Six principles of landscape photography.

In the usual study, I believe that everyone must have been exposed to knowledge points! In educational practice, knowledge point refers to the general name of certain knowledge. What knowledge points do we really need? The following are six principles of landscape photography composition techniques that I have compiled. Welcome to read the collection.

Six principles of landscape photography composition 1 1, balance

The layout of the picture is symmetrical and asymmetrical.

Step 2 compare

Use the comparison method of size, height and distance.

3. Theme

The theme layout is prominent in the position of the screen.

4. Connectivity of pictures

The connectivity of the picture comes from the connectivity of lines and objects, and there must be dragons to remove the pulsation. The vein is the starting point of the picture, and the pulse of progress is the point of disappearance. These comings and goings are all traceable. Only in this way can we effectively express the sense of perspective.

5, the rhythm of the picture

The rhythm of the picture is mainly generated by the lines of the scene, such as straight lines, curves, oblique lines, arcs, up and down curves, left and right turning lines, some are obvious solid lines and some are hidden dotted lines; Some are complex and contradictory; Some are simple and pure, but lively and flowing; Some are strong and weak, and some are vigorous. These lines can effectively create a sense of rhythm and connection in our pictures. Therefore, we must pay attention to the use of scenery lines in landscape photography.

6, the frame of the picture

In order to make the picture rigorous, you can also frame the picture to measure the weight of the picture layout.

Six principles of landscape photography composition techniques 2 1, framing structure

Using the foreground to form a "picture frame" can effectively guide the audience's attention to the subject. Please note that different shapes and sizes of "photo frames" are not only suitable for windows or fences. For example, in this photo, big trees form a "picture frame".

2. Avoid the horizon in the center of the picture.

First, ensure that the horizon is horizontal; Secondly, don't let it appear in the center of the picture. If the sky is more interesting, let the horizon be lower; If the earth is more interesting, raise the horizon.

Step 3 bring life to photos

Try to add something vivid to the photo. They can emphasize the size and proportion of the picture to the audience.

4. Avoid overlapping horizons

If the horizon intersects with the subject, it will distract the audience, and in serious cases, it may ruin an excellent composition. Take some time to change the shooting angle to avoid this situation. In this illustration, I pay special attention not to let the horizon coincide with the edge of the barn.

5. Make good use of geometry

Train your eyes to recognize lines, patterns and shapes. These elements can increase the sense of structure of photos and help to highlight the three-dimensional sense of the theme. Lines can guide the audience's eyes, focus on a topic, and then find lines that can point to it.

6. Reflect the composition of lines

Known as line in photographic language, it not only has the characteristics of length, direction and position, but also shows dynamics and feeling. Lines can make photos dynamic and rhythmic, and make photos expressive. With the guidance of lines, the audience's eyes naturally focus on the subject. The expressive force of lines in photos is irreplaceable by other elements, and different lines can show different feelings.

Six principles of composition skills in landscape photography III. The one-third rule.

Imagine that there is a grid on your image. The trichotomy stipulates that you should put the most interesting or attractive things in the photo at the intersection of lines. When taking a portrait, determine which eye is the focus of the image, and then adjust the border of the photo until the eye is at the intersection of the grids.

Similarly, when shooting landscapes, you want to create a sense of depth. If there is an interesting element in the foreground, please place it at the intersection of the lower right corner or the lower left corner of the frame. If there is no foreground element, try to put the horizon on the third line at the top or bottom so that the horizon will not cut the picture in half.

Second, the framework.

The world is full of objects, which form a perfect natural frame, such as trees, windows and doors, and help to separate the main focus of the image.

Third, the main line

When we look at a photo, our eyes are naturally attracted by lines. You can influence the way people look at images, draw attention to objects, or guide them through scenes.

Four. view

Our views have a great influence on the composition of photos. Changing the viewing angle can completely change the mood or tone of a photo. Don't just shoot horizontally from the line of sight, try shooting from height, ground, side, back, distance and close range!

Verb (abbreviation for verb) background

How many times have you taken a good photo, only to find that the final photo is not attractive enough and not perfect enough? Because the subject is mixed with a messy background? When we look at a scene, our brain will quickly pick out the objects of interest. When shooting a scene, the camera captures everything in front of it and tends to flatten the foreground and background. Fortunately, this can be solved by choosing a simple and inconspicuous background or changing the depth of field to blur the background, so as not to distract the theme.

Depth of intransitive verbs

Because photography is a two-dimensional medium, we want to convey a sense of depth in the scene. You can create depth by including objects in the foreground, middle background and background.