Traditional Culture Encyclopedia - Photography major - How to find a COS photographer who suits you?

How to find a COS photographer who suits you?

1. Never think that COS photography equals photography. The most important thing here is to tell you: don't think that professional photographers can shoot COS well. Personally, these two things are completely different. I try my best to express them ... First of all, in the early years, we cooperated with professional photography agencies to shoot COS and some animations of group uniforms. Later, because I felt subtle, I didn't continue. However, it must be admitted that the professional photography organization's understanding of the machine and the control of light are really mature, and the original film has good image quality and few defects. But that's it. The consequence of being too mature is the lack of creativity and uniqueness. There is no room for this film. After reading it, I feel mature enough to suffocate. I don't know what to do in the future to restore my original feeling. Actually, to put it bluntly, any photographer has his own style. Most of the photos taken by professional photography agencies are photos and portraits. You can see that the current photo studios are all the same. I think many movies, at least in my opinion, probably have the same values as the lighting in the early stage and the effect in the later stage. Therefore, it's really a bit hard for such photographers to let them shoot COS from a unique perspective. After all, it's hard to change the style ... the really awesome portrait photography is usually not in the studio ... Really, I'm proud that my brother is such a great photographer in my eyes. I have also mentioned to my brother many times that he has the opportunity to help us shoot COS, but my brother dare not. Really, he told me that he was afraid that what he shot was not what we wanted, and he made it clear that he would not shoot COS. Although I like my brother's photography very much, I have been trying to communicate with him about COS photography until now, and then he gradually learned more and began to try together. Later, I thought about this problem carefully. I think that's true. There is a saying that "interlacing is like a mountain." For the simplest example, Qi Baishi and Da Vinci are both super awesome circles, but who can guarantee that Qi Baishi can draw the Mona Lisa well or that Da Vinci can draw shrimps with ink-dipped paintings? Any industry has segmentation, and this thing cannot be ignored. The deeper you enter the industry, the more you should understand this truth. I have made fewer films, so I can't express the difference at present, but at least, when we choose COS photography for ourselves, this difference can't be ignored.

Equipment is not the first important thing, but it is essential. Before the start of 5D2, I always thought that the equipment would not have a great influence on the photos when taking COS photos, but it was not until last year that I entered the 35L lens of 5D2 and the baby ... I found that saying "the machine is not important" was nonsense! Both Quan Huafu and half-frame cameras have an influence on composition. I really can't understand that it's not important ... when you choose photography, especially paid photography, be sure to ask about the camera model and lens. I am a Canon Party, so I use Canon to talk about things. My family is canon from card machine to micro-single to SLR. I always used Canon G9 and G 1 1 when I first went to college, but later I changed it to 450D, and now it's 5D2. At least now the picture quality can achieve the effect I want. Everyone must have encountered the situation of shooting COS in the absence of aurora or light source. The most intuitive film effect is that the face is black and there are many miscellaneous points. There must be a lot of people who are silly and naive to think that this is the reason why photographers don't set values when shooting. In fact, to be honest, this is an absolute camera and lens problem. Simply put, the pixels are not high enough and the aperture is not large enough. Although they are all SLR, the uniform light of 450D, 60D and 5D2 is the same value, and the shooting effect is absolutely different. So everyone watches many amazing COS photos on WB. There is no doubt that the camera must be top-notch, at least the Quan Huafu fuselage with a red circle lens. Therefore, if you also want a COS film with perfect picture quality and excellent composition, you must find a photographer with good machine and lens, so as to at least ensure the good quality of your photos and the communication and coordination of other human factors.

3. After the photographer, I also talk about the equipment. Now let's talk about the combination of the two. First of all, everyone's first choice must be good equipment, and COS photos are also good and true. This truth is obvious, so I won't say more. Secondly, a photographer who shoots well but is average as a machine is better than a photographer who shoots well as a machine. Of these two, I recommend you to choose the first one for a simple reason: the machine is so awesome that it must be your fault if you can't shoot well ... (Poof, I think I've been shot ... haha, laugh at myself, I'll try my best ...) Get to the point. I think we can all understand why I recommend you to choose the first one. Perhaps commercial photography pays great attention to image quality and imaging effect, but after all, it is COS, and what we want is a different visual sense.