Traditional Culture Encyclopedia - Photography major - How do newcomers practice their postures and expressions before taking wedding photos?
How do newcomers practice their postures and expressions before taking wedding photos?
Are the newlyweds fully prepared for the wedding photography? Preview before shooting to see which poses and expressions you are most satisfied with! The following is the fashion wedding photography in new york. The wedding photo is a souvenir of the couple's life. Are the newlyweds fully prepared for the wedding photography? Preview before shooting to see which poses and expressions you are most satisfied with! The following are some opinions of new york Fashion Wedding Photography Studio on posing when taking wedding photos, and share them with the new people who are ready to take wedding photos! Practice looking at your face in the mirror, and observe yourself from multiple angles. Look up or look up, face or three quarters, smile or laugh or be serious, eyes wide open, eyes in the middle or eyes in the corner. It looks better when the eyebrows are raised or relaxed. Of course, these are comprehensive and comprehensive expressions. Remember a few expressions that are particularly unsuitable for you (you can even write them down). Remember these things and try to avoid them when taking pictures. These are not only good for you to take artistic photos, but also useful for any photo opportunities in the future. Take a whole. You can imitate some magazine models posing at multiple angles in front of the mirror. Know your physical characteristics. Mm with shoulder width and no waist should avoid frontal shooting, and thick arms should avoid full-body close-ups on large sides, and so on. Everyone has different characteristics, so you should study more by yourself. Analyze the previous photos and compare the successful and failed photos taken before. What is the difference? The purpose is to summarize your good-looking angles and bad-looking angles and postures. Ask people around you, mainly three people: mother, husband and best friend. These are the people who know you best, and they have no reservations about you. They will reflect their true feelings, not perfunctory, not blindly praise or belittle. Their views will correct some wrong views you have drawn, so be sure to listen to them. If you have friends who are proficient in photography and makeup, you can also consult appropriately, but if you are just a casual acquaintance, forget it. Standing portrait Standing posture is one of the most common postures in portrait photography. Standing portraits can fully display the lines of characters, with great aesthetic freedom and many postures. When posing for a standing portrait, we should pay attention to the following points: a. One leg of the subject stands straight, and the other leg is freely crossed or slightly lifted. The straight leg should not be bent, and the lifted leg should keep the body straight. The laying of legs and feet is the premise of laying upper body parts. B, the subject's head, chest and buttocks are generally not in a straight line. Let the main line of the body form a curve or S line. C, head, chest, buttocks formed by the plane block should not be in a plane. For example, when the chest lump is forward, the face should be sideways. For example, when the chest is sideways, the ass should be turned forward. Sitting portrait is more limited than standing portrait, but sitting posture can form a beautiful curve, which is also conducive to eliminating the tension of the subject. Sitting posture is based on sitting posture inclined to the camera at 45 degrees, which can be divided into three types: oblique sitting posture, back sitting posture and side back sitting posture. According to the angle formed by the upper and lower torso, it can be divided into right-angle sitting posture, obtuse sitting posture and acute sitting posture. If subdivided in the style of crossed legs, it can be divided into two types: upper thigh crossing and lower calf crossing. When shooting sitting portraits, we should pay attention to the following aspects: a. Sitting portraits are suitable for expressing static expressions, and the expressions of the subjects should be restrained, including animals. B, the treatment of subjects' joints is the key part. On the whole. It's rare to take pictures in a sitting position, because then your knees will rush to the camera and your thighs will look thick and clumsy. C. The spine treatment of sitting portraits is also very important, because the emotions of sitting portraits are written on the back, especially when the side is facing the sitting posture and sitting posture. When the mood is high and the spirit is full, the spine is always straight. When in a bad mood, the spine will be greatly curled, while the spine in a normal state of mind is only slightly bent. Therefore, when the subject sits down, the photographer should remind him not to sit too firmly, to sit in vain, and not to lean back on the chair. Pay attention to supporting the upper body with his spine. D, sitting portrait is not easy to show the figure, generally do not choose loose and fat clothing, in order to better reflect the figure curve and the lines of limbs, it is best to let customers wear tight clothing. E. When you are sitting, you should first look for the most suitable body proportion from the lens. Only when the proportion is normal will the visual experience be comfortable. The smoothness and integrity of lines is a problem that can not be ignored in sitting posture modeling. Sitting posture often interrupts the extended figure curve, and the lines in sitting posture are often locked and appear messy. Sitting posture can more calmly show the modeling advantages of the upper body, and can make full use of the characteristic curve of the outer contour of the upper body to show the figure. Coupled with the coordination of limbs, a relatively complete and smooth body curve can be formed. When dealing with exposed parts of the body, such as arms, waist, abdomen and thighs. Double photos are often encountered in wedding photography. Compared with single photos, double photos have more diverse beauty styles. There are not only changes in the body, lines and expressions of a single character, but also exchanges between roles. When posing a pair of beautiful postures, we must not forget the echo and change between the two. When shooting two people's wedding dresses, we should pay attention to the following aspects: A. The beauty of two people should pay attention to the changes of each other's bodies when modeling, from the perspective of human body structure. The human body is divided into three parts: head, chest and buttocks. When we study the beauty modeling of the duo, we divide them into two groups to study. Generally, the subject has six basic structural combinations relative to the lens: female body, male body, female body, female body, male body and female body, female body and female body. On the basis of these six basic combinations, further fine-tuning and subdivision can produce endless beautiful shapes. B, double beauty modeling should pay attention to the changes of lines in the picture. The lines in the picture have different meanings. For example, straight lines give people a feeling of being tall and vigorous, which is suitable for expressing the beauty of men. Curves give people a gentle and quiet charm, which is suitable for expressing beautiful environment or gentle female beauty. Charts are dynamic, if the number of diagonals is small in the picture. If there is less movement and more diagonal lines, the sense of movement of the whole picture will become very strong. When the diagonal inclination is not too great, the sense of movement will be relieved. Beauty modeling should be consistent with characters' expressions and environmental atmosphere. In portrait photography, the attitude expression of the subject and the artistic space of the characters are interrelated. The different environments of shooting characters have different styles of beauty. For example, when the subject is in a warm environment, the posture of the subject should be softer.
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