Traditional Culture Encyclopedia - Photography major - What are the similarities and differences between eastern and western understanding of human beauty?

What are the similarities and differences between eastern and western understanding of human beauty?

1, skin color: The most intuitive difference between China people and westerners is skin color, with China people's yellow skin as the main skin color, while in the west on the other side of the ocean, it is mainly white and black. Many modern whites advocate wheat color.

2. Body: As for the difference of body, most westerners are taller and stronger than China people, while orientals are more symmetrical. Orientals like girls with symmetrical figures, while westerners prefer girls with exaggerated figures.

3, lips: Westerners like full and thick lips, while orientals prefer cherry small mouth. Of course, with the changes of the times, many aesthetic concepts are combined, and everyone has their own unique aesthetics, so they should respect each other aesthetically.

Extended data:

Differences between Chinese and western paintings;

China's traditional Chinese painting is basically done with a brush, which is a daily tool used by China people and laid the initial foundation for the modeling of traditional Chinese painting. The emergence and development of China's calligraphy also had a decisive influence on the development of China's painting.

The expression of traditional Chinese painting modeling means that everything is expressed with extremely simple lines. Therefore, Chinese painting is very particular about lines. Some China painters have been training lines to express their images all their lives.

Western painting is mainly oil painting. Oil painting and China traditional Chinese painting have completely different tools. Most of the tools for oil painting are flat-headed and hard. The tools of oil painting can't achieve the same meticulous effect as brushes. Chinese painting can't draw rich lines if you want to use very generous brushstrokes to represent blocks. This tool is more conducive to the representation of blocks, through the accumulation of brush strokes to express the light and shadow of objects and the three-dimensional sense of things.