, and the realm is completely different from that of the former couplet, which just meets this requirement of the law. The sudden death of a native Syrian yellow crane gives people a feeling of unknowability. Suddenly it became a grass tree in Qingchuan, and I can vividly see the scene in front of Manchuria. This contrast can not only dye away the sadness of those who climb the building and overlook, but also make the literature change. It is also in line with the law of poetry to let poetry return to the obscure realm at the beginning, which can echo the front, such as the combination of leopard tail and forehead.

It is precisely because of its superb art and great success that this poem is regarded as the swan song of the Yellow Crane Tower, which is understandable.

Later, Li Bai went upstairs, also full of poetry. When he found Cui's poem in the building, he even called it wonderful and wonderful! According to legend, Li Bai wrote four limerick poems to express his feelings: one punch at the Yellow Crane Tower and one kick at Nautilus Island, and Cui Hao wrote a poem on it. I stopped writing. Young Ding sneered at Li Bai: The Yellow Crane Tower is still intact, but you can't beat it. Li Bai also made a poetic defense: I really screwed up. It was only because yellow Crane Immortal cried to the Jade Emperor that the Yellow Crane Tower was rebuilt, and yellow Crane Immortal returned upstairs. It's really serious. That's great. Later generations built a pavilion on the east side of the Yellow Crane Tower, named Li Bai's Writing Pavilion, to show his ambition. On the double eaves, it re-entered the Tao and became a place for Yan You. In fact, Li Bai's love for the Yellow Crane Tower is beyond measure. He is enthusiastic and unrestrained, calling for a blue cloud guest and climbing the Yellow Crane Tower three times. Mountains and rivers depend on humanities, and the name of Yellow Crane Tower is more prominent.