Has the "Deep Revealing" computer also learned photography and composition?

the first point: avoid the lines in the photo making the photo incomplete. As can be seen from Figure 3 above, the sea level line crosses the neck of the character. When we are photographing and composing, we must remember that when cutting characters, we should not make the lines in the picture cut the joints of the characters, because such cutting will lose the association outside the painting. Finally, it makes us feel that the missing limbs of the characters affect the integrity of the photos. There are two cutting factors, one is to pay attention to the lines in the photo to passively cut the joints of the characters, and the other is to pay attention to actively cut the joints of the characters when composing.

the second point: establish the association space outside the painting. Let's look at Figure 4. This photo is a close-up photo. The photographer actively cuts the position above the waist of the character, in which the right hand bends to fiddle with the hair, and the curved hand position establishes the association space outside the painting, so we will not guess whether the character is missing limbs. When shooting, if we are shooting portraits, we often ask the models to raise their hands to shoot, which is also a way to establish the associative space outside the painting, so that the cut relatively incomplete areas will not appear so abrupt.

Figure 5 is a typical photo of a cut figure. Let's leave the composition alone. During normal shooting, we always take a panoramic view of the characters. The panoramic view directly shoots the characters completely and lacks the association of the picture. When shooting this kind of portrait, we often express the characters' limbs incompletely, just like framing composition. The more you block it, the more I want to see it. In the same way, after cutting the non-joint parts of the characters, the thighs of the characters are lifted to establish the external association space. If this photo does not lift the thigh of the character, the whole photo will lose its integrity.

the third point: increase the extensibility of the visual direction. We often say that when taking photos, we must pay attention to the visual extensibility in composition. Figure 6 is an incomplete photo. We look at the direction that the characters are facing, leaving little visual space, which will make the audience feel depressed when watching. When human eyes observe photos, they always look for open places in the picture. When paying attention to this kind of composition, we must leave enough visual space in the facial area of the characters. Let's look at the comparison of the following photos.

In the picture above, the facial direction of the character is enough for the visual space, which is called the integrity principle of visual direction. It is the same contrast between light and shadow. Backlight illuminates the head of the character brighter. Figure 7 only changes the visual space of the face of the character, which will make the photo more complete.

fourth point: establish a complete narrative subject. Let's look at the photo in Figure 8. The author describes the scene of a farmer picking things, so when you shoot it, you must shoot the whole action of the characters picking things completely, so that the story can be completely described. Like the cut part in the picture, if there is no basket on the right, the whole photo will look very relaxed and can't describe a heavy feeling.