Brief introduction of China calligrapher Liu

Born in Qingshen County, Sichuan Province, 196 1 Born, 1979 enlisted, 1983 graduated from the Automobile Management College of the People's Liberation Army. Now he is the head of an automobile regiment in Sichuan, Chengdu Military Region, with the rank of colonel.

199 1 turn to the mainland. After work, I picked up the camera and put my love for the Sichuan-Tibet line and my deep affection for the officers and men into the camera, mainly recording the magnificent scenes of the officers and men working, studying and living on the 3,000-mile Sichuan-Tibet line and the overwhelming battle course of the officers and men conquering nature in the "life forbidden zone";

He is a media practitioner and loves photography. Every month, all kinds of photographic works bought and given away at home pile up like mountains. Over the years, he has read countless books, watched countless videos and so on. His photographic works have won so many awards that his peers around him admire him. Almost at the same time, all the media and online forums recommended him, and it was during this period that I met him-Liu, a photographer who was obsessed with the camera. Photography seems to have been doomed and moved all these days, and the external image seems to have become something outside the camera lens. Photographers are either cynical or abhorrent. The scenery in front of Liu seems to have reached an invulnerable or regrettable level.

Chasing the reason? Very simple, because the scenery under his lens is not afraid of perspective, in fact, the classic things in the past are not afraid of perspective. The scenery under his lens is both decadent and magical, and it is the greatness of the artist to turn decadence into magical scenery. But sometimes I feel that decadent things can make people completely awake at once.

Of course, there is also a touching atmosphere, which can only be understood but not expressed. It seems that all senses are invaded in a suffocating realm that can only accommodate the characters in the next shot.

Three works, three styles, this one really aroused my long-lost mood. It seems that Liu entered our field of vision as a "three-dimensional" image from the beginning, and it is rare for an introducer to take pains ... all this is still vivid. So I don't think the story under his lens is far away.

Everything under his lens is beautiful, not only the superficial beauty and bad, but also the deep spiritual beauty. More importantly, the scene under his lens is our favorite form. So, we understand him very well. Love at first sight is the only possibility of his photography. Everything is ideal, energetic and perfect.

But it is precisely this idealized realm that has created his feelings about scenery and people and things that coincide with each other. With a specific environment, a world with very limited material and an extremely imperfect era, it is far from vulgarity.

We are moved by integrity; Moved by what is under his lens; Be moved by yourself; Moved by the perfect combination of nature, life and human world that we have never had before. Someone once said a controversial famous saying: If your film is not exciting enough, it is because you are not close enough. I said, "If your film is not exciting enough, it is because you are not moved by life." .