Traditional Culture Encyclopedia - Photography major - How to evaluate Fengyun 2?
How to evaluate Fengyun 2?
Fengyun, adapted from the original comic book of Ma Rongcheng, is a Hong Kong product brand. Since Liu Weiqiang's "The Wind and Clouds Dominate the World" was born in 1998, and won the box office title in Hong Kong that year, several TV dramas have been spawned, but no one cares about the movies. Of course, it's not that this theme doesn't need to be filmed again, but the financial crisis is coming, and the sequel to Fengyun, which has a huge investment, will be released again and again. After Infernal Affairs was a great success, he announced several times that he would make a sequel to Fengyun, and it was not until the copyright in his hand expired that he took over the Peng brothers who came back from Hollywood, One World and Orange Sky, which invested huge sums of money, and those starring in those years.
The movie Fengyun II intercepts several episodes in which there is no god dominating Zhongzhou, the situation is cut off without god, and Nie Feng is possessed. The story itself is more exciting, and it is through this mature story that the Peng brothers complete their technical ambitions. Explain the background. The Peng brothers learned their skills in Hollywood. When they returned to Hong Kong, they always wanted to try a martial arts film. They had to shoot a new story. Wen Juan said, "Why not shoot the wind and cloud?" The Peng brothers are famous for making horror movies, and they also participated in the editing of The Storm. Like Peter Jackson, they practiced their basic skills in horror movies, took over fantasy themes and better grasped the spectacular effects. Peter Jackson jumped from a zombie to The Lord of the Rings, and the strong fantasy color of the storm aroused the interest of the Peng brothers. The whole stunt almost didn't leave the picture, because even if you see Bu Jingyun and Unknown standing in the pavilion at the summit, the mountains behind them are all shot on the green screen of the studio, plus the distant mountains and cloud effects. And what is commendable is that the Peng brothers have seen the world in Hollywood, with many special effects but not piled up, and the technology serves the content very well. I don't think the two brothers are as distressed as when Zhang Yimou cut "Golden Flower in the City". "Hundreds of thousands of scissors are gone." Haha, Zhang Weiping will make a hype, but he is often a farmer.
Yam Tat-wah, who plays the godless man, said after watching the movie that "this will be a new landmark of Hong Kong movies". After watching this movie, I was amazed that China movies can do special effects so well. The last time I sighed like this was Stephen Chow's kung fu. Under the premise of grasping the direction of a story and making technology serve the content and characters, especially the fantasy theme that needs special effects, Fengyun II has indeed set a very good example of exquisite special effects and genre films in China. I hope it can be continued and carried forward, so that China's romance and imagination can be vividly and charmingly presented on the big screen, and a good theme like The Journey to the West, which we have been longing for for for for a long time, will appear as soon as possible.
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