Traditional Culture Encyclopedia - Photography major - Domestic films with a score of 9.8 or above
Domestic films with a score of 9.8 or above
1, flower of war
Flowers of war is set in World War II, with dramatic conflict, danger, humanistic connotation and feelings of home and country. In the space of the church, it shows the struggle and struggle of rushing out of the church, retains the femininity and fortitude of women, and establishes a strong heroism.
2, "Ten Thousand Arrows Through the Heart"
A family drama film set in Wuhan, adapted from the street novels of Wuhan writer Fang Fang, is an ordinary life in 1990' s with vivid characters. In the social and economic development of China under transformation, the mental speed of a large number of people cannot be changed in time. Under the tearing and collision, the tragedy is staged one after another, such as an arrow piercing the heart.
There are frequent conflicts between men and women, between families and between children. This traditional thinking makes the heroine have a strong desire for control, and the film is full of sexism, which is worth pondering and pondering.
3. Hanging the Red Lantern High
Zhang Yimou's classic Family Fun is adapted from Su Tong's novel Wives and Concubines. Song Lian, a highly educated woman, was forced to marry Master Chen. In order to please Master Chen, the wives in the house can hang red lanterns in front of the door and cheat on themselves. Under such oppression, Song Lian was finally polluted by the vat.
4. Ghost Story
There are many remakes, the most classic of which is 1987 version of Ghost Story starring Leslie Cheung and Joey Wong. The love between Ning and Nie, and the relationship between Yan Chixia and their martial arts, love and hate, show a breakthrough in refuting secular feudalism. Classical beauty, different beauty, beautiful melody.
5. Chongqing Forest
When many people mention Wong Kar-wai, they have to mention the classic film Chongqing Forest, which is an introduction to Wong Kar-wai. Once the film was released, it quickly became a hit. Wong Kar-wai's photography, light and shadow colors and vague tenderness endow the film with a strong Wong Kar-wai style, which is rare in China films, and he also opens a new world for domestic films.
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