Traditional Culture Encyclopedia - Photography major - I am a middle-aged woman, but what should I do if I can show myself well when there are many people?

I am a middle-aged woman, but what should I do if I can show myself well when there are many people?

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Version 1:

The film story is based on 1996, which caused a sensation in Japan. Abe is a servant of a rich family. Before that, she was a red geisha in Kyoto. Ishida Yoshizo is the head of the family. He has a crush on Abe, and Abe also falls in love with this romantic and chic master. At first, Abe was able to control his desires and feelings, and offered to resign from his wife's boss, but later he was addicted to his physical love with Ji Zang. The two eloped to a hotel and indulged in it day and night. In order to achieve higher desire satisfaction, the two experienced something almost abnormal that others could not imagine. When the pursuit of rights is close to death, the intercourse between them is close to a ceremony, a ceremony of release, a ceremony of love and death. Finally, exhausted Ji Zang said to Abel, "Please strangle me while I sleep, and don't stop. The feeling after that is too painful. " So when Ji Zang finally fell asleep, Abel strangled him and cut off Ji Zang's penis.

This film gives us a taste of the Japanese pervert and worship of sex. In the film, the heroine Abe falls in love with a man, so they almost become the whole of life. They work day and night, endlessly, crazily and without restraint. The abyss of endless desire is desperate, and they experience the emptiness of existence in the process. This is a profound film. Man's desire is endless, and ultimately it can only be death! So at the end of the film, Abe took a belt around his lover's neck and let him die in a deep sleep. Then she cut off his penis, so he lost his life and she lost her soul. Love you enough that I can kill you. How cruel and true it is. Therefore, it is listed as one of the top ten banned films in the world.

Version 2:

1976, director Takeshima cooperated with France for the first time since independence. Based on the sensational Abe incident in 1936. The heroine Abe Ding is a waitress in Yoshida House, a Japanese restaurant in Nakano. She fell in love with her boss, Ji Zang Ishida, at first sight, and they hit it off. They often meet in the reception room of the store or the remote banquet living room. Soon they were discovered by Ishida's wife, so they had to elope. Finally, because Abe didn't want Ji Zang Ishida to come back to his wife, he was driven by a strong possessiveness, so Abe strangled Ji Zang Ishida and cut off his. Then the director's narration appeared on the screen, explaining the time when Abe met with Ishida Fangsan, the time when Abe was arrested and the sentence. In the film, Oshima gives Abe the image of a winner of love, a symbol of the present &; The topic of uot and uot is very challenging. According to Japanese law, sex organs and other scenes in the film are not allowed, so although the film was shot in Japan, all the development and editing were sent to France for processing because of its cooperation with France, so it can also be regarded as a French version of Japanese film.

Version 3: English Short Stories

Based on the true story of Japan before the war, N and one of his servants started a passionate love affair. Their desire became so strong that they gave up everything, even life itself, in order to strengthen their enthusiasm.

Version 4:

/kloc-At the age of 0/4, her boyfriend was terminally ill and forced into prostitution. She had a rough life and vowed to experience the true meaning of love by the most sacred means! Desire is too pure, so it is dangerous ... for love, she holds him in her left hand and holds a knife in her right hand. ...

Content: 65438+On May 9, 2009, during the Showa period in Japan, Abe, a geisha with a rough life, was arrested on the streets of Tokyo, which shocked the whole of Japan. Cutting off a lover's genitals because of deep love, because of the legendary, crazy and extremely thorough elements of the story, is still talked about by many people.

Abe's story has also been put on the movie screen many times. Among them, the most controversial and famous one is the Sensory World directed by Takeshima in 2006. After more than 20 years, a new world of senses, directed by Yoshihiko Dalin, who has always been good at making youth films, and starring Hitomi Kuroki, reinterprets this sensational story. Hitomi Kuroki, who had a bold performance in Paradise Lost, portrayed Abe's lust and infatuation, which was thrilling and romantic, by playing Abe, making a film, and blurring the shooting techniques.

The photography and pictures of Sensory New World have always been cleverly interlaced with color and black and white, creating a rich nostalgic color and a poetic picture of "past" and "present", which only evokes people's melancholy and longing for old feelings. The fallen woman, the infatuated half-life, the arbitrated Showa love story ",Abe's story, has spawned more literary works, and there will always be only one person. The history that has happened, like the man's cut genitals, once existed, but it can never be repeated. In the image world, what can't be brought back from the dead? Therefore, whether the film is good or bad, whether the audience likes it or not, the sensory world of the film and the new sensory world of the audience can finally cross time and space and touch each other ... until many years later, "we are all history."

Scene 1: The heroine wakes up in the soft sunshine and lies on the stone platform of the cemetery, surrounded by children wearing kimonos and holding windmills, singing and laughing.

Scene 2: The heroine works as a servant in a hotel. People around her always point out that she is a woman, but her hard work seems to show that she is just a good woman living in exile. The host of the hotel defended her so that she could do the work of ordinary people. The male owner is about thirty years old and occasionally goes back to the store.

Scene 3: On a rainy and snowy winter day, an old beggar-like man in rags fell into the pool. When being pointed at, the heroine went to help him. Under the eaves, the old man gratefully said to her, I know you, but you don't remember. We used to be in xxx, and your skills are very good. I will never forget it. I came to see you specially. I had money, so I took out a cloth bag from my pocket. Under the old man's repeated entreaties, the heroine took off the other man's trousers, but she soon found that the old man was incompetent and finally had to leave angrily.

Scene 4: Ji Zang, the host of the hotel, and Minister A, the heroine, finally have sex after flirting for a long time. After many days of sexual intercourse, Abe, who was watching Ji Zang having sexual intercourse with his wife, had the whole picture of killing the boss's wife.

Scene 5: Ji Zang elopes with Abel. Every day, the wine pool is full of meat. On a rainy night, they played and sang in the rain like an ordinary couple with umbrellas, scaring away passers-by. Looks like a couple in love.

Scene 6: Ji Zang and Abe invite prostitutes to sing every day, and they are getting bolder and bolder in front of people. Ji Zang stuffed a boiled egg into Abe's stomach in front of a prostitute, so that she could discharge the egg like a hen, and Abe let Ji Zang eat it.

Scene 7: Ji Zang invited many prostitutes at the same time. He and Abel are in front of everyone, and prostitutes are playing with each other with wood. The dancing old man danced an ancient Japanese dance under the stage, while the audience gathered in a jumble.

Scene 8: Because of fornication, it is difficult for Ji Zang to find prostitutes again. Only an old woman comes to play the piano for them. The three of them were talking about sex, and Abe suggested that Ji Zang let the old woman pee all over the floor with the strong Ji Zang.

Shot 9: Ji Zang's economy is getting tense. In order to maintain the life of the wine pool, he introduced Abe to a middle-aged local official as a temporary prostitute. Although Abe was unhappy when talking about it, she behaved the same in bed as she did in Ji Zang.

Lens 10: preparations for world war ii have begun. Soldiers can be seen everywhere in the street. The official has been dismissed, and their economy in Ji Zang is becoming increasingly tense. Ji Zang travels outside every day to make a living, but it's no use. He returned to China with Abe. Because of pressure and promiscuity, Ji Zang's sexual ability declined. In order to meet Abe's demands, Abe strangled him as before. Because of the intertwined desires and demands, the two of them could not tell the danger of life and death, and Ji Zang was strangled.

Scene 1 1: Abe finally collapses completely. She cut off her lover's genitals and wandered the streets like a treasure of life.

The film was banned because of a large number of nudity and unacceptable endings. If measured by a narrow personal perspective, you can give a little praise to the director's theme. For people with strong individualism who regard sex and love as the same thing, this is simply a pure love story. The hero and heroine fall in love, elope, immerse themselves in love, and give everything for each other ... but it describes an anti-moral behavior in a messy way, adultery, promiscuity, avoidance and even publicity. Sex is like a symbol, crystallization and gift of love. In the heroine's mind, sex symbolizes love and is the whole of her world. This film describes the whole process of a man and a woman immersed in a promiscuous life, or destroying social morality for business or art. As an early heavyweight limiting film, it sets a good example for the next development of modern A-level movies in Japan, and also flaunts a positive example for some private moral corruption behaviors.

Brief introduction of film

This is a Japanese film, but the unabridged original is still banned in Japan. The story describes a thrilling love story between a maid and a man in a remote mountain village in Japan during World War II. Especially the shocking ending of this film can be said to be both reasonable and unexpected. The film is based on real events. At that time, it caused a sensation throughout Japan. The love pattern described in this film has a far-reaching influence on later Japanese literature. A few years ago, Junichi Watanabe's sensational novel Paradise Lost was influenced by this film. This movie can make you believe that happiness and tragedy are often between thoughts, and happiness is to make you sad.

technique of expression

In the whole film, it is difficult for the audience to determine the time of the story because of the relationship between clothes and scenes. The film shows a classic, painting, legend and imaginary Japan. But a shot revealed the secret. Aji went out for a haircut and met a heavily armed soldier. On one side of the street, people waved national flags and military flags and sent away the young people who were about to go to war.

Director Nagisa o shima arranged this scene, not simply to show the style of the times. As a director who has watched students' anti-American and anti-war movements, he has always enjoyed the anti-system, so that the fanaticism of war and the fanaticism of love can be juxtaposed. Of course, it can't be attributed to "not fighting", but also a deep irony of the times and an affirmation of the anecdotes that were covered up in orthodox history.